Fountain Theatre welcomes Sherrick O’Quinn as Theatre Education Manager

The Fountain Theatre is pleased to add Sherrick O’Quinn to its staff as Theatre Education Manager. In the newly-created position, Mr. O’Quinn is responsible for cultivating and strengthening all strategic community educational partnerships for The Fountain Theatre, enhancing its profile as an arts education leader in Los Angeles. Most important, he will oversee the theatre’s various arts education programs under the banner, Fountain for Youth. The programs include Walking the Beat and Fountain Voices.

Sherrick O’Quinn is an actor, educator, minister, and artist originally from Louisville, KY. He began his career in Louisville, KY working on stage and in film, TV, commercials and voiceover prior to moving to Los Angeles to complete his MFA in Acting degree at the University of Southern California. He formerly ran the GO College program which empowered and prepared at-risk high school students for college-going and career readiness prior to pursuing acting full-time. He spends his time acting, creating, coaching and working as a teaching artist. Sherrick is blessed to be part of Fountain Theatre’s mission to support and amplify diverse voices and create tangible change. His aim is to find intersections in art, work, and his daily life to be a change agent that encourages others to step into their voice, purpose, and light.

Back by popular demand, Fountain Theatre’s hit production ‘If I Forget’ extends to Dec. 18 

The Fountain Theatre’s hit production of If I Forget, written by Tony Award-winning playwright Steven Levenson (Dear Evan Hanson) and directed by Tony Award-winning actor Jason Alexander (widely known from TV’s Seinfeld), has extended through December 18, re-opening at the end of October following a brief hiatus. At once deeply personal and political, If I Forget is a funny and complex tale that explores the lasting impact of the Holocaust on a Jewish family at the beginning of the 21st century. The widely acclaimed original cast returns to portray three adult siblings and their families who reunite to celebrate their father’s 75th birthday, with Richard Fancy taking over the role of patriarch Lou Fischer, a role he previously played in the 2018 Washington D.C. production. In addition to Fancy’s extensive stage career (Singin’ in the Rain on Broadway; Julia at 59e59th off-Broadway; lead roles in All My Sons and Death of a Salesman at Pacific Resident Theatre), Fancy is remembered for his role as Mr. Lippman on Seinfeld, where he worked alongside Mr. Alexander.

STAGE RAW TOP 10… ensconces themes relating to Jewish history and heritage into a funny, poignant domestic comedy.” — Stage Raw

UNFORGETTABLE… provocative, engaging, funny, poignant, mesmerizing… Definitely a must see!” —LA Theatrix

REMARKABLE… a richly real script and uniformly excellent acting combine in a riveting theater-going experience.” — Larchmont Buzz

DON’T MISS THIS ONEGO!— Performing Arts Live

RIVETING, NUANCED PERFORMANCES… crisp dialogue packed with opposing ideas… pathos and humor.” — Santa Monica Mirror

POWERFUL… will keep viewers talking long after the curtain drops.” — Splash magazines

WOW!… HILARIOUS AND HARROWING… one superb performance after another.” — Stage Scene LA

MEMORABLE COMPELLING AND RELEVANT… deep and intense think-pieces presented at the pace of screwball comedy.” — The Hollywood Times

URGENTLY IMPORTANT, BRILLIANTLY LYRICAL AND THEATRICAL… best mounting of a new American play I’ve seen done in 14 years.” — Ticket Holders LA

ANOTHER TRIUMPH FOR THE VENERABLE FOUNTAIN THEATRE… a play you won’t forget.” — Discover Hollywood

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Fountain Theatre to livestream final ‘hyper-staged’ reading of ‘Roe’ as free, public service

The Fountain Theatre will live stream the final performance of Roe by Lisa Loomer on Sunday, July 10 beginning at 8 p.m. PT/11 p.m. ET. The event will be made available free of charge as a public service to audiences around the country. To receive a link, go to www.fountaintheatre.com.

Part outdoor rally, part call to action, part guerrilla theater, Roe is concluding a 3-week, sold-out run on the Fountain’s outdoor stage, where it is being presented as a “hyper-staged” reading.

Powerful, poignant and often humorous, Loomer’s play cuts through the headlines to reveal the real-life women—Norma McCorvey, known as “Jane Roe” and Sarah Weddington, the lawyer who argued the case—behind Roe v. Wade, the landmark 1973 Supreme Court case that gave women the right to safe, legal abortion. Fast-moving and fair-minded, Roe brings these two complicated human beings, the challenging years following the court’s fateful decision, and the polarization around the issue in America today into sharp focus.

