Category Archives: Social justice

Video: 2019 was only one year ago …

As 2020 continues on its perilous path and our theatre sits empty, we look back at a jam-packed and deeply rewarding 2019. It was only last year but it feels like a century ago. Enjoy!

A Message of Hope and Solidarity

The Fountain Theatre is a member of a coalition of intimate theatres in Los Angeles that meets weekly to discuss the future of theatre in Los Angeles as we navigate COVID-19 and beyond.

Like Los Angeles, our theatre community has always been at the forefront of innovation. As an integral part of the cultural conversation, a group of 44 artistic directors from LA’s intimate theatres came together two months ago to discuss how we can move through the current COVID crisis and come out stronger. We are committed to raising the bar and pushing the boundaries of professional theatre. At weekly virtual roundtables, we continue to remind each other that theatre is a collaborative art form, in every sense of the word. We are stronger together as one community regardless of company size.

While the doors to our theatres may be shut, our artists continue to innovate and utilize new technology to serve Los Angeles and promote the importance of theatre. Our creative work has never been limited to our stages, and the boundless creativity of Los Angeles theatre artists will ensure that our theatres will reopen with a renewed sense of purpose. Los Angeles is one of the cultural capitals of the world, and together we make sure that #LALivesOnStage.

The 44 theatres are:

24th Street Theatre, Actors Co-op, After Hours Theatre Company, Ammunition Theatre Company, Antaeus Theatre Company, Boston Court Pasadena, Celebration Theatre, Chance Theater, Company of Angels, Coeurage Theater Company, Echo Theater Company, Ensemble Studio Theatre/LA, Fountain Theatre, Ghost Road Theatre Company, Greenway Arts Alliance, IAMA Theatre Company, Impro Theatre, Latino Theatre Company, Lower Depth Theatre Ensemble, Matrix Theatre Company, Moving Arts, Odyssey Theatre Ensemble, Open Fist Theatre Company, Ophelia’s Jump Productions, Playwrights’ Arena, Pacific Resident Theatre, Rogue Machine Theatre, Ruskin Group Theatre, Sacred Fools Theater Company, Sierra Madre Playhouse, Skylight Theatre Company, Son of Semele, Theatre of NOTE, The 6th Act, The Group Rep Theatre, The Inkwell Theater, The New American Theatre, The Road Theatre Company, The Robey Theatre Company, The Victory, United Stages, VS. Theatre Company, Theatre West, and Whitefire Theatre.

The group is taking this opportunity of a pause in their programming to consider some of the bigger issues facing Los Angeles intimate theatres. Most importantly, they have implemented action committees for creating collaborative strategies in health and safety protocols for audiences, staff, and artists. Other areas of focus include marketing, and planning an online Intimate Theatre Festival, with a Live LA Theatre Festival in the works once everyone is able to gather again. Partnering with LA Stage Alliance/onStage.LA, the group is aiming to establish a central hub for all Los Angeles theatre activities.

Stay Home: Fountain Theatre builds community alliances during time of crisis

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Hollywood Food Coalition

by France-Luce Benson

As we all hunker down, I’ve been thinking a lot about home. As a playwright/performer, I’ve lived a kind of gypsy lifestyle for most of my adulthood. Home is wherever the gig happens to be.  For the last year and a half, home is Los Angeles.  Of course, in Los Angeles, I can’t think about home without thinking of the millions of men, women, and children who are experiencing homelessness today. As our public officials urge us all to “stay home”, rightfully so, I can’t help but wonder what that means for those who don’t have a home.

Like many theatres across the country, The Fountain made the painful decision to suspend performances of Human Interest Story, which grappled with several issues around homelessness. Sadly, this also meant cancelling all of our BID events, including a panel discussion with representatives from several homeless relief organizations in our community.

Although the show cannot go on, we’ve decided to keep the conversation going with one of our esteemed panelists, John Billingsley. As the Board President of Hollywood Food Coalition, Billingsley knows firsthand about what it means to be on the front lines of the fight to end homelessness in L.A.

