Tag Archives: Theo Perkins

Last chance! The Fountain Theatre’s hit world premiere production, Detained, to close on May 15

The cast of Detained. Photo by Jenny Webb.

After a long list of rave reviews and a successful run of nearly three months, the Fountain Theatre’s world premiere production of the gripping docudrama, Detained, comes to an end on Sunday, May 15th. The final performances of Detained are May 9 and 14 at 8pm, and May 15 at 2pm. Special $10 tickets are available on a limited, first come/first-served basis.

Originally commissioned by immigration attorney Judy Rabinovitz of the ACLU Immigrants’ Rights Project and written by The Lillys 2021 Lorraine Hansberry Award-winning playwright France-Luce Benson, Detained explores the heartbreak and fierce determination of families fighting to stay together while mass deportation and harsh U.S. immigration legislation become ever more dedicated to keeping them apart. It is both a devastating, in-depth look at everyday people caught in the punishing web of harsh immigration policies, and a celebration of the courage and conviction of those struggling against an often coldblooded institution that seems to have lost sight of its former humanity.

Former cast member Michael Uribes was unable to continue with the show, so Jose Fernando (Daniel’s Husband) has temporarily relinquished his duties as Fountain Theatre House Manager to join the cast of Detained. “It feels great to be switching gears and joining the Detained family in this capacity,” he said. “As someone who immigrated to this country, and has friends and family affected by the politics surrounding immigration, this show is very real to me. It allows me an opportunity to give a voice to our lived experiences.”

Jose Fernando joins the ensemble cast of Detained

Fernando, along with company members Liana Aráuz, Camila Betancourt Ascencio, Christine Avila, Will Dixon, Jan Munroe, Theo Perkins and Marlo Su, bring to life a variety of characters based on real-life U.S. detainees, their families and supporters, and ICE representatives – all of whom were interviewed by Benson. These characters include a teenage foodie aspiring “chef-lebrity,” a U.S. Veteran, and a mother of two who works as a roofer in New York City.

“This play is a living document, and I’m constantly updating it,” Benson says. “People think that now that Biden is president, things are better. But thousands of people are still facing deportation every day. Many of these people have been living in this country for decades. They own houses, run businesses, pay taxes, have families.”

“No theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.”

Ticket Holders LA

The Los Angeles Times notes that, “In familiarizing theatergoers with the immense toll these policies take on individuals and their loved ones, the play reminds us that human rights abuses are more than a talking point… The message of the play comes through loud and clear in (director Mark) Valdez’s staging.” Ticket Holders LA proclaims that, “no theatre complex in LA has been as staunchly dedicated to social relevance and fighting for equality and justice than the Fountain.” TotalTheater.com calls Detained, “Brave and shocking… masterfully directed…” and declares, “The people whose stories are memorialized here remind all of us that we have the power to dismantle a corrupt, inhuman system.” And Showmag.com decrees, “it’s enough to make a person want to run for office… meticulous performance values… every element coalesces into a smooth, almost magazine style of presentation… the play performs an important function to awaken all of us to a system that has grown out of control.” Click here for more reviews and for a list of organizations where you can take action.

Good seats still remain for the final performances of Detained. And to celebrate the last days of the show that People’s World calls “deeply affecting” and “yet another triumph in (the Fountain’s) long line of work,” a limited number of special $10 tickets have been made available with the promo code “Final2.” Don’t miss out — act now!

Please note: All Covid protocols are followed. Proof of both vaccination and booster (if eligible) are required for admission. Masks are strongly encouraged. Snug, surgical-grade respirator masks (N-95/KN-95/KF-94) that cover both mouth and nose are preferred, but blue surgical masks are acceptable. Cloth masks are no longer approved.

For reservations and information call (323) 663-1525 or go to www.fountaintheatre.com.

