The Fountain Theatre is pleased to add Sherrick O’Quinn to its staff as Theatre Education Manager. In the newly-created position, Mr. O’Quinn is responsible for cultivating and strengthening all strategic community educational partnerships for The Fountain Theatre, enhancing its profile as an arts education leader in Los Angeles. Most important, he will oversee the theatre’s various arts education programs under the banner, Fountain for Youth. The programs include Walking the Beat and Fountain Voices.
Sherrick O’Quinn is an actor, educator, minister, and artist originally from Louisville, KY. He began his career in Louisville, KY working on stage and in film, TV, commercials and voiceover prior to moving to Los Angeles to complete his MFA in Acting degree at the University of Southern California. He formerly ran the GO College program which empowered and prepared at-risk high school students for college-going and career readiness prior to pursuing acting full-time. He spends his time acting, creating, coaching and working as a teaching artist. Sherrick is blessed to be part of Fountain Theatre’s mission to support and amplify diverse voices and create tangible change. His aim is to find intersections in art, work, and his daily life to be a change agent that encourages others to step into their voice, purpose, and light.
The Fountain Theatre has been awarded a WarnerMedia Arts and Culture grant funded by the AT&T Foundation to support Walking the Beat Los Angeles, a pioneering arts education program for inner city high school youth and police officers.
Now in its second year at the Fountain, Walking the Beat utilizes performing arts as a vehicle for youth empowerment and community building, providing transformative experiences for underserved youth and police officers.
Eighteen 9th through 12th graders from five Los Angeles area schools — Hawthorne High School, Hollywood High, Los Angeles High School of the Arts @ RFK, Pasadena High and San Pedro High — have been working since mid-June with two detectives from the Los Angeles School Police Department and one officer from the UCLA Police Department’s Crime Prevention Unit to create Blackout 2021, an original multi-media performance work that focuses on the shift from a culture of incarceration to a culture of care. Each of the students receives a stipend as well as community service hours.
Written by Walking the Beat curriculum director and program facilitator Angela Kariotiswith original writings by the ensemble, Blackout 2021 is directed by Theo Perkins. Perkins is executive and artistic director of New Jersey’s Elizabeth Youth Ensemble, which created the program five years ago. The Los Angeles creative team also includes choreographer Nicholas Rodriguez, sheltered yoga instructor Tine LeMar and drama therapist Adam Stevens. Due to the pandemic, Blackout 2021 was conceived as a virtual/hybrid program and will be screened on the Fountain Theatre’s Covid-safe outdoor stage over the course of two evenings at the end of August.
“Although we all miss being on stage, there was an urgency to keep this work going,” says Perkins. “By taking advantage of the digital space, we were able to invite guest artists from all over the country to join us virtually to help generate writing and ideas. This virtual model of devising theater teaches us a lot about radical imagination, radical creativity, and challenges us to explore new methods of solidarity building.”
Kariotis states, “This summer, we integrated a design thinking framework. This means we work together to identify and solve our own problems. We started with the question, how might we shift from a carceral state to a culture of care? We cast our focus wider, beyond any individual people, and onto the day-to-day systems, policies, processes, and habits that entangle us.”
In addition to Warner Media, Walking the Beat Los Angeles is supported in part by the Fountain Theatre, The Vladimir & Araxia Buckhantz Foundation, David and Mary Jo Volk, Los Angeles City Councilmember Mitch O’Farrell and the 13th District, L.A. County Department of Probation, L.A. County Supervisor Sheila Kuehl, The Allison Thomas Racial Justice Fund, The Phillips-Gerla Family, Sharyk Overhoser, Carrie Chassin and Jochen Haber, Friars Charitable Foundation, Toby and Daniel Bernstein, and the Hollywood Chamber of Commerce.
The Fountain Theatre is committed to theater as a change agent and to serving the community.
