Deborah Culver and Stephen Sachs founded the Fountain Theatre in an intimate, Spanish-style, East Hollywood building that belies the sizable local impact and international reach of the company’s acclaimed and award-winning productions. Now entering its 30th year as one of the most highly regarded theaters in Los Angeles, the Fountain is announcing a celebratory 2020 season of dynamic premieres and events.
“Thirty years ago, when we first entered this theater and stepped onto its stage, we knew we had found it. A place to call home,” Culver and Sachs said in a joint statement. “Since that April three decades ago, our charming haven on Fountain Avenue has been home to thousands of artists and millions of patrons. Fountain plays are now performed worldwide and seen on TV. Our flamenco concerts are first class. Our outreach programs change lives. Our legacy is noteworthy. And our future looks bigger and brighter than ever.”
The season opener, the world premiere of Human Interest Story — written and directed by Sachs who, in addition to his role as co-founder and co-artistic director of the Fountain, is an internationally acclaimed playwright — will open on Feb. 15. In this timely drama about homelessness, celebrity worship and truth in American journalism, newspaper columnist Andy Kramer (Rob Nagle) is laid off when a corporate takeover downsizes his paper. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman (Tanya Alexander) to stand-in as the fictitious Jane. She becomes an overnight internet sensation and a national women’s movement is ignited.
Slated for Spring, 2020, the Los Angeles premiere of If I Forget by Steven Levenson (Dear Evan Hansen) will be directed by Fountain producing director Simon Levy. In this viciously funny, unflinchingly honest portrait of a Jewish family and a culture at odds with itself, a liberal Jewish studies professor reunites with his two sisters to celebrate their father’s 75th birthday. Both political and deeply personal, this play about history, responsibility, and what we’re willing to sacrifice for a new beginning was a New York Times “Critic’s Pick,” while DC Metro calls it “one of the greatest Jewish plays of this century.”
Summer brings the Los Angeles premiere of An Octoroonby 2016 MacArthur fellow Branden Jacobs-Jenkins, who won the Obie for this radical, incendiary and subversively funnyriff on Dion Boucicault’s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire that The New York Times calls “This decade’s most eloquent theatrical statement on race in America today.” Judith Moreland directs.
Another noteworthy Los Angeles premiere closes out the season in the Fall: Escaped Alone is a caustically funny and surreal afternoon of tea and calamity by celebrated British playwright Caryl Churchill. In a serene British garden three old friends are joined by a neighbor to engage in amiable chitchat — with a side of apocalyptic horror. The women’s talk of grandchildren and TV shows breezily intersperses with tales of terror in a quietly teetering world where all is not what it seems. In his Off-Broadway review for Escaped Alone, New York Times theater critic Ben Brantley hailed the play as “wondrous” and Caryl Churchill as “the most dazzlingly inventive living dramatist in the English language.”
Also coming up in 2020:
Forever Flamenco: The dancers, musicians and singers of the Fountain’s monthly serieswill continue to delight audiences throughout 2020. The Los Angeles Times hails Forever Flamenco as “the earth and fire of first-class flamenco,” and LA Splash says, “the way you feel when you walk out of a Forever Flamenco performance is pretty darn fabulous.”
Hollywood Dreams: CBS star and Fountain family member Simone Missick (All Rise) and Fountain board chair Dorothy Wolpert will be honored at the Fountain’s dazzling 30th AnniversaryGala at the Hollywood Roosevelt Hotel on Saturday, June 27.
Walking the Beat Hollywood, a pioneering arts education program for inner city high school youth and police officers, will return for its second year this August.
The Candidate: The Fountain’s third annual celebrity reading at Los Angeles City Hall, a stage adaptation of the 1972 Academy Award-winning movie that starred Robert Redford as a young, straight-talking candidate for the U.S. Senate, is set for Thursday, Oct. 22. One night only.
For more information about the Fountain Theatre’s 2020 30th anniversary season, call (323) 663-1525 or go to www.FountainTheatre.com
Steven Green, Dor Gvirtsman, Jonathan Arkin and Sam Mandel.
Enjoy this fun music video created by actor Jonathan Arkin chronicling the Fountain Theatre opening its acclaimed production of Chaim Potok’s The Chosen at the Schultz Cultural Arts Hall in Palo Alto, CA.