World Premiere of “Detained” opens Feb. 19 on the Fountain Theatre’s indoor stage

How do families stay together, even when they are kept apart? The Fountain Theatre presents a gripping new docudrama, a compilation of true stories that explores the rippling impact of mass deportations on families. The world premiere of Detained, written by The Lillys 2021 Lorraine Hansberry Award-winning playwright France-Luce Benson and directed by Mark Valdez, winner of the 2021 Zelda Fichandler Award, opens February 19 at the Fountain Theatre. Performances will continue through April 10, with three public previews taking place February 16, 17, and 18 at 8pm.

Originally commissioned by immigration attorney Judy Rabinovitz of the ACLU Immigrants’ Rights Project, Detained is based on interviews with longtime U.S. residents held in immigration detention, and with their family members, advocates, attorneys and representatives of ICE. Inspired by their stories, Detained explores how families fight to stay together as increasingly cruel U.S. immigration legislation keeps them apart through mass deportations and immigration detention centers. It offers a heart-wrenching and in-depth look at the human lives behind the policies, and celebrates the strength and determination of the ordinary people who must fight against an unjust system while keeping their hope and faith in humanity intact.

“All of the stories in this play are true, and they are heartbreaking,” says Benson. “The more people I met, the more time I spent with them, the more important it became to tell their stories. When you go through trauma, you want to be seen, to be given a voice. My own family immigrated to America in the 1970s, and my father received a humanitarian award for the work he did at Krome Detention Center in the ’80s and ’90s. This is his story too, and a way for me to honor the sacrifices he made for us.”

Theodore Perkins in rehearsal for Detained.

When Rabinovitz first approached Benson, President Obama was still in office. Under his administration, more people were being deported than ever before. Since then, with harsher immigration legislation enacted under President Trump and the current Covid-19 health crisis, the situation for many immigrants has become ever more dire. As more stories of injustice persist and legislation changes, so does the play.

“This play is a living document, and I’m constantly updating it,” Benson says. “People think that now that Biden is president, things are better. But thousands of people are still facing deportation every day. Many of these people have been living in this country for decades. They own houses, run businesses, pay taxes, have families.”

Characters in the play include a teenage foodie aspiring “chef-lebrity,” a U.S. Veteran, and a mother of two who works as a roofer in New York City. Together, their collective voices weave a compelling and complicated tapestry.

Ensemble members, who play a range of roles, include Liana Aráuz, Camila Betancourt Ascencio, Christine Avila, Will Dixon, Jan Munroe, Theo Perkins, Marlo Su and Michael Uribes. The creative team includes scenic designer Sarah Krainin; lighting designer Christian V. Mejia; composer and sound designer Marc Antonio Pritchett; media designer Matt Soson; props designer Katelyn Lopez; and costume designer Jeanette Godoy. Movement choreography is by Annie Yee. The production stage manager is Anna Kupershmidt. Stephen Sachs, Simon Levy and James Bennett produce for the Fountain Theatre. Producing underwriters include the PhillipsGerla Family and Donald and Suzanne Zachary. Executive producers are Miles Benickes and Diana Buckhantz.

Detained was developed, with a generous grant from the Miranda Family Foundation, at Ensemble Studio Theatre in New York under artistic director Billy Carden.

Detained opens February 19 and runs to April 10. Proof of both vaccination and booster will be required for admission. Patrons must be masked at all times in the theatre, except when actively eating or drinking in our upstairs indoor café/outdoor deck. Snug, surgical grade respirator masks (N-95/KN-95/KF-94) that cover both mouth and nose, are strongly encouraged, but blue surgical masks are acceptable. Cloth masks are no longer approved.

For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com.

Angie Kariotis talks Walking the Beat and its August 25 final presentation: BLACKOUT 2021

Angie Kariotis, co-creator of Walking the Beat

by France-Luce Benson

Among the many lessons learned in 2020, the most crucial may be our urgent need to have open and honest conversations about race in America. As the grisly video of George Floyd’s murder surfaced, it became painfully clear that we could not afford to look away. Protesters spilled into the streets of cities across the country with a powerful message: If we are silent about injustice, we are complicit.

