Category Archives: Native American

Biddy Mason: A Staged Reading, a co-presentation of the Fountain Theatre, plays tonight at the Autry Museum

“If you hold your hand closed, nothing good can come in. The open hand is blessed, for it gives in abundance, even as it receives.”

–Bridget “Biddy” Mason

Tonight, March 7, at 7pm, a one-night only performance of Biddy Mason: A Staged Reading will be presented at the Autry Theatre. Directed and choreographed by Annie Loui, and based on a story by Dana Johnson, Biddy Mason is presented by The Autry Theatre, CounterBalance Theater, Ebony Repertory Theatre, and the Fountain Theatre. The 90-minute reading blends video projection, music, song, movement and dramatic storytelling to bring to life the powerful and inspiring true story of an extraordinary woman.  

Bridget “Biddy” Mason was born an enslaved female in 1818. Her exact birthdate and birthplace are unknown. As a teenager she was taught domestic and agricultural skills, and learned herbal medicine and midwifery from other enslaved women. At some point she was purchased by a Mississippi Morman convert named Robert Smith who moved his family and enslaved persons to the area that would become Salt Lake City. Along the long journey there, Biddy herded livestock, cooked the meals and acted as a midwife—all this while caring for her newborn child and her two young children, aged 4 and 10

In 1856, Smith decided to move again—this time to the slave state of Texas, where he planned to sell his enslaved people. Mason shared her fears of being separated from her children and never gaining her freedom to a couple of free black men. They, and others, helped her, and in 1856 Judge Benjamin Ignatius Hayes granted Mason and her family freedom.

In her new life, Biddy Mason worked as a nurse and midwife. At one point she cared for those afflicted with smallpox during the 1862 epidemic in Los Angeles. She saved her earnings and became one of the first Black women to own land in LA. She became a prosperous woman, and shared her good fortune with charities, fed the poor, and visited prisoners. She founded a traveler’s aid center, a school and day care for Black children, and the first elementary school for Black children in LA. She was also a founding member of the First AME Church of Los Angeles, and donated the land the church was built upon. Eventually she became to the community known simply as Grandma Mason.

Biddy Mason died on January 15, 1891 and was buried at Evergreen Cemetery in Boyle Heights in an unmarked grave. Ninety-seven years later, her burial place was finally marked with a gravestone. She is remembered through the Biddy Mason monument in downtown Los Angeles, and her legacy lives on in the City of Angels.

The cast of Biddy Mason, pictured above, includes, from the top: Mary Hill as Biddy Mason; Leslie Lank as Mrs. Smith, Young Bandit, and Others; Kayla Quiroz as Latina Mother, Schoolteacher, Rita and Others. Bottom row: Garrett Gray as Charlie, Jeremiah and Others; April Mae Davis as the Voice of the Future, Ellen, Dana and Others; Alexander Quinones as Pio Pico, Dr. Griffin and Others; Abel Garcia as Master Smith, Judge Hayes, O’Malley and Others.

The Autry is located across from the L.A. Zoo at the junction of the I-5 and 134 freeways.

Go Metro

Take the Metro Local Line 96 to the Autry stop (if headed north/from Union Station) or to the L.A. Zoo stop (if headed south/from Burbank). Plan your best route using the Trip Planner on metro.net.

Parking

Parking is always free at 4700 Western Heritage Way, directly in front of the Autry. Overflow parking is available across from the Autry in the L.A. Zoo lot for $8-10.

Tickets

Tickets are $5 for Autry Members, $10 for the General Public. Reservations required.

PLEASE NOTE: Doors open at 5:30 p.m. for an opportunity to visit the latest Autry Museum exhibitions and purchase food. Reading followed by a conversation with the creative team.

World Premiere of “Detained” opens Feb. 19 on the Fountain Theatre’s indoor stage

How do families stay together, even when they are kept apart? The Fountain Theatre presents a gripping new docudrama, a compilation of true stories that explores the rippling impact of mass deportations on families. The world premiere of Detained, written by The Lillys 2021 Lorraine Hansberry Award-winning playwright France-Luce Benson and directed by Mark Valdez, winner of the 2021 Zelda Fichandler Award, opens February 19 at the Fountain Theatre. Performances will continue through April 10, with three public previews taking place February 16, 17, and 18 at 8pm.

Originally commissioned by immigration attorney Judy Rabinovitz of the ACLU Immigrants’ Rights Project, Detained is based on interviews with longtime U.S. residents held in immigration detention, and with their family members, advocates, attorneys and representatives of ICE. Inspired by their stories, Detained explores how families fight to stay together as increasingly cruel U.S. immigration legislation keeps them apart through mass deportations and immigration detention centers. It offers a heart-wrenching and in-depth look at the human lives behind the policies, and celebrates the strength and determination of the ordinary people who must fight against an unjust system while keeping their hope and faith in humanity intact.

