Tag Archives: plays

Actor Patrick Keleher urges you to see ‘Fatherland’ at the Fountain Theatre

Video: Rave reviews everywhere for ‘Fatherland’ at the Fountain Theatre

Biddy Mason: A Staged Reading, a co-presentation of the Fountain Theatre, plays tonight at the Autry Museum

“If you hold your hand closed, nothing good can come in. The open hand is blessed, for it gives in abundance, even as it receives.”

–Bridget “Biddy” Mason

Tonight, March 7, at 7pm, a one-night only performance of Biddy Mason: A Staged Reading will be presented at the Autry Theatre. Directed and choreographed by Annie Loui, and based on a story by Dana Johnson, Biddy Mason is presented by The Autry Theatre, CounterBalance Theater, Ebony Repertory Theatre, and the Fountain Theatre. The 90-minute reading blends video projection, music, song, movement and dramatic storytelling to bring to life the powerful and inspiring true story of an extraordinary woman.  

Bridget “Biddy” Mason was born an enslaved female in 1818. Her exact birthdate and birthplace are unknown. As a teenager she was taught domestic and agricultural skills, and learned herbal medicine and midwifery from other enslaved women. At some point she was purchased by a Mississippi Morman convert named Robert Smith who moved his family and enslaved persons to the area that would become Salt Lake City. Along the long journey there, Biddy herded livestock, cooked the meals and acted as a midwife—all this while caring for her newborn child and her two young children, aged 4 and 10

In 1856, Smith decided to move again—this time to the slave state of Texas, where he planned to sell his enslaved people. Mason shared her fears of being separated from her children and never gaining her freedom to a couple of free black men. They, and others, helped her, and in 1856 Judge Benjamin Ignatius Hayes granted Mason and her family freedom.

In her new life, Biddy Mason worked as a nurse and midwife. At one point she cared for those afflicted with smallpox during the 1862 epidemic in Los Angeles. She saved her earnings and became one of the first Black women to own land in LA. She became a prosperous woman, and shared her good fortune with charities, fed the poor, and visited prisoners. She founded a traveler’s aid center, a school and day care for Black children, and the first elementary school for Black children in LA. She was also a founding member of the First AME Church of Los Angeles, and donated the land the church was built upon. Eventually she became to the community known simply as Grandma Mason.

Biddy Mason died on January 15, 1891 and was buried at Evergreen Cemetery in Boyle Heights in an unmarked grave. Ninety-seven years later, her burial place was finally marked with a gravestone. She is remembered through the Biddy Mason monument in downtown Los Angeles, and her legacy lives on in the City of Angels.

The cast of Biddy Mason, pictured above, includes, from the top: Mary Hill as Biddy Mason; Leslie Lank as Mrs. Smith, Young Bandit, and Others; Kayla Quiroz as Latina Mother, Schoolteacher, Rita and Others. Bottom row: Garrett Gray as Charlie, Jeremiah and Others; April Mae Davis as the Voice of the Future, Ellen, Dana and Others; Alexander Quinones as Pio Pico, Dr. Griffin and Others; Abel Garcia as Master Smith, Judge Hayes, O’Malley and Others.

The Autry is located across from the L.A. Zoo at the junction of the I-5 and 134 freeways.

Go Metro

Take the Metro Local Line 96 to the Autry stop (if headed north/from Union Station) or to the L.A. Zoo stop (if headed south/from Burbank). Plan your best route using the Trip Planner on metro.net.

Parking

Parking is always free at 4700 Western Heritage Way, directly in front of the Autry. Overflow parking is available across from the Autry in the L.A. Zoo lot for $8-10.

Tickets

Tickets are $5 for Autry Members, $10 for the General Public. Reservations required.

PLEASE NOTE: Doors open at 5:30 p.m. for an opportunity to visit the latest Autry Museum exhibitions and purchase food. Reading followed by a conversation with the creative team.

Fountain Theatre co-founding artistic director Stephen Sachs announces retirement

After 34 years as artistic director, Fountain Theatre co-founder Stephen Sachs has announced his retirement at the end of 2024.

“The more than three decades spent launching, nurturing, developing, and leading the growth of the Fountain Theatre have been the most joyous and meaningful years of my professional life.” Sachs wrote to the board of directors in a letter announcing his decision. “Thousands of artists have worked on our stage and in our arts education programs. Hundreds of thousands of patrons have walked through our door, sat in our seats, and been transported. Fountain plays are now produced around the world. We’ve been home to Pulitzer and Tony Award winners. Our artistic integrity is respected locally and across the country. We stand strong as an organization. My co-founder, beloved colleague and dear friend, Deborah Lawlor, passed away last May. This year, I turn 65. I look forward to many pleasant years traveling with my wife, relishing our two adult sons, perhaps writing a novel or two.”

Sachs and Lawlor, who passed away in 2023, assumed leadership of the Fountain Theatre in 1990. Together, they transformed the charming two-story building into one of the most highly regarded theaters in Los Angeles. Under Sachs’ guidance, the award-winning, intimate Fountain Theatre has established a national profile for excellence, producing new plays that reflect the diversity of Los Angeles and the nation, and serving young people throughout Southern California with its arts education programs. In recent years, a perilous time for performing arts organizations everywhere, he led the theater out of the pandemic, installing an outdoor stage in 2021 — the first performance venue permitted to serve the public by the City of Los Angeles and Actors’ Equity Association during COVID-19. He leaves the Fountain in the strongest financial position in its history.