“This live stream broadcast of our final performance will be the crowning event of this remarkable journey that started only one month ago,” says Fountain Theatre artistic director Stephen Sachs.“It is happening because people are passionate about this issue and care deeply about supporting the Fountain in our effort to give it a voice.”

The live stream is sponsored by The Center on Reproductive Health, Law, and Policy at the UCLA School of Law. The center is an innovative new division engaging with community organizations, scholars, lawmakers, practitioners and advocates on reproductive health, law and policy. For more information or to get involved, go to law.ucla.edu/academics/centers/center-reproductive-health-law-and-policy.

The seven-camera live stream will be directed by award-winning filmmaker, director and editor Jeff Richter of Beautiful Pictures Inc. and produced by Barbara Jacobs of Barbara Jacobs Events & Consulting. The director of photography is Chuck Ozeas. Equipment is being donated by Kemp Curly and Transition Productions. The camera crew is also donating their services, time and equipment to support this event.

CounterPunch calls Roe “a powerful, compelling, topical work of political theater about a pressing issue of the day presented by a talented ensemble,” and local L.A. theater site Stage Raw named it “One of the most vitally important pieces of theater in Los Angeles.”

For more information, call (323) 663-1525 or go to www.FountainTheatre.com.

Fountain Theatre earns 9 L.A. Drama Critics Circle Award nominations for excellence in 2020/21

The Fountain Theatre earned nine award nominations from the Los Angeles Drama Critics Circle for excellence in 2020/21, it was announced yesterday. The Fountain’s Los Angeles premiere of An Octoroon on its Outdoor Stage, its groundbreaking livestream presentation of The Ballad of Emmett Till, and the L.A. debut of The Children were chosen for recognition.

LADCC nominations for the Fountain Theatre for 2020-2021:

  • Lead Performance – Matthew Hancock – An Octoroon
  • Featured Performance – Rob Nagle – An Octoroon
  • Writing Adaptation – Branden Jacobs-Jenkins – An Octoroon
  • Set Design – Frederica Nascimento – An Octoroon
  • Costume Design – Naila Aladdin-Sanders – An Octoroon
  • Fight Direction – Jen Albert – An Octoroon
  • Props – Michael Allen Angel – An Octoroon
  • Streaming Design & CGI – The Ballad of Emmett Till – Andrew Schmedake
  • Ensemble Performance – Ron Bottitta, Elizabeth Elias Huffman, Lily Knight – The Children

Out of an abundance of COVID caution, there will be no in-person ceremony. Instead, the award recipients will be named in a future press release in the upcoming weeks.

Congratulations to all of the nominees! Click here for the complete list.

Lisa Loomer’s play tells “shocking” true story behind Roe v. Wade

More info

NOW CASTING: Child actress to play ten-year-old Emily in staged reading of “Roe” on Outdoor Stage

The Fountain Theatre is seeking a skilled young actress for the role of Emily in the fast-moving staged reading of ROE by Lisa Loomer. Vanessa Stalling directes the large cast in ten public performances presented on the Fountain’s Theatre’s Outdoor Stage June 25 to July 10, in response to the looming Supreme Court decision overturning Roe v Wade.

ROE is A powerful, poignant, and often humorous play that cuts through the headlines to reveal the real-life women behind Roe v. Wade, the landmark 1973 case that gave women the right to safe, legal abortion. A fast-moving, fair-minded look at the complicated human beings behind the case, the challenging years that followed the court’s fateful decision, and the polarization around the issue in America today.

Note: The script contains profanity (not spoken by the child actress), adult themes, and mature material.

NOW CASTING:

EMILY: 7 to 10 years old, white female. Sweet, earnest, loving, open, devoutly Christian.

Rate of Pay: AEA 99-Seat Contract

Submission Deadline: 06/07/2022. Actors will be asked to submit self-tape auditions.

This casting notice has been released on Breakdown Serives and Actors Access.

Submit headshot & resume to: casting@fountaintheatre

Last chance! The Fountain Theatre’s hit world premiere production, Detained, to close on May 15

The cast of Detained. Photo by Jenny Webb.

After a long list of rave reviews and a successful run of nearly three months, the Fountain Theatre’s world premiere production of the gripping docudrama, Detained, comes to an end on Sunday, May 15th. The final performances of Detained are May 9 and 14 at 8pm, and May 15 at 2pm. Special $10 tickets are available on a limited, first come/first-served basis.

