Category Archives: Hollywood

Last chance! The Fountain Theatre’s hit world premiere production, Detained, to close on May 15

The cast of Detained. Photo by Jenny Webb.

After a long list of rave reviews and a successful run of nearly three months, the Fountain Theatre’s world premiere production of the gripping docudrama, Detained, comes to an end on Sunday, May 15th. The final performances of Detained are May 9 and 14 at 8pm, and May 15 at 2pm. Special $10 tickets are available on a limited, first come/first-served basis.

Originally commissioned by immigration attorney Judy Rabinovitz of the ACLU Immigrants’ Rights Project and written by The Lillys 2021 Lorraine Hansberry Award-winning playwright France-Luce Benson, Detained explores the heartbreak and fierce determination of families fighting to stay together while mass deportation and harsh U.S. immigration legislation become ever more dedicated to keeping them apart. It is both a devastating, in-depth look at everyday people caught in the punishing web of harsh immigration policies, and a celebration of the courage and conviction of those struggling against an often coldblooded institution that seems to have lost sight of its former humanity.

Former cast member Michael Uribes was unable to continue with the show, so Jose Fernando (Daniel’s Husband) has temporarily relinquished his duties as Fountain Theatre House Manager to join the cast of Detained. “It feels great to be switching gears and joining the Detained family in this capacity,” he said. “As someone who immigrated to this country, and has friends and family affected by the politics surrounding immigration, this show is very real to me. It allows me an opportunity to give a voice to our lived experiences.”

Jose Fernando joins the ensemble cast of Detained

Fernando, along with company members Liana Aráuz, Camila Betancourt Ascencio, Christine Avila, Will Dixon, Jan Munroe, Theo Perkins and Marlo Su, bring to life a variety of characters based on real-life U.S. detainees, their families and supporters, and ICE representatives – all of whom were interviewed by Benson. These characters include a teenage foodie aspiring “chef-lebrity,” a U.S. Veteran, and a mother of two who works as a roofer in New York City.

“This play is a living document, and I’m constantly updating it,” Benson says. “People think that now that Biden is president, things are better. But thousands of people are still facing deportation every day. Many of these people have been living in this country for decades. They own houses, run businesses, pay taxes, have families.”

“No theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.”

Ticket Holders LA

The Los Angeles Times notes that, “In familiarizing theatergoers with the immense toll these policies take on individuals and their loved ones, the play reminds us that human rights abuses are more than a talking point… The message of the play comes through loud and clear in (director Mark) Valdez’s staging.” Ticket Holders LA proclaims that, “no theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.” TotalTheater.com calls Detained, “Brave and shocking… masterfully directed…” and declares, “The people whose stories are memorialized here remind all of us that we have the power to dismantle a corrupt, inhuman system.” And Showmag.com decrees, “it’s enough to make a person want to run for office… meticulous performance values… every element coalesces into a smooth, almost magazine style of presentation… the play performs an important function to awaken all of us to a system that has grown out of control.” Click here for more reviews and for a list of organizations where you can take action.

Good seats still remain for the final performances of Detained. And to celebrate the last days of the show that People’s World calls “deeply affecting” and “yet another triumph in (the Fountain’s) long line of work,” a limited number of special $10 tickets have been made available with the promo code “Final2.” Don’t miss out — act now!

Please note: All Covid protocols are followed. Proof of both vaccination and booster (if eligible) are required for admission. Masks are strongly encouraged. Snug, surgical-grade respirator masks (N-95/KN-95/KF-94) that cover both mouth and nose are preferred, but blue surgical masks are acceptable. Cloth masks are no longer approved.

For reservations and information call (323) 663-1525 or go to www.fountaintheatre.com.

NOW CASTING: L.A. Premiere of “If I Forget” on Fountain Theatre Outdoor Stage directed by Jason Alexander

The Fountain Theatre is now casting the Los Angeles Premiere of Steven Levenson’s funny and poignant play, IF I FORGET, directed by Jason Alexander (TV’s Seinfeld). Steven Levenson is the author of TICK, TICK… BOOM!, DEAR EVAN HANSEN, and FOSSE/VERDON. IF I FORGET will be performed on the Fountain Theatre’s Outdoor Stage in East Hollywood.