“In these highly charged times, nothing is more urgent than promoting better understanding between young people of color and the police who serve their communities,” notes artistic director Stephen Sachs. “Walking The Beat does just that and more. It changes lives. The powerful curriculum and methodology have been proven — through pre- and post-workshop interviews, surveys and testimonials — to produce real, on-the-ground change.”
Founded in 1990 by Sachs and Deborah Culver, the Fountain Theatre has won hundreds of awards for all areas of production, performance and design, and provides an essential voice for the citizens of Los Angeles. Dedicated to community, the Fountain produces outstanding theater that challenges thinking and shines an artistic light on the many under-represented voices and cultures within Los Angeles. Eric Garcetti joined with the Los Angeles City Council to commend the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” During the pandemic, the Fountain was approved by the City of L.A. to build an outdoor stage in its parking lot. As a result, it was one of the first venues to re-open in June. Currently playing on the outdoor stage is the Fountain’s critically acclaimed L.A. premiere of An Octoroon by Branden Jacobs-Jenkins, which runs through Sept. 19. The theater is also presenting Forever Flamenco al fresco during the last weekends of August and September.
Established in 2016, the Elizabeth Youth Theater Ensemble’s mission is centered upon strengthening the voices of young artists. Utilizing theater-arts based curricula, EYTE provides creative learning opportunities for inner city youth that allow them to gain confidence, communication skills and self-awareness. EYTE seeks to create experiences that empower youth, developing theater as a powerful place for community
Screenings of Blackout 2021 take place on Wednesday, Aug. 25 at 7 p.m. and Thursday, Aug. 26 at 7 p.m. on the Fountain Theatre’s outdoor stage. The Wednesday evening event will include special remarks and commendations by L.A. City officials. A reception will follow each of the screenings. Admission to the performances is free and open to the public(reservations necessary). The Fountain Theatre is located at 5060 Fountain Ave., Los Angeles CA 90029 (corner Fountain and Normandie). For more information and to make a reservation, call (323) 663-1525 or visit FountainTheatre.com/walking the beat.
I’ve been thinking about a poem by Mary Oliver. The entire poem is only two lines. That’s all it needs. It goes like this:
“Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.”
2020 has been a deep box of darkness. Our task is to learn to view sorrows as gifts. That’s a hard one. The poem encourages us to do something when sorrows come, challenges us not to sit back and do nothing about them. That is what I have learned from this year.
It is hard to receive boxes of darkness. At the bottom of my box, I have found the gift of gratitude. For things big and small. As this dreadful year comes to its close, it has brought me this gift born of darkness: To be without the intimacy of the Fountain Theatre for one year makes me grateful for it even more. I hope you feel the same. While our holiday gatherings may be smaller or grid-boxed on Zoom, our hearts will surely be filled with gratitude.
With vaccinations now underway, our boxes of darkness soon will lighten. I honestly believe that the Fountain Theatre will play an essential role in the healing of our community. As we look ahead to 2021, the Fountain has ambitious plans to move forward, both online and onstage. Creating productions that illuminate what it means to be alive at this time in the world and providing impactful arts education programs for students in underserved schools across Los Angeles. All COVID-safe.
Here’s a snapshot: Our new online platform, Fountain Stream will debut a 2021 season of plays and inter-active community programs. Using innovative video technologies, we will go beyond Zoom, to give you intimate high-quality theatre that makes you think and feel. We have expanded Fountain for Youth, our arts education initiatives, with Fountain Voices, an extraordinary in-school playwriting program designed by France-Luce Benson. Our ground-breaking cops/kids residency, Walking the Beat, will return in a glorious new digital format. And, most ambitious of all, we are hopeful that in the spring of 2021, we will launch our biggest adventure next year: a thrilling Outdoor Stage in our parking lot. Live theatre under the stars! Completely COVID-compliant. Stay tuned.
