The Fountain Theatre will host “L.A. Theatre Pays Tribute to Ed Krieger,” a virtual memorial for longtime theater photographer Ed Krieger, on Sunday, Jan. 24, 2021 at 2 p.m. PT. Krieger passed away on Dec. 16, 2020.
“The Los Angeles theater community has lost a dear friend,” says Fountain artistic director Stephen Sachs. “For decades, through the lens of his camera, Ed chronicled the production history of local stages throughout Southern California.”
Born in Chicago, Krieger photographed the Southern California theater scene for more than 30 years. His production stills captured the essence of live performance at such venues as the Fountain Theatre, Skylight Theatre, Boston Court, El Portal, Laguna Playhouse, Rubicon Theatre, Downey Civic Light Opera, Ford Amphitheatre, Hollywood Bowl and many more. His images appeared in the Los Angeles Times, New York Times, Variety and the Hollywood Reporter. American Theatre magazine highlighted Krieger in its 2015 feature on nationally recognized theater photographers.
The tribute is scheduled to run 90 minutes and will include a slideshow of Ed’s photos as well as live and pre-recorded testimonials by members of the L.A. theater community.
The Fountain is requesting that organizations who worked with Ed each submit two of their favorite photos.
To register to attend the event and to upload photos and/or testimonials, CLICK HERE
The Fountain Theatre has received approval from the City of Los Angeles to install a temporary outdoor stage for the purpose of presenting live performances and other events during the pandemic.
“Pandemic permitting, we hope to open our first outdoor production by late spring or early summer,” says Fountain artistic director Stephen Sachs. “We’re planning an exciting Los Angeles premiere that dramatizes urgent social issues using the Fountain’s signature bold and theatrical approach.”
Installed in what is now the theater parking lot, the new performance area will be able to accommodate 50 to 84 audience members. It will feature seven rows of chairs, each six feet apart, as well as 12 high-top tables positioned six feet apart for use by patrons from the same “bubble” households. Every aspect of the outdoor performance area will meet COVID-19 safety guidelines.
According to Sachs, “The most painful aspect of the past ten months has been the separation from our patrons and the disconnection from our art form. Until our indoor theater reopens, the outdoor stage will be a thrilling performance venue and a hub for our educational and community engagement programs. The outdoor stage will be the centerpiece as we re-emerge in 2021. It galvanizes our vision moving forward.”
The Fountain Theatre outdoor stage is made possible, in part, by the generous support of Karen Kondazian, the Vladimir and Araxia Buckhantz Foundation, Rabbi Anne Brener, Carrie Chassin and Jochen Haber, Miles and Joni Benickes, and the Phillips-Gerla Family.
Want to join our family of donors and become an integral partner in making this thrilling new venture possible? Email Barbara Goodhill at Barbara@FountainTheatre.com.
The mission of the Fountain Theatre is to create, develop and publicly produce plays that reflect the diversity of Los Angeles, to serve young people through educational outreach programs, and to enhance the lives of the public with community engagement activities. For three decades, the Fountain has earned acclaim and admiration nationwide, been honored with more than 200 awards for artistic excellence and is a leader in the L.A. theater community. The organization is proud to count L.A. City Councilmember Mitch O’Farrell, and Mayor Eric Garcetti as supporters, reflecting the company’s successful history of partnering with City government. In addition to being a Los Angeles Department of Cultural Affairs grant recipient for decades, the Fountain launched a groundbreaking program that brings celebrity actors to L.A. City Hall to perform one-night free public readings in the City Council chambers.
As the Fountain Theatre continues to add public-spirited individuals to its nonprofit arts organization, it welcomes Rabbi Anne Brener to its board of directors. She is a longtime friend and supporter of the Fountain who has enjoyed many plays and special events over the years. She also currently serves on the board of ALEPH: The Alliance for Jewish Renewal.
“The Fountain Theatre begins 2021 with a large, active, dedicated board of directors who are dedicated to guiding the organization to not only survive these difficult times, but rise above them,” says Artistic Director Stephen Sachs. “Rabbi Anne Brener offers wisdom, intelligence and a compassionate heart as we trek forward. Her years of experience in community building and serving others is inspirational.”