“All of the stories in this play are true, and they are heartbreaking,” says Benson. “The more people I met, the more time I spent with them, the more important it became to tell their stories. When you go through trauma, you want to be seen, to be given a voice. My own family immigrated to America in the 1970s, and my father received a humanitarian award for the work he did at Krome Detention Center in the ’80s and ’90s. This is his story too, and a way for me to honor the sacrifices he made for us.”

Theodore Perkins in rehearsal for Detained.

When Rabinovitz first approached Benson, President Obama was still in office. Under his administration, more people were being deported than ever before. Since then, with harsher immigration legislation enacted under President Trump and the current Covid-19 health crisis, the situation for many immigrants has become ever more dire. As more stories of injustice persist and legislation changes, so does the play.

“This play is a living document, and I’m constantly updating it,” Benson says. “People think that now that Biden is president, things are better. But thousands of people are still facing deportation every day. Many of these people have been living in this country for decades. They own houses, run businesses, pay taxes, have families.”

Characters in the play include a teenage foodie aspiring “chef-lebrity,” a U.S. Veteran, and a mother of two who works as a roofer in New York City. Together, their collective voices weave a compelling and complicated tapestry.

Ensemble members, who play a range of roles, include Liana Aráuz, Camila Betancourt Ascencio, Christine Avila, Will Dixon, Jan Munroe, Theo Perkins, Marlo Su and Michael Uribes. The creative team includes scenic designer Sarah Krainin; lighting designer Christian V. Mejia; composer and sound designer Marc Antonio Pritchett; media designer Matt Soson; props designer Katelyn Lopez; and costume designer Jeanette Godoy. Movement choreography is by Annie Yee. The production stage manager is Anna Kupershmidt. Stephen Sachs, Simon Levy and James Bennett produce for the Fountain Theatre. Producing underwriters include the PhillipsGerla Family and Donald and Suzanne Zachary. Executive producers are Miles Benickes and Diana Buckhantz.

Detained was developed, with a generous grant from the Miranda Family Foundation, at Ensemble Studio Theatre in New York under artistic director Billy Carden.

Detained opens February 19 and runs to April 10. Proof of both vaccination and booster will be required for admission. Patrons must be masked at all times in the theatre, except when actively eating or drinking in our upstairs indoor café/outdoor deck. Snug, surgical grade respirator masks (N-95/KN-95/KF-94) that cover both mouth and nose, are strongly encouraged, but blue surgical masks are acceptable. Cloth masks are no longer approved.

For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com.

Fountain Theatre earns 7 Stage Raw Theatre Award nominations

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco

It was announced today that the Fountain Theatre has been nominated for seven Stage Raw Theatre Awards for two productions in the 2016 season. Our Los Angeles premiere of My Manana Comes by Elizabeth Irwin and the world premiere of Stephen Sachs’ Dream Catcher were acknowledged with the following nominations:

  • Leading Male Performance – Lawrence Stallings, MY MAÑANA COMES 
  • Supporting Male Performance – Peter Pasco, MY MAÑANA COMES
  • Playwriting  – Elizabeth Irwin, MY MANANA COMES
  • Two Person Performance – Elizabeth Frances & Brian Tichnell, DREAM CATCHER
  • Lighting Design – Jennifer Edwards, MY MAÑANA COMES 
  • Set Design – Michael Navarro, MY MAÑANA COMES 
  • Production Design – Dillon Nelson,  MY MAÑANA COMES

 Full list of nominees.

DC_A0134 (2)

Elizabeth Frances and Brian Tichnell in Dream Catcher. 

The Third Annual Stage Raw Theater Awards are May 15 at Los Angeles Theatre Center, 514 S. Spring Street, Downtown. Doors open at 6:30 p.m., show starts at 7:30 p.m. 

Tickets: General Admission $25, VIP reception (post-show) $100. VIP Includes: Hosted bar, passed food, trial membership to Stage Raw “Insiders Club” More Info

 

VIDEO: 3rd graders enjoy morning mask making at Fountain Theatre

table 1 croppedAnother unforgettable afternoon at the Fountain Theatre. Thirty students from Ramona Elementary School around the corner on Mariposa Street walked over to the Fountain Theatre Friday morning for a special visit that included a lesson on Native American storytelling and the making their own colorful animal masks.

Teacher Eric Arboleda’s 3rd grade class have been studying Native American culture prior to their visit. The Fountain’s current hit production of Dream Catcher offered the perfect invitation for the theatre and Ramona School to partner for the benefit of the young students. The project is made possible through Theatre as a Learning Tool, the Fountain’s educational outreach program that makes art accessible to young people.

The same class from Ramona Elementary School visited the Fountain in November during the run of The Painted Rocks at Revolver Creek. For that production, the students painted their own stones in bright colors and patterns.   