But for now, the Fountain — like every theater throughout Los Angeles and across the nation — remains closed. I don’t have to tell you things are hard. For the Fountain, our earned income has ground to a halt. The Fountain’s budget has dropped by over 50%. Our building remains non-operational, still standing proud on Fountain Avenue thanks to grants, federal loans, contributions, and the private giving by you, our Fountain Family.
If you have already made a year-end donation to our campaign, I thank you from the bottom of my heart. You are the gift in our darkness box. Your love, friendship and support are the light that shines the way through these uncertain times. If you haven’t yet contributed, please consider doing so. Your generous holiday gift will help make the coming year possible. I am asking you to turn the sorrows of this year into a gift of gratitude. Out of darkness, light!
Know a college student looking for a paying job over the next few months? Someone who likes theatre and enjoys reaching out to people from a wide variety of communities? The Fountain is the place.
The Fountain Theatre is now accepting applications to hire one Community Engagement Intern. The internship will begin Monday, October 5th, 2020 and end Friday, February 26, 2021. Because of the COVID-19 pandemic, the intern will work remotely from home for part or all of the internship. Weekly hours will vary week to week, from 15 hours per week to a full-time 40-hour schedule depending on the workflow. The rate of pay is $15 per hour, to fulfill 400 hours by February 26, 2021.
The Los Angeles County Board of Supervisors established the Arts Internship Program to provide undergraduate students with meaningful on-the-job training and experience in working in nonprofit arts organizations. This is our seventh year participating in the program. Each intern has been helpful, has learned a great deal, and became part of our Fountain Family. We are still in contact with all of them.
Now in our 30th year, the award-winning Fountain Theatre is one of the most highly regarded intimate theatres in Los Angeles. The Fountain is dedicated to new plays that reflect the diversity of Los Angeles, educational outreach programs that enhance the lives of young people and utilizing theatre as a trigger for social action and community engagement.
Assist the Community Engagement Coordinator with outreach initiatives, including: Identifying organizations and diverse L.A. communities that align with The Fountain’s mission of inclusion and social justice. Serve as a teaching assistant for the Fountain’s educational outreach programs. Develop and execute methods to increase The Fountain’s Social Media presence. Contribute to our on-going efforts to create a more ethnically and generationally diverse audience base. Assist in initiatives to cultivate and maintain relationships with supporters and donors. Assist with development and fundraising campaigns. Provide administrative assistance wherever needed
The intern candidate must have basic computer and word-processing skills (PC, Word, Excel, Internet, all relevant social media platforms), good communications skills and pleasant phone manner, organizational skills, be detailed oriented, and have the ability to multi-task. She/he should be self-motivated and have the ability to work successfully from home, when required. Excellent writing and editing skills. Graphic design skills and education experience a plus (education experience may include summer camps, after school programs, children’s theatre). Spanish speaking students are encouraged to apply.
In order to be eligible, a candidate must: (a) have the legal right to work in the United States; (b) reside in or attend college within the County, (c) be currently enrolled in a community college or four-year college/university program; and (d) have completed at least one semester or the equivalent by June 1, 2020. Prospective graduates who will complete their undergraduate degree between May 1, 2020, and September 1, 2020, need not be currently enrolled at the time of the internship.
Central to the Fountain is the impact the post had on one person: Sachs himself.
“I am blown away by the post’s popularity,” he says.
For Sachs, reading the avalanche of online comments the post triggered as it was shared around the world was overwhelming and eye-opening. “For me, the post became more than a feel-good story about young people experiencing live theatre. For me, it is a call to action.”
What action is the Fountain taking?
Starting this weekend with the current production of Human Interest Story, the Fountain Theatre launches a new program called Free Student Fridays. Any high school or college student may see a play at the Fountain on Friday for free. To reserve online, students use the promo code FreeStudent. A valid school ID card must be shown at the box office window on the night of the performance. Seats are subject to availability.
