Tag Archives: Carrie Chassin

Casting complete for the Fountain’s L.A. premiere production of An Octoroon

Casting is complete and rehearsals begin this week for the Los Angeles premiere of a radical, incendiary and subversively funny Obie award-winning play by MacArthur Foundation “Genius Grant” recipient Branden Jacobs-Jenkins. Performances of An Octoroon will inaugurate the new outdoor stage at The Fountain Theatre on June 18. Performances will continue through Sept. 19, with four public previews set for June 11, June 12, June 13 and June 16, and a special press preview on June 17.

Judith Moreland directs Jacobs-Jenkins’s outrageous deconstruction of a moustache-twirling melodrama by 19th century playwright Dion Boucicault. Matthew Hancock (LADCC, Stage Raw and Ovation award-winner for Hit the Wall at the L.A. LGBT Center, previously seen at the Fountain in Between Riverside and Crazy, Hype Man, The Brothers Size, I and You) stars as a modern-day Black playwright struggling to find his voice among a chorus of people telling him what he should and should not be writing. He decides to adapt his favorite play, Boucicault’s The Octoroon, an 1859 melodrama about illicit interracial love.

The Black playwright quickly realizes that getting White, male actors of today to play evil slave owners will not be easy… so, he decides to play the White male roles himself — in whiteface. What ensues is an upside down, topsy-turvy world where race and morality are challenged, mocked and savagely intensified. A highly stylized, theatrical, melodramatic reality is created to tell the story of an octoroon woman (a person who is one-eighth Black) and her quest for identity and love.

The cast includes Rob Nagle (Human Interest Story at the Fountain, The Judas Kiss at Boston Court) as Boucicault; Hazel Lozano (America Adjacent at the Skylight, Othello at Griot Theatre) as the production assistant; Mara Klein (The Judas Kiss at Boston Court, Sucker Punch at Coeurage) as the octoroon, Zoe; and Vanessa Claire Stewart (Louis & Keely: Live at the Sahara at the Geffen, Finks at Rogue Machine) as Dora, a rich Southern belle in love with the plantation owner (who is also played by Hancock). Meanwhile, Leea Ayers (BLKS at Steppenwolf, Incendiary at the Goodman Theatre), Kacie Rogers (NAACP award-winner for No Place to be Somebody at Robey Theatre Company and An Accident at Griot Theatre Company; The Heal at Getty Villa) and Pam Trotter (And Her Hair Went With Her at the Fountain, national tour of The Color Purple) portray three startlingly modern slave women.

An Octoroon brutally satirizes racial stereotypes in a funny and profoundly tragic whirlwind of images and dialogue that forces audiences to look at, laugh at, and be shattered by America’s racist history.

“The more you experience this play, the more it turns into something else,” says Moreland. “It’s an extraordinary piece of theater — hilarious, but also shocking, profound, moving… and designed to provoke and offend. We have a terrific group of actors who are completely game and up for the challenge. It’s a celebration of how theater can both move you and change lives.”

The John D. and Catherine T. MacArthur Foundation Fellows Program, commonly but unofficially known as the “Genius Grant,” awards no strings attached cash prizes to individuals who demonstrate “extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.” The website described Jacobs-Jenkins as “a playwright [who draws] from a range of contemporary and historical theatrical genres to engage frankly with complicated issues around identity, family, class and race. Many of Jacobs-Jenkins’s plays use a historical lens to satirize and comment on modern culture, particularly the ways in which race and class are negotiated in both private and public settings. Although the provocation of his audience is purposeful, Jacobs-Jenkins’s creation of unsettling, shocking, often confrontational moments is not gratuitous; these elements are of a piece with the world he has established on stage and in the service of the story he is telling.”

The Fountain Theatre creative team includes scenic designer Frederica Nascimento, lighting designer Derrick McDaniel, sound designer Marc Antonio Pritchett, video designer Nicholas E. Santiago, costume designer Naila Aladdin Sanders; prop master Michael Allen Angel; choreographer Annie Yee; fight director Jen Albert; and dramaturg Dr. Daphnie Sicré. The production stage manager is Emily Lehrer, assistant stage manager is Deena Tovar, and production manager for the Fountain’s outdoor stage is Shawna Voragen. Stephen Sachs and Simon Levy co-produce for the Fountain Theatre, and the associate producer is James Bennett. Barbara Herman and Susan Stockel are executive producers.

The Fountain’s outdoor stage is made possible, in part, by the generous support of Karen Kondazian, Barbara Herman, the Vladimir and Araxia Buckhantz Foundation, Rabbi Anne Brener, Carrie Chassin and Jochen Haber, Miles and Joni Benickes, and the Phillips-Gerla Family.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally.

