The Fountain Theatre is readying Raise Your Voice – Vote!, a guerrilla style, immersive theater event set to take place over the course of two days at six locations throughout the City of Los Angeles. Watch the live-stream every hour on the hour beginning at 10 a.m. PT / 1 p.m. ET on Saturday, Oct. 24 and Sunday, Oct. 25 at www.FountainTheatre.com.
Conceived by acclaimed playwright and Fountain Theatre community engagement coordinator France-Luce Benson and co-directed by Benson and Lily Ockwell, Raise Your Voice – Vote!aims to build momentum and awareness about the upcoming election while bringing theater for the people to the people. The five-member acting ensemble (Victor Anthony, Jessica Emmanuel, Wonjung Kim, Theo Perkins and Rayne J. Raney) will present a series of pop up performances in six public spaces, each representative of L.A.’s cultural landscape. Each performance will feature America’s most iconic speeches about voting rights, plus dance and song. Volunteers will be stationed at every location to offer assistance with voter registration and voter education.
“We want to create an event that is inspirational, but never didactic,” explains Benson. “The performers will be in conversation with each other and with the people around them, blending in, respecting and embracing whichever community we’re in.”
Each of the performances will be live-streamed and will also be augmented by a series of surprise appearances, posts and performances on the Fountain Theatre’s social media pages in support of voter awareness.
Send Us Your Selfie on Voting
Want to engage in the Fountain’s newest project? We want you to upload a short selfie video (2 mins or less) of yourself expressing how important it is to vote. Nothing fancy. Can literally be taken on a smartphone. Just speak from your heart. Be passionate. What does voting mean to you? Why does voting matter? Do you have a personal story about voting? These video selfies will air at the top of each hour, from 10am to 6pm, on all Fountain social platforms and website.
You (we) cannot endorse a specific candidate.
Do not mention Trump or Biden by name.
Shoot your selfie horizontal, not vertical.
The purpose of the event is to use theatre as a trigger to activate the public to vote, to emphasize the responsibility of voting, to remind each other of the price some have paid to vote, to express the urgency to participate in this election and in our democracy.
Raise Your Voice – Vote! is produced by Stephen Sachs and Simon Levy for the Fountain Theatre. James Bennett is live-stream editor, and Terri Roberts is volunteer coordinator. The event is underwritten by Miles and Joni Benickes, Diana Buckhantz, Karen Kondazian, Maggi Phillips, Susan Stockel, Dorothy Wolpert, and Don and Suzanne Zachary. Event partners include volunteer organizations The Social Ripple Effect and Big Sunday.
For more information, to find out how you can volunteer and to live-stream Raise Your Voice –Vote! on Oct. 24 and Oct. 25, go to www.fountaintheatre.com.
Deborah Culver and Stephen Sachs founded the Fountain Theatre in an intimate, Spanish-style, East Hollywood building that belies the sizable local impact and international reach of the company’s acclaimed and award-winning productions. Now entering its 30th year as one of the most highly regarded theaters in Los Angeles, the Fountain is announcing a celebratory 2020 season of dynamic premieres and events.
“Thirty years ago, when we first entered this theater and stepped onto its stage, we knew we had found it. A place to call home,” Culver and Sachs said in a joint statement. “Since that April three decades ago, our charming haven on Fountain Avenue has been home to thousands of artists and millions of patrons. Fountain plays are now performed worldwide and seen on TV. Our flamenco concerts are first class. Our outreach programs change lives. Our legacy is noteworthy. And our future looks bigger and brighter than ever.”
The season opener, the world premiere of Human Interest Story — written and directed by Sachs who, in addition to his role as co-founder and co-artistic director of the Fountain, is an internationally acclaimed playwright — will open on Feb. 15. In this timely drama about homelessness, celebrity worship and truth in American journalism, newspaper columnist Andy Kramer (Rob Nagle) is laid off when a corporate takeover downsizes his paper. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman (Tanya Alexander) to stand-in as the fictitious Jane. She becomes an overnight internet sensation and a national women’s movement is ignited.
