Category Archives: Theater

In gratitude for the Fountain Theatre’s VOD presentation of ‘The Ballad of Emmett Till’

Stream Ends December 1st

by Terri Roberts

It’s Thanksgiving week, a time to reflect on that for which we are grateful. And even within the insanity of a year that brought us a global pandemic, extreme racial unrest, and a surreal presidential election, there were still rays of light. Here at the Fountain Theatre, one of our great joys came in the form of creating a stage/screen hybrid video adaptation of Ifa Bayeza’s stunning play, The Ballad of Emmett Till. If you have not seen it, there is still time. But the streaming of this acclaimed video-on-demand production ends on December 1st, so don’t delay. Tickets are just $20 and are available here.

The Ballad of Emmett Till is a lyrical retelling of the true events that kick-started the Civil Rights movement, and blends history, mystery and legend with accents of music and poetry. The Fountain’s widely heralded, multiple award-winning 2010 west coast premiere was helmed by Shirley Jo Finney, and starred the impeccable ensemble of Bernard K. Addison, Rico E. Anderson, Lorenz Arnell, Adenrele Ojo and Karen Malina White. Actors and director reunited over the summer to create this unique VOD version of our original stage production, which is enhanced by the use of music, sound, visual imagery and various film techniques. It debuted on August 28th, which marked the 65-year anniversary of Till’s brutal murder. His death had not only become a rallying cry for the times, but it has continued to resonate, and activate civic action, across the decades that followed.

Emmett Till was a charming, precocious 14-year-old boy who lived in Chicago with his mother, Mamie. In August 1955, he traveled down south to the Mississippi Delta to visit his uncle, Mose “Preacher” Wright, and other family members. One sunny day he and his cousins and a few friends went into town, and the young teenager stopped at a local market to buy some sweets. Accounts differ as to what actually happened to provoke the tragedy that followed, but it is widely believed that Till, who used whistling to help control a lifelong stutter, innocently whistled at the white, married, female store clerk.

As a result, Till was later kidnapped from his uncle’s house in the middle of the night by the woman’s husband and his half-brother. The men took the boy down to the Tallahatchie River and forced him to strip. Then they beat him, shot him in the head, and weighted his body down with a heavy metal cotton gin fan that they wrapped around his neck with barbed wire. Three days later, the boy’s naked, bloated body was discovered floating in the river.

Mamie insisted that her only child’s grotesquely disfigured body be returned to her in Chicago, untouched. “Let the people see what they did to my boy,” she famously said, and insisted on an open casket with a glass shield to contain the stench of her son’s decomposing corpse. The media had started carrying the news of the murder, and Mamie encouraged even more attention by publically displaying the body. Mourners gathered around the clock to pay their respects. The viewing went on for four days.

It might sound odd, during this week of focused gratitude, to suggest taking these final days of opportunity to view the Fountain’s VOD production of The Ballad of Emmett Till as part of our expressions of thankfulness. I feel it is not. The joyous way he lived his short life, contrasted with the ugliness of his premature death, led to a social rebellion that’s still being waged today. We entered the summer of 2020 with streets across America being crowded with marches born of unfettered rage against the killings of George Floyd, Breonna Taylor and Ahmaud Arbery, and the long-shadow history of Sandra Bland, Freddy Gray, Walter Scott, the nine men and women of the Episcopal Church in Charleston, and the hundreds more that came before them. Including, of course, Emmett Till.

The Ballad of Emmett Till is available through December 1st. Tickets are $20 and can be purchased here. I’m willing to bet you’ll be grateful you watched it.

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s new volunteer program. She also manages the Fountain Theatre Café.

‘Fountain Stream’ presents Larry Powell’s 12-part ‘The Gaze… No Homo,’ tackling systemic racism, homophobia head-on

In between BLM protests and existential quarantine queries, writer/creator Larry Powell adapted his play The Gaze…No Homo (2020/2021 Eugene O’Neill NPC finalist) into a new media series. The Fountain Theatre’s new digital platform, Fountain Stream, has partnered with Powell and Angelica Robinson of Tell Me a Story Productions to present this bold, funny episodic tragicomedy for our times, a 12-part, multi-platform online experience unlike anything audiences have seen before. The first three short-form episodes of The Gaze… No Homo will begin streaming on Friday, Nov. 20, with episodes four, five and six going online Friday, Nov. 27; episodes seven, eight and nine on Friday, Dec. 4; and the final three episodes becoming available on Friday, Dec. 11. Tickets are free at fountaintheatre.com/now-upcoming/the-gaze.