Angie Kariotis, Program Facilitator and Curriculum Director for Walking the Beat Los Angeles, has devoted her work to fostering these difficult conversations. Kariotis, along with Fountain Theatre Board member Theo Perkins, created Walking the Beat as a tool for community building for high school students. The nine-week multi-media workshop combines performance, creative writing, film, and research to initiate positive interactions between youth and police.

The Arts Education program began in New Jersey in partnership with Elizabeth Youth Theatre Ensemble, and in 2019 the Fountain Theatre launched Walking the Beat Hollywood. This year, the Fountain expanded the program, making it possible for students and police officers outside Hollywood to participate. On August 25, the Fountain will screen Walking the Beat Los Angeles’ culminating multi-media presentation, BLACKOUT 2021.

I had the pleasure of talking to Kariotis about the evolution, impact, and future of this vital program. 

What kind of impact did the events of 2020 have on the students, based on your work with them this past month?

If we are scared as a nation, we will forget all the lessons hard learned. You can see it happening already. No one is talking about all the changes we want to keep. What do we want to keep? Instead of rushing to “normal” (which wasn’t!), 2020 necessitated an activation. We’re activated. One thing the students are is ready.

Was it difficult getting the officers and students to open up?

No, it wasn’t difficult for anyone to open up, by themselves and with each other. People, and I believe most people, want to do just that. But they need permission and they don’t want to be alone doing it.

How has the program evolved since its inception, particularly in the last year?

We got research-heavy this year. We turned this workshop into a popular education. We practiced critique and analysis. We studied. We grew into our work as research-based performance artists. We aimed to challenge public policy formally. We are working to move our practice into the theater that is public policy.

How have your own background and experiences prepared you to do this?

I am studying design thinking and collaborative group processes. This framework is about divergent thinking, collaboration, experimentation, and honoring failure. Creativity — and not just the art-making transactional kind — is a necessary skill. We need people who are able to identify problems before they become problems.

Who should see BLACKOUT 2021? Why?

Anyone who wants to know how to have hard conversations with others. People interested in learning how to get people to the table. How to talk about things no one knows how to talk about. Right now we all want to talk about a lot, but we don’t know how.

What is your vision for the future of Walking the Beat and beyond?

For Walking the Beat, my vision is doing policy brief work, where we move beyond survivance and reconnect with the Earth. I wonder how our workshop can tackle the larger theme of power and how that affects our relationship with the planet.  We talk about public safety. Do we have planetary safety? What does that mean? How is the way we treat each other impacting climate? This is the ethos moving me into this space and beyond.

* * *

It is this passion and progressive vision that have inspired the ensemble of students and officers to create work that is bold, brave, and charged with the urgency of this moment in our country. In addition to serving as Program Facilitator and Curriculum Director of Walking the Beat, Kariotis offers community workshops for parents on How to Raise Anti-Racist Kids, works at Brookdale Community College as Director of Diversity and Inclusion/CCOG, and has published a chapter in Musing the Margins, an anthology examining the influence of culture and identity on the craft of fiction.

BLACKOUT 2021 will premiere on the Fountain Theatre’s outdoor stage this Wednesday, August 25, at 7pm. It will also be available to view on Fountain Stream in the fall.

France-Luce Benson is an award-winning playwright and the Community Engagement Coordinator at the Fountain Theatre.

WarnerMedia awards grant to Fountain Theatre’s cops/kids program ‘Walking the Beat’

Students in Walking the Beat Los Angeles

The Fountain Theatre has been awarded a WarnerMedia Arts and Culture grant funded by the AT&T Foundation to support Walking the Beat Los Angelesa pioneering arts education program for inner city high school youth and police officers.

Now in its second year at the Fountain, Walking the Beat utilizes performing arts as a vehicle for youth empowerment and community building, providing transformative experiences for underserved youth and police officers.