Storyline:
Los Angeles Premiere. A funny and powerful tale of a family and a culture at odds with itself. In the final months before 9/11, liberal Jewish studies professor Michael Fischer reunites with his two sisters to celebrate their father’s 75th birthday. Each committed to their own version of family history, they clash over everything from Michael’s controversial book, to whether they should sell the family business. Secrets and long-held resentments bubble to the surface as the three negotiate – with biting humor and razor-sharp insight – just what they’re willing to sacrifice for a chance at a new beginning.

Producer/Theatre Company: The Fountain Theatre
Artistic Director: Stephen Sachs
Director: Jason Alexander
Writer: Steven Levenson
Casting Director: Simon Levy, Jose Fernando
Lead Producers: Simon Levy, James Bennett
Auditions: April 18-19, 2022
Rehearsals: June 13 – July 19, 2022
Previews: July 20 – 22, 2022
Opens/Closes: July 23, 2022 – September 10, 2022

LOU FISCHER
65 to 75 years old, male. (to play 75) Smart, sensitive, caring. He is capable of deep feeling but can be distant as is typical of men of his generation. Holds disturbing secrets from the war. A Jewish WWII veteran, proud of his family and Jewish heritage. Suffers a debilitating stroke during the course of the play. A man of quiet dignity. An untapped well.

MICHAEL FISCHER
45 to 50 years old, male. Lou’s son. A Jewish Studies professor who happens to be an atheist. A cynical, avowed liberal whose intellect and passions coupled with his ego and neurosis often cloud his better judgment and his better angels. Proud, defiant, stubborn and yet fearful and ultimately a bit lost. He struggles to make his heart as potent as his mind. A brilliant, if tortured, soul.

HOLLY FISCHER
45 to 52 years old, female. Lou’s oldest daughter and Michael’s older sister. (should read slightly older than him). Her dress and manner reflect a lifestyle that connotes a degree of financial success and social influence. She thinks highly of herself and freely speaks her mind, oftentimes at the expense of others. Though brash and biting, she means well and genuinely cares for her family. She is driven, fierce – but the bark is far worse than the bite.

SHARON FISCHER
38 to 40 years old, female. Lou’s youngest daughter. Sweet to the point of almost seeming simple. A natural giver, reflected in being a kindergarten teacher and Lou’s primary caregiver. She is also a bit high strung and desperate to have a family of her own at this later stage of her life. She harbors unspoken resentment toward her siblings for making her the de facto nanny and nurse. Though fragile and brittle, she spends much of the play struggling to assert herself and fight for the things she wants and believes in.

ELLEN MANNING
40 to 43 years old, female. Michael’s wife. Not Jewish. Kind, calm, and the voice of reason when tensions arise between Michael and his siblings. She is supportive of her husband’s career and beliefs though keenly aware and nervous of their offensiveness. She determinedly suppresses her fear and anxiety about her daughter’s mental illness. She is a woman very much on the edge and holding on with all the grace she can muster.

HOWARD KILBERG
50 to 55 years old, male. Holly’s husband. Jewish. A corporate lawyer. Successful and affable but a bit of a dolt. He is socially awkward, never sure of where he stands in anyone’s esteem. He is mild-mannered, even kindly but uncomfortable in his skin. And he harbors a secret that he greatly fears will ruin his life if revealed.

JOEY OREN
16 to 20 years old, male. (to play 16) Holly’s son. A smart and socially awkward teen. Has some behavioral issues; not violent, just acts out to get attention. He acts indifferent toward his family but can’t help revealing genuine concern during trying times. Takes refuge in gaming. An awkward kid, probably somewhere on the spectrum.

Please submit electronically via Breakdown Express/Actors Access or email casting@fountaintheatre.com. First round of auditions will be self-tape of Sides, which will be made available by the casting coordinator. Then there will be an in-person audition at the theatre. Then a callback.

Happy Birthday, Fountain Theatre!

Thirty-two years of enriching and changing lives, seventy-eight seats at a time.