No Homo is the first in Powell’s The Gaze cycle of plays that examines the process of building culturally specific and queer works of color in certain historically white spaces. The story of an openly Black queer artist as he navigates the rehearsal process at a very white American theater festival, The Gaze tackles hard topics head on. It wrestles with the question, “Why strain to be free under a gaze fixed on your imprisonment, when it’s you who is holding the key?”

In episode one, we meet protagonist Jerome Price, played by Galen J. Williams (national touring and Broadway productions of Motown the Musical) as he arrives at the prestigious Evergreen Theatre Festival (“where the brightest and boldest new American voices are watered with wisdom, fed with fodder and nurtured with nourishment”). Evergreen interim artistic director Miranda Cryer (Sharon Lawrence of NYPD Blue, Dynasty, Shameless, The Ranch and much more) has always been an outspoken champion of diverse voices — including that of emerging, Black queer playwright Shaun Korey, played by Devere Rogers (My Spy and IFC’s Sherman’s Showcase). Relegated to Zoom by the pandemic, Cryer is directing the world premiere of Korey’s newest work, No Homo, but “artistic differences” between her and festival newbie Price threaten to blow up the process. Eugene Byrd (Dr. Clark Edison in Bones) and TC Carson (Living Single) star as Price’s fellow actors Kendrell Thompson and Buddy DuPois, each of whom has learned to navigate the hidden dangers and microaggressions of the entertainment business in his own way — as has long-time stage manager Sherry Grosse (Yvette Cason, original Broadway cast and feature film version of Dreamgirls) and gender-fluid ASM Tee (internet personality, actor and model Jason Freckle Greene).

Powell states, “In order to properly experience my own exodus of the decentralization of the white gaze in my creative work and reclaim my black ass imagination I had to stare the poison in the face and, through the telling of Jerome’s story, turn it into the medicine decolonization so fiercely provides. That I was able to make this piece in the summer of 2020 and share this piece that same summer and beyond is a divine triumph. A blessing standing on sacred ground and under one gaze only: the ancestral one. Thankful to any and all who make it possible for others to catch the vision.”

The creative team behind The Gaze… No Homo  includes episode directors Joanna Strapp (episode 1), Larry Powell (episodes 2, 11 and 12), Zhailon Levingston (episode 3), Satya Bhabha (episode 4), Reginald L. Douglas (episode 5), Amber A Harris (episode 6), Jonathan McCrory (episode 7) and Bianca Laverne Jones (episodes 8 and 9); as well as editor Joey Scoma, composer Robert Revell, branding and graphic design artist Samia Zaidi, website designer Nick Ducassi, and co-producer Haley Rawson. The series is produced by producer/executive producers Angelica RobinsonSpencer Williams and Matt Lubetich, along with executive producers Larry PowellZhailon Levingston and Devere Rogers and executive producer/director of photography John Macdonald.

Larry Powell

Larry Powell is a writer, actor, director and producer born and raised in South Central L.A. As an actor, he’s originated and premiered roles in some of the most exciting new plays in America including The Christians by Lucas Hnath, The Legend of Georgia McBride by Matthew Lopez, Father Comes Home From The Wars by Suzan Lori Parks (opposite Sterling K. Brown), Brokeology by Nathan Louis Jackson, and he played the title role in While I Yet Live by Billy Porter. He is a two-time Los Angeles Drama Critics Circle award-winner, and has been nominated for numerous Ovation, NAACP and San Francisco Bay Area theater awards as well as for Audelco and Audie awards. Larry is also a published playwright and professional screenwriter, with three plays scheduled to receive world premieres over the next two years. He is a core playwright at the Lark Play Development Center. A graduate of Carnegie Mellon’s School of Drama, Larry is an adjunct lecturer at the University of Southern California’s School of Dramatic Arts MFA Acting program. He is the founder and creative director of the Powell Academy of the Performing Arts, an arts organization providing high-performance training and resources to historically marginalized artists on the rise in the mainstream entertainment industry.

CLICK HERE To watch The Gaze… No Homo beginning Friday, Nov. 20.

Lynne Street Childress brings theatre for young people at this week’s Saturday Matinee, 5pm PT

By France-Luce Benson

No trick or treating this year? The Fountain’s got you covered. Please be sure to bring your kids and grandkids to this week’s show, where our guest – Lynne Streeter Childress – will perform work from her show for young people.