Eighteen 9th through 12th graders from five Los Angeles area schools — Hawthorne High School, Hollywood High, Los Angeles High School of the Arts @ RFK, Pasadena High and San Pedro High — have been working since mid-June with two detectives from the Los Angeles School Police Department and one officer from the UCLA Police Department’s Crime Prevention Unit to create Blackout 2021an original multi-media performance work that focuses on the shift from a culture of incarceration to a culture of care. Each of the students receives a stipend as well as community service hours.

Written by Walking the Beat curriculum director and program facilitator Angela Kariotis with original writings by the ensemble, Blackout 2021 is directed by Theo Perkins. Perkins is executive and artistic director of New Jersey’s Elizabeth Youth Ensemble, which created the program five years ago. The Los Angeles creative team also includes choreographer Nicholas Rodriguez, sheltered yoga instructor Tine LeMar and drama therapist Adam Stevens. Due to the pandemic, Blackout 2021 was conceived as a virtual/hybrid program and will be screened on the Fountain Theatre’s Covid-safe outdoor stage over the course of two evenings at the end of August.

“Although we all miss being on stage, there was an urgency to keep this work going,” says Perkins. “By taking advantage of the digital space, we were able to invite guest artists from all over the country to join us virtually to help generate writing and ideas. This virtual model of devising theater teaches us a lot about radical imagination, radical creativity, and challenges us to explore new methods of solidarity building.”

Kariotis states, “This summer, we integrated a design thinking framework. This means we work together to identify and solve our own problems. We started with the question, how might we shift from a carceral state to a culture of care? We cast our focus wider, beyond any individual people, and onto the day-to-day systems, policies, processes, and habits that entangle us.”

In addition to Warner Media, Walking the Beat Los Angeles is supported in part by the Fountain Theatre, The Vladimir & Araxia Buckhantz Foundation, David and Mary Jo Volk, Los Angeles City Councilmember Mitch O’Farrell and the 13th District, L.A. County Department of Probation, L.A. County Supervisor Sheila Kuehl, The Allison Thomas Racial Justice Fund, The Phillips-Gerla Family, Sharyk Overhoser, Carrie Chassin and Jochen Haber, Friars Charitable Foundation, Toby and Daniel Bernstein, and the Hollywood Chamber of Commerce.

The Fountain Theatre is committed to theater as a change agent and to serving the community.

“In these highly charged times, nothing is more urgent than promoting better understanding between young people of color and the police who serve their communities,” notes artistic director Stephen Sachs. “Walking The Beat does just that and more. It changes lives. The powerful curriculum and methodology have been proven — through pre- and post-workshop interviews, surveys and testimonials — to produce real, on-the-ground change.”

Founded in 1990 by Sachs and Deborah Culver, the Fountain Theatre has won hundreds of awards for all areas of production, performance and design, and provides an essential voice for the citizens of Los Angeles. Dedicated to community, the Fountain produces outstanding theater that challenges thinking and shines an artistic light on the many under-represented voices and cultures within Los Angeles. Eric Garcetti joined with the Los Angeles City Council to commend the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” During the pandemic, the Fountain was approved by the City of L.A. to build an outdoor stage in its parking lot. As a result, it was one of the first venues to re-open in June. Currently playing on the outdoor stage is the Fountain’s critically acclaimed L.A. premiere of An Octoroon by Branden Jacobs-Jenkins, which runs through Sept. 19. The theater is also presenting Forever Flamenco al fresco during the last weekends of August and September.