Fountain Theatre’s audio play Numbered Days, a moving, true love story, launches today

Being Valentine’s Day, treat yourself to being swept away by the love and healing powers of music and the written word in Numbered Days, the true-life love story of two passionate artists who used the power of their artistry to sustain them through their “numbered days” as a couple. Playwright Corey Madden has transformed her poetic memoir into a four-episode audio play produced by the Fountain theatre that launches today.

How can art, and the process of creating it, help us cope with hardship? Numbered Days turns Madden’s poems about the battle with cancer she shared with her beloved husband, composer Bruno Louchouarn, into an audio art piece meant to bring healing to others.

Two-time Emmy®, Peabody and SAG award-winning actor Anna Gunn (Breaking Bad) stars as playwright Corey Madden in an audio theater production of Madden’s moving memoir. Veteran actor Tony Amendola (Antaeus Theatre Company, Showtime’s Dexter, ABC’s Once Upon a Time) stars alongside Gunn as Bruno. Jeanne Sakataand Jack Stehlin take on multiple roles. Madden directs, and Jeff Gardener is audio producer, sound designer and Foley artist. Prominently featured throughout is Louchouarn’s glorious music.

“This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Following her husband’s diagnosis, Madden began writing short, free-verse poems as a way to give voice to her anguish.

“I started writing on my iPhone as a way to cope with the stress and uncertainty, but what I discovered was that focusing only on Bruno’s illness and treatment was robbing us both of the very thing I wanted most to preserve — his life,” she explains. “The practice of writing about exactly what was happening in the moment helped me see the grace within daily life. It helped me re-focus on the joy of being alive today. Instead of living in fear, we were both able to experience joy through making art. This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Corey Madden at Cafe Figero, where she and Bruno first met

In addition to writing and directing Numbered Days, Madden’s original works include Rain After Ash and Sol Path, commissioned and produced at Pasadena’s AxS Festival; Day for Night, presented by Santa Monica’s GLOW and featured in Poland’s Transatlantyk Film and Music Festival; Surf Orpheus, produced by UC San Diego and at the Getty Villa, and Rock, Paper, Scissors which was co-written with Laural Meade, premiered at Childsplay and was subsequently produced at Speeltheatre in Holland. Madden is also the director of And So We Walked: An Artist Journey Along the Trail of Tears created and performed by Delanna Studi, which has been produced by Triad Stage and Portland Stage and represented the United States at the Carthage International Theatre Festival in Tunisia in 2019, and will be released by Audible in Spring 2022.  Madden has directed plays, opera and music events, and multi-disciplinary works at the Mark Taper Forum, Public Theatre, Getty Museum, Los Angeles Philharmonic, Boston Court Performing Arts, Trinity Repertory and Actors Theatre of Louisville, among many others. Madden trained at the University of North Carolina School of the Arts. She received her undergraduate degree in dramatic arts from UNC Chapel Hill and her graduate degrees in creative and cinematic writing from USC’s Professional Writing Program and USC Film. Madden is currently the executive director of the Monterey Museum of Art and was associate artistic director of Center Theatre Group/Mark Taper Forum, where she developed and produced more than 300 new plays during her 22-year tenure.

Bruno Louchouarn (1959-2018) composed more than 600 original works including orchestral and chamber music, opera, dance, film, television and theater scores, as well as sound and media installations. His remarkable body of work reflects his wide-ranging interests in music, media and sound, informed by his academic research in cognitive science, artificial intelligence and ethnomusicology. Louchouarn’s musical catalogue reflects the spirit and rhythms of Paris, Mexico City, Los Angeles and Piedmont North Carolina, the places he called home over his six decades of life. During his lifetime, Louchouarn collaborated extensively with dance, theater and visual artists including Suzanne Lacy, Jacques Heim, Herbert Siguenza, Michael John Garces, Juan Felipe Herrera, and his wife, Corey Madden, to create performances in which his moving and layered scores play a leading role. Louchouarn’s collaborations with Susan Jaffe on Metallurgy and Carmina Terra were among his most rewarding creative experiences. Louchouarn’s compositions have been performed at leading arts institutions such as the Kennedy Center, Royce Hall at UCLA, Cal Arts’ REDCAT, the Getty Museum, Juilliard School of Music, University of Southern California, University of Akron, UNC School of the Arts, Chapman School of Music, Occidental College, San Diego Rep, Boston Court, Pasadena Playhouse, Cornerstone Theatre Company and at festivals including Santa Monica’s GLOW, Pasadena’s AxS Festival and Poland’s Transatlantyk Film and Music Festival.