I met Lynne Streeter Childress many moons ago in Miami, FL when I booked my first professional acting gig. We were part of a company that toured plays for young audiences about issues like domestic violence and homelessness. While the subjects are grim, the plays were full of hope and the creative process was full of light. The latter, largely due to Lynne’s exuberance and delightful sense of humor. Decades later, Lynne has her own company, producing plays for young audiences that address issues like tolerance and empathy. I spoke to Lynne about the origins of her company (Building Better People Productions), and what it’s like to balance her creative life with motherhood in the time of Covid.

What was the genesis of Building Better People Productions?
I had always wanted to do my own stuff, and I knew that it would be for young audiences, and I knew that it was going to be something about building people up. Over the years I would start, and then put things on a shelf because I was working for other people, which actually was great, because I was gaining not only a paycheck, but support, and the chance to grow. In 2015, lots of things started to come together, good and bad, that kinda pushed me forward. I lost my brother in law, which was the 4th in a series of family losses. I had also started writing a piece about empathy that I planned to produce on my own somehow, and when the opportunity to perform part of it for a festival didn’t work out, that seemed like an open door to just do the thing for real. I was in the place to just move forward.

How will future productions address the moment we are in as a Nation? How do you tackle such complicated conversations?
It’s made me want to continue to not run away from addressing hurt. Most of the shows that we have done have hard moments, where people are bullied, and lose family members, and have anxiety, and are treated bad because of differences. There is always a moment in rehearsal where I think “Is this too much?” And no, it’s not. Kids are smart. And I think that we insult them when we DON’T tackle things they are going through or that are going on around them. There has to be something between hitting them over the head and completely ignoring where we are with the isolation of COVID, and the sadness of where we are racially. I owe it to my kid, and all kids, to figure out how to do that respectfully. One more thing: we have always had a pretty diverse group of people that we work with, but I am committed to truly seeking out more people. I also want to do a show that is about a little black girl loving life. I needed to see more of that when I was a little kid, and now I want to do that. For little black girls and for everyone, to normalize that little black girls can just have joy.

You say that the adaptation of “Alexander and the Terrible, Horrible, No Good, Very Bad Day” you performed in is your most favorite show you’ve ever done. Why? What made it so special?
It was my first Equity show (although I am not a part of the union now currently), and I participated in a development reading of it, I was part of the original cast of the show, and in the first tour. I am on the cover of the script as a koala! It is the show that made me feel like I was really doing this, and I got to be at the Kennedy Center every day, which is the most beautiful space. I got to see something come off of the page, see it worked in the room with the playwright and composer in rehearsals. And it took me around the country, getting paid to perform and travel. It helped make me. Also, I think that I may have named my son after that show. It was years later, and the name Alexander came to me as a front runner, and I didn’t know why. It just felt right. When my son was a baby I was at a party for a friend, who had directed that first production of “Alexander”, and Judith Viorst,the writer of the show, was there, and I had not seen her in a while. She asked what my son’s name was; when I said “Alexander”, everyone started laughing. And I said, “WAIT! Did I name him for the show?” And maybe I did. It was in there somewhere.

Build Better People Productions

You have a twin sister who also writes? Did you grow up writing together? Will you or have you ever collaborated?
My sister is amazing. AMAZING. She has been a journalist for 27 years, and has won awards, and wrote a memoir that came out earlier this year called “Black Widow: A Sad-Funny Journey Through Grief for People Who Normally Avoid Books with Words Like ‘Journey’ in the Title”, about losing her husband. We used to make up stories as little kids, and actually blogged together about our experiences in our 40s for a while. I produced and perform in a holiday play that she wrote, The Gift of the Mad Guy, about generosity, that Building Better People has performed yearly since 2016. I love saying her words, and I love sending her royalty checks.

Did becoming a Mom change you as an artist? If so, how?
Yep. It’s made me want to make a world that he sees as lovely and that sees him as lovely. The third part of “We Got It” was inspired by the deaths of Trayvon Martin and Tamir Rice, and I was pregnant when Trayvon was murdered, and I felt the weight of how some people did not value the lives of young black men, and did not see their deaths as tragedies. That wrecked me for their parents, and I was about to BE a parent of a young black man, and me yelling on Facebook, while cathartic, wasn’t going to be enough. What I knew how to do was create. So, I wrote. My son has also inspired shows that I have written or that we have performed, that are things I want him to hear, like about keeping his imagination, and knowing his worth.