Sarah lesson 2

Sarah Boulton guides the class on Native American creation stories. 

Friday morning’s visit began with the students gathering in the theatre to see Dream Catcher’s in-the-round dirt setting. Fountain colleague Sarah Boulton guided the students through a lively lesson plan exploring the creation stories from a variety of Native American tribes.

SS Eric

Eric Arboleda and Stephen Sachs

The students were then ushered outside where a long table covered with art supplies waited for them in the parking lot. There they enjoyed an exuberant get-together of mask making, grabbing paper and colored markers and scissors and bright vibrant feathers. It was a joy to watch the kids create their animal masks with such laughter and festive chatter, sharing in this art adventure they would not otherwise experience.

“Reaching out to young people is an important commitment for us. It’s what we do and who we are,” explains Fountain Co-Artistic Director Stephen Sachs. “Offering art and creative expression to students who may otherwise have no access to it. For us, there is no higher calling. Plus the pure fun and joy of it is rejuvenating for all of us.”

The Fountain will expand and enlarge its ongoing partnership with Ramona Elementary School. And, through Theatre as a Learning Tool, will continue to broaden its reach to serve young students throughout Southern California.

         

PHOTO SLIDESHOW: ‘Dream Catcher’ enjoys “a great night” with Native Voices at the Fountain

7

The Fountain Theatre continued its association with Native Voices at the Autry by hosting a post-show discussion Monday night following the performance of our acclaimed new play Dream Catcher by Stephen Sachs, directed by Cameron Watson.

Inspired by a true story, the powerful and thought-provoking new play dramatizes the passionate confrontation between Roy, a young engineer, and his fiery Mojave Indian lover Opal who claims the billion dollar solar energy plant Roy is helping to design is actually being built on the site of ancient tribal burial grounds.

Native Voices at the Autry is the only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights. Founded in 1994 by Producing Artistic Director Randy Reinholz (Choctaw) and Producing Executive Director Jean Bruce Scott, Native Voices became the resident theatre company at the Autry Museum of the American West in 1999.

After the performance of Dream Catcher Monday night, actors Elizabeth Frances and Brian Tichnell and playwright Sachs joined Reinholz and Scott for a Q&A discussion with the audience.  Patrons shared their reactions to the play and examined such issues as cultural diversity, the peril of global warming, and the intersection of science and spirit.

“We had a great night,” exclaims Randy Reinholz, Producing Artistic Director of Native Voices. He hailed Dream Catcher as “Theatre about the important issues of our time.”

“Randy and I both love Fountain Theatre’s commitment to tackling difficult issues,” says Jean Bruce Scott, Producing Executive Director of Native Voices. “The production is wonderful and the cast fantastic. Superb script, acting, direction. Thank you so much for a wonderful night in the theater and for the lively and friendly talkback afterward.”

This slideshow requires JavaScript.

Dream Catcher runs to March 21st. More Info/Get Tickets

Post-Show Q&A discussion with Native Voices leaders at ‘Dream Catcher’ Mon Feb 22

Randy & Jean

Randy Reinholz and Jean Bruce Scott of Native Voices

Join the cast and creative team of Dream Catcher and Native Voices Producing Artistic Director Randy Reinholz, Producing Executive Director Jean Bruce Scott, and Ensemble Leader Jennifer Bobiwash in a post-show Q&A discussion with the audience after the performance this Monday night, February 22 at 8pm. 

Elizabeth Frances final

Elizabeth Frances

The panel will include Dream Catcher actors Elizabeth Frances, Brian Tichnell, director Cameron Watson and playwright Stephen Sachs. The discussion will focus on the tribal issues raised in the play, the challenges faced by Native actors in this era of diversity casting, and an assessment of how Native people are dramatized in theatre, film and television.

Dream Catcher actress Elizabeth Frances is a member of Native Voices. 

Native Voices at the Autry is the only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights.

In Dream Catcher, construction of a billion dollar solar energy plant in the Mojave Desert is threatened to be brought to a halt when it is discovered that the plant may be sitting on a Mojave Indian burial site. Inspired by a true event, the world premiere production has earned rave reviews and runs to March 21.

More Info/Get Tickets 

NEW VIDEO: Rave reviews for ‘Dream Catcher’

DREAM CATCHER Ovation Rec Twitter copy

Looks like the Fountain may have another hit on its hands. Our world premiere of Dream Catcher by Stephen Sachs is earning rave reviews and has been spotlighted as Ovation Recommended by members of LA Stage Alliance. Broadway World hails it as “an incredible tour de force” and ShowBuzzNYC exclaims that it’s “an emotional rollercoaster thrill ride.”

Directed by Cameron Watson and starring Elizabeth Frances and Brian Tichnell, Dream Catcher is performed in a thrilling in-the-round setting (“Fountain 360”) until March 21.