Audio producer, sound designer and Foley artist Jeff Gardener has designed sound and performed as an actor across the country. His credits include the Geffen Playhouse, Kirk Douglas Theatre, Wallis Annenberg Center, A Noise Within, Antaeus Theatre Company, Boston Court Pasadena, Circle X Theatre Company, Echo Theater Company, Rogue Machine, Matrix Theatre, Skylight Theatre, IAMA Theatre Company, The Shakespeare Theatre (DC), Arena Stage, Kennedy Center, Williamstown Theatre Festival and the Edinburgh Fringe Festival in Scotland. Jeff can be seen at L.A. Theatre Works, where he regularly performs live sound effects.

All four episodes of Numbered Days are now available for $20 at www.FountainTheatre.com. Listen to it now, wherever you get your podcasts, with someone you love.

We’re back! The Children returns for its final 3 weeks of performances

by Terri Roberts

Happy New Year! After a long and tumultuous 2021, the hope and promise of the first calendar page of 2022 has arrived.

At the Fountain, we have much to look forward to in the months ahead. New, exciting productions are already in the works (more news on them to come), but first we wrap up our LA premiere presentation of Lucy Kirkwood’s Tony-nominated drama, The Children. This critically-acclaimed production returns to our indoor stage on Saturday, January 8th, to begin the countdown of its final seven performances.

Directed by Simon Levy, The Children stars Ron Bottitta, Elizabeth Huffman and Lily Knight as longtime friends and work colleagues at a British nuclear power plant who are reunited after decades apart when one of the trio surprises the other two with an unplanned visit and an unthinkable request. Kirkwood’s funny and astonishing play is a taut and disquieting thriller about responsibility, reparation and moral accountability. The Children is a provocative legacy drama that asks the big questions we often try to avoid but ultimately must always face: what is our responsibility to the future? To ourselves? To our children?

Lead L.A. Times theatre critic Charles McNulty declared that, “…we hang on to every word… Lucy Kirkwood’s The Children follows the wisdom of the environmental slogan “think globally, act locally.”… What Kirkwood excels at is creating characters that audiences want to learn more about… The Fountain bravely continues to bring L.A. audiences important contemporary works the larger theaters in town still haven’t the courage or vision to produce.” (CLICK HERE for links to reviews and to read pull quotes from them.)

If you haven’t yet seen the show, you still have time. The Children runs through Sunday, January 23rd, with performances Saturdays and Monday the 10th at 8pm, and Sundays at 2pm. (Dark on Monday, the 17th, in observance of Martin Luther King Day.)

CLICK HERE to make reservations.

Please Note: All Covid protocols are followed and enforced. Audience members will be temperature checked and must show proof of full vaccination to be admitted. Masks are mandated and must be worn at all times inside the theatre, except when eating or drinking. Our upstairs café is open and waiting for you.

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s volunteer program. She also manages the Fountain Theatre Café.

Fountain Theatre partners with L.A. Opera for conversation and book launch event “Smashing Barriers in Opera and Beyond”

In a first-time-ever collaboration, the Fountain Theatre and LA Opera present “Smashing Barriers in Opera and Beyond,” an in-person conversation with author, lecturer, and Metropolitan Opera commentator William Berger and internationally acclaimed opera singer Morris Robinson. This free event will take place on Tuesday, Oct. 19, at 8pm on the Fountain Theatre’s beautiful new Outdoor Stage. Mr. Berger’s latest book of recent and new essays, “Seeking the Sublime Cache,” will also be available for purchase and signing.