How will you make Halloween special for an 8-year-old in the middle of a Pandemic?
Our plan is to have my sister and nephew and mom over (they are in our Covid circle), and we will wear costumes and eat candy. That’s a good plan. Family and sugar.

What’s been keeping you sane?
God, and the idea that if we are in this place, then there has to be a way to work in it. If we are still here, when other people aren’t, there is something to do in it, even if that’s just to be grateful for being here. I have also learned a lot of grace for others because we are all struggling.

What gives you hope?
That people are still creating and finding ways to be light for themselves, and then for other people. Seeing creative output gives me LIFE.

MORE INFO

VIDEO: Fountain launches citywide voting project ‘Raise Your Voice’ this weekend

Are you ready to vote on November 3rd? Do you have plans to vote early? The Fountain Theatre seeks to activate people on the urgency of voting by launching Raise Your Voice – Vote!, a guerrilla style, immersive theater event set to take place this weekend at locations throughout the City of Los Angeles. Watch the live-stream every hour on the hour beginning at 10 a.m. PT / 1 p.m. ET on Saturday, Oct. 24 and Sunday, Oct. 25 at www.FountainTheatre.com

Raise Your Voice – Vote! aims to build momentum and awareness about the upcoming election while bringing theater for the people to the people. A five-member acting ensemble will present a series of pop up performances in six public spaces, each representative of L.A.’s cultural landscape. Each performance will feature America’s most iconic speeches about voting rights, plus dance and song. Volunteers will be stationed at every location to offer assistance with voter registration and voter education.

Each of the performances will be live-streamed and will also be augmented by a series of surprise appearances, posts and performances on the Fountain Theatre’s social media pages in support of voter awareness.

MORE INFO

Fountain Theatre weekend event ‘Raise Your Voice’ seeks to activate public to vote

Actors in rehearsal for Raise Your Voice.

Events on the streets and online

The Fountain Theatre is readying Raise Your Voice – Vote!, a guerrilla style, immersive theater event set to take place over the course of two days at six locations throughout the City of Los Angeles. Watch the live-stream every hour on the hour beginning at 10 a.m. PT / 1 p.m. ET on Saturday, Oct. 24 and Sunday, Oct. 25 at www.FountainTheatre.com.

Conceived by acclaimed playwright and Fountain Theatre community engagement coordinator France-Luce Benson and co-directed by Benson and Lily OckwellRaise Your Voice – Vote!aims to build momentum and awareness about the upcoming election while bringing theater for the people to the people. The five-member acting ensemble (Victor AnthonyJessica EmmanuelWonjung KimTheo Perkins and Rayne J. Raney) will present a series of pop up performances in six public spaces, each representative of L.A.’s cultural landscape. Each performance will feature America’s most iconic speeches about voting rights, plus dance and song. Volunteers will be stationed at every location to offer assistance with voter registration and voter education.

“We want to create an event that is inspirational, but never didactic,” explains Benson. “The performers will be in conversation with each other and with the people around them, blending in, respecting and embracing whichever community we’re in.”

Each of the performances will be live-streamed and will also be augmented by a series of surprise appearances, posts and performances on the Fountain Theatre’s social media pages in support of voter awareness.

Send Us Your Selfie on Voting

Want to engage in the Fountain’s newest project? We want you to upload a short selfie video (2 mins or less) of yourself expressing how important it is to vote. Nothing fancy. Can literally be taken on a smartphone. Just speak from your heart. Be passionate. What does voting mean to you? Why does voting matter? Do you have a personal story about voting? These video selfies will air at the top of each hour, from 10am to 6pm, on all Fountain social platforms and website.

Important: 

  • You (we) cannot endorse a specific candidate.
  • Do not mention Trump or Biden by name.
  • Shoot your selfie horizontal, not vertical.   

The purpose of the event is to use theatre as a trigger to activate the public to vote, to emphasize the responsibility of voting, to remind each other of the price some have paid to vote, to express the urgency to participate in this election and in our democracy.

Raise Your Voice – Vote! is produced by Stephen Sachs and Simon Levy for the Fountain Theatre. James Bennett is live-stream editor, and Terri Roberts is volunteer coordinator. The event is underwritten by Miles and Joni Benickes, Diana BuckhantzKaren KondazianMaggi PhillipsSusan StockelDorothy Wolpert, and Don and Suzanne Zachary. Event partners include volunteer organizations The Social Ripple Effect and Big Sunday.