Enjoy this new video highlighting the fabulous press quotes earned by this passionate production.

More Info/Get Tickets

PHOTOS: Parties and standing ovations for ‘Dream Catcher’ opening weekend

Opening Night 360

Packed house in the round for Opening Night of ‘Dream Catcher’

Our world premiere production of Dream Catcher by Stephen Sachs opened this weekend to a flurry of parties, standing ovations and enthusiastic response. A packed sold-out audience on Saturday night was thrilled with director Cameron Watson’s in-the-round staging and riveted by the kinetic performances of Elizabeth Frances and Brian Tichnell. Dream Catcher runs to March 21.

A select group of Fountain donors and board members enjoyed an early look at Dream Catcher Friday night at the final Donor Preview. They included actor Alan Mandell, Lois Fishman, Ejike and Victoria Ndefo, Nick Ullett, Ruth Tavlin, Patty Paul, Bill Butler, Susan Stockel, Dick Motika and Jerrie Whitfield, and Oscar and Nyla Arslanian. They were joined by Director of Development Barbara Goodhill, Co-Artistic Director Deborah Lawlor, producing Director Simon Levy, and members of the Fountain team. After the performance, all celebrated upstairs in the cafe for a catered party with the actors and company.

This slideshow requires JavaScript.

After seeing Dream Catcher, actor Alan Mandell beamed, “A terrific performance. Very intense. Exciting theater directed by that master director Cameron Watson. A wonderful script from Stephen Sachs. Don’t miss it.”

A packed sold-out audience filled the theatre on Saturday’s Opening Night. The provocative in-the-round setting — dubbed “Fountain 360” — created heightened excitement and electricity. At the post-show reception, playwright Stephen Sachs was surprised by a special guest in attendance: Louis Sahagun, the LA Times reporter who wrote the original article in 2012 that inspired Sachs to write the play.

LA Times Louis Sahagun Opening Night

LA Times writer Louis Sahagun congratulates Sachs (right) on Opening Night.

Early reviews for Dream Catcher are starting to come in. The Examiner hails it as “Extraordinary! A must see!” LA Splash raves the “Stunning performances.”

Feel it. Full circle. In the round. Experience Fountain 360 for yourself.

More Info/Get Tickets

NEW VIDEO! Take a look at Fountain 360

Check it out! Our world premiere of Dream CatcherA hot new experience at the Fountain. Feel it. Full circle. In the round. Fountain 360.

Live theatre like nowhere else in LA.

More Info/Get Tickets

A new year, a new play, a new seating configuration

FT stage in the round 2

Construction underway for in-the-round seating for ‘Dream Catcher’.

Director Cameron Watson wants Fountain audiences to walk into the theatre and immediately be surprised. To encounter the unexpected. For his mounting of the world premiere of Stephen Sachs’ Dream Catcher, patrons will be startled the moment they step through the lobby door: the seating has been changed to a dynamic in-the-round configuration.

DREAM CATCHER Prod Mtg 2

Cameron Watson

“This play is volatile and exciting,” says Watson. “The muscularity of it got my attention right away.”

Watson doesn’t want audiences to experience the kinetic energy of Dream Catcher in the conventional way. Instead of sitting in the dark and watching the play as an observer, audiences will surround the playing area on all sides and be inside the world of the play with the two characters.

Dream Catcher is set in an empty stretch of the barren Mojave Desert. The construction of a huge solar energy plant in the middle of the desert is threatened to come to a halt when the sudden discovery of long-buried Native American artifacts are found on the site. Changing the theatre seating to an in-the-round configuration opens up the space to help evoke a feeling of wide expanse. It also creates a sacred circle for the audience, a sense of ritual and ancient storytelling that is central to Mojave Native culture. Even the hoop shape of an actual dream catcher is circular, signifying unity.

“I felt like it needed to be a circular, almost tribal, space,” says Watson. “I felt like it is told in a ring. Communal. That we all need to be part of the experience and commune with the story. Inclusive. The circular space echoes the vastness and isolation of the wide open space and also the circular configuration of the solar field in the desert.”

Dream Catcher_seating_1-7-15

The new set is being created by award-winning and longtime Fountain designer Jeff McLaughlin. Changing the audience seating required extra effort for Fountain Technical Director Scott Tuomey and his crew.

This is not the first time the Fountain has experimented with altered seating. In 1993, The Seagull starring Salome Jens was performed in-the-round. Athol Fugard’s The Train Driver had a three-quarter setting in 2010, with the audience seated on three sides.

But this current in-the-round seating for Dream Catcher is unique and has an immediate impact on the total feeling of the space. It is kinetic, energetic and alive.

Which is exactly what Cameron Watson is wanting.

More Info/Get Tickets Now