“Smashing Barriers in Opera and Beyond” will explore political and gender issues, not only in opera, but in the systemic marginalization of the arts in our country. What modern issues are at stake in the works of Giuseppe Verdi? What can we do about racism in the works of Richard Wagner? Why does this matter today?

“William Berger is not only a smart, witty aficionado from the Metropolitan Opera in New York,” says Stephen Sachs, Fountain Artistic Director, “he is a longtime friend. Hosting William and opera star Morris Robinson will be a treat for opera fans in our Fountain community. And partnering with LA Opera is joy.”

Come be part of the conversation and the fun! The Fountain Theatre is located at 5060 Fountain Ave., Los Angeles (at Normandie Ave.) Secure parking is offered for $5; street parking is also available. And concessions will be open with sandwiches, snacks, and drinks for sale — including beer and wine to toast Mr. Robinson, Mr. Berger and his new book, and the Fountain’s inaugural collaboration with LA Opera. Please note that admission to this event is limited to ages 12+. Proof of vaccination, as well as masks, are required for entry. For reservations and more information, call (323)663-1525 or CLICK HERE.

L.A. Premiere of Lucy Kirkwood’s ‘The Children’ opens Nov. 6 on the Fountain’s indoor stage

What is our responsibility to the future? What legacy do we want to leave? The Los Angeles premiere of The Children, written by Lucy Kirkwood and directed by Simon Levy, asks those questions and more in its Los Angeles premiere at the Fountain Theatre. Performances begin on the Fountain’s indoor stage (with all health and safety guidelines strictly adhered to) on Saturday, Nov. 6. The run continues through Jan. 23.

Kirkwood’s funny and astonishing Tony-nominated play is a taut and disquieting thriller about responsibility, reparation and what one generation owes the next. With the outside world in chaos following a devastating environmental disaster, two retired nuclear engineers live a quiet life in a remote cottage on the lonely British coast — until a surprise visit from a former colleague upends the couple’s equilibrium and trust.

The cast includes Ron Bottitta (Hir, Faith Healer, Arsenic and Old Lace, The Arsonists at the Odyssey Theatre; Superior Donuts, Yes, Prime Minister at the Geffen; Oppenheimer, Honky, Razorback at Rogue Machine Theatre, where he also hosts the company’s Rant and Rave spoken word series); Elizabeth Elias Huffman (artistic director of Chain Reaction Theatre in Pittsburgh, most recently seen on stage in The Oldest Profession by Paula Vogel at Portland’s Profile Theatre); and Lily Knight (Ovation, LADCC and Stage Raw award nominee for A Small Fire at the Echo Theater Company; A Delicate Balance at the Odyssey; Three Days in the Country, The Crucible, Peace in Our Time, The Autumn Garden at Antaeus, where she is a member).

“What I love about the play,” says Levy, “is that it tackles these enormously important contemporary issues about our responsibility to the planet, to each other, to future generations, and grounds them in funny, complex, identifiable characters grappling with a moral dilemma that, quite frankly, all of us are confronting, right now, in real time.”

“The nuclear disaster the town is struggling to survive could be anything — it could be COVID, or climate change,” says Fountain artistic director Stephen Sachs. “The moral dilemma is: what world are we leaving to our children?”

The Children premiered at the Royal Court Theatre in London in 2016, then transferred to the Manhattan Theatre Club on Broadway the following year. In 2019, The Guardian placed The Children on its list of “greatest theatrical works since 2000.” London’s The Independent called millennial playwright Kirkwood “the most rewarding dramatist of her generation.”

The Fountain creative team includes scenic designer Andrew G. Hammer; lighting designer Christian V. Mejia; sound designer Marc Antonio Pritchett; costume designer Naila Aladdin Sanders; choreographer Annie Yee; and dialect coach Nike Doukas. The production stage manager is Gina DeLuca. Stephen Sachs and James Bennett produce for the Fountain Theatre. Producing underwriters include Sheila and Alan Lamson, and Carrie Chassin and Jochen Haber. The executive producer is Karen Kondazian.

Proof of vaccination and mask-wearing will be required of all patrons. Admittance limited to ages 12+. All current CDC and local guidelines regarding seating and masks will be followed at each performance.