“This program is a modest start, but it’s a start,” admits Sachs. “We may not have 18,000 seats like Madison Square Garden, but if we can inspire the young minds and open the young hearts of 80 students on Fountain Avenue every Friday night, we’ll have humbly done our part to help make the world a better place.”
Who knows? A free performance for 20,000 students at L.A.’s Staples Center may one day be on the horizon. Until then? There’s a seat for any student at the Fountain.
Students prepare to see “To Kill a Mockingbird” at Madison Square Garden.
by Stephen Sachs
There hasn’t been that much rapturous cheering in Madison Square Garden since the Knicks won their last championship in 1973. But the thunderous hollering heard this Wednesday at the sold-out arena was not for a basketball game. It was for a play.
On Wednesday, 18,000 middle and high school students from Queens, Brooklyn, Manhattan, the Bronx and Staten Island attended a free one-time special performance of the Broadway production of “To Kill A Mockingbird” at Madison Square Garden arranged by producer Scott Rudin, the MSG organization and the city of New York. That’s right. 18,000 kids sat and watched a 3-hour drama in the cavernous home of the Knicks. Who would have thought it possible?
The result? By all accounts, everyone there on that school-day afternoon – actors, audience, organizers – have been forever changed by the experience. And, I hope, so has our field, as the impact of this one-time event ripples nationwide for years.
Artistic Directors like me have been wringing our hands over the same question for decades. How do we get younger audiences to come to our theatre? How do we engage young people today in our ancient art form? How do we not only hold their attention but excite them enough to want to come back to our theatre?
This week, one answer came. And it showed me that maybe we’ve been asking ourselves the wrong question. Sometimes we must bring the mountain to Muhammed.
The play’s usual Broadway home is the Shubert Theatre, where it commands an average ticket price of $162. The one-time performance at The Garden was free. For many kids, they were seeing a professional play – in an unusual setting — for the first time.
“This is a one-of-a-kind event — 18,000 young people who wouldn’t otherwise be able to afford to see a Broadway play are going to be introduced to American theater,” playwright Aaron Sorkin said.
The cast of To Kill a Mockingbird take their bows on stage after a special performance for students at Madison Square Garden in New York.
In a week of nothing but bad news for our country, this gives me hope. And shatters a few myths theater-makers may hold about young people.
The attention span of teens is too short. The myth we keep telling ourselves is that the light-speed tempo of video games have accelerated the viewing habits of young people to such a degree that they’ll never sit still for a serious play. A musical, maybe. A rock musical, certainly. Not an issue-driven drama. But the 18,000 students at Madison Square Garden not only sat still and listened to “Mockingbird”, they were riveted in their seats.
Young people are only interested in contemporary stories about themselves. It’s okay to offer them hip hop plays, urban musicals, modern teen comedies about their world today. A drama from another time period? Too risky. This week, however, a multitude of students from New York were engrossed by a fable that takes place in 1934 Alabama. Want to make it worse? It’s a play adapted from a book they are assigned to study as homework in class, for crying out loud. A theatre producer’s nightmare, right? Wrong.
Young people hate theatre. Not true. They just have fewer opportunities to see it. And when they do? “It’s so exciting,” said high school junior Michelle Hernandez. “It’s amazing,” said student Justine Jackson. “The story is very real and you can relate it to modern society,” said junior Andy Lin. “Specially racism because it’s still going on.” The 18,000 students were clearly swept up in the play and the excitement of the event. The setting of Madison Square Garden seemed to set them free to react openly in ways they would never dare in a conventional theatre. They laughed, they gasped, they shouted, and they cried. They cheered Atticus Finch like he was a rock star.
Regional theaters across the country have educational outreach programs that include bringing their productions of plays to schools for students to enjoy and benefit by seeing. It’s a failsafe strategy that is not going anywhere. A theatre importing its production to a school campus is one thing. Partnering with Madison Square Garden is another.