Rabbi Anne Brener, Professor of Ritual and Spiritual Development at the Academy for Jewish Religion, California, is the author of Mourning & Mitzvah: Walking the Mourners’ Path, now in its third edition. She is a Psychotherapist, Spiritual Director and Meditation Teacher, whose writing appears in many anthologies and periodicals. Anne co-founded one of California’s first Domestic Violence shelters and the Morei Derekh Jewish Spiritual Direction Training Program. She worked as a Hospice Chaplain and currently serves on the board of ALEPH: The Alliance for Jewish Renewal and Los Angeles’ Fountain Theatre. Her work has been dedicated to the study of ancient Jewish rituals and practices to harvest an understanding of the universal healing wisdom that is embedded within them.
The Fountain Theatre is pleased to announce that actor, director and producer Theo Perkins has joined the board of directors. Perkins is known to Fountain audiences for his dazzling performances in the Los Angeles premieres of The Brothers Size and In the Red and Brown Water.
“Theo is a beloved member of our Fountain Family,” said Artistic Director Stephen Sachs. “He brings to our board a shared belief that theatre can serve as a vehicle for social change and an educational tool for young people.”
Theo Perkinsis the Founder and Artistic Director of the Elizabeth Youth Theater Ensemble (EYTE), a not for profit social justice arts organization whose mission is centered upon strengthening the voices of young artists within communities. EYTE’s major initiative is Walking the Beat: a devised theater program for youth of the Global Majority and police officers both in Los Angeles and New Jersey. For his work, Theo was honored by the Union County Urban League Young Professionals of New Jersey, recently featured in Oxygen Network’s 2020Unsung Heroes, and is a 2020 AEA Paul Robeson Award nominee.
As an actor, his television credits include guest star appearances on Fox, TNT, and CBS. On stage, he has performed on Broadway and regionally at NJPAC, Kirk Douglas Theatre, International City Theatre, Boston Court Theater and the Fountain Theatre.
Theo is a graduate of Morehouse College, UCLA’s MFA Acting program and the Executive Arts Leadership Program at the University of Southern California. He currently works as an Arts Coordinator for the Center for the Art of Performance at UCLA.
“When you’re worried and you can’t sleepJust count your blessings instead of sheepAnd you’ll fall asleepCounting your blessings…”
Happy 2021! At last, 2020 is in the rear view mirror, and the hope and opportunity of a new year are before us.
Traditionally, this is the point where people try to start over. They make vows to lose weight/stop drinking/quit procrastinating/give up cigarettes, etc. However, a December 31, 2019 post on Psychology Today.com refers to a Scranton University study that found just 19% of people who make New Year’s resolutions actually keep them. Most folks give up within a couple of weeks.
So might I suggest something different this year? Limit your focus on the negative, and consciously expand your focus on the positive. There are countless studies that show developing an attitude of gratitude has great mental health benefits. And when things get as dark as they did in 2020, it’s even more important for the stability of your head and heart to acknowledge those blessings and not take them for granted or ignore them.
Every winter I look forward to watching, once again, those classic holiday movies that remind us to believe in magic and miracles, and to be thankful for all the goodness in our lives – regardless of the darkness that may, at times, obscure it. A Christmas Carol, Miracle on 34th Street, It’s a Wonderful Life and White Christmas are not just great, inspiring movies, they are the reminders we need in the chill of winter that warmth still exists, that hope for the better is ever present, and that love, actually, is all around us.
More than any year before it, 2020 made it near impossible to believe any of those uplifting perceptual changes could still occur. The year was memorialized by death, devastation and incalculable loss as the result of, among other things, a raging pandemic, a crashing economy, exploding racial tensions, and a dangerous, defiant political landscape. Where could we possibly find magic and miracles, comfort and joy, goodness, hope and love in all that? Where were the blessings that Bing Crosby and Rosemary Clooney sang of so sweetly in White Christmas within the tragic year we have just left behind?