Established in 2016, the Elizabeth Youth Theater Ensemble’s mission is centered upon strengthening the voices of young artists. Utilizing theater-arts based curricula, EYTE provides creative learning opportunities for inner city youth that allow them to gain confidence, communication skills and self-awareness. EYTE seeks to create experiences that empower youth, developing theater as a powerful place for community

Screenings of Blackout 2021 take place on WednesdayAug. 25 at 7 p.m. and ThursdayAug. 26 at 7 p.m. on the Fountain Theatre’s outdoor stage. The Wednesday evening event will include special remarks and commendations by L.A. City officials. A reception will follow each of the screenings. Admission to the performances is free and open to the public(reservations necessary). The Fountain Theatre is located at 5060 Fountain Ave., Los Angeles CA 90029 (corner Fountain and Normandie). For more information and to make a reservation, call (323) 663-1525 or visit FountainTheatre.com/walking the beat.

Actor, ‘Walking the Beat’ co-founder Theo Perkins joins Fountain Theatre Board of Directors

Theo Perkins

The Fountain Theatre is pleased to announce that actor, director and producer Theo Perkins has joined the board of directors. Perkins is known to Fountain audiences for his dazzling performances in the Los Angeles premieres of The Brothers Size and In the Red and Brown Water.

“Theo is a beloved member of our Fountain Family,” said Artistic Director Stephen Sachs. “He brings to our board a shared belief that theatre can serve as a vehicle for social change and an educational tool for young people.”

Theo Perkins is the Founder and Artistic Director of the Elizabeth Youth Theater Ensemble (EYTE), a not for profit social justice arts organization whose mission is centered upon strengthening the voices of young artists within communities. EYTE’s major initiative is Walking the Beat: a  devised theater program for youth of the Global Majority and police officers both in Los Angeles and New Jersey. For his work, Theo was honored by the Union County Urban League Young Professionals of New Jersey, recently featured in Oxygen Network’s 2020 Unsung Heroes, and is a 2020 AEA Paul Robeson Award nominee.

As an actor, his television credits include guest star appearances on Fox, TNT, and CBS. On stage, he has performed on Broadway and regionally at NJPAC, Kirk Douglas Theatre, International City Theatre, Boston Court Theater and the Fountain Theatre.

Theo is a graduate of Morehouse College, UCLA’s MFA Acting program and the Executive Arts Leadership Program at the University of Southern California. He currently works as an Arts Coordinator for the Center for the Art of Performance at UCLA.

‘Raise Your Voice’ was our call to action

By Terri Roberts

Election Day has come and gone. As of this writing, millions of ballots are still being counted. The process may be slow and frustrating, but taking the time to make sure every voice, every vote, is heard and counted is American democracy in action. It’s why the Fountain Theatre launched its get-out-the-vote project, Raise Your Voice – Vote!, that lived in public spaces across Los Angeles on October 24th and 25th. The fact that you joined us and took action – that you raised your voice, you cast your vote, made your selfie videos encouraging others to do the same – means that you were a vitally important part of the process. And we wanted to say thank you. Thank you for participating, from the bottom of our hearts.

Over that last weekend in October, Raise Your Voice – Vote! actors Victor Anthony, Jessica Emmanuel, Wonjung Kim, Theo Perkins and Rayne J. Rayney – all COVID-tested, properly masked and with a supply of PPE’s – popped up at a variety of culturally different communities across Los Angeles with a mission to activate voter participation via socially-distanced guerrilla-style theatre. Raise Your Voice – Vote! was conceived by the Fountain’s Community Engagement Coordinator France Luce Benson, and co-directed by Benson and dancer/choreographer Lily Ockwell. It utilized some of America’s most iconic speeches about voting rights to create a choreographed collection of 10-minute theatre pieces, augmented with bits of song and movement, that were performed in front of surprised and appreciative audiences at Union Station, Little Tokyo, Fig and 7th Shopping Center, Leimert Park, Pan Pacific Park and Balboa Park.

“We wanted to create an event that was inspirational, but never didactic,” explained Benson. “The performers were in conversation with each other and with the people around them, blending, respecting and embracing whichever community we were in.”