An Octoroon runs June 18 through Sept.19, with performances on Fridays, Saturdays, Sundays and Mondays at 7 p.m., except Saturday, June 19, which will be at 5 p.m. and will be followed by a special Juneteenth event, and July 30 through Aug. 2 and Aug. 27 through Aug. 30 which will be dark. Four preview performances will take place on June 11, June 12, June 13 and June 16 at 7 p.m. There will be one press preview on Thursday, June 17 at 7 p.m. Tickets range from $25–$45; Pay-What-You-Want seating is available every Monday night in addition to regular seating (subject to availability). The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles.For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com.

L.A. premiere of ‘An Octoroon’ by Branden Jacobs-Jenkins will launch outdoor stage at Fountain Theatre

Playwright Branden Jacobs-Jenkins

The Los Angeles premiere of An Octoroon by Branden Jacobs-Jenkins will inaugurate the new outdoor stage at the Fountain Theatre later this spring. Judith Moreland will direct.

Winner of the Obie Award for Best American Play, Jacobs-Jenkins’ landmark play has earned ecstatic reviews nationwide. The New York Times hailed it as “this decade’s most eloquent theatrical statement on race in America today.” The Guardian declared it “brilliant” and “extraordinary.”

An Octoroon is a radical, incendiary and subversively funny riff on Dion Boucicault’s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire.

“I’m proud the Fountain will introduce this bold play to Los Angeles audiences on our new outdoor stage,” states Fountain artistic director Stephen Sachs. “It could not be timelier. The moment has come for our nation to confront its own racist history. Branden uses satire to get to the dark core of American slavery and the racial stereotypes that continue to plague this country today.” 

Earlier this year, the Fountain received approval from the City of Los Angeles to install the outdoor stage for the purpose of safely presenting live performances and other events during the pandemic. Construction is set to begin this month, with the opening of An Octoroon slated for June.

Before that can happen, a number of tasks remain on the Fountain’s to-do list to inaugurate the outdoor venue. The first step is to repave the parking lot, where the stage will be installed. Lighting, sound, and video equipment will be loaded in. New chairs will be positioned according to COVID guidelines to accommodate 84 viewers. The entire site will meet all safety requirements for artists and audience members.

“Everything now depends on the COVID numbers,” says Sachs. “Once they drop to a level where the County Department of Public Health allows a gathering outdoors of one hundred people, with safety guidelines in place, we’re good to go.”

The new outdoor performance area is made possible, in part, by the generous support of Karen Kondazian, the Vladimir and Araxia Buckhantz FoundationRabbi Anne BrenerCarrie Chassin and Jochen HaberMiles and Joni Benickes, and the Phillips-Gerla Family.

For more information about the Fountain Theatre, go to www.fountaintheatre.com

Fountain Theatre approved by City of Los Angeles to install outdoor stage during pandemic

Artist rendering by Matthew Hill

The Fountain Theatre has received approval from the City of Los Angeles to install a temporary outdoor stage for the purpose of presenting live performances and other events during the pandemic.

“Pandemic permitting, we hope to open our first outdoor production by late spring or early summer,” says Fountain artistic director Stephen Sachs. “We’re planning an exciting Los Angeles premiere that dramatizes urgent social issues using the Fountain’s signature bold and theatrical approach.”

Installed in what is now the theater parking lot, the new performance area will be able to accommodate 50 to 84 audience members. It will feature seven rows of chairs, each six feet apart, as well as 12 high-top tables positioned six feet apart for use by patrons from the same “bubble” households. Every aspect of the outdoor performance area will meet COVID-19 safety guidelines.

According to Sachs, “The most painful aspect of the past ten months has been the separation from our patrons and the disconnection from our art form. Until our indoor theater reopens, the outdoor stage will be a thrilling performance venue and a hub for our educational and community engagement programs. The outdoor stage will be the centerpiece as we re-emerge in 2021. It galvanizes our vision moving forward.”

The Fountain Theatre outdoor stage is made possible, in part, by the generous support of Karen Kondazian, the Vladimir and Araxia Buckhantz FoundationRabbi Anne BrenerCarrie Chassin and Jochen HaberMiles and Joni Benickes, and the Phillips-Gerla Family.

Want to join our family of donors and become an integral partner in making this thrilling new venture possible? Email Barbara Goodhill at Barbara@FountainTheatre.com.

The mission of the Fountain Theatre is to create, develop and publicly produce plays that reflect the diversity of Los Angeles, to serve young people through educational outreach programs, and to enhance the lives of the public with community engagement activities. For three decades, the Fountain has earned acclaim and admiration nationwide, been honored with more than 200 awards for artistic excellence and is a leader in the L.A. theater community. The organization is proud to count L.A. City Councilmember Mitch O’Farrell, and Mayor Eric Garcetti as supporters, reflecting the company’s successful history of partnering with City government. In addition to being a Los Angeles Department of Cultural Affairs grant recipient for decades, the Fountain launched a groundbreaking program that brings celebrity actors to L.A. City Hall to perform one-night free public readings in the City Council chambers.

