Actors from “Joy Luck Club” and “Hannah” in Fountain cafe.
Ever question if LA has a real theatre community? A true sense of camaraderie? Doubt no more. Last night, members of the cast from the Sierra Madre Playhouse production of The Joy Luck Club swarmed to the Fountain Theatre to support friends and colleagues in our California Premiere of Hannah and the Dread Gazebo. After the performance, members from both companies gathered in our upstairs cafe to celebrate and congratulate each other.
It was fitting that the visit happened on Labor Day, the national observance of the value of work. For people who work in the theatre, there is a fervent dedication to the art form and a palpable cord of goodwill between artists.
The bond between the Joy Luck and Hannah casts — both with Asian actors — began when the company of Joy Luck sent a funny and warm-hearted good luck video from the Sierra Madre Playhouse to the Hannah group days before its opening at the Fountain.
The Hannah company replied, posting their own video to the Joy Luck cast.
Happy opening night to the cast and crew of Joy Luck Club at Sierra Madre Playhouse (Victor S Chi Shar Liu Christine Liao Tim Dang Yee Eun Nam Lee Chen-Norman Grace Shen Christopher Chen and everyone) !!!!! — ❤ the cast of Hannah and the Dread Gazebo at East West Players and Fountain Theatre 🎭🥰👏👏👏👏💐
Last night, cast members from The Joy Luck Club were at the Fountain supporting their fellow players. The Hannah cast will soon do the same. Theatre can be a competitive business. It can also be a haven for friendship and support.
Take a look as actor/teacher Theo Perkins visits Hollywood High School to interview students for the Fountain Theatre’s new educational outreach program, Walking the Beat. Our innovative program will bring together ten students from six high schools with five LAPD officers, using theatre as a tool to create understanding and empathy.
In partnership with Elizabeth Youth Theater Ensemble,Hollywood Police Activities League, and the Los Angeles City College Theatre Academy, The Fountain Theatre will introduce Walking the Beat, a summer theater arts based program for inner city high school youth and police officers in the Hollywood area. This pioneering arts education program, originated by New Jersey’s Elizabeth Youth Theater Ensemble in 2016, and now expanding into Hollywood with The Fountain Theatre, will provide transformative experiences for police officers and underserved youth in Hollywood. Utilizing performing arts as a vehicle for youth empowerment and community building, Walking the Beat has transformed lives with a results-based arts education methodology and curriculum. This 10 week program builds confidence, character, communication skills, and community. Walking the Beat inspires — in students and officers alike — an appreciation for their common humanity, and a commitment to community and social justice.
Hello Fountain Theatre family! I am Richard Gallegos and I’m thrilled to announce that I am the new Development and Outreach Coordinator at The Fountain.
My background: I am a native Angeleno. I am also a first-generation Salvadoran-American. I have been involved in the performing arts since I was in elementary school, and as a matter of fact, I credit my arts education teachers for shaping a very unruly and energetic child into the passionate, actor and theatre arts advocate that I am today.
My passion in theatre arts education is personal and it runs deep. It began as a last-ditch effort to curb my behavior, and over time the skills that I learned morphed into a sort of life curriculum. I have taught students from grades K-12, as well as college conservatory. Because I believe in the life changing potential of arts education, most of my work with youth has been about creating and implementing workshops that teach theatre skills, and include writing components, all with the goal of collectively devising new, non-linear works of theatre. I have collaborated with many students from various LAUSD schools and organizations (LACER, artworxLA, Company of Angels, Will & Company, Open Window, Bilingual Foundation of the Arts), and in my capacity as Resident Artist at PCPA-Pacific Conservatory Theatre. I am currently Theatre Director at Ramona Convent Secondary School and I love that I get to tackle some of my favorite plays with my super awesome students.