I think the very simple answer is this: like love, the blessings of 2020 actually were all around us. They were in the voices and music that rose heavenward from balconies. The drive-bys to celebrate birthdays and lift sagging spirits. The evening outbreaks of applause for first responders, and the celebratory cheers from doctors and nurses when their patients could finally go home.
Blessings were found in the kindnesses of strangers who secretly paid for our coffees, the essential workers who stocked, sold and delivered our food, and the folks who checked on neighbors who could not leave their homes. They were in the gratitude for the outdoors as we took our daily walks, the extra time we suddenly had to clean out closets, learn to bake bread, write a story, or to develop a new skill. They were in the new-found appreciation for the teachers of our children when school became a learn-at-home project, and for our children themselves – even when they clamored for attention while we were Zooming with clients or co-workers. And blessings certainly lived in the medical workers who held the hands of the scared and dying, and used their own cell phones to allow those patients to say goodbye to their loved ones in the only way possible.
Within our theatrical communities, blessings were evident in the sheer resiliency and tenacity of theatre artists everywhere to keep our art alive. Witness, for example, the moving rendition of “Sunday” from the Stephen Sondheim/James Lapine Pulitzer Prize-winning masterpiece, Sunday in the Park With George, and how it affected both actors and audience. The surprise pop-up performance by out-of-work Broadway actors was staged on the red TKTS steps, and delighted unsuspecting tourists and native New Yorkers alike. Theatre can happen anywhere.
Back in March, when our marquees went dark and the only lights that shined were the ghost lights on our stages, theatres turned, en masse, to Zoom to keep connected to audiences, to each other, and to keep telling stories. Conversations, readings, previously filmed shows and newly created hybrid performances filled our screens and kept us going. Despite its challenges, Zoom emerged as one of 2020’s biggest blessings overall. Now clearly, watching a great play on Zoom or speaking to family members highlighted in their own Hollywood Squares, will never surpass the thrill of the live experience. But with social distancing a necessary part of life, Zoom became a safe, protective means for the literal, and metaphorical, show to go on. Businesses still met, doctors still consulted with patients, support groups were still able to be present for each other, friends and families still stayed in touch. How could that be anything but a blessing?
Personally, I think it is part of the work of every human being to observe and acknowledge such blessings every day, both the commonplace and the extraordinary. And it is also part of the work of the theatre to present such stories, among others, to an audience. (Even White Christmas was eventually adapted for the stage and is now a holiday staple for regional theatres across the country.) Storytelling is an innate part of the human experience. We’ve been sitting around campfires, drawing on cave walls, and creating ceremonies and traditions since the beginning of human existence. The stage is wherever we make it. Last year, Fountain productions started out, as always, on the physical stage of our intimate theatre. And as the pandemic took hold and changed our lives, we changed as well. We adapted. We shared our stories from our living rooms, in parks, in shopping centers, and yes, even on Zoom. The blessing is that theatres everywhere found ways to carry on. To keep art and creativity alive. To stretch ourselves beyond what we thought possible. Growth, perseverance, fortitude…these are all good things. They are blessings, every one.
As we leave the anguish of 2020 behind and step into the fresh air of 2021, let’s keep in mind that, as terrible as it was, 2020 was not all bad. In the midst of despair, there was still hope. There was bravery in the face of fear. There was beauty that rose up out of ugliness. There was strength to stand and adapt. And there was an urgency to create and make art that burned bright in the midst of chaos. That perceptual change was there for us to find.
So if you become worried or anxious and you find you cannot sleep, take a cue from Crosby and Clooney. Count your blessings instead of sheep. You’ll be asleep in no time.
Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s volunteer program. She also manages the Fountain Theatre Café.
A life in the theatre is filled with photographs. We who act, direct, write, compose, design, produce or publicize theatre make use of countless of photographs, in a career and a lifetime. Production stills, headshots, publicity photos, prints for posters, snapshots for marketing brochures. We post JPEGS of ourselves in plays and musicals on social media, upload pictures of past performances for grant applications, embed digital images into our portfolios. At the Fountain Theatre, in our archive room, we have catalogued a collection of photographs chronicling the history of our organization going back thirty years. Hundreds, probably thousands, of pictures. Black and white and in color. Most of them taken by one remarkable man: Ed Krieger.