Slated for Spring, 2020, the Los Angeles premiere of If I Forget by Steven Levenson (Dear Evan Hansen) will be directed by Fountain producing director Simon Levy. In this viciously funny, unflinchingly honest portrait of a Jewish family and a culture at odds with itself, a liberal Jewish studies professor reunites with his two sisters to celebrate their father’s 75th birthday. Both political and deeply personal, this play about history, responsibility, and what we’re willing to sacrifice for a new beginning was a New York Times “Critic’s Pick,” while DC Metro calls it “one of the greatest Jewish plays of this century.”
Summer brings the Los Angeles premiere of An Octoroonby 2016 MacArthur fellow Branden Jacobs-Jenkins, who won the Obie for this radical, incendiary and subversively funnyriff on Dion Boucicault’s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire that The New York Times calls “This decade’s most eloquent theatrical statement on race in America today.” Judith Moreland directs.
Another noteworthy Los Angeles premiere closes out the season in the Fall: Escaped Alone is a caustically funny and surreal afternoon of tea and calamity by celebrated British playwright Caryl Churchill. In a serene British garden three old friends are joined by a neighbor to engage in amiable chitchat — with a side of apocalyptic horror. The women’s talk of grandchildren and TV shows breezily intersperses with tales of terror in a quietly teetering world where all is not what it seems. In his Off-Broadway review for Escaped Alone, New York Times theater critic Ben Brantley hailed the play as “wondrous” and Caryl Churchill as “the most dazzlingly inventive living dramatist in the English language.”
Also coming up in 2020:
Forever Flamenco: The dancers, musicians and singers of the Fountain’s monthly serieswill continue to delight audiences throughout 2020. The Los Angeles Times hails Forever Flamenco as “the earth and fire of first-class flamenco,” and LA Splash says, “the way you feel when you walk out of a Forever Flamenco performance is pretty darn fabulous.”
Hollywood Dreams: CBS star and Fountain family member Simone Missick (All Rise) and Fountain board chair Dorothy Wolpert will be honored at the Fountain’s dazzling 30th AnniversaryGala at the Hollywood Roosevelt Hotel on Saturday, June 27.
Walking the Beat Hollywood, a pioneering arts education program for inner city high school youth and police officers, will return for its second year this August.
The Candidate: The Fountain’s third annual celebrity reading at Los Angeles City Hall, a stage adaptation of the 1972 Academy Award-winning movie that starred Robert Redford as a young, straight-talking candidate for the U.S. Senate, is set for Thursday, Oct. 22. One night only.
For more information about the Fountain Theatre’s 2020 30th anniversary season, call (323) 663-1525 or go to www.FountainTheatre.com
Cops, kids and staff of Walking the Beat at the Fountain Theatre.
The Fountain Theatre is pleased to announce that HBO is making a generous contribution of $10,000 to support Walking the Beat, the Fountain’s educational arts program that brings together LAPD police officers and inner city students over an 8-week period to write and create a theatre piece that they perform themselves.
“We are thrilled to welcome HBO to the Fountain Family,” says Co-Artistic Director Stephen Sachs. “HBO’s pedigree in providing ground-breaking, high-quality entertainment is matched by its commitment to young people and communities nationwide. Walking the Beat is an innovative program that uses theatre to promote empathy, self-expression and empowerment.”
HBO’s Senior Vice President of Corporate Social Responsibility Dennis Williams explains the cable network’s philosophy of giving as “how we can do the best with the resources that we have.”
“If you’re in a position of power or privilege, the question you should always ask yourself is, ‘Are you using your powers for good?’” continues Williams. “At HBO, we’re in a position to inspire change and start conversations in a way that others might not be able to do themselves. We must use our powers for good.”
Walking the Beat was devised by Theo Perkins and Angela Kariotis at Elizabeth Youth Theater Ensemble in New Jersey. HBO supported the project there for three years, and continues its sponsorship with the Hollywood program at the Fountain.