As an actor, I have been a long-time member of Critical Mass Performance Group, and my credits with CMPG are: AMERYKA (Kirk Douglas Theatre), Apollo; Parts 1 & 2 (World Premiere at Kirk Douglas Theatre), Apollo; Parts 1, 2 & 3 (Portland Center Stage), Antigone (Workshop, The Actors’ Gang). Other theatre credits include: The Secret Garden, Frost/Nixon, Art, Othello, Anna in the Tropics, Sylvia, Hortencia and the Museum of Dreams, Much Ado About Nothing. As a member of Rosanna Gamson/Worldwide I’ve performed in Grand Hope Flower, Aura, Rita Goes to Hell, Lovesickness, Tov. I am a member of AEA.
I couldn’t be more thrilled to be working as Development/Outreach Coordinator here at The Fountain. The work that is produced here is compelling, evocative, and at times deliciously provocative- all the things that I love about theatre. It is for these reasons that I’m really looking forward to growing our community support and involvement. My goal is to bring into our theatre the very people whose stories are getting a voice on our stage.
Our Fountain Family is at the core of our theatre. This week, I had the privilege to sit down with a few of our patrons before the Monday night performance of our hit production, The Chosen. Our conversations were not only enriching but made me proud of our thriving LA theater community.
At the beginning of the night, I spoke with Fountain first-time patrons Debbie and Cathy. They expressed how they are usually season ticket holders at the Mark Taper Forum and generally like to view larger productions in the LA area. However, when they heard that Chaim Potok’s The Chosen was being performed, they bought tickets. “It’s one of my favorite books,” Cathy exclaimed.
The exceptional reviews for The Chosen have been bringing more first-time patrons to our door. So has the universal message of acceptance that is at the core of both the book and stage adaptation. The play has also been very inspirational and heartwarming for LA’s Jewish community, bringing some back to the beauty and wisdom of tradition. While speaking with patrons, I met a group of Sephardic theatre goers who were also equally excited to see Chaim Potok’s work adapted for the stage. Here is a snippet of my conversation with Fountain patrons Karin, Aliza and Victor.
Q: Is this your first time at the Fountain?
Victor: No, we were here many years ago. This has been here a long time, no? Maybe like 30 years ago.
Q: Do you like to see theater in LA?
Victor: Yes yes, we love [theatre] …. We used to [go] all the time at the Ahmanson and buy their [season subscription] but not this year.
Aliza: Well you have a community that is goes to theater. You have a community for everything [in LA.]
Victor: One of the things that I like about Los Angeles is that there is theater. You know, I’m from Mexico City. We are from Mexico City. (Pointing to himself and Aliza) She is from Buenos Aires, (Pointing to Karin) Mexico City is the place for theatres, ya know. So I am used to the theatre. That’s why one of the reasons I like to be here in Los Angeles is because this is where things are happening. When I moved to California, first I moved to Del Mar and I found it quite boring.
Q: Where is that?
Victor: Del Mar is north of San Diego. Even San Diego itself is no comparison to Los Angeles. Of course, this is no comparison with New York. I wish I were in New York and I’m not in New York so at least I’m in Los Angeles.
Debbie and Cathy
Q: What brought you tonight to The Chosen?
Victor: Our friend Karin invited us!
Karin: The president of our synagogue, we’re Jewish, told me. We like Flamenco so we told them that they play Flamenco there. He said, “We saw The Chosen there!” So we bought tickets.
Q: Have you read The Chosen?
All: Yes! Of course!
Q: How has your overall experience been so far since getting to the theater?
Victor: I just arrived here and very excited. I like very much plays. As I was telling you, we buy the yearly pass for the Ahmanson Theater. It’s a completely different experience. I think here it’s more the kind of people who are really interested in theater.
Aliza: The good thing in LA is the people. You will have people from India, from Mexico from South America from Europe! You have a mix of cultures and it’s the same in the theater. You will have theaters for certain groups. Every area has its own community!
Q: And will you be back for Forever Flamenco at the Fountain?