Originally commissioned by immigration attorney Judy Rabinovitz of the ACLU Immigrants’ Rights Project and written by The Lillys 2021 Lorraine Hansberry Award-winning playwright France-Luce Benson, Detained explores the heartbreak and fierce determination of families fighting to stay together while mass deportation and harsh U.S. immigration legislation become ever more dedicated to keeping them apart. It is both a devastating, in-depth look at everyday people caught in the punishing web of harsh immigration policies, and a celebration of the courage and conviction of those struggling against an often coldblooded institution that seems to have lost sight of its former humanity.

Former cast member Michael Uribes was unable to continue with the show, so Jose Fernando (Daniel’s Husband) has temporarily relinquished his duties as Fountain Theatre House Manager to join the cast of Detained. “It feels great to be switching gears and joining the Detained family in this capacity,” he said. “As someone who immigrated to this country, and has friends and family affected by the politics surrounding immigration, this show is very real to me. It allows me an opportunity to give a voice to our lived experiences.”

Jose Fernando joins the ensemble cast of Detained

Fernando, along with company members Liana Aráuz, Camila Betancourt Ascencio, Christine Avila, Will Dixon, Jan Munroe, Theo Perkins and Marlo Su, bring to life a variety of characters based on real-life U.S. detainees, their families and supporters, and ICE representatives – all of whom were interviewed by Benson. These characters include a teenage foodie aspiring “chef-lebrity,” a U.S. Veteran, and a mother of two who works as a roofer in New York City.

“This play is a living document, and I’m constantly updating it,” Benson says. “People think that now that Biden is president, things are better. But thousands of people are still facing deportation every day. Many of these people have been living in this country for decades. They own houses, run businesses, pay taxes, have families.”

“No theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.”

Ticket Holders LA

The Los Angeles Times notes that, “In familiarizing theatergoers with the immense toll these policies take on individuals and their loved ones, the play reminds us that human rights abuses are more than a talking point… The message of the play comes through loud and clear in (director Mark) Valdez’s staging.” Ticket Holders LA proclaims that, “no theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.” TotalTheater.com calls Detained, “Brave and shocking… masterfully directed…” and declares, “The people whose stories are memorialized here remind all of us that we have the power to dismantle a corrupt, inhuman system.” And Showmag.com decrees, “it’s enough to make a person want to run for office… meticulous performance values… every element coalesces into a smooth, almost magazine style of presentation… the play performs an important function to awaken all of us to a system that has grown out of control.” Click here for more reviews and for a list of organizations where you can take action.

Good seats still remain for the final performances of Detained. And to celebrate the last days of the show that People’s World calls “deeply affecting” and “yet another triumph in (the Fountain’s) long line of work,” a limited number of special $10 tickets have been made available with the promo code “Final2.” Don’t miss out — act now!

Please note: All Covid protocols are followed. Proof of both vaccination and booster (if eligible) are required for admission. Masks are strongly encouraged. Snug, surgical-grade respirator masks (N-95/KN-95/KF-94) that cover both mouth and nose are preferred, but blue surgical masks are acceptable. Cloth masks are no longer approved.

For reservations and information call (323) 663-1525 or go to www.fountaintheatre.com.

NOW CASTING: L.A. Premiere of “If I Forget” on Fountain Theatre Outdoor Stage directed by Jason Alexander

The Fountain Theatre is now casting the Los Angeles Premiere of Steven Levenson’s funny and poignant play, IF I FORGET, directed by Jason Alexander (TV’s Seinfeld). Steven Levenson is the author of TICK, TICK… BOOM!, DEAR EVAN HANSEN, and FOSSE/VERDON. IF I FORGET will be performed on the Fountain Theatre’s Outdoor Stage in East Hollywood.

Storyline:
Los Angeles Premiere. A funny and powerful tale of a family and a culture at odds with itself. In the final months before 9/11, liberal Jewish studies professor Michael Fischer reunites with his two sisters to celebrate their father’s 75th birthday. Each committed to their own version of family history, they clash over everything from Michael’s controversial book, to whether they should sell the family business. Secrets and long-held resentments bubble to the surface as the three negotiate – with biting humor and razor-sharp insight – just what they’re willing to sacrifice for a chance at a new beginning.