The actors were supported in their travels and performances by Fountain staff and, for the first time ever, a wonderful group of recruited volunteers. (For more information on volunteer opportunities at the Fountain, please email me at terri@fountaintheatre.com.) Raise Your Voice – Vote! was also presented in partnership with the volunteer group Big Sunday and The Social Ripple Effect, a non-profit organization committed to global change through local action. As part of our get-out-the-vote effort, SRE was on hand to distribute literature briefly outlining the significant propositions also on this year’s ballot.

The Raise Your Voice – Vote! performances were live-streamed throughout the weekend on the Fountain’s website and its Facebook, YouTube, Twitter and Instagram pages. Those live feeds were supplemented by the afore-mentioned selfie videos, posted hourly, that were submitted by actors, directors and producers; Fountain patrons, staff and board members; colleagues within the LA theatre community-at-large; plus educators and students, business leaders and soccer moms, and more. Dozens of videos flowed in, all of them with personal observations about the urgent need to vote in this, “the most important election of our lifetime.” They were witty. Heartfelt. Serious. Reflective. One video was even sung, a cappella, as a comedic duet version of The Star Spangled Banner! But all of them, in their own unique ways, were impassioned calls to action.

So, thank you for answering the call. For being part of a record-breaking turnout of voters who stood up and had the courage to say, with your vote, These are the people, the propositions and the measures I believe will best be of service to me and my country.

Still, we all know it’s not a fair election unless every voice is heard. And because the laws that govern when ballots can be opened and counted vary by location, a full and complete ballot count is going to take awhile. Unfortunately, there are those who are actively trying to halt this process and silence all those voices. We urge you: Don’t let them.

Raise your voice one more time and demand that every single vote be counted. Send a text, make a phone call, sign the petitions that are probably clogging your inbox right now. Take action. Stay involved.

In the meantime, while votes continue to be counted, enjoy these photos from the many stirring public performances of Raise Your Voice – Vote! And reflect on these words from Lyndon B. Johnson, which were part of the Raise Your Voice —Vote! live experience:

“Our mission is, at once, the oldest and the most basic of this country: to right wrong, to do justice, to serve man…Our fathers believed that if this noble view of the rights of man was to flourish, it must be rooted in democracy. The most basic right of all was the right to choose your own leaders. The history of this country, in large measure, is the history of the expansion of that right to all of our people. Many of the issues of civil rights are very complex and most difficult. But about this, there can, and should be, no argument. Every American citizen must have an equal right to vote. There is no reason which can excuse the denial of that right. There is no duty which weighs more heavily on us than the duty we have to ensure that right.”

  — Lyndon B. Johnson, March 15, 1965

                                                       

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s new volunteer program. She also manages the Fountain Theatre Café.

Fountain Theatre weekend event ‘Raise Your Voice’ seeks to activate public to vote

Actors in rehearsal for Raise Your Voice.

Events on the streets and online

The Fountain Theatre is readying Raise Your Voice – Vote!, a guerrilla style, immersive theater event set to take place over the course of two days at six locations throughout the City of Los Angeles. Watch the live-stream every hour on the hour beginning at 10 a.m. PT / 1 p.m. ET on Saturday, Oct. 24 and Sunday, Oct. 25 at www.FountainTheatre.com.

Conceived by acclaimed playwright and Fountain Theatre community engagement coordinator France-Luce Benson and co-directed by Benson and Lily OckwellRaise Your Voice – Vote!aims to build momentum and awareness about the upcoming election while bringing theater for the people to the people. The five-member acting ensemble (Victor AnthonyJessica EmmanuelWonjung KimTheo Perkins and Rayne J. Raney) will present a series of pop up performances in six public spaces, each representative of L.A.’s cultural landscape. Each performance will feature America’s most iconic speeches about voting rights, plus dance and song. Volunteers will be stationed at every location to offer assistance with voter registration and voter education.

“We want to create an event that is inspirational, but never didactic,” explains Benson. “The performers will be in conversation with each other and with the people around them, blending in, respecting and embracing whichever community we’re in.”