FLB: First, can you please tell us about Hollywood Food Coalition’s mission and what services you provide:

Billingsley: Every night of the year we serve the most immediate needs of people in our community: we provide a healthy and nutritious five course meal to all comers, no questions asked (soup, salad, choice of vegetarian or non-vegetarian entree, fruit, bread, desserts, milk, water).  We also distribute shoes, blankets, sleeping bags, clothing, bus passes, laundry vouchers, toiletry kits, and etc. We  have medical, dental and vision vans from UCLA visiting our campus on a regular basis. We are secular, but we serve our meal on the campus of the Salvation Army, (in one of their two dining halls) and we also help clients access way cool stuff provided by other community social service organizations (our neighbors and buds).  Additionally, insofar as we rescue approximately 7000 pounds of food a week, we aim to distribute the food we cannot use to other Not For Profits serving our community.

FLB: What led you to Hollywood Food Coalition?

Billingsley: Approximately 4 years ago, apres the disastrous 2016 election, I was looking for ways to get more involved in my community. In addition to doing some political fundraising, I started making bad fruit salads at the Hollywood Food Coalition. (I washed dishes badly, as well). I was foolish enough to shoot off my mouth a bit about ways to grow the board, raise more moolah, blah blah blah . . .  and now I’m the Board President!  It (almost) reaffirms my faith in America. Or, perversely, makes me question the sanity of our Executive Director, Sherry Bonanno.

FLB: What has been your focus as Board President?

Billingsley: We believe food is a medium for coalition building.  My specific interest revolves around what it means to build coalitions, to make pals, to get to know our non-for-profit neighbors. We’re interested in helping to bring NFP’s in our community together to collaborate, where possible, on ‘common actions’, like we’re doing with The Fountain Theatre. We’re interested in exploring mechanisms by which we can further each other’s missions: Can we help you do what you do better? Can you help us do what we do better? How?

FLB: In Stephen Sachs’ play, Human Interest Story, the Jane Doe character offers a raw look at the realities of homelessness. She talks about being assaulted, feeling invisible, and the stigma attached to homelessness. In your opinion, what is the biggest challenge homeless men and women face?

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Tanya Alexander and Rob Nagle, Human Interest Story.

Billingsley: First off, and apropos of nothing – ‘people who re experiencing homelessness’ is a more artful construction, I have been taught  – when we use the term ‘homeless’, and God knows we all use it, we kinda consign people to a bit of a Dante-esque ‘circle’, a ‘home’, oddly enough . . .

 People go through shit.

One can say: I am going through this time in my life, I am experiencing yada yada yada . . . it’s subtly, but legitimately, different than saying: I am a this.  I am a that.  People ain’t homeless.  They’re living a particular kind of life, they’re experiencing homelessness at this time in their life .  One hopes that they will be living a different kind of life soon.

But to answer your question:

The biggest challenge homeless people face is the biggest challenge most of us face: the folks who rule our country, and many other countries around the world, actively attempt to delegitimize, if not actively dehumanize, people who don’t agree with them, or look like them, or in any way challenge their values or their hold on power. The challenge we all face, or can’t even begin to face (or intellectually recognize) is a deep and internalized acquiescence in the face of systemic and organized political disenfranchisement; perhaps to the perpetuation of our own diminution.   Continue reading

VIDEO: Fountain Theatre delivers donated clothes to Covenant House

Artist paints portraits of the homeless to restore their humanity and ours

Perlman LA Times

Stuart Perlman, shown surrounded by his portraits of homeless people.

by France-Luce Benson

Stuart Perlman never considered himself an artist. A psychologist and psychoanalyst for over 30 years, he leaned into the arts following the death of his father fifteen years ago. But he found the “bored white models” in his art classes uninspiring and void of the soulfulness he searched for in his time of grief. He found that transformative humanity in the unlikeliest of places.

“I had a beautiful office in West Hollywood, back when there were very few signs of homelessness.” But then Perlman discovered a man who’d been living outside of his office. He slowly got to know the man, Bill. “He became both a friend and a responsibility”.

After painting Bill’s portrait and hearing his story, Perlman realized just how much they had in common. “There but for the grace of god go I”, he repeats; “Most of the men and women I paint are good people that had bad things happen to them”.

Perlman LA Times 2

Stuart Perlman paints a portrait of “traveler” Aftin Combs, left, 20, hanging out with fellow travelers on the Venice Beach boardwalk.

Over the last 10 years, Perlman has painted over 250 portraits of homeless men and women living on the streets of Venice Beach and on Skid Row; and he’s watched L.A.’s homeless population rise astronomically. “The number of camps on skid row increased by 86% in one year”.