For more information, to find out how you can volunteer and to live-stream Raise Your Voice –Vote! on Oct. 24 and Oct. 25, go to www.fountaintheatre.com.

LA intimate theatre community comes together for virtual festival of short plays

By Terri Roberts

Did you see it? Were you part of the excitement? Thursday, October 1st, was Opening Night of the first weekend of Together LA: A Virtual Theatre Festival, a three-week long celebration of new works presented by Alternative Theatre Los Angeles (ATLA) in association with L.A. Stage Alliance. The second weekend of performances has begun, and continues tonight and Saturday at 7pm. The final batch of shows is next weekend, October 15-17, at 7pm. The entire festival can be viewed on Twitch.

Each evening of the online festival is a 90-minute stretch of original 10-minute plays, all penned specifically for the digital stage by playwrights representing 34 of the 64 local intimate theatre companies – including the Fountain – that make up ATLA. The Fountain’s entry into the festival, Talking Peace, was written by Community Engagement Coordinator France-Luce Benson, who also happens to be an accomplished playwright. Talking Peace is a wittily observant take on today’s hot-button issues that is set during a virtual Zoom get-together. In it, a healing circle comes undone when an outsider finds her way in, forcing the five women to deconstruct what it means to be Black, BIPOC and bound by sisterhood.

Talking Peace was part of last week’s Opening Night schedule. You can re-watch it – and catch all other performances to date — at www.twitch.tv/togetherlafestival. To make reservations for tonight, and any of the remaining nights, visit www.togetherlafestival.com. Tickets are free, but reservations are required.

ATLA was born five months ago out of the need felt by local theatres to stay connected during the pandemic, offer strength and support to each other, and make positive steps forward in the midst of uncertainty in order to keep hope, art and theatre alive.

And so, LA’s intimate theatre community turned out en masse last Thursday to celebrate the launch of this digital effort together. New plays! Old friends! The forum was virtual, but the energy jumped right off the screen. The pre-show chat box overflowed with cries of “So excited!” and “Break legs everybody!” scattered in-between all the shout-outs and virtual drink orders and jokes about easy parking. The wild exhilaration was further pumped up with a lava flow of exuberant emojis: clapping hands, party poppers, hugs, and a full-range rainbow of colored and decorated hearts. It didn’t seem to matter that the theatre lovers gathered there were not sitting shoulder-to-shoulder in the same house. After months of isolation and darkened physical stages, they were sitting spirit-to-spirit and heart-to-heart in the same space, ready and willing to enjoy a virtual stage experience, and reveling in each others’ company. This community knows how to adapt!

“We are here to celebrate the vibrant and diverse intimate theatre scene of greater Los Angeles,” explained host Amy Hill at the top of the show. “Los Angeles theatre has always been on the forefront of innovation, and tonight we bring that to the digital stage…we are showcasing what intimate theatre does best – bringing people together. Telling important stories and creating a place to connect and heal through art.”

The three-week long event is also doubling as a fundraiser for Color of Change, a progressive nonprofit civil rights advocacy organization in the United States that uses online resources to strengthen the political voice of African Americans. By the end of yesterday’s block of shows, $3,680 had been raised toward an ultimate goal of $5,000. Could it be that a new goal will need to be set before the weekend is out? The LA theatre community is nothing if not enthusiastic and generous in their support of friends in need.

The same exuberance on display Opening Night has continued every night since then. So come on in – gather with us tonight and Saturday, and next weekend as well to cheer on all these new short plays, reconnect with the theatres and artists you love, raise some money for a good cause, and help keep the indomitable LA intimate theatre spirit riding high! A digital program will be yours for the asking, and someone will be by shortly to take your virtual drink order. You don’t even have to worry about parking or arriving late and not getting in. There’s always enough room, and plenty of fun to be had.

Together LA: A Virtual Theatre Festival is presented by Alternative Theatre L.A. in association with the L.A. Stage Alliance. In addition to the Fountain Theatre, participating companies include 24th Street Theatre, Actors Co-op, Ammunition Theatre Company, Celebration Theatre, Chance Theater, Coin and Ghost, Company of Angels, Echo Theater Company, Ensemble Studio Theatre/LA, IAMA Theatre Company, Impro Theatre, Independent Shakespeare Company, Interact Theatre Company, Lower Depth Theatre Ensemble, Macha Theatre, Odyssey Theatre Ensemble, Open Fist Theatre Company, Ophelia’s Jump Productions, Pacific Resident Theatre, Playwrights Arena, Rogue Machine Theatre, Sacred Fools Theater Company, Sierra Madre Playhouse, Skylight Theatre Company, The 6th Act, The Group Rep Theatre, The Inkwell Theater, The New American Theatre, , The Road Theatre Company, The Victory Theatre Center, Theatre of NOTE, Theatre West and Whitefire Theatre. For more information about the festival and for a schedule of shows, please visit www.togetherlafestival.com

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s new volunteer program. She also manages the Fountain Theatre Café.