For reservations and information.

Angie Kariotis talks Walking the Beat and its August 25 final presentation: BLACKOUT 2021

Angie Kariotis, co-creator of Walking the Beat

by France-Luce Benson

Among the many lessons learned in 2020, the most crucial may be our urgent need to have open and honest conversations about race in America. As the grisly video of George Floyd’s murder surfaced, it became painfully clear that we could not afford to look away. Protesters spilled into the streets of cities across the country with a powerful message: If we are silent about injustice, we are complicit.

Angie Kariotis, Program Facilitator and Curriculum Director for Walking the Beat Los Angeles, has devoted her work to fostering these difficult conversations. Kariotis, along with Fountain Theatre Board member Theo Perkins, created Walking the Beat as a tool for community building for high school students. The nine-week multi-media workshop combines performance, creative writing, film, and research to initiate positive interactions between youth and police.

The Arts Education program began in New Jersey in partnership with Elizabeth Youth Theatre Ensemble, and in 2019 the Fountain Theatre launched Walking the Beat Hollywood. This year, the Fountain expanded the program, making it possible for students and police officers outside Hollywood to participate. On August 25, the Fountain will screen Walking the Beat Los Angeles’ culminating multi-media presentation, BLACKOUT 2021.

I had the pleasure of talking to Kariotis about the evolution, impact, and future of this vital program. 

What kind of impact did the events of 2020 have on the students, based on your work with them this past month?

If we are scared as a nation, we will forget all the lessons hard learned. You can see it happening already. No one is talking about all the changes we want to keep. What do we want to keep? Instead of rushing to “normal” (which wasn’t!), 2020 necessitated an activation. We’re activated. One thing the students are is ready.

Was it difficult getting the officers and students to open up?

No, it wasn’t difficult for anyone to open up, by themselves and with each other. People, and I believe most people, want to do just that. But they need permission and they don’t want to be alone doing it.

How has the program evolved since its inception, particularly in the last year?

We got research-heavy this year. We turned this workshop into a popular education. We practiced critique and analysis. We studied. We grew into our work as research-based performance artists. We aimed to challenge public policy formally. We are working to move our practice into the theater that is public policy.

How have your own background and experiences prepared you to do this?

I am studying design thinking and collaborative group processes. This framework is about divergent thinking, collaboration, experimentation, and honoring failure. Creativity — and not just the art-making transactional kind — is a necessary skill. We need people who are able to identify problems before they become problems.

Who should see BLACKOUT 2021? Why?

Anyone who wants to know how to have hard conversations with others. People interested in learning how to get people to the table. How to talk about things no one knows how to talk about. Right now we all want to talk about a lot, but we don’t know how.

What is your vision for the future of Walking the Beat and beyond?

For Walking the Beat, my vision is doing policy brief work, where we move beyond survivance and reconnect with the Earth. I wonder how our workshop can tackle the larger theme of power and how that affects our relationship with the planet.  We talk about public safety. Do we have planetary safety? What does that mean? How is the way we treat each other impacting climate? This is the ethos moving me into this space and beyond.

* * *

It is this passion and progressive vision that have inspired the ensemble of students and officers to create work that is bold, brave, and charged with the urgency of this moment in our country. In addition to serving as Program Facilitator and Curriculum Director of Walking the Beat, Kariotis offers community workshops for parents on How to Raise Anti-Racist Kids, works at Brookdale Community College as Director of Diversity and Inclusion/CCOG, and has published a chapter in Musing the Margins, an anthology examining the influence of culture and identity on the craft of fiction.

BLACKOUT 2021 will premiere on the Fountain Theatre’s outdoor stage this Wednesday, August 25, at 7pm. It will also be available to view on Fountain Stream in the fall.

France-Luce Benson is an award-winning playwright and the Community Engagement Coordinator at the Fountain Theatre.