I got heartbreaking word last week that Ed had passed away at home on December 16, 2020. He had been fighting health issues for the past year and a half, but remained in good spirits. Ed was an essential member of our Fountain Family for twenty-five years, and a beloved photographer for the Los Angeles theatre community for decades. And he was my friend.
Born in Chicago, Ed graduated from Gage Park High School on the South Side. He studied biology and theater at Cornell College in Mount Vernon, Iowa. In 1985, he married Heather Blades, a graduate from UC Irvine. They each performed in plays and musicals throughout Southern California, appearing on stage together in 42nd Street and The Pajama Game at Downey Civic Light Opera. They had two children, daughter Courtenay and son Will.
Whenever I gave Ed Krieger a call to shoot photos of a current production at my theatre, I was guaranteed two things. First, I knew I would get high quality stills that captured the theatrical essence and energy of our show, shot in a professional and easy-going manner. Second, I could bank on getting a flurry of theater stories from Ed, usually about the other shows he was shooting (and their companies), his own precarious exploits as a musical actor (auditions he failed, or the ones that he aced), and the blossoming careers of his kids. I loved seeing the joy spread on Ed’s face when he spoke about Courtenay and Will, he was so clearly proud of them.
The photographs of Ed Krieger have played a crucial role in the success of my theatre. For one quarter of a century, Ed pulled up in his van outside our building on Fountain Avenue, lugged his equipment into our theatre, and took millions of pictures of thousands of our theatre artists. Multiply that by fifty, by one hundred, by two hundred other theater companies throughout the Los Angeles area and you get an idea of the immense contribution this man has made to our livelihood, our business, and our art.
I imagine that of the dozens and dozens of Los Angeles theater companies who worked with Ed Krieger over the years, each and every one thought of Ed as their photographer, he was theirs. That is just how you felt about Ed. He was yours. He was like your favorite uncle, the one you loved, the one with the camera, who laughed and joked and told stories while he happily snapped photos of you and your family.
I pray that L.A. Stage Alliance reaches out to Ed’s family at the appropriate time to secure the massive archive of images Ed has captured with his camera, all now stored at his home. In those stacks and stacks of cardboard boxes, in those miles of Kodak film, on those gigabytes of imagery, lies the history of us all. The work we have done, the art we have created, the lives we have changed, the friends we have found, the families we have made, and the city we have chronicled and helped put on the national map. Ed photographed that, for us all.
At the request of the Krieger family, those wishing to honor Ed may make a donation in his name toThe Actors Fund.
I’ve been thinking about a poem by Mary Oliver. The entire poem is only two lines. That’s all it needs. It goes like this:
“Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.”
2020 has been a deep box of darkness. Our task is to learn to view sorrows as gifts. That’s a hard one. The poem encourages us to do something when sorrows come, challenges us not to sit back and do nothing about them. That is what I have learned from this year.
It is hard to receive boxes of darkness. At the bottom of my box, I have found the gift of gratitude. For things big and small. As this dreadful year comes to its close, it has brought me this gift born of darkness: To be without the intimacy of the Fountain Theatre for one year makes me grateful for it even more. I hope you feel the same. While our holiday gatherings may be smaller or grid-boxed on Zoom, our hearts will surely be filled with gratitude.
With vaccinations now underway, our boxes of darkness soon will lighten. I honestly believe that the Fountain Theatre will play an essential role in the healing of our community. As we look ahead to 2021, the Fountain has ambitious plans to move forward, both online and onstage. Creating productions that illuminate what it means to be alive at this time in the world and providing impactful arts education programs for students in underserved schools across Los Angeles. All COVID-safe.