“Our extraordinary founding artistic director, Stephen Sachs, leaves the Fountain healthy and vibrant, with a board of directors eager to protect and nourish his inspiring living legacy of great theater, community engagement, and brilliant innovation,” stated Fountain board president Dorothy Wolpert. “We are committed to finding a worthy successor who will carry that legacy into the future.”

A playwright, director and producer, Sachs has received every theater award in Los Angeles. He was recently honored by the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”

Sachs is the author of 18 produced plays. His writing career began with his 1987 acclaimed stage adaptation of Italo Calvino’s The Baron in the Trees at the Ensemble Studio Theatre in Los Angeles of which the Los Angeles Times wrote, “If you know some people who have never witnessed a real play in action and might be wondering what all this theater stuff is about, take them to The Baron in the Trees.” His production of The Golden Gate, the first play he adapted and directed for the Fountain in 1990, traveled to San Francisco. Central Avenue, his chronicle of the Black L.A. jazz scene, ran for seven months in 2001. His deaf-themed Sweet Nothing in my Ear was made into a TV movie starring Marlee Matlin and Jeff Daniels, for which Sachs wrote the screenplay. Open Window debuted in 2005 at the Pasadena Playhouse. His adaptation of Claudia Rankine’s CITIZEN: An American Lyric earned rave reviews at the Fountain, was produced at the Kirk Douglas Theatre to launch CTG’s Block Party in 2017, and is now produced nationwide. His modern ASL spin on the classic Cyrano starred Oscar winner Troy Kotsur. After an extended run at the Fountain, Miss Julie: Freedom Summer was produced in Vancouver and Toronto. Sachs’ comedy/drama Bakersfield Mist premiered at the Fountain in 2011 and remains one of the theaters most beloved productions; after a seven-month sold-out run at the Fountain, the play was produced in London’s West End starring Kathleen Turner. Now produced throughout the United States, it’s been translated into many foreign languages and is performed worldwide. The world premiere of his current work, Fatherland, which he also directs, opens February 25.

In a career spanning decades, Sachs has directed dozens of award-winning productions at the Fountain, in regional theaters across the country, and off-Broadway. He inaugurated the Getty Villa’s outdoor classical theater with Hippolytos in 2006, and he directed Top SecretThe Battle for the Pentagon Papers on a three-city tour of China for L.A. Theatre Works. Sachs received special permission from Arthur Miller to direct Miller’s rarely seen After the Fall. After seeing Sachs’ Los Angeles premiere production of The Road to Mecca, Athol Fugard asked him to direct the world premiere of Exits and Entrances; thus began a ten-year artistic partnership, with Sachs directing premieres of Fugard’s new plays at the Fountain, as well as off-Broadway at Primary Stages.

Under Sachs’ leadership, the Fountain also debuted new plays by such prominent playwrights as Robert Schenkkan, Tarell Alvin McCraney, Martyna Majok, Stephen Adly Guirgis, Dael Orlandersmith, and Branden Jacobs-Jenkins.

Sachs was instrumental in the formation and early development of Deaf West Theatre, giving the company’s founder, Ed Waterstreet, office space and a stage at the Fountain in 1991. Deaf West is now the foremost deaf theater company in the United States, honored with a Tony Award in 2004 for its innovative staging of the musical Big River

In partnership with Los Angeles City Councilman Mitch O’Farrell, Sachs launched a new program that brought celebrity actors into Council Chambers for one-night readings of plays free to the public. All the President’s Men starred cast members from The West Wing, and a new spin on Mr. Smith Goes to Washington featured Sam Waterston. In 2019, O’Farrell hailed Sachs as “one of the great citizens and artists in our city.” 

A national search is underway to identify the Fountain Theatre’s next artistic director.

2023: A year to remember at the Fountain Theatre

Three hit productions of invigorating plays, transformative arts education programs, and the loss of two deeply significant Family members marked 2023 as a year we will always remember.

Now Casting: Nineteen year-old actor for lead role in Fountain Theatre’s world premiere ‘Fatherland’

The Fountain Theatre is casting the lead role for its upcoming World Premiere of Fatherland, a new play conceived and directed by Artistic Director Stephen Sachs. The riveting and powerful docu-drama opens February 22nd, 2024, and runs to March 30.

Fatherland tells the true story of a nineteen-year-old son who turned in his father to the FBI because of his dad’s role in the attack on the U.S. Capitol on January 6. Fast-moving, stylized, and theatrical, it is verbatim theatre. All of it comes from public statements, case evidence, and the official court transcript.

NOW CASTING:

[SON] 19, sensitive, bright, and soft-spoken. His gentle demeanor does not diminish his inner strength, determination. A liberal-minded socialist, his progressive beliefs fly against his father’s extreme right-wing manifesto. Emotionally and morally torn, he’s stunned and brokenhearted by what his father has become. Seeking a skilled young actor with a deep emotional well who can carry the complex lead of a play.