The conventional model of bussing students to your theatre holds its own many benefits. But I hope the “Mockingbird” event inspires theater organizations across the country to think outside the box in their own community. To explore unconventional venues and unique partnerships to help bring the power of theater to young people nationwide.
Could the “Mockingbird” event happen in Los Angeles? Can we imagine 20,000 students from across the Southland coming to Staples Center to watch a performance of “Death of A Salesman”? Why not? It takes a mayor, a theatre producer and a city believing that it’s important and willing to make it happen. As NY Mayor Bill de Blasio said: “The only way to change your world is if you decide it is your world to change.”
And you must find like-minded partners who are willing to change it.
The Fountain’s Breaking It Down program is designed to build community and deepen the impact of a play through a variety of events before and after performances. Our preshow events may include art exhibitions and talks that invite audiences into the world of the play. Our post show discussions create a space for our audiences to gather with the artistic teams, scholars, journalists, and community leaders to unpack the themes explored, and provide a platform to share personal connections to the work.
March 1: Q&A with the cast of Human Interest Story
Engage in a post-show conversation with actors Tanya Alexander, Richard Azurdia, Aleisha Force, James Harper, Matt Kirkwood, Rob Nagle, and Tarina Pouncy. Get Tickets
March 8 @ 1pm: Meet artist Stuart Perlman
Stuart Perlman’s Faces Of Homelessness portrait project has been exhibited throughout Los Angeles, covered on Public Radio (KPCC), featured in print in Column One of the front page of the Los Angeles Times, and in other national and international publications including TheGuardian (London), Taipei Times (Taiwan), Vanity Fair Italia and a cover story in the Jewish Journal. It will be on display at The Fountain for the duration of the run.
Perlman will talk about what inspired the project, and how his connections with these individuals have impacted his life in ways he never imagined. Get tickets now.
Stuart Perlman has been a psychologist and psychoanalyst in private practice in West Los Angeles for 40 years. He received a Ph.D. from UCLA in clinical psychology, and a second Ph.D. in psychoanalysis. He has published many articles in psychoanalytic journals, and authored the book, The Therapist’s Emotional Survival: Dealing with the Pain of Exploring Trauma. His new book, Struggle in Paradise, is about homeless individuals, featuring moving oil-on-canvas portraits, life stories and follow-ups. This painting project has been nominated for the Best Art of the Year Award by the National Association for the Advancement of Psychoanalysis. After a hiatus of over 25 years, Dr. Perlman returned to one of his early passions, painting. He has devoted thousands of hours to painting the experiences of the homeless and illuminating their humanity and pain. Through portraiture, a style traditionally used to immortalize the rich, famous and powerful, Dr. Perlman reminds us that these homeless individuals, too, are to be valued: “If we can see into their faces and learn their stories — their hopes, dreams, accomplishments and fears — we can no longer pretend that they don’t exist…we can no longer look the other way.” www.stuartperlmanartist.com
March 15: Inside L.A.’s Homeless Crisis
You see them everywhere. At freeway off-ramps, under bridges, in tents. Los Angeles Mayor Eric Garcetti has declared homelessness “the great humanitarian crisis of our time.” What are we doing about it? A post-show discussion with panelists Anthony Conley (Covenant House) and John Billingsley (Hollywood Food Coalition). Get tickets now.
March 19 @ 7p.m: Screening of Stuart Perlman’s Struggle in Paradise
“Best Movie of the Year” National Association for the Advancement of Psychoanalysis.