Here’s a snapshot: Our new online platform, Fountain Stream will debut a 2021 season of plays and inter-active community programs. Using innovative video technologies, we will go beyond Zoom, to give you intimate high-quality theatre that makes you think and feel. We have expanded Fountain for Youth, our arts education initiatives, with Fountain Voices, an extraordinary in-school playwriting program designed by France-Luce Benson. Our ground-breaking cops/kids residency, Walking the Beat, will return in a glorious new digital format. And, most ambitious of all, we are hopeful that in the spring of 2021, we will launch our biggest adventure next year: a thrilling Outdoor Stage in our parking lot. Live theatre under the stars! Completely COVID-compliant. Stay tuned.
But for now, the Fountain — like every theater throughout Los Angeles and across the nation — remains closed. I don’t have to tell you things are hard. For the Fountain, our earned income has ground to a halt. The Fountain’s budget has dropped by over 50%. Our building remains non-operational, still standing proud on Fountain Avenue thanks to grants, federal loans, contributions, and the private giving by you, our Fountain Family.
If you have already made a year-end donation to our campaign, I thank you from the bottom of my heart. You are the gift in our darkness box. Your love, friendship and support are the light that shines the way through these uncertain times. If you haven’t yet contributed, please consider doing so. Your generous holiday gift will help make the coming year possible. I am asking you to turn the sorrows of this year into a gift of gratitude. Out of darkness, light!
The Fountain Theatre is proud to be participating in the L.A. County Arts Internship program, the largest paid arts internship program in the nation. Established in 2000 by the L.A. County Board of Supervisors, the program provides undergraduate students with meaningful on the job training and experience working in nonprofit arts organizations.
Jona Yadidi’s application stood out from the dozens we received. A student at Occidental College, Jona’s impressive resume includes event planning, directing and producing musicals for Camp Ramah, and the Glee club. But it was her interview that really blew us away. Her eloquence, sincerity, and passion for spiritual service, theatre, and social activism intrigued and delighted us.
Please join us in welcoming Jona Yadidi to The Fountain Family:
Tell us 3 fun facts about yourself: I am a first-generation American, I can speak 5 languages (Hebrew, Italian, Farsi, Spanish, and… English) , and I taught myself to play the ukulele during quarantine this summer.
What drew you to the Fountain: The commitment y’all have to social justice and promoting diversity on stage. I am dedicated to using theater as a vehicle for community dialogue and engagement and as a tool for more inclusivity and understanding.
What do you hope to gain out of this experience: A general understanding of how a non-profit theatre company works in Los Angeles and the impact that art makes, especially now that we’ve moved into a digital space. I am about to graduate college soon and enter “the real world” and as someone who wants to go into arts education and community engagement, I think my experience at the Fountain will give me a clear vision and direction for my future.
What is your hope for the future of theatre: To make theatre more accessible to all types of audiences and to have those audiences represented on stage. To dismantle the elitism that comes with ticket pricing with more initiatives like “pay what you can”. As well, we have to make sure that what we are producing not only includes, but supports and uplifts BIPOC communities that are normally not represented onstage. As an Iranian woman myself, I rarely see Iranian representation in theatre and I know I’m not alone in this sentiment. We need to have more BIPOC artists involved in all aspects of theatre; on stage, directing, producing, writing material, on theatre staff, and as board members. For more information on this initiative, please check out: https://www.weseeyouwat.com/
What are your goals: I would love to become the head of the education department or community engagement department for a non-profit theatre company (just like you France-Luce!). I think the power in theatre is rooted in educating high school students and the community around us on what different productions represent because the options in theatre are really limitless.
What are you most thankful for this year: My incredible support system of friends and family. It’s really been an unpredictable year full of ups and downs and I wouldn’t be able to get through it without those I have by my side keeping me strong.
The Fountain Theatre thanks the LA County Board of Supervisors and the Los Angeles County Department of Arts and Culture for its Arts Internship Program.