Actress/Director Lisa Strum to share hilarious and poignant solo work on ‘Saturday Matinee’

by France-Luce Benson

Lisa Strum, a Philadelphia native living and working in the New York area is a director, an educator, actress, playwright, producer, casting director, singer and a certified wedding officiant! I’d add to that list truth teller, world traveler, and cherished friend. Her soulful voice and infectious laugh make her a powerful presence on stage and off, and her sharp wit, insightful observations, and wicked sense of humor are what makes her work so compelling. An award-winning actor, she’s starred in some of American theatre’s most celebrated plays, including Wilson’s Fences, Morriseau’s Pipleline, and Nottage’s Sweat. But lately, it is her work as a director that is getting everyone’s attention. I am lucky enough to have had her direct two of my own plays – Fall at the Ensemble Studio Theatre in New York, and Nanã for the All Hands on Deck Virtual play Festival. She also directed a Kennedy Center Award winning production of For Colored Girls Who Have Considered Suicide When the Rainbow is Enough, and is currently directing Flyin West at Five Towns College. On this week’s installment of “Saturday Matinees”, Strum will perform from her original works She Gon Learn, An Actor Prepares, and Poetic Tirades. I sat down with her to discuss her journey from actor to director, and the beauty of acceptance.

F.L.B. What led you to directing?

L.S.   I dabbled in directing while I was in undergrad; directing one acts and short scenes. But it wasn’t until I was hired by Carl Johnson to act as the Theatre Specialist for the Abrons Arts Center Summer Program at Henry Street Settlement that my directing skills really began to take shape. I discovered that I had a strong visual eye to tell stories on the stage and to get great performances out of the actors I was working with – regardless of their experience or their age. There was always a mainstage show at the end of the 5 weeks of the summer program of an original devised theatre piece created by the students. The show also included dance, singing and a set, so there was constant collaboration between the voice, dance and visual arts instructors throughout the summer and year after year we generated some incredible work together. It was exciting being the conductor of all of this collaborative work. I became hooked. And I just liked telling people what to do! LOL!

F.L.B. – What has been keeping you sane?

Staying connected with friends and family. Preparing and cooking home cooked meals. Laughter. Lots of laughter! Movies from my teenage years. And simply accepting the reality of the situation we are living in right now. Adaption and going with the flow are key. Many people realized during the quarantine how much they needed a break from the constant hustle and rat race. I didn’t realize how much I needed to be still. With all the constraints we’ve been under because of COVID-19, I’ve found peace within the boundaries. It’s been an amazing way to stay focused and to stay in the moment.

FLB. – What gives you hope?

L.S. The will of the human spirit and the ability to adapt and find joy regardless of the circumstances.

France-Luce Benson is a playwright and the Community Engagement Coordinator for the Fountain Theatre.

Art imitates life in site-specific Zoom play ‘Talking Peace’ by France-Luce Benson

Playwright France-Luce Benson is the Community Engagement Coordinator at the Fountain Theatre, and host of the online gathering, “Saturday Matinees.”

Art imitates life when the Fountain Theatre presents Talking Peace, a new 10-minute, site-specific “Zoom-within-a-Zoom” by acclaimed playwright France-Luce BensonTalking Peace will premiere on day one of Alternative Theatre L.A.’s Together LA: A Virtual Theatre Festivalone of six short plays presented by Los Angeles-based theater companies on Thursday, Oct. 1 at 7 p.m. PT / 10 p.m. ET. In total, 34 companies will participate in the festival over the course of three weeks. Tickets are free, but reservations are required: RSVP at www.togetherlafestival.com.

Benson’s wittily observant take on today’s hot-button issues is set during a virtual Zoom get-together: a healing circle comes undone when an outsider finds her way in, forcing the five women to deconstruct what it means to be Black, BIPOC and bound by sisterhood.