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Photos: Fountain Family brunch gives thanks to VIP donors for supporting ‘Arrival & Departure’

A&D Donor Brunch 1B

The backyard of Carrie Chassin & Jochen Haber

On a beautiful Sunday morning at the lovely Encino home of Fountain board member Carrie Chassin and husband Jochen Haber, members of the Fountain Family and supporters of Arrival & Departure gathered for a delicious brunch to salute our upcoming world premiere opening July 14. 

Arrival & Departure is the most innovative and ambitious production in our 28-year history, ” said Co-Artistic Director Stephen Sachs, in his remarks to the group. “We are deeply grateful to our extraordinary donors who make it possible for the Fountain to keep raising its bar of excellence.” 

Actors Deanne Bray and Troy Kotsur joined Fountain staff members Sachs and his wife Jacqueline Schultz, Deborah Lawlor, Barbara Goodhill and James Bennett at the festive backyard get-together. Hosts Chassin and Haber welcomed board member and donor Karen Kondazian, donors Debbi and Ashley Posner, board president and donors Dorothy Wolpert and husband Stanley Wolpert, and board member and donor Don Zachary. Andrew Leyva provided ASL interpretation. 

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The savory spread included salmon, salad, fruit, roasted vegetables and bagels. It was a glorious afternoon enjoyed in a beautiful outdoor setting, celebrating some of the remarkable donors who have nurtured the creation, development and soon-to-be opening of this highly anticipated new play at the Fountain. 

Enjoy the photos! And get your tickets soon for Arrival & Departure.    

Communications specialist Carrie Chassin joins the Fountain Theatre Board of Directors

Carrie Chassin

Carrie Chassin

The Fountain Theatre continues to expand and broaden its Board of Directors with an elite team of highly-regarded and successful business, arts, legal and financial professionals. The Fountain is honored to welcome Carrie Chassin to the Board.  

“I am thrilled to be joining the dedicated members of the Fountain board in advancing the goals of this sparkling gem of Los Angeles, ” says Ms. Chassin. “The fearless productions have often reminded me of the role of drama in ancient Athens : inspiring, educating , entertaining, stimulating, challenging and uplifting. The clarity and talent on display at the Fountain stage have consistently provided me with the most satisfying theatre experience in our city.”

Carrie has spent her professional life engaged in controversial issues and crisis communications on behalf of Fortune 100 companies, governments, non-governmental organizations, environmental groups, industry associations, and Indian tribes. She developed and executed strategies responding to complex legal, legislative, regulatory, public opinion and media challenges. Many of these assignments involved advising CEOs, establishing and mobilizing grassroots organizations, media training, multiple forms of communication and complex negotiations. Her issues included major project siting, product liability, air quality, utility deregulation, labor disputes, water resources and preservation of wild lands and architecturally significant buildings. 

“Carrie brings a high level of clear organizational thinking to our Board of Directors,” states Co-Artistic Director Stephen. “She has dedicated her career to passionately defending the rights of people and groups fighting for the public good. She has strongly  advocated for issues that make the world a better place.”

Sachs jokes, “Besides, every non-profit theatre organization should have an expert on crisis management on its Board of Directors.” 

Carrie retired 6 years ago from her position as Executive Vice President at Winner & Associates, an international issue management firm and Winner & Mandabach Campaigns, a national, full-service ballot measure campaign firm where she managed all aspects of ballot measure and issue campaigns, including strategic planning, public opinion research, advertising, direct mail, digital/social media, phone banks, earned media, and grassroots/outreach activities.

Her successful campaigns in California included park and water bonds, eminent domain, taxes for rapid transit, and the legalization of Indian gaming. She was honored by 88 California tribes as a Great Warrior Woman during that campaign. She also represented the Choctaw Nation in preserving their water rights and in negotiations with the Smithsonian for what is now the annual Choctaw Days festival at the National Museum of the American Indian. Her theater work involved advising the Nederlander organization on their Greek Theatre contract with the City of Los Angeles.

She spent almost a decade at Exxon directing corporate philanthropy to the arts, education and community programs in the Western region. She served as media spokesperson, lobbyist, strategist and on the negotiating team that obtained federal, state and local permits for a $3 billion onshore and offshore oil and gas project in Santa Barbara County. She was also involved in legislative and regulatory issues related to all areas of Exxon’s interests in exploration, production, shipping, pipelines, refining and marketing.

Prior to working in the private sector, she served as a deputy to Los Angeles City Councilman Marvin Braude. Carrie has served on the board of directors of the Baldwin Hills Conservancy, the Los Angeles Regional Food Bank, Hillel and the Los Angeles Child Development Center. She was the first Chief Operating Officer of CALSTART, dedicated to the growth of a clean transportation.

Carrie has been married to Jochen Haber for almost 40 years. She swam into him at the Rec Center pool while a graduate student in urban and regional planning at UCLA. They still swim there together. She has one son and 3 grandchildren living in Amsterdam. She is also sculpts, paints, gardens and travels as much as possible.