HBO and EYTE join other sponsors and partners for Walking the Beat at the Fountain, including the Hollywood Police Activities League, Los Angeles City College Theatre Academy, Deborah Culver, The Vladimir and Araxia Buckhantz Foundation, Dorothy Wolpert, Robert and Carrie Meadow, the Central Hollywood Neighborhood Council, Councilmember Mitch O’Farrell and District 13, and Los Angeles County Supervisor Sheila Kuehl and District 3.
Home Box Office is the oldest and longest continuously operating pay television service in the United States, with 140 million subscribers worldwide as of 2018. HBO’s Corporate Social Responsibility team unites employees, talent and non-profit partners to elevate social issues connected to communities. At the heart of HBO’s effort is a passion for making a difference, to use its platform to educate, inspire thoughtful action and help make the world a better place.
Shortly after Stanley Wolpert met Dorothy Guberman in an American government class at New York City College in 1953, he knew he wanted to marry her. They both knew. They had been thrown together to buy a present for a class professor, yet it was clear very quickly to these two perceptively analytical yet free-minded young people that they were meant to be life partners. They married six weeks later, on June 12th. Their bond continued sixty-five years. Stanley Wolpert passed away last Tuesday, on February 19th. He was ninety-one years old.
I met and knew Stanley through Dorothy, who joined our Fountain Theatre’s Board of Directors and now serves as its President. Stanley and I chatted often at Fountain opening nights and fundraising events. Always gracious, charming and warm-hearted, Stanley was a sharp-eyed gentleman with an easy smile and a comfortable manner that belied his stunning intellect and depth of knowledge. To me, the first few months after meeting him, he was simply “Dorothy’s husband” — a moniker for which I’m sure he’d have been happy to be known. But soon I discovered how formidable he truly was. Yes, Stanley was Dorothy’s husband, her partner, fellow traveler, her best friend. I quickly learned he was also Stanley Wolpert: nationally heralded scholar, author, lecturer and beloved UCLA teaching professor, the foremost historian of India in the United States.
The son of Nathan and Frances Wolpert, Stanley grew up in Brooklyn. He attended Brooklyn Technical High School and the New York State Maritime Academy. On his twentieth birthday, while serving as an engineer aboard a U.S. Merchant Marine ship, Stanley set sail to Bombay, India, for the first time. What he experienced there, the first day, would transform him.
Urn with Mahatma Gandhi ashes carried to confluence of rivers Ganges, Yamuna and Saraswati at Allahabad, Uttar Pradesh, India, February 12, 1948.
On the day Stanley arrived in Bombay, Mahatma Gandhi had been killed just two weeks earlier and the nation was overwhelmed by grief. Stanley had never seen anything like it. Standing on a hilltop overlooking the holy Ganges River, he witnessed millions of mourning Indians rush to touch the ship moored at the sandy riverbank on which Gandhi’s ashes were placed to be scattered into the water below. As the ashes touched the water, the sea of countless mourners joined in a great roar of “Mahatma Gandhi ki jai” — victory to Mahatma Gandhi. Some wept. Some stood mute, their hands clasped before their faces. The scene of teeming multitudes deeply impacted the young engineer from Brooklyn.
“That early encounter with India,” wrote Stanley, “Changed the course of my life.”
Returning home to Brooklyn, Stanley abandoned his career in marine engineering for the study of Indian history. He received a B.A. from New York City College in 1953 and was awarded the Pell Medal for academic achievement in History. A fellowship from the Ford Foundation enabled him to pursue Indian Studies at the University of Pennsylvania, learning Sanskrit and earning his Ph.D. in 1959. His dissertation, published as Tilak and Gokhale, was selected for the Watumull Prize of the American Historical Association in 1962, recognizing “the best book on the history of India originally published in the United States.”
Stanley Wolpert became a world-renowned historian of India. He began teaching in the Department of History at UCLA in 1959. Over the years, he helped build the ranking of the History Department nationwide. He was appointed Chairman of the Department and Vice Chancellor for Academic Affairs and was honored with UCLA’s Distinguished Teaching and University Service awards. His devotion to teaching earned him the gratitude and affection of thousands of students over the course of his 59-year teaching career.