Victor: (gesturing to his wife Aliza) We have children who are twins and yesterday was their 18th birthday. And I told Aliza, I wanted to go to a restaurant to see Flamenco. I didn’t know it was here. Because I wanted to see something Flamenco. We are Sephardic, ya know. Sephardic from Spain. There was a Sephardic show in one of the synagogues in Beverly Hills but I wasn’t able to take my children. I want them to see, so we’ll be here!
If you’d like to share your own experience at The Fountain Theatre on our Fountain Folk blog, please contact Outreach Coordinator, Dionna Michelle Daniel at firstname.lastname@example.org
Last week’s blog post, I asked our Fountain friends and community to send in their own stories about how confronting “The Other” led to a deeper understanding and compassion. Below are a few responses we received. On the day we mark the 50th anniversary of the loss of Dr. Martin Luther King, we hope these stories on empathy and compassion inspire you.
Marrock Sedgwick, LGBTQ Activist & Filmmaker
“I had some people come up to me after seeing my film that had some kind of spiritual reckoning within themselves making them tell me they will do better by LGBT people. That felt pretty damn good.Most of the time when I confront the other I just get told to ‘F’ off.” – Marrok Sedgwick
Manon Manavit, Director & Theatre Artist
“A man selling hotdogs in New York gave me a hot dog for free because he was ‘promoting peace between muslims and Jews’ it was so beautiful I cried..he was Palestinian” – Manon Manavit
Saurav Jammalamadugu, Actor
“There was a moment where my family and I were on a train to Portland from San Jose and on the train, we were riding first class which meant we had access to a pretty fancy parlor car. Anyway, the lady who was serving us breakfast had to note and constantly point out “how strange it was” that my parents didn’t eat meat for religious purposes. So to calm the tension, I explained to her that we were Hindu, and that some people in our religion think that it’s harmful to eat something that’s killed but, I’d like a bacon, egg, and cheese sandwich. To which she again remarked how odd it was but after she walked away with our order seemed to realize that it was just people being people.” – Saurav Jammalamadugu
Thank you to all who responded, if you would like to share your story please email me at email@example.com! Your stories matter.
The Fountain Theatre is pleased to announce that it has been awarded an Arts and Humanities grant from the Ahmanson Foundation in the amount of $24,500. The Ahmanson Foundation is committed to the support of non-profit organizations and institutions which continually demonstrate sound fiscal management, responsibility to efficient operation, and program integrity.
“We are deeply grateful to the Ahmanson Foundation for its funding support,” said Fountain Co-Artistic Director Stephen Sachs. “This grant will allow us to upgrade and enhance our ability to serve the Los Angeles community.”
The Ahmanson Foundation serves Los Angeles County by funding cultural projects in the arts and humanities, education at all levels, health care, programs related to homelessness and underserved populations, as well as a wide range of human services. The vast majority of the Foundation’s philanthropy is directed toward organizations and institutions based in and serving the greater Los Angeles area.
“This is our first grant award from the Ahmanson Foundation,” says Sachs. “We look forward to an ongoing partnership together for many years to come.”
We came to the Kirk Douglas Theatre on Monday night to express our gratitude to Center Theatre Group, we came to congratulate three local companies and their productions, we came to celebrate intimate theatre in Los Angeles. And, most of all, we came to PARTY!
Approximately 300 theatre folk from all over the LA area gathered for a night of camaraderie, cocktails, live music and tacos as CTG launched its Kick Off soiree for Block Party, its pilot program remounting three intimate theatre productions selected from 2015. The Fountain production of Citizen: An American Lyric joins Coeurage Theatre Company’s production of Failure: A Love Story and Echo Theater Company’s production of Dry Land in this first-ever festival running April 14 – May 21, at the Kirk Douglas Theatre in Culver City.
CTG Artistic Director Michael Ritchie welcomed the crowd of party-goers on Monday night in the lobby, stressing the importance and value of intimate theatre in Los Angeles and the need to support the high quality of work it creates. After his brief remarks, Ritchie declared, “Time to party!” The happy crowd then moved into the theatre.