The cast includes Paule AboiteMiriam Ani, Janelle LawrenceCelestine Rae and Lisa Rosetta StrumDr. Daphnie Sicre, who teaches directing and theater for social change at Loyola Marymount University, directs.

Benson, a Haitian-American playwright based in Los Angeles, was named “Someone to Watch” in 2019 by American Theatre magazine and is the community engagement coordinator for the Fountain.

Together LA: A Virtual Theatre Festival is presented by Alternative Theatre L.A. in association with the L.A. Stage Alliance. In addition to the Fountain Theatre, participating companies include24th Street Theatre, Actors Co-op, Ammunition Theatre Company, Celebration Theatre, Chance Theater, Coin and Ghost, Company of Angels, Echo Theater Company, Ensemble Studio Theatre/LA, IAMA Theatre Company, Impro Theatre, Independent Shakespeare Company, Interact Theatre Company, Lower Depth Theatre Ensemble, Macha Theatre, Odyssey Theatre Ensemble, Open Fist Theatre Company, Ophelia’s Jump Productions, Pacific Resident Theatre, Playwrights Arena, Rogue Machine Theatre, Sacred Fools Theater Company, Sierra Madre Playhouse, Skylight Theatre Company, The 6th Act, The Group Rep Theatre, The Inkwell Theater, The New American Theatre, , The Road Theatre Company, The Victory Theatre Center, Theatre of NOTE, Theatre West and Whitefire Theatre.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally.

Alternative Theatre Los Angeles is a community of 64 professional intimate theaters, all based in the greater Los Angeles area, that came together five months ago through weekly virtual roundtables to discuss how to move through the current COVID crisis and come out stronger.

The L.A. Stage Alliance works with the theater community to expand awareness, appreciation and support of performance arts.

Together LA: A Virtual Theatre Festival will stream Oct. 1 through Oct. 17 via Twitch.tv. For more information, a full schedule and to RSVP, go to www.togetherlafestival.com

Make Your Voice Heard: Today is Voter Registration Day

By Terri Roberts

If ever there was a time – and an election – to raise your voice and be heard, this is it. An unprecedented pandemic. Healthcare and welfare. Unemployment and a stalled economy. Racial reckoning. States burning or drowning under water. A country bitterly divided. The presidential contest this November 3rd may be the most consequential election of our lifetime. And every voice everywhere must be heard.

First, you have to be registered to vote. Today, September 22nd, is National Voter Registration Day. In this year of chaos and confusion, nothing could be more vital than making sure that you are able to safely cast your ballot for those individuals who you feel are the strongest representatives for your values and beliefs.

If you are not registered to vote, your voice will be silenced.

Are you registered? Are you sure? Some things to consider: have you moved? Gotten married? Want to change political parties? Any of these things affect your registration status. The good news is that checking it out is easy. So is actually registering.

How to Register/Get Voter Information

Los Angeles Country Registrars Office

Offers: Voter registration, check registration status, polling information, election resources, voter education, community and voter outreach, and more.

CA Secretary of State

Offers: Voter registration/pre-registration (at age 16 or 17)/current registration status. There’s also info on upcoming elections, elections site maps, voting technology, statewide election results, and more.

Vote.org

Offers: Check registration/register to vote, polling place locators, info on how to become a poll worker, and COVID-19/election information. They also have a guide that outlines your voting rights, and an Election Protection Hotline to call for help if anyone tries to prevent you from voting: 1-866/687-8683 (866/OUR-VOTE).

Vote 411

Offers: COVID-19 alerts and personalized voter info that includes registration, status check, poll location, ballot info, upcoming area debates, and more. Sponsored by the League of Women Voters Education Fund.

U.S. Election Assistance Commission

Offers: Registration assistance, downloadable 14 FAQs for Voters and 10 Tips for Voters, list of voter resources, and more.

When We All Vote

Offers: Voting resources, a Vote by Mail FAQ, and actions you can take

Vote By Mail

Beginning with the November 3, 2020 General Election all registered voters will be mailed a Vote by Mail ballot to ensure a safe and accessible voting option during the COVID-19 pandemic. Mailing of Vote by Mail ballots in all elections begins 29 days prior to Election Day. For more information, click here.

Raise Your Voice: Vote!

The Fountain Theatre believes voting is so important that we will be going directly to the people to spread the word. Keep a watchful eye out in late October. The Fountain will be launching a citywide immersive theatre project, Raise Your Voice: Vote to highlight the issues of voting rights and raise awareness in unexpected ways.