Fountain Theatre hosts Monday press conference celebrating “Save the Performing Arts Act”

State Senator Susan Rubio in front of the set for An Octoroon at the Fountain Theatre’s Outdoor Stage

On Monday, August 16th, from 9:30-10 a.m., performing arts leaders and Hollywood celebrities will join State Senator Susan Rubio (D – Baldwin Hills) and Councilmember Mitch O’Farrell (13th District, City of Los Angeles) on the Fountain Theatre’s Outdoor Stage to celebrate Governor Gavin Newsom signing into law Senate Bill 805, entitledSave the Performing Arts Act of 2021.” Fountain Theatre Artistic Director Stephen Sachs will emcee the event.

“This bill is recognition from the State of California that intimate theater companies matter,” says Sachs. “I applaud Senator Rubio for her tireless advocacy in crafting this bill, and thank her for taking action to support the needs of small nonprofit theaters across the state.”

The “Save the Performing Arts Act of 2021,” authored by Senator Rubio and co-authored by State Senator Benjamin Allen (D – Santa Monica)and State Senator Anthony J. Portantino (D – La Canada Flintridge), provides $50 million in much-needed immediate financial aid to small performing arts organizations with annual budgets under $2 million (including the Fountain.) The bill also includes $500,000 to set up payroll services support, which will be overseen by the California Arts Council. The public is invited, and encouraged, to attend this celebratory event. Please note: mask-wearing and social distancing will be in effect.

SB 805 is the first bill in the nation that will create a critical funding infrastructure to help assist Small Nonprofit Performing Arts Companies (SNPAC) with average adjusted gross revenues equal to, or less than $1.4 million, to be adjusted every five years based on the California Consumer Price Index. SB 805 will direct the California Arts Council to establish the California Nonprofit Performing Arts Paymaster, which will provide low-cost payroll and paymaster services to SNPACs. This legislation will establish the Performing Arts Equitable Payroll Fund to ensure that SNPACs can pay all workers minimum wage, particularly workers in marginalized communities. Small nonprofit theaters are incubators for playwrights, actors, designers, directors and other artists. They have historically provided networking opportunities and mentorship for Black, Indigenous and People of Color artists to facilitate connections necessary for career advancement by providing performance experience that helps to open doors to larger, less accessible companies. Furthermore, SNPACs contribute to the economic growth, social well-being and cultural vitality of the local communities they serve.

Other confirmed attendees include:

Danny Glover, Co-Founder of The Robey Theatre Company; upcoming recipient of the 2022 Jean Hersholt Humanitarian Award (an Honorary Oscar); BET Award, Cable ACE Award, NAACP Image Award and Asian Pacific Screen Awards winner, and Emmy Award-nominated actor. SB 805 Coalition Member.

Josefina López, Founding Artistic Director, CASA 0101. Theater, Emmy Award, Sundance Film Festival and Humanitas Prize Award-Winning Writer. SB 805 Coalition Member.

Ben Guillory (Co-Founder, CEO and Producing Artistic Director, The Robey Theatre Company, SB 805 Coalition Member. The Robey Theatre Company is a member of the Senate Bill 805 Coalition.

Kirsten Vangsness, tech-kitten Penelope Garcia on the Criminal Minds franchise, and a longtime member of Theatre of NOTE, which is a member of the Senate Bill 805 Coalition.

Snehal Desai, Producing Artistic Director of the award-winning East West Players, the nation’s premiere Asian-American theater company and one of the longest-running theaters of color in the United States.

Jon Imparato, Producer and Artistic Director of the Lily Tomlin/Jane Wagner Cultural Center at Los Angeles LGBT Center

Arianna Ortiz, Western Regional Councilor for Actors’ Equity Association

Martha Demson, President of Theater Producer’s League Los Angeles and Artistic Director of the award-winning Open Fist Theatre Company, both of which are members of the Senate Bill 805 Coalition.