Every work morning, Stanley would walk from his Westwood home to the UCLA campus. He’d grab a coffee and a bagel at a nearby coffee shop. On campus, he’d stride up the five flights of stairs to his office, balancing coffee and bagel, then plop at his desk to prepare for class, do research and write. Stacks of books littered his office. His advice to young writers was “Read everything.” His classroom was a mecca for history students for nearly six decades. He taught his last seminar at UCLA at 90.
In addition to his national reputation as a teacher and scholar, Stanley was a distinguished author. When Dorothy was asked if Stanley missed New York, she answered that as long as Stanley had his typewriter, he was fine where he was. He published fifteen books, including several highly praised textbooks and four novels, and was Editor in Chief of the Encyclopedia of India. His celebrated novel on the assassination of Gandhi, Nine Hours to Rama, was made into a feature film in 1963 starring José Ferrer. His A New History of India was hailed as “the best textbook on Indian history now available.”
Stanley was a man of impressive achievements. I would wager that he knew, deep in his heart and soul, that his greatest triumph was his marriage and his family. Ever a die-hard New Yorker, Dorothy begrudgingly moved to Los Angeles with Stanley in 1959 so he could pursue his teaching at UCLA. Stanley steadfastly acknowledged her contribution to his research and editor for many of his books. She joined him on numerous trips to India and was with him when he interviewed Jawaharlal Nehru for his book, A Tryst With Destiny. And Dorothy is notable in her own right. A Founding Principal of the Century City law firm of Bird, Marella, Boxer, Wolpert, Nessim, Drooks, Lincenberg & Rhow, Dorothy Wolpert was selected to Benchmark Litigation’s “Top 250 Women in Litigation” in the United States for 2017. In 2018, Dorothy was chosen by her peers for inclusion in the 2019 edition of Best Lawyers in America. Dorothy and Stanley have two sons — Daniel and Adam — and three grandchildren—Sam, Max, and Sabine.
Stanley and Dorothy were partners. In life, work, and public giving. Best friends and soul mates who read books aloud to each other in bed every night. They were, as Gandhi taught, the unity of heart, mind, body and spirit.
A memorial for Stanley Wolpert is planned for the spring.
Stephen Sachs is the Co-Artistic Director of the Fountain Theatre.
On a beautiful Sunday morning at the lovely Encino home of Fountain board member Carrie Chassin and husband Jochen Haber, members of the Fountain Family and supporters of Arrival & Departure gathered for a delicious brunch to salute our upcoming world premiere opening July 14.
“Arrival & Departure is the most innovative and ambitious production in our 28-year history, ” said Co-Artistic Director Stephen Sachs, in his remarks to the group. “We are deeply grateful to our extraordinary donors who make it possible for the Fountain to keep raising its bar of excellence.”
Actors Deanne Bray and Troy Kotsur joined Fountain staff members Sachs and his wife Jacqueline Schultz, Deborah Lawlor, Barbara Goodhill and James Bennett at the festive backyard get-together. Hosts Chassin and Haber welcomed board member and donor Karen Kondazian, donors Debbi and Ashley Posner, board president and donors Dorothy Wolpert and husband Stanley Wolpert, and board member and donor Don Zachary. Andrew Leyva provided ASL interpretation.
The savory spread included salmon, salad, fruit, roasted vegetables and bagels. It was a glorious afternoon enjoyed in a beautiful outdoor setting, celebrating some of the remarkable donors who have nurtured the creation, development and soon-to-be opening of this highly anticipated new play at the Fountain.
Fountain friends, longtime and new, enjoyed an unforgettable afternoon Sunday at the magnificent Hollywood apartment of actress and Fountain board member Karen Kondazian. Delicious middle eastern fare from Adana was served to thirty invited special guests who marveled at Karen’s extraordinary home, the panoramic view of Hollywood, and chatted about the achievements and future of the Fountain Theatre.