Rehearsal starts January 23, 2024. Opens February 22, ends March 30. Performances Friday & Saturday 8pm, Sunday 2pm, Monday 8pm.

Union Status: AEA. Rate of Pay / Contract: AEA 99-Seat Contract ($20/hour).

Actors submit via Breakdown Services, Actors Access, or email: casting@fountaintheatre.com


Shirley Jo Finney Lifted Every Soul

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NOW CASTING: Graceful, angelic Black actress/dancer for “Freight” West Coast Premiere at Fountain Theatre

The Fountain Theatre is seeking a Black actress with dance training or who moves well for the West Coast Premiere of FREIGHT: The Five Incarnations of Abel Green starring J. Alphonse Nicholson. Nicholson reprises his Off-Broadway, tour-de-force performance, highlighted in the New York Times as Critic’s Pick.

STORYLINE: Five versions of an African American everyman travels through time in different incarnations, from a 19th-century minstrel to a fallen, out-of-work mortgage broker. In each life, Abel Green is guided, distracted, helped, or hindered by a handful of characters with whom his destiny is forever intertwined.

NOW CASTING:

THE CONDUCTOR – 20 to 39 years old, Black woman. Seeking a Black actress with dance training or who moves well. Striking, graceful, angelic. This unique role is a silent presence weaving throughout the play. A Spirit Queen. Duties also include assisting the production stage manager with backstage functions.

Producer/Theatre Company: Stephen Sachs/Fountain Theatre

Director: Joseph Megel

Writer: Howard L. Craft

Casting Director: Stephen Sachs

Audition Date: 10/26/2023

Rehearsal Date: 10/30/2023

Opening Date: 11/12/2023

Closing Date: 12/16/2023

Rate of Pay / Contract: AEA 99-Seat Contract

Post Submissions to: Actors Access and Breakdown Express. Or email casting@fountaintheatre

After 40 years, ‘Bluefish Cove’ is a haven at Fountain Theatre once again

Last Summer at Bluefish Cove, Fountain Theatre, 2023.

by Stephen Sachs

“Isn’t that the theatre where they did Last Summer at Bluefish Cove?” It was 1990, and I heard that a lot. My business partner, Deborah Lawlor, and I had just acquired the Fountain Theatre in East Hollywood. We had only an empty building and the dream of transforming it into an energetic artistic home that produced high-quality, meaningful theatre. As it turned out, we also took over a stage where a ground-breaking play ran for two sold-out years just a short while before.

Jean Smart, Last Summer at Bluefish Cove, 1983

After an 80-performance run Off-Broadway, Last Summer at Bluefish Cove by Jane Chambers opened at the Fountain Theatre in 1983, with Jean Smart reprising the role of Lil. The ensemble, directed by Hilary Moshereece, also included Camilla Carr, Dianne Turley Travis, Shannon Kriska, Linda Cohen, Sandra J. Marshall, Nora Heflin, and Lee Carlington. Jean Smart was honored with the Los Angeles Drama Critics Circle Award for Best Actress. The Fountain production also received a Certificate of Outstanding Theatre from the City of Los Angeles.

That twenty-four-month run of Bluefish Cove at the Fountain Theatre was a turning point for the lesbian community in Los Angeles at the time, a benchmark achievement in L.A. theater, and a milestone in the history of the Fountain. For many queer women, it was the first time they saw themselves on stage in a play written by a lesbian. For straight audiences, it was an entertaining glimpse into a world that held many of the same needs and fears as their own. It was exhilarating.

We now live in dangerous, disturbing times. At least 417 anti-LGBTQ bills have been introduced in state legislatures across the United States since the start of the year — a new record. People around the country face violence and inequality because of who they love, how they look, or who they are.

The Fountain Theatre offers this play as public affirmation that we all ache for the same human connection, we all seek love and friendship, no matter our differences. Many who were here forty years ago have never forgotten how this funny, tender play changed their lives. Generations of young queer women today, born after the play was produced here on Fountain Avenue, will visit Bluefish Cove for the first time this summer and discover for themselves what all the joy and excitement was about.

INFO/TICKETS

Stephen Sachs is the Artistic Director of the Fountain Theatre.

Meet Hannah Wolf, director of ‘Last Summer at Bluefish Cove’

Check out this short new video of Hannah Wolf, fabulous director of Last Summer at Bluefish Cove, as she discusses how love and friendship are core themes of this iconic, funny, and poignant play.

Set in 1974, Bluefish concerns a group of queer women who spend their summers together in a remote seaside town. Their enclave is disrupted when Eva, a naïve straight woman separated from her husband, stumbles unaware into their circle and falls for the charming, tough-talking Lil. This iconic lesbian play bursts with heartfelt friendship, laughter, and love.

Last Summer at Bluefish Cove plays on our Outdoor Stage at 7pm Fridays – Mondays beginning next week. Low-priced previews begin Wednesday, June 14. Opening Night is Saturday, June 17, with a dessert reception to follow. The show runs through Sunday, August 27. TICKETS/MORE INFO.