Nominated Best Documentary- Pasadena International Film Festival. Honorable Mention- American Psychological Association Film Festival. Struggle in Paradise is the gripping story of the skyrocketing number of homeless people living and dying on the streets of Los Angeles. I have been shocked at the amount of trauma that people have sustained that contributed to their homelessness and, once on the streets, are repetitively traumatized. View the Trailer
March 22: Truth in American Journalism
How do you get your news? The print edition delivered at your door? Online? Join the post-show conversation with local journalists as we examine how the internet has impacted print newspapers around the country. How has the invention of “fake news” influenced ethics in reporting? What is the truth? Who decides? Get tickets
March 29 @ 5pm: Sunday Supper at The Center
Join us at The Center in Hollywood where the Fountain will host one of their monthly “Supper Sunday” dinners. Following the performance, we will head to The Center where we will prepare (or purchase), serve, set up, and clean up after a meal. The most important aspect of Supper Sunday is that WE will dine WITH the individuals we are serving. Sharing a meal is a beautiful opportunity for the housed and unhoused members of our community to gain greater understanding, empathy, and connection. Order now
Feb 15 – April 5: Donation Drive for our homeless community
Fountain patron April Goddard donates items to the homeless at tonight’s preview of Human Interest Story.
Throughout the run of Human Interest Story The Fountain will accept donations to be distributed to various Homeless organizations in our community. Items most needed are:
Gently Used Clothing (especially winter clothing, socks, shoes)
Men’s and Women’s Underwear (New, all sizes)
Bins will be set up in front of the theatre before each performance and all items will be distributed to various organizations on a weekly basis. You need not have a ticket to the show to bring donations. All are welcome!
France-Luce Benson is the Community Engagement Coordinator for the Fountain Theatre. Contact her: firstname.lastname@example.org
The Fountain Theatre is pleased to announce that playwright/teaching artist France-Luce Benson has joined the staff as Community Engagement Coordinator. Her duties will include overseeing the Fountain’s educational outreach programs and expanding the theatre’s interaction with audiences and local communities.
“As an artist committed to equanimity in representation and creating art that affects change, it is an honor to be a part of The Fountain Theatre, a company that is truly walking the walk, ” says Benson. “The many theatrical giants who The Fountain has produced over the years have not only influenced my work as a playwright, but they are representative of Los Angeles’ diverse cultural landscape. I am confident that my own cultural background will contribute to the important work The Fountain is doing to promote and inspire social justice.”
France-Luce Benson was named “Someone to Watch ” in 2019 by American Theatre magazine. As a playwright, she is a recipient of a Miranda Foundation grant (DETAINED), Alfred P. Sloan Foundation New Play Commission (DEVIL’S SALT), and a Princess Grace Award runner up (BOAT PEOPLE). Additional honors include: Zoetrope Grand Prize (CAROLINE’S WEDDING); Dramatists Guild Fellow 2016-17, Sam French OOB Festival Winner, NNPN Award for Best Play, and three time Kilroy List Honorable Mention. Residencies include Djerassi, the Camargo Foundation in France, and Instituto Sacatar in Bahia, Brazil. Her plays have had productions, workshops, and readings at Crossroads Theatre New Jersey, City Theatre of Miami, The Playwrights Center, Oregon Shakespeare Festival, City Theatre of Miami, Loyola Marymount University, Global Black Voices in London, and in New York The Lark, The Billy Holiday Theatre, and the Ensemble Studio Theatre where she is a company member. She’s been published by Samuel French and Routledge Press. She earned an MFA in Dramatic Writing from Carnegie Mellon University and a BA in Theatre from Florida International University. Teaching appointments include UCLA Extension, St. Johns University, Columbia University, Girl Be Heard, and P.S. Arts/Inside Out in L.A. She is a proud member of The Dramatists Guild, Inc.
France-Luce teaches Story Analysis for Film and Television at UCLA Extension School. As a Dramatist Guild Fund teaching artist, she launched the Traveling Masters Program for NY Public Schools and was a guest lecturer at Columbia University, where she facilitated a playwriting intensive designed for the International Student Fellows of Columbia’s esteemed Human Rights Advocacy Program.
“We’re excited to welcome France-Luce to our Fountain Family,” says Artistic Director Stephen Sachs. “She brings expertise, passion and insight to our community programming as the Fountain broadens its services into the future.”