Directed by Simon Levy, the production stars Jonathan Arkin, Steven B. Green, Dor Gvirtsman and Sam Mandel.
We were invited by Ronit Widmann-Levy, Director of Arts and Culture, because several members of her JCC had seen our production earlier this year in L.A., plus she’d heard about the production at a conference of JCCs in New York. She made arrangements with our Artistic Director, Stephen Sachs, to bring the original cast (Jonathan Arkin, Steven B. Green, Dor Gvirtsman, and Sam Mandel), our stage manager (Miranda Stewart), and myself to remount our production in their 300-seat theatre.
On Monday and Tuesday of last week, Miranda and the actors and I got together for brush-up rehearsals over at the Colony Theatre (the Fountain was busy getting ready for the VIP opening of Cost of Living, our current production). It had been four months since we had done the show and I wanted to make sure the actors had time to get ready. They were remarkable! – they knew all their lines and the old camaraderie immediately returned. It was as if they were still doing the show. They were ready and eager to dive back in.
After packing up and shipping most of the furniture, props, and costumes (except for the beautiful bookshelves, arches, and hundreds of books), we boarded a Southwest flight to San Francisco on Thursday, Super Shuttled to the beautiful Sheraton Palo Alto, took a quick tour of where we would be performing, gathered for dinner at the Town and Country Village near the hotel, then settled in for a good night’s rest.
Simon Levy and actor Sam Mandell enjoy the plane ride to San Francisco.
Friday was a 12-hour tech day where we re-configured and re-sized our intimate production to the larger stage of the Arts Hall. We re-blocked a few key moments, re-designed the dozens of light cues, laid in dozens more sound cues, and re-configured the special video effect of Hebrew letters that accents a key moment in the play. Even without the bookshelves, archways and library effect, the production sat nicely on their stage, allowing the emphasis to be on the actors.
Schultz Cultural Arts Hall, Palo Alto
Moving a show from one space to another, especially with only one day of tech, can often be stressful and prone to all sorts of mishaps. But we were blessed! I want to give special thanks to the Center’s tech wizards, Nick and Kyle. They could not have been more professional, helpful, creative, and just downright nice! And the same for Ilanit Gal, the Events Manager, who took good care of us. Ronit Widmann-Levy was gracious and welcoming and warmly introduced us to many of the attendees and made sure we had everything we needed. It was a pleasure to work with them, and they made the transition from our intimate space to their larger one, smooth and stress-free.
On Saturday afternoon we had a tech run of the show, made a few adjustments, then prepared for our opening. Spirits were high; there was much joking among the cast as they donned costumes and makeup, re-checked their props, and waited for the 7:30 curtain. The Saturday night show was so oversold that the Center had to add three extra rows of seats to accommodate the 300+ patrons. And word-of-mouth from that performance quickly sold out the Sunday night show. Two full houses… two standing ovations!
At the Q&A after the Sunday performance nearly the entire audience stayed, applauding us, engaging us with intelligent questions, and afterwards they swarmed the actors with more questions and compliments. They loved the show. Just loved it. And they could not have been more complimentary – not only about the acting and production, but also about how relevant the story is; how much it touched them; how certain moments made them laugh or cry or nod in recognition; how Chaim’s book and Posner’s adaptation give life not only to so many Jewish themes and historical moments, but to the dynamics of family, of children finding their own path, of the need for understanding and forgiveness, and how, with empathy and compassion, we actually can hold two opposing ideas in our mind at the same time, and both can be true.
The other thing I heard over and over, both from the JCC staff and audience members, is how the immediacy and three-dimensionality of theatre brings to emotional life the richness of the novel in a visceral way that’s different from reading the book. They entered into the world we created for them, and they were moved.
On Monday morning, we boarded another Southwest flight and returned home.
Theatre of the heart. To touch the heart of another and to remind them of their humanity is our highest calling as artists. Our road trip to Palo Alto was a beautiful reminder of why I chose this life.
Simon Levy is the Producing Director of the Fountain Theatre.
Sam Mandel in “The Chosen” at the Fountain Theatre
After a six-month sold-out run earlier this year, the Fountain Theatre’s acclaimed Los Angeles Premiere of The Chosen by Chaim Potok will open this weekend for a limited run at the Schultz Cultural Arts Hall in Palo Alto. The original cast and director return for two special performances October 20 and 21.