Simon Levy, Producing Director of the Fountain Theatre

SB 805 Coalition Members, which include: Leagues: Alliance of Desert Theatres, Arts for LA, Californians for the Arts/California Arts Advocates, San José Arts Advocates, Theatre Bay Area, Theatrical Producers League Los Angeles; Theaters: 24th Street Theatre, Actors Co-op Theatre Company, Altarena Playhouse, Breath of Fire Latina Theater Ensemble, CASA 0101 Theater, Celebration Theatre, Chance Theater, Coin & Ghost, Collaborative Artist Bloc, Company of Angels, Dezart Performs, Downey Arts Collective, El Teatro Campesino, Flat Tire Theatre Company, Fountain Theatre, IAMA Theatre Company, Infinite Jest Theatre Company, The Inkwell Theater, Inland Valley Repertory Theater, Interact Theatre Company, Invertigo Dance Theatre, Latino Theater Company, Macha Theatre Company/Films, Moving Arts, New American Theatre, Novato Theater Company, Numi Opera, Open Fist Theatre Company, Ophelia’s Jump Productions, Playwrights’ Arena, Rogue Machine Theatre, Rogues Artists Ensemble, Sacred Fools Theater Company at the Broadwater, Santa Cruz Actors’ Theatre, Sierra Madre Playhouse, Skylight Theatre Company, SkyPilot Theatre Company, The Robey Theatre Company, The Road Theater Company, The Victory Theatre Center, Theatre of NOTE, Theatre Unleashed, Teatro Máscara Mágica, Teatro Visión, Theatre West, Town Hall Theatre; Independent Artists: Producer Michaela Bulkley, Performer Devon DeGroot, Actor Robert Fancy, Actress Cristal Gonzalez, Performer Julia Sanford and Performer Christopher Sepulveda.  

Forever Flamenco returns — making summer hotter than ever!

Forever Flamenco, the Fountain Theatre’s sizzling hot signature flamenco series, moves to the Fountain’s new outdoor stage for three, 3-night weekend events at the end of July, August and September: July 30 through Aug. 1; Aug. 27 through Aug. 29; and Sept. 24 through Sept. 27, with all performances beginning at 8 p.m.

Boasting some of the best-known, most highly respected flamenco performers in Southern California as well as special guests from New Mexico, New York and Spain, each performance will be directed by a different artist.

The first performance of the summer, on Friday, July 30, will be directed by bailaora (dancer) Lakshmi BasileLa Chimi” (pictured above.) A tribute to the late cantaor (singer) Jesús Montoya, the evening is sub-titled Pinceladas Escandalosas (“Scandalous Brush Strokes.”) Featured artists include cantaors Antonio de Jerez and Reyes Barrios; guitarristas (guitarists) José Tanaka and Kambiz Pakan; and special guests David Castellano, Laura Castellano and Cristina Moguel of “FlamencoFlavor,” direct from New York City.

On Saturday, July 31, Briseyde Zárate artistic directs and performs alongside bailaoras Vanessa Albalos and Cristina LucioLa Tigresa”; cantaor Antonio de Jerez; and guitarrista José Tanaka.

Subsequent performances will be directed by Vanessa Abalos (Aug. 1); Reyes Barrios (Aug. 28); Ethan Margolis (Aug. 29); Fanny Ara (Sept. 24); Alexandra Rozo (Sept. 25); and Antonio Triana (Sept. 26), with specific line-ups to be announced.

The Fountain Theatre has been presenting authentic, heart-pounding, Gypsy flamenco dance and music since its founding in 1990, under the auspices of theater co-founder and then co-artistic director Deborah Culver (a.k.a. Lawlor). Forever Flamenco was inaugurated as a series in 2003, with the Fountain quickly becoming L.A.’s go-to venue for the art form. The Los Angeles Times calls Forever Flamenco “the earth and fire of first-class flamenco.” The series is currently produced by longtime Fountain associate producer James Bennett.

This spring, the Fountain built an outdoor stage in its parking lot in response to the Covid-19 pandemic. Audiences have been enjoying performances under the stars since the June opening of the company’s Los Angeles premiere production of An Octoroonby Branden Jacobs-Jenkins. Performances of An Octoroon are scheduled through Sept. 19.

Tickets to Forever Flamenco range from $40–$65. Seating will be socially distanced and masks required as mandated by the County of Los Angeles on the date of each performance. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles.To purchase tickets, call (323) 663-1525 or go to www.FountainTheatre.com.