His voice cracks and quivers over the phone as he becomes more and more impassioned. “How did we let this happen?” he asks. It seems his many years as a psychologist has prepared him for what may be his life’s calling.

“In every interaction I have in my life, I think about the person’s well being and try to help,” says Perlman. While his portraits initially served as the catalyst for his own healing, they have had a profound impact on his muses. As he paints, he listens to their stories. One portrait may take hours, and in that time, the two hold a sacred space of artistic intimacy. “People cry, hug me, and say they finally feel seen and heard.”

Although he does compensate them for their time and provide supplies, the personal connection they share is invaluable, not to mention the esteem and import associated with a portrait. Historically reserved for aristocrats, dignitaries, and the wealthiest members of society, Perlman decidedly paints the members of our community who are often forgotten and neglected. Each portrait is both breathtaking and heartbreaking, with a powerful focus on the eyes. “You cannot look into their eyes and not be gripped,” he confesses.

“These are good people that we have just thrown away,” explains Perlman. His hope is that his portraits will encourage us to see their humanity, while inspiring us to do our part in ending the cycle of homelessness.

Lobby painting

Perlman’s painting “Denice” greets Fountain patrons in the lobby.

One of the main characters in the current Fountain Theatre world premiere of Human Interest Story is homeless. Several of Perlman’s paintings are currently on display at The Fountain throughout the run of the play to April 5, and signed copies of Perlman’s book Struggles in Paradise are available for sale in the café. Perlman will also join us on March 8 at 1pm for a free pre-show discussion with the public. His film by the same title will have a special screening at The Fountain on March 19 at 7pm.

It’s hard to believe that what started as a hobby he picked up in his 50s has become his life’s mission. It’s not just about the portraits. It’s about promoting the well being and humanity of all people – whether it be through his practice or his art.

“This project has brought me tremendous satisfaction and happiness, and yet I often feel guilty when I return home after painting a portrait,” he admits. Still, he believes that something greater is working through him, and so he will remain devoted to this mission – a mission to reveal the beauty of all human beings, housed or unhoused.

“It’s time for us to reclaim our humanity.”

France-Luce Benson is the Community Engagement Coordinator at the Fountain Theatre. 

See the play. Stay for ‘Breaking It Down.’

BID graphic

by France-Luce Benson

The Fountain’s Breaking It Down program is designed to build community and deepen the impact of a play through a variety of events before and after performances. Our preshow events may include art exhibitions and talks that invite audiences into the world of the play. Our post show discussions create a space for our audiences to gather with the artistic teams, scholars, journalists, and community leaders to unpack the themes explored, and provide a platform to share personal connections to the work.

March 1: Q&A with the cast of Human Interest Story

HIS_0123Engage in a post-show conversation with actors Tanya Alexander, Richard Azurdia, Aleisha Force, James Harper, Matt Kirkwood, Rob Nagle, and Tarina Pouncy. Get Tickets

March 8 @ 1pm: Meet artist Stuart Perlman

PerlmanStuart Perlman’s Faces Of Homelessness portrait project has been exhibited throughout Los Angeles, covered on Public Radio (KPCC), featured in print in Column One of the front page of the Los Angeles Times, and in other national and international publications including The Guardian (London), Taipei Times (Taiwan), Vanity Fair Italia and a cover story in the Jewish Journal. It will be on display at The Fountain for the duration of the run.

Perlman will talk about what inspired the project, and how his connections with these individuals have impacted his life in ways he never imagined. Get tickets now.

Stuart Perlman has been a psychologist and psychoanalyst in private practice in West Los Angeles for 40 years. He received a Ph.D. from UCLA in clinical psychology, and a second Ph.D. in psychoanalysis.  He has published many articles in psychoanalytic journals, and authored the book, The Therapist’s Emotional Survival: Dealing with the Pain of Exploring Trauma. His new book, Struggle in Paradise, is about homeless individuals, featuring moving oil-on-canvas portraits, life stories and follow-ups. This painting project has been nominated for the Best Art of the Year Award by the National Association for the Advancement of Psychoanalysis. After a hiatus of over 25 years, Dr. Perlman returned to one of his early passions, painting. He has devoted thousands of hours to painting the experiences of the homeless and illuminating their humanity and pain. Through portraiture, a style traditionally used to immortalize the rich, famous and powerful, Dr. Perlman reminds us that these homeless individuals, too, are to be valued: “If we can see into their faces and learn their stories — their hopes, dreams, accomplishments and fears — we can no longer pretend that they don’t exist…we can no longer look the other way.” www.stuartperlmanartist.com

March 15:  Inside L.A.’s Homeless Crisis

homeless manYou see them everywhere. At freeway off-ramps, under bridges, in tents. Los Angeles Mayor Eric Garcetti has declared homelessness “the great humanitarian crisis of our time.” What are we doing about it? A post-show discussion with panelists Anthony Conley (Covenant House) and John Billingsley (Hollywood Food Coalition).  Get tickets now. 