Adapted for the stage by Aaron Posner and directed by Simon Levy, the production features Jonathan Arkin, Steven B. Green, Dor Gvirtsman, and Sam Mandel. The Schultz Cultural Arts Hall is a 380 seat theatre, giving the cast the opportunity to enjoy a larger audience than the Fountain’s seventy-eight seats allows. It also lifts the production to a full contract under Actors’ Equity Association.
The Schultz Cultural Arts Hall is located at the Palo Alto JCC. Its curatorial efforts are focused on Jewishness, Equality, Diversity and Inclusion. Art’s transcendent nature and its ability to spark curiosity about the other, dialogue about freedom, values and compassion.
If you’re in the Bay Area — or have friends who live there — share the good news. The Chosen at the JCC in Palo Alto on Saturday, Oct 20 at 7:30pm and Sunday, Oct 21 at 7pm.
The cast of ‘The Chosen’ take final bows on closing weekend.
by Stephen Sachs
Our six-month sold-out run of The Chosen came to an end on Sunday. In the opening moment of Aaron Posner’s stage adaptation of Chaim Potok’s classic novel, Reuven Malter faces the audience and asks, can two conflicting ideas or realities be true at the same time even if they directly contradict each other? From the cross-current of feelings still swirling within me after Sunday’s final performance at the Fountain Theatre, the answer is clearly yes. As with any closure, even those we know are coming, I felt sadness and the ache of letting go. Yet, in direct opposition, my heart soared with joy. Two conflicting perceptions. Both true.
I glowed with fulfillment at the closing of The Chosen not because our production earned rave reviews, including being highlighted as the LA Times Critic’s Choice. Not because it ran for six months and every performance was sold-out. Not because it joined the echelon of other top box-office champions at the Fountain Theatre.
It was because of the people. The talented artists and dedicated production team members who brought our production of the play to life, for the sole purpose of emotionally moving and spiritually inspiring other human beings, our audiences. It’s the interchange between people, from our stage to our patrons, that gives me the deepest satisfaction. Fountain folk connected with this play and this production like kindred at a family gathering. For the two-hour length of each performance, we laughed together, wept together, were reminded of our fathers, our sons and ourselves, together.
Why do we do theatre? Why do people come? This is why.
One of my favorite passages in the novel is when Reuven’s father, David Malter, tells his young son:
“Human beings do not live forever, Reuven. We live less than the time it takes to blink an eye, if we measure our lives against eternity. So, it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much if our lives are nothing more than the blink of an eye?
I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.
It is hard work to fill one’s life with meaning. A life filled with meaning is worthy of rest. I want to be worthy of rest when I am no longer here.”
This is my purpose for the Fountain Theatre and the guiding principle behind dedicating my life to starting and running a non-profit arts organization. To create art that is meaningful. A life filled with meaning is well lived.
The title of Potok’s novel and play, “The Chosen”, obviously refers to the belief in Judaism that the Jews are the chosen people, chosen to be in a covenant with God. The word “chosen” is an adjective. To “choose”, however, is a verb, an action word. At the Fountain Theatre, we take action to choose to create, to develop and produce work that is meaningful. We choose plays that hold the promise to touch hearts and open eyes and challenge minds. To make the world a better place. As David Malter warns his son, it is hard work to fill one’s life with meaning. But no matter the struggle, this is the mission we choose at the Fountain. When we produce a play that is specific to the Jewish faith yet can uplift the soul and spark the minds of audiences of all faiths, we fulfill our agreement with that which is sacred and holy. And that is a good thing.
After a critically-acclaimed, six month sold-out run, our production of Chaim Potok’s The Chosen celebrated its final performance yesterday to another full house and a standing ovation. The Chosen has earned its place as one of the most successful productions in recent Fountain Theatre history. Equally important, it touched many hearts, moving and inspiring audiences.
Adapted for the stage by Aaron Posner and directed by directed by Simon Levy, the production featured Jonathan Arkin, Alan Blumenfeld, Steve B. Green, Dor Gvirtsman, and Sam Mandel.
Following Sunday’s final performance, the company toasted the long, gratifying run with the audience in our upstairs cafe.