Each of the performances will be live-streamed and will also be augmented by a series of surprise appearances, posts and performances on the Fountain Theatre’s social media pages in support of voter awareness.

Send Us Your Selfie on Voting

Want to engage in the Fountain’s newest project? We want you to upload a short selfie video (2 mins or less) of yourself expressing how important it is to vote. Nothing fancy. Can literally be taken on a smartphone. Just speak from your heart. Be passionate. What does voting mean to you? Why does voting matter? Do you have a personal story about voting? These video selfies will air at the top of each hour, from 10am to 6pm, on all Fountain social platforms and website.

Important: 

  • You (we) cannot endorse a specific candidate.
  • Do not mention Trump or Biden by name.
  • Shoot your selfie horizontal, not vertical.   

The purpose of the event is to use theatre as a trigger to activate the public to vote, to emphasize the responsibility of voting, to remind each other of the price some have paid to vote, to express the urgency to participate in this election and in our democracy.

Raise Your Voice – Vote! is produced by Stephen Sachs and Simon Levy for the Fountain Theatre. James Bennett is live-stream editor, and Terri Roberts is volunteer coordinator. The event is underwritten by Miles and Joni Benickes, Diana BuckhantzKaren KondazianMaggi PhillipsSusan StockelDorothy Wolpert, and Don and Suzanne Zachary. Event partners include volunteer organizations The Social Ripple Effect and Big Sunday.

For more information, to find out how you can volunteer and to live-stream Raise Your Voice –Vote! on Oct. 24 and Oct. 25, go to www.fountaintheatre.com.

HBO supports Fountain Theatre’s cops/kids program ‘Walking the Beat’ with $10,000 gift

WTB Group Day One

Cops, kids and staff of Walking the Beat at the Fountain Theatre.

The Fountain Theatre is pleased to announce that HBO is making a generous contribution of $10,000 to support Walking the Beat, the Fountain’s educational arts program that brings together LAPD police officers and inner city students over an 8-week period to write and create a theatre piece that they perform themselves.

“We are thrilled to welcome HBO to the Fountain Family,” says Co-Artistic Director Stephen Sachs. “HBO’s pedigree in providing ground-breaking, high-quality entertainment is matched by its commitment to young people and communities nationwide. Walking the Beat is an innovative program that uses theatre to promote empathy, self-expression and empowerment.”

HBO’s Senior Vice President of Corporate Social Responsibility Dennis Williams explains the cable network’s philosophy of giving as “how we can do the best with the resources that we have.”

“If you’re in a position of power or privilege, the question you should always ask yourself is, ‘Are you using your powers for good?’” continues Williams. “At HBO, we’re in a position to inspire change and start conversations in a way that others might not be able to do themselves. We must use our powers for good.”

Walking the Beat was devised by Theo Perkins and Angela Kariotis at Elizabeth Youth Theater Ensemble in New Jersey. HBO supported the project there for three years, and continues its sponsorship with the Hollywood program at the Fountain.

HBO and EYTE join other sponsors and partners for Walking the Beat at the Fountain, including the Hollywood Police Activities League,  Los Angeles City College Theatre Academy, Deborah Culver, The Vladimir and Araxia Buckhantz Foundation, Dorothy Wolpert, Robert and Carrie Meadow, the Central Hollywood Neighborhood Council, Councilmember Mitch O’Farrell and District 13, and Los Angeles County Supervisor Sheila Kuehl and District 3.

Home Box Office is the oldest and longest continuously operating pay television service in the United States, with 140 million subscribers worldwide as of 2018. HBO’s Corporate Social Responsibility team unites employees, talent and non-profit partners to elevate social issues connected to communities. At the heart of HBO’s effort  is a passion for making a difference, to use its platform to educate, inspire thoughtful action and help make the world a better place.