March 19 @ 7p.m: Screening of Stuart Perlman’s Struggle in Paradise

Struggle in Paradise“Best Movie of the Year” National Association for the Advancement of Psychoanalysis.
Nominated Best Documentary- Pasadena International Film Festival. Honorable Mention- American Psychological Association Film Festival. Struggle in Paradise is the gripping story of the skyrocketing number of homeless people living and dying on the streets of Los Angeles. I have been shocked at the amount of trauma that people have sustained that contributed to their homelessness and, once on the streets, are repetitively traumatized. View the Trailer

March 22: Truth in American Journalism 

man-hands-reading-boyHow do you get your news? The print edition delivered at your door? Online? Join the post-show conversation with local journalists as we examine how the internet has impacted print newspapers around the country. How has the invention of “fake news” influenced ethics in reporting? What is the truth? Who decides? Get tickets

March 29 @ 5pm: Sunday Supper at The Center 

russell-westbrook-why-not-foundation-8th-annual-thanksgiving-dinnerJoin us at The Center in Hollywood where the Fountain will host one of their monthly “Supper Sunday” dinners. Following the performance, we will head to The Center where we will prepare (or purchase), serve, set up, and clean up after a meal. The most important aspect of Supper Sunday is that WE will dine WITH the individuals we are serving. Sharing a meal is a beautiful opportunity for the housed and unhoused members of our community to gain greater understanding, empathy, and connection. Order now

Feb 15 – April 5: Donation Drive for our homeless community 

April Goddard

Fountain patron April Goddard donates items to the homeless at tonight’s preview of Human Interest Story. 

Throughout the run of Human Interest Story The Fountain will accept donations to be distributed to various Homeless organizations in our community.  Items most needed are:

  • Toiletries (toilet paper; wet wipes; toothpaste/toothbrushes; mouthwash; body wash) Feminine products (sanitary pads, tampons)
  • Gently Used Clothing (especially winter clothing, socks, shoes)
  • Men’s and Women’s Underwear (New, all sizes)
  • Blankets

Bins will be set up in front of the theatre before each performance and all items will be distributed to various organizations on a weekly basis. You need not have a ticket to the show to bring donations. All are welcome!

France-Luce Benson is the Community Engagement Coordinator for the Fountain Theatre. Contact her: franceluce@fountaintheatre.com 

Fountain celebrates 30 years with electrifying season of premieres in 2020

FT night cars 2018Deborah Culver and Stephen Sachs founded the Fountain Theatre in an intimate, Spanish-style, East Hollywood building that belies the sizable local impact and international reach of the company’s acclaimed and award-winning productions. Now entering its 30th year as one of the most highly regarded theaters in Los Angeles, the Fountain is announcing a celebratory 2020 season of dynamic premieres and events.

“Thirty years ago, when we first entered this theater and stepped onto its stage, we knew we had found it. A place to call home,” Culver and Sachs said in a joint statement. “Since that April three decades ago, our charming haven on Fountain Avenue has been home to thousands of artists and millions of patrons. Fountain plays are now performed worldwide and seen on TV. Our flamenco concerts are first class. Our outreach programs change lives. Our legacy is noteworthy. And our future looks bigger and brighter than ever.”

The season opener, the world premiere of Human Interest Story — written and directed by Sachs who, in addition to his role as co-founder and co-artistic director of the Fountain, is an internationally acclaimed playwright — will open on Feb. 15. In this timely drama about homelessness, celebrity worship and truth in American journalism, newspaper columnist Andy Kramer (Rob Nagle) is laid off when a corporate takeover downsizes his paper. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman (Tanya Alexander) to stand-in as the fictitious Jane. She becomes an overnight internet sensation and a national women’s movement is ignited.