Fountain Co-Artistic Director Stephen Sachs announced from the stage Sunday that Fountain Theatre will bring its acclaimed production of The Chosen to the Oshman Family JCC Arts Center in Palo Alto in October.
Our Fountain Family is at the core of our theatre. This week, I had the privilege to sit down with a few of our patrons before the Monday night performance of our hit production, The Chosen. Our conversations were not only enriching but made me proud of our thriving LA theater community.
At the beginning of the night, I spoke with Fountain first-time patrons Debbie and Cathy. They expressed how they are usually season ticket holders at the Mark Taper Forum and generally like to view larger productions in the LA area. However, when they heard that Chaim Potok’s The Chosen was being performed, they bought tickets. “It’s one of my favorite books,” Cathy exclaimed.
The exceptional reviews for The Chosen have been bringing more first-time patrons to our door. So has the universal message of acceptance that is at the core of both the book and stage adaptation. The play has also been very inspirational and heartwarming for LA’s Jewish community, bringing some back to the beauty and wisdom of tradition. While speaking with patrons, I met a group of Sephardic theatre goers who were also equally excited to see Chaim Potok’s work adapted for the stage. Here is a snippet of my conversation with Fountain patrons Karin, Aliza and Victor.
Q: Is this your first time at the Fountain?
Victor: No, we were here many years ago. This has been here a long time, no? Maybe like 30 years ago.
Q: Do you like to see theater in LA?
Victor: Yes yes, we love [theatre] …. We used to [go] all the time at the Ahmanson and buy their [season subscription] but not this year.
Aliza: Well you have a community that is goes to theater. You have a community for everything [in LA.]
Victor: One of the things that I like about Los Angeles is that there is theater. You know, I’m from Mexico City. We are from Mexico City. (Pointing to himself and Aliza) She is from Buenos Aires, (Pointing to Karin) Mexico City is the place for theatres, ya know. So I am used to the theatre. That’s why one of the reasons I like to be here in Los Angeles is because this is where things are happening. When I moved to California, first I moved to Del Mar and I found it quite boring.
Q: Where is that?
Victor: Del Mar is north of San Diego. Even San Diego itself is no comparison to Los Angeles. Of course, this is no comparison with New York. I wish I were in New York and I’m not in New York so at least I’m in Los Angeles.
Debbie and Cathy
Q: What brought you tonight to The Chosen?
Victor: Our friend Karin invited us!
Karin: The president of our synagogue, we’re Jewish, told me. We like Flamenco so we told them that they play Flamenco there. He said, “We saw The Chosen there!” So we bought tickets.
Q: Have you read The Chosen?
All: Yes! Of course!
Q: How has your overall experience been so far since getting to the theater?
Victor: I just arrived here and very excited. I like very much plays. As I was telling you, we buy the yearly pass for the Ahmanson Theater. It’s a completely different experience. I think here it’s more the kind of people who are really interested in theater.
Aliza: The good thing in LA is the people. You will have people from India, from Mexico from South America from Europe! You have a mix of cultures and it’s the same in the theater. You will have theaters for certain groups. Every area has its own community!
Q: And will you be back for Forever Flamenco at the Fountain?
Victor: (gesturing to his wife Aliza) We have children who are twins and yesterday was their 18th birthday. And I told Aliza, I wanted to go to a restaurant to see Flamenco. I didn’t know it was here. Because I wanted to see something Flamenco. We are Sephardic, ya know. Sephardic from Spain. There was a Sephardic show in one of the synagogues in Beverly Hills but I wasn’t able to take my children. I want them to see, so we’ll be here!
If you’d like to share your own experience at The Fountain Theatre on our Fountain Folk blog, please contact Outreach Coordinator, Dionna Michelle Daniel at email@example.com
Director Simon Levy and actors Sam Mandel and Dor Gvirtsman enjoyed chatting about our smash hit production of The Chosen with talk radio/TV host Deborah Kobylt on Wednesday. The acclaimed sold-out run of The Chosen has been extended to June 10th.
A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless father-son story about recognition and acceptance of “the other.”
“CRITIC’S CHOICE… DEEPLY EMOTIONAL… reminds us to reach across divides” — Los Angeles Times
“MAGIC… brilliantly presented… four stand-out actors… directed with visionary insight” — Broadway World
Deborah Kobylt hosts her own online radio/TV talk program, Deborah Kobylt LIVE, every Wednesday at 1pm on Universal Broadcasting Network (UBN).