Producer/Theatre Company: The Fountain Theatre
Artistic Director: Stephen Sachs
Director: Jason Alexander
Writer: Steven Levenson
Casting Director: Simon Levy, Jose Fernando
Lead Producers: Simon Levy, James Bennett
Auditions: April 18-19, 2022
Rehearsals: June 13 – July 19, 2022
Previews: July 20 – 22, 2022
Opens/Closes: July 23, 2022 – September 10, 2022

LOU FISCHER
65 to 75 years old, male. (to play 75) Smart, sensitive, caring. He is capable of deep feeling but can be distant as is typical of men of his generation. Holds disturbing secrets from the war. A Jewish WWII veteran, proud of his family and Jewish heritage. Suffers a debilitating stroke during the course of the play. A man of quiet dignity. An untapped well.

MICHAEL FISCHER
45 to 50 years old, male. Lou’s son. A Jewish Studies professor who happens to be an atheist. A cynical, avowed liberal whose intellect and passions coupled with his ego and neurosis often cloud his better judgment and his better angels. Proud, defiant, stubborn and yet fearful and ultimately a bit lost. He struggles to make his heart as potent as his mind. A brilliant, if tortured, soul.

HOLLY FISCHER
45 to 52 years old, female. Lou’s oldest daughter and Michael’s older sister. (should read slightly older than him). Her dress and manner reflect a lifestyle that connotes a degree of financial success and social influence. She thinks highly of herself and freely speaks her mind, oftentimes at the expense of others. Though brash and biting, she means well and genuinely cares for her family. She is driven, fierce – but the bark is far worse than the bite.

SHARON FISCHER
38 to 40 years old, female. Lou’s youngest daughter. Sweet to the point of almost seeming simple. A natural giver, reflected in being a kindergarten teacher and Lou’s primary caregiver. She is also a bit high strung and desperate to have a family of her own at this later stage of her life. She harbors unspoken resentment toward her siblings for making her the de facto nanny and nurse. Though fragile and brittle, she spends much of the play struggling to assert herself and fight for the things she wants and believes in.

ELLEN MANNING
40 to 43 years old, female. Michael’s wife. Not Jewish. Kind, calm, and the voice of reason when tensions arise between Michael and his siblings. She is supportive of her husband’s career and beliefs though keenly aware and nervous of their offensiveness. She determinedly suppresses her fear and anxiety about her daughter’s mental illness. She is a woman very much on the edge and holding on with all the grace she can muster.

HOWARD KILBERG
50 to 55 years old, male. Holly’s husband. Jewish. A corporate lawyer. Successful and affable but a bit of a dolt. He is socially awkward, never sure of where he stands in anyone’s esteem. He is mild-mannered, even kindly but uncomfortable in his skin. And he harbors a secret that he greatly fears will ruin his life if revealed.

JOEY OREN
16 to 20 years old, male. (to play 16) Holly’s son. A smart and socially awkward teen. Has some behavioral issues; not violent, just acts out to get attention. He acts indifferent toward his family but can’t help revealing genuine concern during trying times. Takes refuge in gaming. An awkward kid, probably somewhere on the spectrum.

Please submit electronically via Breakdown Express/Actors Access or email casting@fountaintheatre.com. First round of auditions will be self-tape of Sides, which will be made available by the casting coordinator. Then there will be an in-person audition at the theatre. Then a callback.

Happy Birthday, Fountain Theatre!

Thirty-two years of enriching and changing lives, seventy-eight seats at a time.

Fountain Theatre’s audio play Numbered Days, a moving, true love story, launches today

Being Valentine’s Day, treat yourself to being swept away by the love and healing powers of music and the written word in Numbered Days, the true-life love story of two passionate artists who used the power of their artistry to sustain them through their “numbered days” as a couple. Playwright Corey Madden has transformed her poetic memoir into a four-episode audio play produced by the Fountain theatre that launches today.

How can art, and the process of creating it, help us cope with hardship? Numbered Days turns Madden’s poems about the battle with cancer she shared with her beloved husband, composer Bruno Louchouarn, into an audio art piece meant to bring healing to others.

Two-time Emmy®, Peabody and SAG award-winning actor Anna Gunn (Breaking Bad) stars as playwright Corey Madden in an audio theater production of Madden’s moving memoir. Veteran actor Tony Amendola (Antaeus Theatre Company, Showtime’s Dexter, ABC’s Once Upon a Time) stars alongside Gunn as Bruno. Jeanne Sakataand Jack Stehlin take on multiple roles. Madden directs, and Jeff Gardener is audio producer, sound designer and Foley artist. Prominently featured throughout is Louchouarn’s glorious music.