The afternoon salon was organized so distinguished friends and supporters of the Fountain could stay connected with the theatre and each other. New colleagues and associates from the Los Angeles business and arts communities were introduced to the Fountain’s inner circle. And the Fountain unveiled a new level of sponsorship, the Artistic Directors Circle, for elite donors who underwrite specific plays or programs or an entire season.
Fountain Co-Artistic Directors Deborah Lawlor and Stephen Sachs were joined by Producing Director Simon Levy, Associate Producer James Bennett and Director of Development Barbara Goodhill.
“Diversity sits at the heart of our artistic mission,” said Sachs. “When Deborah and I founded the Fountain back in 1990, it was to offer an artistic home for theatre and dance artists, of all backgrounds, to create and develop new work that reflects the cultural diversity of our city and our nation. The Fountain Theatre sits in the center of District 13, the most ethnically and culturally diverse district in Los Angeles. 32 languages are spoken at the local high school.
“Our programing is community-driven. When we think about putting a season together, we ask ourselves which community needs to be served? Which cultural, religious or ethnic group is struggling with an issue that needs to be dramatized? Who’s voice needs to be heard?”
The 2017-18 Fountain Theatre season includes the world premiere of Building the Wall by Robert Schenkkan, Citizen: An American Lyric by Claudia Rankine at the Kirk Douglas Theatre, the world premiere of Runaway Home by Jeremy Kamps, the world premiere of Freddie by Deborah Lawlor, the stage adaption of The Chosen by Chaim Potok, and the world premiere of Arrival and Departure by Stephen Sachs performed in Spoken English and American Sign Language.
Fountain Board members Dorothy Wolpert, Karen Kondazian, Dick Motika, Jerrie Witfield, Don Zachary, and Oscar Arslanian welcomed guests Nyla Arslanian, Miles and Joni Benickes, Lorraine Evanoff, Bennard Gillison, Daniel Greenberg and Susan Steinhauser, Lucinda Cowell and Ron Michaelson, Victoria Meyers, Bonnie Nijist and Arthur Zeesman, Jacqueline Schultz, Mark Stankevich, Ron and Elaine Stein, , and Stanley Wolpert.
Stephen Sachs and Deborah Lawlor spoke to the group, reviewing the recent accomplishments of the Fountain Theatre, its fundraising goals, and outlining the upcoming 2017-18 season. They expressed the artistic heart and soul of the company and its dedication to diversity and inclusion by serving a wide variety of communities throughout Los Angeles. And they articulated the challenges and objectives moving forward, describing the Fountain as an essential treasure on the cultural landscape of Los Angeles. And declared that the Fountain’s longtime dedication to diversity was essential in these turbulent times.
“We are an immigrant nation, ” stated Sachs. “Los Angeles is a world city, rich with the multi-colored fabric of diversity. At this moment in history, now more than ever, it is crucial that the Fountain Theatre maintain its mission of diversity and inclusion and community focus, where people from all backgrounds are seen on our stage and in our audiences.”
“The Fountain Theatre may be small in size, ” he concluded. “But we are large in vision, in purpose, and in our commitment to creating and producing meaningful work that has the power to change lives.”
Dick Motika, Caron Gonzales, Jerrie Whitfield, Edward Gonzales
Sometimes, when you have something special, you just want to share it. That was the feeling last night, when Fountain Board members Dick Motika, Jerrie Whitfield, Dorothy Wolpert and her husband, Stanley Wolpert, invited their friends and colleagues to a special-added private performance of Baby Dollat the Fountain. The VIP guests enjoyed their own exclusive performance and then chatted with the company in a catered reception upstairs in our charming cafe.
It was a relaxed evening of nice food, good wine, stimulating conversation and a riveting production of a steamy, powerful play. The invited guests relished meeting the actors after the performance. Many gathered outside on the balcony to savor the Hollywood night air.