More Info on Walking the Beat

Summer intern Melina Young is thrilled to be back in LA and at the Fountain Theatre

Melina Young

Melina Young at the Fountain Theatre.

by Melina Drake Young

Hi.

My name is Melina Drake Young and I’m the new Development Intern at the Fountain Theatre. This is supposed to be a chatty-get-to-know-me kind of piece, so let’s chat and get to know—well—me. I would say each other, but since this isn’t a real conversation I can’t, so I didn’t.

Relax. Take off your shoes.

Pour yourself a glass of Rosé.

Did you do it?

Me neither. I’m at work. But it’s nice to pretend.

That’s what I like to spend my time doing—playing pretend. Since I was a little girl I’ve wanted to be a pretend-player—a storyteller—so naturally I wound up in The Theatre. (I hope you read that to yourself in the voice of Katherine Hepburn because that’s exactly how I hear it in my head.)

I’m an actress and writer (a rare bird in Los Angeles, California?) and a (VERY) recent graduate of Bard College’s Theatre & Performance and Literature programs. I was born in Silver Lake just before it became Silver Lake. And I think I liked it a little bit more when the neighborhood wasn’t italicized. What I mean is, LA is my home. Oh mother LA, how I love you. When I was studying in the Hudson Valley, I would often identify LA in movies (as one does) by its light. It’s golden, warm, heavenly, distinctly-LA light.

I’m thrilled to return to it and to re-discover LA’s artistic vibrancy as a young adult. How lucky am I to be starting my theatrical career at the Fountain?

A typical day in the life at the Fountain Theatre for this Development Intern includes time spent discussing theatre, organizing, crafting surveys, writing, chatting with co-workers, and being dazzled and moved by the students participating in Walking the Beat . Created and led by Angie Karoitis and Theo Perkins in Elizabethville, New Jersey, Walking the Beat is new to the Fountain and new to me. The program seeks to create a discourse between and eventually a performance devised by and starring ten remarkable students from LA high schools and LAPD officers.

Melina at WTB Orientation

Melina guides students through paperwork at the orientation for Walking the Beat.

Before my time at the Fountain, I would like to say that you’d have found me traipsing around the beautiful Hudson Valley, but the truth is more likely than not I was in rehearsal. If I wasn’t, I was writing at my desk.

This is still true.

The setting, however, has changed.

TIME: The present.

LOCATION: 5060 Fountain Ave, Los Angeles, CA.

CAST OF CHARACTERS: A blonde 20-something who doesn’t like to be identified as such. She wears glasses sometimes. Her eyes are myopic, but she isn’t. She’s grateful to be where she is and she hopes that you can tell.

The Fountain Theatre thanks the Los Angeles County Board of Supervisors and the LA County Arts Internship Program.   

VIDEO: Actor/teacher Theo Perkins visits Hollywood High School for Fountain’s ‘Walking the Beat’

Take a look as actor/teacher Theo Perkins visits Hollywood High School to interview students for the Fountain Theatre’s new educational outreach program, Walking the Beat. Our innovative program will bring together ten students from six high schools with five LAPD officers, using theatre as a tool to create understanding and empathy.

In partnership with Elizabeth Youth Theater Ensemble, Hollywood Police Activities League, and the Los Angeles City College Theatre AcademyThe Fountain Theatre will introduce Walking the Beat, a summer theater arts based program for inner city high school youth and police officers in the Hollywood area. This pioneering arts education program, originated by New Jersey’s Elizabeth Youth Theater Ensemble in 2016, and now expanding into Hollywood with The Fountain Theatre, will provide transformative experiences for police officers and underserved youth in Hollywood. Utilizing performing arts as a vehicle for youth empowerment and community building, Walking the Beat has transformed lives with a results-based arts education methodology and curriculum. This 10 week program builds confidence, character, communication skills, and community. Walking the Beat inspires — in students and officers alike — an appreciation for their common humanity, and a commitment to community and social justice.

Our first orientation is this Friday.  More Info