Election Day has come and gone. As of this writing, millions of ballots are still being counted. The process may be slow and frustrating, but taking the time to make sure every voice, every vote, is heard and counted is American democracy in action. It’s why the Fountain Theatre launched its get-out-the-vote project, Raise Your Voice – Vote!, that lived in public spaces across Los Angeles on October 24th and 25th. The fact that you joined us and took action – that you raised your voice, you cast your vote, made your selfie videos encouraging others to do the same – means that you were a vitally important part of the process. And we wanted to say thank you. Thank you for participating, from the bottom of our hearts.
Over that last weekend in October, Raise Your Voice – Vote! actors Victor Anthony, Jessica Emmanuel, Wonjung Kim, Theo Perkins and Rayne J. Rayney – all COVID-tested, properly masked and with a supply of PPE’s – popped up at a variety of culturally different communities across Los Angeles with a mission to activate voter participation via socially-distanced guerrilla-style theatre. Raise Your Voice – Vote! was conceived by the Fountain’s Community Engagement Coordinator France Luce Benson, and co-directed by Benson and dancer/choreographer Lily Ockwell. It utilized some of America’s most iconic speeches about voting rights to create a choreographed collection of 10-minute theatre pieces, augmented with bits of song and movement, that were performed in front of surprised and appreciative audiences at Union Station, Little Tokyo, Fig and 7th Shopping Center, Leimert Park, Pan Pacific Park and Balboa Park.
“We wanted to create an event that was inspirational, but never didactic,” explained Benson. “The performers were in conversation with each other and with the people around them, blending, respecting and embracing whichever community we were in.”
The actors were supported in their travels and performances by Fountain staff and, for the first time ever, a wonderful group of recruited volunteers. (For more information on volunteer opportunities at the Fountain, please email me at email@example.com.) Raise Your Voice – Vote! was also presented in partnership with the volunteer group Big Sunday and The Social Ripple Effect, a non-profit organization committed to global change through local action. As part of our get-out-the-vote effort, SRE was on hand to distribute literature briefly outlining the significant propositions also on this year’s ballot.
The Raise Your Voice – Vote! performances were live-streamed throughout the weekend on the Fountain’s website and its Facebook, YouTube, Twitter and Instagram pages. Those live feeds were supplemented by the afore-mentioned selfie videos, posted hourly, that were submitted by actors, directors and producers; Fountain patrons, staff and board members; colleagues within the LA theatre community-at-large; plus educators and students, business leaders and soccer moms, and more. Dozens of videos flowed in, all of them with personal observations about the urgent need to vote in this, “the most important election of our lifetime.” They were witty. Heartfelt. Serious. Reflective. One video was even sung, a cappella, as a comedic duet version of The Star Spangled Banner! But all of them, in their own unique ways, were impassioned calls to action.
So, thank you for answering the call. For being part of a record-breaking turnout of voters who stood up and had the courage to say, with your vote, These are the people, the propositions and the measures I believe will best be of service to me and my country.
Still, we all know it’s not a fair election unless every voice is heard. And because the laws that govern when ballots can be opened and counted vary by location, a full and complete ballot count is going to take awhile. Unfortunately, there are those who are actively trying to halt this process and silence all those voices. We urge you: Don’t let them.
Raise your voice one more time and demand that every single vote be counted. Send a text, make a phone call, sign the petitions that are probably clogging your inbox right now. Take action. Stay involved.
In the meantime, while votes continue to be counted, enjoy these photos from the many stirring public performances of Raise Your Voice – Vote! And reflect on these words from Lyndon B. Johnson, which were part of the Raise Your Voice —Vote! live experience:
“Our mission is, at once, the oldest and the most basic of this country: to right wrong, to do justice, to serve man…Our fathers believed that if this noble view of the rights of man was to flourish, it must be rooted in democracy. The most basic right of all was the right to choose your own leaders. The history of this country, in large measure, is the history of the expansion of that right to all of our people. Many of the issues of civil rights are very complex and most difficult. But about this, there can, and should be, no argument. Every American citizen must have an equal right to vote. There is no reason which can excuse the denial of that right. There is no duty which weighs more heavily on us than the duty we have to ensure that right.”
— Lyndon B. Johnson, March 15, 1965
Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s new volunteer program. She also manages the Fountain Theatre Café.