“This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Following her husband’s diagnosis, Madden began writing short, free-verse poems as a way to give voice to her anguish.

“I started writing on my iPhone as a way to cope with the stress and uncertainty, but what I discovered was that focusing only on Bruno’s illness and treatment was robbing us both of the very thing I wanted most to preserve — his life,” she explains. “The practice of writing about exactly what was happening in the moment helped me see the grace within daily life. It helped me re-focus on the joy of being alive today. Instead of living in fear, we were both able to experience joy through making art. This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Corey Madden at Cafe Figero, where she and Bruno first met

In addition to writing and directing Numbered Days, Madden’s original works include Rain After Ash and Sol Path, commissioned and produced at Pasadena’s AxS Festival; Day for Night, presented by Santa Monica’s GLOW and featured in Poland’s Transatlantyk Film and Music Festival; Surf Orpheus, produced by UC San Diego and at the Getty Villa, and Rock, Paper, Scissors which was co-written with Laural Meade, premiered at Childsplay and was subsequently produced at Speeltheatre in Holland. Madden is also the director of And So We Walked: An Artist Journey Along the Trail of Tears created and performed by Delanna Studi, which has been produced by Triad Stage and Portland Stage and represented the United States at the Carthage International Theatre Festival in Tunisia in 2019, and will be released by Audible in Spring 2022.  Madden has directed plays, opera and music events, and multi-disciplinary works at the Mark Taper Forum, Public Theatre, Getty Museum, Los Angeles Philharmonic, Boston Court Performing Arts, Trinity Repertory and Actors Theatre of Louisville, among many others. Madden trained at the University of North Carolina School of the Arts. She received her undergraduate degree in dramatic arts from UNC Chapel Hill and her graduate degrees in creative and cinematic writing from USC’s Professional Writing Program and USC Film. Madden is currently the executive director of the Monterey Museum of Art and was associate artistic director of Center Theatre Group/Mark Taper Forum, where she developed and produced more than 300 new plays during her 22-year tenure.

Bruno Louchouarn (1959-2018) composed more than 600 original works including orchestral and chamber music, opera, dance, film, television and theater scores, as well as sound and media installations. His remarkable body of work reflects his wide-ranging interests in music, media and sound, informed by his academic research in cognitive science, artificial intelligence and ethnomusicology. Louchouarn’s musical catalogue reflects the spirit and rhythms of Paris, Mexico City, Los Angeles and Piedmont North Carolina, the places he called home over his six decades of life. During his lifetime, Louchouarn collaborated extensively with dance, theater and visual artists including Suzanne Lacy, Jacques Heim, Herbert Siguenza, Michael John Garces, Juan Felipe Herrera, and his wife, Corey Madden, to create performances in which his moving and layered scores play a leading role. Louchouarn’s collaborations with Susan Jaffe on Metallurgy and Carmina Terra were among his most rewarding creative experiences. Louchouarn’s compositions have been performed at leading arts institutions such as the Kennedy Center, Royce Hall at UCLA, Cal Arts’ REDCAT, the Getty Museum, Juilliard School of Music, University of Southern California, University of Akron, UNC School of the Arts, Chapman School of Music, Occidental College, San Diego Rep, Boston Court, Pasadena Playhouse, Cornerstone Theatre Company and at festivals including Santa Monica’s GLOW, Pasadena’s AxS Festival and Poland’s Transatlantyk Film and Music Festival.

Audio producer, sound designer and Foley artist Jeff Gardener has designed sound and performed as an actor across the country. His credits include the Geffen Playhouse, Kirk Douglas Theatre, Wallis Annenberg Center, A Noise Within, Antaeus Theatre Company, Boston Court Pasadena, Circle X Theatre Company, Echo Theater Company, Rogue Machine, Matrix Theatre, Skylight Theatre, IAMA Theatre Company, The Shakespeare Theatre (DC), Arena Stage, Kennedy Center, Williamstown Theatre Festival and the Edinburgh Fringe Festival in Scotland. Jeff can be seen at L.A. Theatre Works, where he regularly performs live sound effects.

All four episodes of Numbered Days are now available for $20 at www.FountainTheatre.com. Listen to it now, wherever you get your podcasts, with someone you love.