Slated for Spring, 2020, the Los Angeles premiere of If I Forget by Steven Levenson (Dear Evan Hansen) will be directed by Fountain producing director Simon Levy. In this viciously funny, unflinchingly honest portrait of a Jewish family and a culture at odds with itself, a liberal Jewish studies professor reunites with his two sisters to celebrate their father’s 75th birthday. Both political and deeply personal, this play about history, responsibility, and what we’re willing to sacrifice for a new beginning was a New York Times “Critic’s Pick,” while DC Metro calls it “one of the greatest Jewish plays of this century.”

Summer brings the Los Angeles premiere of An Octoroon by 2016 MacArthur fellow Branden Jacobs-Jenkins, who won the Obie for this radical, incendiary and subversively funny riff on Dion Boucicault’s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire that The New York Times calls “This decade’s most eloquent theatrical statement on race in America today.” Judith Moreland directs.

Another noteworthy Los Angeles premiere closes out the season in the Fall: Escaped Alone is a caustically funny and surreal afternoon of tea and calamity by celebrated British playwright Caryl Churchill. In a serene British garden three old friends are joined by a neighbor to engage in amiable chitchat — with a side of apocalyptic horror. The women’s talk of grandchildren and TV shows breezily intersperses with tales of terror in a quietly teetering world where all is not what it seems. In his Off-Broadway review for Escaped AloneNew York Times theater critic Ben Brantley hailed the play as “wondrous” and Caryl Churchill as “the most dazzlingly inventive living dramatist in the English language.”

Also coming up in 2020:

Forever Flamenco: The dancers, musicians and singers of the Fountain’s monthly series will continue to delight audiences throughout 2020. The Los Angeles Times hails Forever Flamenco as “the earth and fire of first-class flamenco,” and LA Splash says, “the way you feel when you walk out of a Forever Flamenco performance is pretty darn fabulous.”

Hollywood Dreams: CBS star and Fountain family member Simone Missick (All Rise) and Fountain board chair Dorothy Wolpert will be honored at the Fountain’s dazzling 30th Anniversary Gala at the Hollywood Roosevelt Hotel on SaturdayJune 27.

Walking the Beat Hollywooda pioneering arts education program for inner city high school youth and police officers, will return for its second year this August.

The Candidate: The Fountain’s third annual celebrity reading at Los Angeles City Hall, a stage adaptation of the 1972 Academy Award-winning movie that starred Robert Redford as a young, straight-talking candidate for the U.S. Senate, is set for ThursdayOct. 22. One night only.

For more information about the Fountain Theatre’s 2020 30th anniversary season, call (323) 663-1525 or go to www.FountainTheatre.com

France-Luce Benson joins Fountain Theatre staff as Community Engagement Coordinator

France-Luce Benson

France-Luce Benson

The Fountain Theatre is pleased to announce that playwright/teaching artist France-Luce Benson has joined the staff as Community Engagement Coordinator. Her duties will include overseeing the Fountain’s educational outreach programs and expanding the theatre’s interaction with audiences and local communities.

“As an artist committed to equanimity in representation and creating art that affects change, it is an honor to be a part of The Fountain Theatre, a company that is truly walking the walk, ” says Benson. “The many theatrical giants who The Fountain has produced over the years have not only influenced my work as a playwright, but they are representative of Los Angeles’ diverse cultural landscape. I am confident that my own cultural background will contribute to the important work The Fountain is doing to promote and inspire social justice.”

France-Luce Benson was named “Someone to Watch ” in 2019 by American Theatre magazine. As a playwright, she is a recipient of a Miranda Foundation grant (DETAINED), Alfred P. Sloan Foundation New Play Commission (DEVIL’S SALT), and a Princess Grace Award runner up (BOAT PEOPLE).   Additional honors include: Zoetrope Grand Prize (CAROLINE’S WEDDING); Dramatists Guild Fellow 2016-17, Sam French OOB Festival Winner, NNPN Award for Best Play, and  three time Kilroy List Honorable Mention.  Residencies include  Djerassi, the Camargo Foundation in France, and Instituto Sacatar in Bahia, Brazil. Her plays have had productions, workshops, and readings at Crossroads Theatre New Jersey, City Theatre of Miami, The Playwrights Center, Oregon Shakespeare Festival, City Theatre of Miami, Loyola Marymount University, Global Black Voices in London, and in New York The Lark, The Billy Holiday Theatre, and the Ensemble Studio Theatre where she is a company member. She’s been published by Samuel French and Routledge Press. She earned an MFA in Dramatic Writing from Carnegie Mellon University and a BA in Theatre from Florida International University. Teaching appointments include UCLA Extension, St. Johns University, Columbia University, Girl Be Heard, and P.S. Arts/Inside Out in L.A. She is a proud member of The Dramatists Guild, Inc.