In attendance were Adam Mortanian, Ashley Bowman, Audrey Stein, Bonnie and Arthur Nijst, Brian Getnick, Cala Bowdra, Dale and Don Franzen, Dan Greenberg and Susan Steinhauser, Ed and Caron Gonzales, Gary and Rebecca Drucker, James Benge, Jane and Howard Matz, Jessica and Demetrius Martinez, Kathy and Jack Smith, Krista and Ron Sanders, Lisa Nevins and Kent Caldwell-Meek, Mark and Leah Drooks, Natalie Bergeson, Paul Moskowitz, Ruth and Bonnie and Stuart Wolpert, Ryan and Margaret Cutrona, Sheri Leiwand, Shoshana Bannett, Steve Thomas, Thelma and Elliot Samulon.
Our heartfelt thanks to Dick, Jerrie, Dorothy and Stanley for hosting this very special evening.
Fountain friends, longtime and new, enjoyed an unforgettable afternoon Saturday at the magnificent Westwood home of actor Alan Mandell. English tea, sandwiches and pastries were served to thirty invited special guests who marvelled at Alan’s extraordinary art collection and chatted about the achievements and future of the Fountain Theatre.
The afternoon salon was organized so distinguished friends and supporters of the Fountain could stay connected with the theatre and each other. And new colleagues and associates from the Los Angeles business and arts communities were introduced to the Fountain’s inner circle.
Fountain Co-Artistic Directors Deborah Lawlor and Stephen Sachs were joined by Producing Director Simon Levy, Associate Producer James Bennett and Director of Development Barbara Goodhill.
Fountain Board members Dorothy Wolpert, Karen Kondazian, Dick Motika, Jerrie Witfield, Don Zachary, and Oscar Arslanian welcomed guests Nyla Arslanian, Lorraine Evanoff, Daniel Greenberg and Susan Steinhauser, Shari Leinwand, Alan Mandell, Victoria Meyers, Dr. Charles and Laura Nagurka, Richard and Gloria Pink, Joan Quinn, Jacqueline Schultz, Marty Shelton, Mark Stankevich, Magda Waingrow, and Stanley Wolpert.
The crowd savored the English Tea delicacies provided by Anyone For Tea. Guests toured Alan’s stunning home populated with museum-quality sculptures, paintings, prints, and other vibrant art works.
Stephen Sachs spoke to the group, reviewing the many accomplishments of the Fountain Theatre over its 26-year history and outlining its goals and needs to come. He expressed the artistic heart and soul of the company and its dedication to serving a wide variety of communities throughout Los Angeles. He listed the many Fountain new plays that are now being produced in theatres across the country and around the world. And he articulated the challenges and objectives moving forward, describing the Fountain as an essential treasure on the cultural landscape of Los Angeles.
“We use two words to describe the Fountain Theatre,” Sachs remarked. “These two words are our brand.They appear on our letterhead, our website, our business cards. The two words are: Intimate. Excellent. That’s who we are. What we offer. What we’ve been for 26 years.”
“I truly believe, in my heart, that what we do matters, ” he continued. “Now, more than ever, in this electronic age of the internet and streaming videos and a gazillion cable channels, there may be no higher calling than to get people away from their screens and have a shared human experience, live, in the moment, together, that is intimate and excellent.”
“I hope you agree, ” he concluded. “Let’s make it happen. Together.”
Friday night was an exclusive gathering at the Fountain Theatre of special patrons invited to enjoy an early performance of the world stage premiere that they helped make happen. Executive Producers of Citizen: An American Lyric and their guests were welcomed to the Fountain for a preview performance in their honor, followed by a catered reception with the artists upstairs in our cafe. It was a lively evening of thought-provoking theatre, energetic conversation, and invigorating food and drink.
Two months ago, the Executive Producers attended an exclusive reading of Citizen, the new project the Fountain was developing about race in America based on the internationally acclaimed and award-winning book by Claudia Rankine. Even in that early phase of development, those gathered recognized the urgent need for this project to blossom to fruition and offered their financial support. Their contributions were essential in guaranteeing that Citizen would be produced at the highest artistic level possible and reach a wide landscape of audiences. Thanks to the partnership made by our Executive Producers, the Fountain was able to increase its marketing and promotional campaign for Citizen, reach out to more schools and engage more students, and establish a greater range of associations with a diverse variety of organizations for the project.