“The cultural landscape of Los Angeles personifies why voting is so imperative,” explained Community Engagement Coordinator France-Luce Benson, who conceived of the project. “There is so much history here, so much incredible cuisine, and so many amazing and varied artistic voices. Every one of those voices matters, and every voice must be counted. If we want our city, and our country, to continue to grow and thrive –  we must vote!”

Raise Your Voice: Vote continues the Fountain Theatre’s long history of creating and producing new work that we hope will inspire social action,” agreed artistic director Stephen Sachs. “With the public forbidden to come to our theatre right now, we are taking our theatre to the streets. I believe we can use this period of forced closure as an opportunity to break free from the four walls of our building. To engage the public in dynamic new experiences which encourage each citizen to vote.”

Volunteers will be needed for this exciting voter awareness event. Join us! Please email me at terri@fountaintheatre.com.

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s new volunteer program. She also manages the Fountain Theatre Café.

Award-winning Philly playwright Josh Wilder is now finding brotherly love in L.A.

by France-Luce Benson

Josh Wilder might be the most down to earth wunderkind I’ve ever met. Barely in his 30s, he is the winner of numerous awards including the Jerome Many Voices Fellowship, the Lorraine Hansberry Award, and Holland New Voices – among others. But the Philly native truly represents “brotherly love” – spending his time guiding and nurturing young writers, and developing his green thumb. Wilder is currently based here in Los Angeles, and graciously agreed to appear on this week’s Saturday Matinee. In this interview I learned that although he is an Angeleno at the moment, his Philly roots are firmly intact.

FLB: Philadelphia is a recurring character in many of your plays. What about the city inspires you?

Everything! The murals; the culture; the accent; you can walk anywhere and find a story. Philly is a city of rowhomes with thin walls, so ear-hustling was the everyday. THE LOVE. We really are “The City of Brotherly Love”. Most importantly, it’s the attitude. Philly is an attitude, and everybody you know from Philly got one! PHILLY ALL DAY, BABY!

FLB: I understand you’re based in Los Angeles now. How long have you been here and what has the transition from east to west coast been like for you?

I’ve been here since April. The transition has been very smooth. I love that I can escape to the beach and just think. There’s something about the ocean…

FLB: What do you miss most about Philly?

The food. I want a mushroom cheesesteak with friend onions from Max’s so bad…. Water ice and soft pretzels; the Reading Terminal; block parties in the summertime. Sitting on the porch with my brother.

FLB: I read that you started as an actor? Does that inform your writing process? Do you have any desire to return to acting?

Yes, my favorite playwrights are actors. My writing process is actor focused—being in the room with actors is the ultimate experience. Better than the actual run of the show. There’s so much magic in the room that I never want to leave my side of the table. I don’t have a strong desire to return to acting— I really love being in my lane.

FLB: What was the very first play you ever wrote?

My very first play I wrote and produced was called Michael’s Testimony. I was in my senior year at the Creative and Performing Arts High School. I’ll never forget how the audience left the theater that night. 

FLB: In addition to the Pandemic, we (Black and Brown folx) are in the midst of an uprising while simultaneously continuing to see our people suffer at the hands of police brutality. How have you been processing all of this? Do you feel that it has fueled/informed/or radicalized your work in any way?

ALL I CAN SAY IS THAT I LOVE BEING BLACK. I WAS BORN BLACK, I’MA DIE BLACK, AND I’MA CONTINUE BEING BLACK NO MATTER HOW HARD THESE EVIL-ASS PEOPLE TRY AND THAT’S ON THAT. MY GOD AND MY ANCESTORS GOT ME. MY PRESIDENT WILL ALWAYS BE BARACK OBAMA.

FLB: Lol! Agreed!!

FLB: What’s been keeping you sane?

My teaching. As soon as COVID-19 shut the country down—everything changed for me. I was let go from a teaching position in Atlanta just as I was getting the hang of Zoom. Once that happened, I packed up my apartment, got in my car, drove to LA and I set up shop by starting a Playwrights Workshop in April. So far I’ve connected with over 40+ playwrights around the country and the world! I’ve never worked with so many Black and POC playwrights in my whole teaching career—90% women. These women keep me sane– they’re gonna be the ones to watch when the theater reopens. I also became a Plant Daddy J

FLB: What gives you hope? Knowing that the sun is shining, and the sky is blue.

France-Luce Benson is a playwright, the Community Engagement Coordinator at the Fountain Theatre, and host of the livestream program Saturday Matinees.