France-Luce teaches Story Analysis for Film and Television at UCLA Extension School. As a Dramatist Guild Fund teaching artist, she launched the Traveling Masters Program for NY Public Schools and was a guest lecturer at Columbia University, where she facilitated a playwriting intensive designed for the International Student Fellows of Columbia’s esteemed Human Rights Advocacy Program.

“We’re excited to welcome France-Luce to our Fountain Family,” says Artistic Director Stephen Sachs. “She brings expertise, passion and insight to our community programming as the Fountain broadens its services into the future.”

“Cosmic forces” brought actor Rob Nagle to ‘Human Interest Story’ at Fountain Theatre

Rob Nagle Tanya Alexander 1

Rob Nagle and Tanya Alexander in Human Interest Story.

by Gil Kaan

A stalwart member of the Los Angeles Theatre community, the multi-award-winning Rob Nagle will next be appearing on The Fountain Theatre stage in the world premiere of Stephen Sachs‘ HUMAN INTEREST STORY, opening February 15, 2020. Rob essays Andy Kramer, who just having been laid off, fabricates a letter to the editor; then, has to mastermind an elaborate charade to justify it. Rob’s HUMAN INTEREST STORY onstage accomplices include: Tanya AlexanderRichard AzurdiaAleisha ForceJames Harper, Matt Kirkwood and Tarina Pouncy.

The ever-busy Rob managed to find some time to answer a few of my queries.

What criteria do you look for in taking on a new role/character?

I try to keep a very open mind when I am first looking at a new role. I read the script, trying to keep my mind a tabula rasa, a blank slate, so that I do not have any preconceptions about what I am reading, and I can simply respond to the material. I want to see if it is a story that I would like to tell, and then I more closely examine if the character says things that I would like to say. It does not matter whether or not I agree with the character’s point of view; the story and the words just need to resonate for me. Once the part and the script have passed muster for me, I then consider the people involved in the project and the place where it will be performed. After that, I take a look at the pay. But it’s never really about the pay for me, it’s about the story.

What cosmic forces of creativity first brought you together with this new world premiere by Stephen Sachs?

The cosmic forces of creativity seem to work when you stay involved in the Los Angeles theatre community. I have admired Stephen’s work for many years now, and apparently he mine, as well. In January of 2018, he invited me to take part in a one-night-only reading of ALL THE PRESIDENT’S MEN in the Council Chambers at Los Angeles City Hall. I believe that was our first creative foray together. In July of 2019, he asked me take part in an early read of HUMAN INTEREST STORY, then titled JANE DOE. I was reading a different role, but I loved what he was doing with this script.

If you were writing a letter of recommendation for Andy, what qualities of his would you emphasize?

His tenacity and strength of purpose. His empathy and his heart. His curiosity and searching nature. And his passion for telling stories.

What character flaws would you sugarcoat?

His pride. His ego. And the little boy who is still seeking his father’s approval.

What for you, Rob Nagle, would be the most satisfying thoughts/emotions audience leave The Fountain Theatre with after your HUMAN INTEREST STORY curtain call?

I hope all of our hearts grow a little bit while we’re all together experiencing this play. Maybe we’ll think a little differently about all those ideas we were so certain of when we walked in and sat down together, all the things we think we know about the world. I hope audiences feel an enlarged sense of compassion, greater understanding and deeper concern for their fellow human beings, no matter the color or gender or creed. We all tend to take care of our own circles of family and friends – but there are people out there who have been kicked out of their circles, or who have wandered out of them, or who have lost their connections to them. They are worthy of our care, of our attention, and even of our love. There are eight million stories in this naked city, and every homeless person you encounter can tell you one of them. I hope we start talking less, and listening a little more.

Get tickets to HUMAN INTEREST STORY

This post originally appeared on BroadwayWorld.com. 

VIDEO: ‘Human Interest Story’ is “a beautiful story, about as current as you can get.”

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