After taking a brief hiatus for the Passover holidays, our smash hit production of Chaim Potok’s The Chosenrestarts its critically acclaimed run this weekend. With every performance sold-out since it opened in January, this second and final extension continues to June 10th.
We caught up with actor Dor Gvirtsman as he prepared to leap back into the role of Danny Saunders, the brilliant and troubled son of the tzaddik Reb Saunders and destined to follow in his father’s footsteps as the leader of his ultra-Orthodox Hasidic community.
Where were you born?
I was born in Tel-Aviv, Israel, and grew up in the San Francisco Bay Area, primarily in Mountain View. Mountain View is a delightful, quiet suburb whose flashiest and most famous resident is Google.
Where did you train as an actor?
I started acting when I was in fourth grade, but I would say my formal training began at the California State Summer School for the Arts in 2011. It was the first time I was immersed in a conservatory-style program, learning about and actively training in theatre, day in and day out. Being involved with that program the summer after my junior year of high school solidified my decision to pursue a degree in acting.
The majority of my acting training occurred at the University of Southern California. That was where I truly learned the craft of acting: breaking ideas down into techniques that I could polish and practice through exercises, scene work, analysis, and performance. My third year I spent a semester training classically at the British American Drama Academy in London. It was a delightful opportunity to build and polish my technical skills by studying and working on Greek plays, Shakespeare, and Restoration Comedy in one of the greatest theatre cities in the world.
How long have you been in Los Angeles?
Six years. I came down here to study at USC, and then I made friends, fell in love, and started working.
In The Chosen, which aspect of Danny’s character do you identify with most?
Danny and I share a desire to understand people. Danny is raised in an absolute, fundamentalist world. The Biblical texts provide astounding analytical insight into law, sociology, and even general insights into the human condition, but provide fewer answers about detailed interpersonal dynamics. Those who are closest to Danny are a mystery. His father is revered by his friends and neighbors, yet provides Danny with no direct guidance or advice on how he is to fill his large shoes. Freud provides Danny with the tools to start understanding how and why people do what they do, in more absolute, specific terms than the Golden Rule.
One of the reasons I love acting is because it gives me the opportunity to think like, behave as, and understand people different than I am. A character I play may make choices I would never make, but in order to play those choices truthfully on stage or on screen, I must learn to understand why they are being made. What Danny sees in Freud, I see in acting: The opportunity to make sense of the people and the world around me, to embrace the complexity of a world that is far from absolute.
Dor Gvirtsman and Sam Mandel
The difficult relationship between Danny and his father is key to the The Chosen. What’s it like acting opposite a partner who rarely speaks or looks at you?
The onstage life between Danny and Reb Saunders is a delicate balancing act. When we do interact, we each need to respond to what the other is doing in as thoughtful, specific, and vulnerable a manner as possible. This is not only for the audience’s benefit, but also for each other. It’s how we can communicate: If I know exactly what Steve means by his action, it is easier to respond, and vice versa. The rest is built on the trust that when we aren’t interacting, we are each forwarding our story in our own way. This is developed through conversations between the actors and with the guidance of our director, Simon. Simon’s eye it vital when we actors can’t see each other.
When we do finally get to look at each other, I find many of the denser ideas in the play give way to the human story: A relationship between a father and a son who love each other. Danny defends his father throughout the play, even through his confusion and fury. When Red Saunders and Danny finally speak at the end of the play (spoilers!), the complexities in their relationship seem to give way to one of the most basic things adolescents hope to hear from their parents: I love you, and I am proud of the adult you have become. Having only recently come into an age where I could share moments like that with my own parents, its tremendously emotional experiencing that on stage.
The play served as important trigger in your artistic life.
The Chosen was the first professional stage play I ever saw. I had seen, and performed in, school plays, but seeing The Chosen was the first time I saw theatre in the real world. They were using the medium not only to entertain, as school shows primarily do, but to ask real questions that pertained to my Jewish life and my prescient adolescence. It helped me regain confidence in my desire to act at a time when I was almost dead-set on giving it up because “that’s not what kids with actual friends do” in the mind of a young teenager. The Chosen was the right play at the right time, and it helped set me on my path to where I am today.