Inside the Kirk Douglas Theatre, each seat was labeled with the name of an intimate theatre company in Los Angeles. It was a meaningful demonstration of the size and variety of the community.
Live music soared from a local high school jazz band. A DJ then kept the party pounding with dance tunes. Free tacos were served to hungry guests. An open bar offered specialty cocktails named for each Block Party company. Our cocktail was named “Fountain Passion,” a tangy mixture of vodka and fruit juices over ice.
More than anything else, Monday night’s party was an evening for local theatre folk to get together, network, and simply have a good time. It also marked a turning point in the relationship between the city’s largest and most influential theatre organization and the network of smaller companies that populate Southern California.
Center Theatre Group’s goal with Block Party is to acknowledge the high quality of work being created in the intimate theatre community, and to welcome these artists and new audiences in a partnership that celebrates the vibrancy and diversity of Los Angeles.
The Fountain Theatre has stood at the center of the battle against Actors’ Equity Association’s attempt to dismantle and fragment the intimate theatre community of L.A. with its Promulgated Plans that favor some of our theatres and disfavor others. We have hosted countless Pro99 and Review Committee meetings at our theatre. We offered our name in pledges of support. Our Producing Director served as a volunteer on the Review Committee, dedicated incalculable hours over nearly two years of meetings, conference calls and intense negotiations with Equity representatives, and even took the bold step of including his own name as a plaintiff in the lawsuit against the union on behalf of the L.A. intimate theatre community.
Our position has been that the Fountain Theatre would continue to operate under the 99-Seat Plan, as we always have, even in defiance of the December 14th deadline, until the court made a ruling, which it did on December 8th. Sadly, the decision was not in our favor. We are angry and heartbroken because we believe that everyone will suffer: the intimate theater community, the members of Actors’ Equity who will lose opportunities, and the citizens of Los Angeles who will be deprived of the benefits that the 99-Seat Plan has provided. Now we, as an organization, need to move forward.
Since the Court’s ruling, we have struggled with the challenge of extending our current production, produced under the 99-Seat Plan, with Equity actors who now are threatened with reprisals by their union. We have told Equity that we will not sign the new seasonal agreement going forward, and have negotiated terms only for the extension of our current production. We do so under protest and duress. Our position that Equity’s tactics are harmful and destructive to our theatre community has not changed. But the Fountain Theatre will not become a non-union theatre. We are committed to delivering to our audiences the highest level of work possible. That necessitates, in addition to talented non-union actors, access to the echelon of professional, trained and experienced Equity talent pool.
We firmly believe that all actors in Los Angeles — including members of Equity — have the right, if they so choose, to exercise their craft in intimate theatres, whether as volunteers, independent contractors or employees. Therefore, The Fountain Theatre will do its best to assure that Equity actors are not excluded from working on our stage. This is a hardship we are forced to undertake to guarantee that The Fountain is accessible to ALL actors in Los Angeles. It is our position that actors and stage managers who are members of Equity should not be denied the right to work at our theatre by an Equity “blacklist” because of the misguided leadership of their own union. For 27 years, the Fountain Theatre has created productions with casts comprised mostly of Equity actors. The contribution of their artistry has helped make the Fountain the success it has become. We will not turn our back on them now.
We do not take this position lightly. It is a difficult and challenging road to take. We are assuming this burden for the integrity of our work, for the sake of all L.A. actors and to continue our role as a leader in presenting the best possible theatre in Los Angeles. Inclusion sits at the heart of our artistic mission. The Fountain will fight to remain a safe haven for all actors to exercise their art. We blacklist no one. Our doors — and our stage — are open to the finest artists we can find.
All of us in the intimate theatre community find ourselves in difficult, unchartered territory. Issues remain unresolved. More challenges lie ahead. Further action may be taken. Our common goal, together, must be to ensure that Los Angeles continues to be a city where meaningful, high-quality theatre is created and to maintain the spirit, artistry and integrity of our intimate theatre community.