The Executive Producers of Citizen are Barbara Herman, Susan Stockel, Dorothy and Stanley Wolpert, Diana Buckhantz, Marjorie Goldman, Debra Grieb and John Mickus, Karen Kondazian, Sophie and Leslie MacConnell, Brenda and Brett Marsh, Dick Motika and Jerrie Whitfield, Dr. Ejike and Mrs. Victoria Ndefo, Rita Rothman, Barbara and Barry Shaffer, and Lois Tandy.
Too often, many may view or experience the daily sickness of racism and ask themselves , “What can I do?” The Fountain Theatre and this community of extraordinary and generous people joined together as a family and made the decision to do something. For that, we are proud and will forever be grateful.
Co-Founders and Co-Artistic Directors Stephen Sachs and Deborah Lawlor
Fountain Theatre staff gathered yesterday at Hollywood’s Off Vine restaurant to celebrate the 25th birthday of the organization. The Fountain Theatre was founded on April 1st, 1990, when Stephen Sachs and Deborah Lawlor joined forces to assume ownership of a charming Spanish-style theatre building on Fountain Avenue in East Hollywood that had been a rental house for more than forty years. Sachs and Lawlor had other plans.
“Deborah and I wanted to create an artistic home where theatre and dance artists could develop new work in a safe, supportive and nurturing environment,” says Sachs. “We were looking for the right venue. It had to be special, warm, magical. And feel like home.”
“When I first walked into the Fountain and stood on the stage, I knew,” adds Lawlor. “The relationship of the audience to the stage, the gentle curve of the seating on three sides. The way the audience seating embraced the stage. It felt so intimate and inviting.”
They acquired the building. The upstairs office rooms were empty. No furniture. No desks. No chairs. No phones. Laughs Lawlor, “We sat on the floor in the empty office and looked at each other and said, ‘Now what?'”
They opened the doors to the new Fountain Theatre on April Fool’s Day, “the perfect day to launch a new theatre company.”
Happy Birthday, Fountain Theatre!
Over the next quarter of a century that followed, the Fountain Theatre has risen to become one of the most highly respected and well-honored theaters in Los Angeles. The Fountain has engaged thousands of artists and served hundreds of thousands of audience members. It has created new plays that have been performed in regional theaters across the nation, Off-Broadway, London’s West End, the Edinburgh Festival, translated into other languages and produced around the world, and made into a movie for television. It has produced the premieres of new plays by nationally acclaimed playwrights and was instrumental in launching and hosting the creation of Deaf West Theatre. Over 25 years, the Fountain has also blossomed into becoming the foremost presenter of flamenco in Los Angeles, producing over 650 concerts in its intimate venue and eight summer seasons at the 1200-seat outdoor Ford Theatre . And it holds the distinction of being honored with more nominations and winning more Ovation awards than any other intimate theatre in Los Angeles, winning the preeminent Best Season Award twice in six years.
The Fountain staff celebrates 25 years.
Celebrating at the Fountain’s birthday lunch on the outdoor patio at Off Vine were Co-Founders/Co-Artistic Directors Stephen Sachs and Deborah Lawlor, Producing Director Simon Levy, Technical Director Scott Tuomey, Associate Producer James Bennett, Director of Development Barbara Goodhill, book keeper Licia Jaccard, Board member Dorothy Wolpert and actress Jacqueline Schultz.
For Sachs and Lawlor, acknowledging the long list of achievements over the Fountain’s 25-year history is deeply gratifying.
“Most important, we are a creative home. We are the artistic home to a large and ever-growing family of artists and audience members who care deeply about the sacred and transcendent experience of sharing live theatre in an intimate relationship with each other. Human beings gathering together in a space, bringing stories to life that illuminate what it means to be a human being. This is what we do. It has been our honor and privilege to serve Los Angeles these past 25 years.”