What’s it like being part of such a hit production?
It is a humbling, extraordinary privilege. I am touched and amazed by the fact that audiences continue to want to share their afternoons and evenings with us.
Deep into our run, we still have the pleasure to perform for sold-out houses. The jokes still land, the energy still changes in the room when we arrive at an emotional moment, and the role and the show provide new layers and moments to be uncovered. As we head into our extension, I’m starting to realize it may be a good long while until I have the pleasure of being a part of a show like this again. I’m thankful for every bite I get. It’s a little hard to not get sentimental about it.
What’s the most memorable thing an audience member has said to you after a performance?
I have gotten a few Brooklynites who come up to me after then show and told me they have seen and met some Williamsburg Hasids, and that I could pass for one. That is not only a fun premise for an Ocean’s Eleven style heist, but a profoundly moving comment to hear.
Even as a Reform Jew, the Orthodox world seems distant, and at times even foreign. It is often hard to reconcile the fact that people who are part of the same Jewish community as I am could see the world so differently than I do. Knowing that someone who is more intimately connected to the New York Hassidic community sees truth in Danny Saunders makes me feel like I have learned a little about a world I am not a part of. To me, that’s beautiful.
What’s it like working at the Fountain Theatre?
Oh, it’s tremendous. To me, working at the Fountain is a gift for a young actor. To get to work on a play of substance with people of substance who care about this art form is special. I recognize that. We had the luxury of a long rehearsal process, so we had time to play with this show and experiment with our characters and relationships. We had the extraordinary privilege to work with our director, Simon Levy. He is an artist as passionate as he is compassionate, a patient and specific director with a beautiful vision. I always felt listened to and cared for, as a person and as a professional. Atmospherically, it was great getting to work at a theater where the staff like each other and enjoy working together. It’s not obvious. Artists don’t always get along, and that warmth goes a long way in making the artistic process feel safe and supported. I absolutely understand how the Fountain has cultivated its excellent reputation.
Dor Gvirtsman is an unusual name for an actor. Why did you revert back to it after first changing professionally it to Dorian Tayler? What led to that decision?
Backstage at ‘The Chosen’
Dor Gvirtsman is the name on my birth certificate. It’s the original. Unfortunately, it’s not a typical “show business name”. People would ask me: What kind of a name is Dor? Dor, like a door? For years, people told me I would likely need to change my name if I want to be an actor. Gvirtsman has lots of consonants in a row; It wasn’t marketable. And I want to be an actor, so I ran with it.
People meeting me for the first time thought Dor might be short for Dorian. I’m a big Oscar Wilde fan, and I love the name Dorian, so that part was easy. Tayler came about as the result of my working at a summer theater program. The kids took one look at me and decided my name was Taylor. I thought it was odd, but interesting that the pure eyes of children decided this name was right for me. I liked the flow of Dorian Tayler: it sounded akin to the names of the English celebrities that I admired and were popular at the time.
However, in the past few years, the world has begun to change. We seem to be seeking a popular culture that reflects more of the population that consumes it. As a result, being your authentic self is becoming more celebrated. I thought, “If Saoirse Ronan could use her guest segment on Stephen Colbert’s show to explain how to pronounce her name, then there is a future for Dor Gvirtsman”. As more people in my professional acting life found out my real name, and didn’t run away in disgust and terror, I became more comfortable with the idea of using my real name in my acting career. When I was cast in The Chosen, I had the opportunity to join Equity. The application asked me what I wanted my professional name to be – I chose my authentic one.
It seems you guys in the cast get along well. What’s the backstage life like?
We get along fantastically well. It’s quite remarkable. We trust each other and love each other as artists and people. It made rehearsing this play a safe, special artistic experience, and it makes for a wonderful long run. This is a group of people I am excited to come in and work with every week.
On another note, we are a cast comprised of men spanning generations. John and Steve have had more experience in the industry than Sam and I. They will sometimes tell us stories about shows they’ve done and experiences they’ve had over the years, and it is delightful to hear and learn from their experience. We are all quite silly and irreverent for a cast of a show so full of ideas and tenderness.
Any plans after this long run of The Chosen finally ends?
I’m traveling back home to Israel to see my family and celebrate with them at my aunt’s wedding! After that, I want to dive right in to a new project. Any takers?