Tag Archives: Edinburgh Fringe Festival

Fountain Theatre’s audio play Numbered Days, a moving, true love story, launches today

Being Valentine’s Day, treat yourself to being swept away by the love and healing powers of music and the written word in Numbered Days, the true-life love story of two passionate artists who used the power of their artistry to sustain them through their “numbered days” as a couple. Playwright Corey Madden has transformed her poetic memoir into a four-episode audio play produced by the Fountain theatre that launches today.

How can art, and the process of creating it, help us cope with hardship? Numbered Days turns Madden’s poems about the battle with cancer she shared with her beloved husband, composer Bruno Louchouarn, into an audio art piece meant to bring healing to others.

Two-time Emmy®, Peabody and SAG award-winning actor Anna Gunn (Breaking Bad) stars as playwright Corey Madden in an audio theater production of Madden’s moving memoir. Veteran actor Tony Amendola (Antaeus Theatre Company, Showtime’s Dexter, ABC’s Once Upon a Time) stars alongside Gunn as Bruno. Jeanne Sakataand Jack Stehlin take on multiple roles. Madden directs, and Jeff Gardener is audio producer, sound designer and Foley artist. Prominently featured throughout is Louchouarn’s glorious music.

“This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Following her husband’s diagnosis, Madden began writing short, free-verse poems as a way to give voice to her anguish.

“I started writing on my iPhone as a way to cope with the stress and uncertainty, but what I discovered was that focusing only on Bruno’s illness and treatment was robbing us both of the very thing I wanted most to preserve — his life,” she explains. “The practice of writing about exactly what was happening in the moment helped me see the grace within daily life. It helped me re-focus on the joy of being alive today. Instead of living in fear, we were both able to experience joy through making art. This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Corey Madden at Cafe Figero, where she and Bruno first met

In addition to writing and directing Numbered Days, Madden’s original works include Rain After Ash and Sol Path, commissioned and produced at Pasadena’s AxS Festival; Day for Night, presented by Santa Monica’s GLOW and featured in Poland’s Transatlantyk Film and Music Festival; Surf Orpheus, produced by UC San Diego and at the Getty Villa, and Rock, Paper, Scissors which was co-written with Laural Meade, premiered at Childsplay and was subsequently produced at Speeltheatre in Holland. Madden is also the director of And So We Walked: An Artist Journey Along the Trail of Tears created and performed by Delanna Studi, which has been produced by Triad Stage and Portland Stage and represented the United States at the Carthage International Theatre Festival in Tunisia in 2019, and will be released by Audible in Spring 2022.  Madden has directed plays, opera and music events, and multi-disciplinary works at the Mark Taper Forum, Public Theatre, Getty Museum, Los Angeles Philharmonic, Boston Court Performing Arts, Trinity Repertory and Actors Theatre of Louisville, among many others. Madden trained at the University of North Carolina School of the Arts. She received her undergraduate degree in dramatic arts from UNC Chapel Hill and her graduate degrees in creative and cinematic writing from USC’s Professional Writing Program and USC Film. Madden is currently the executive director of the Monterey Museum of Art and was associate artistic director of Center Theatre Group/Mark Taper Forum, where she developed and produced more than 300 new plays during her 22-year tenure.

Bruno Louchouarn (1959-2018) composed more than 600 original works including orchestral and chamber music, opera, dance, film, television and theater scores, as well as sound and media installations. His remarkable body of work reflects his wide-ranging interests in music, media and sound, informed by his academic research in cognitive science, artificial intelligence and ethnomusicology. Louchouarn’s musical catalogue reflects the spirit and rhythms of Paris, Mexico City, Los Angeles and Piedmont North Carolina, the places he called home over his six decades of life. During his lifetime, Louchouarn collaborated extensively with dance, theater and visual artists including Suzanne Lacy, Jacques Heim, Herbert Siguenza, Michael John Garces, Juan Felipe Herrera, and his wife, Corey Madden, to create performances in which his moving and layered scores play a leading role. Louchouarn’s collaborations with Susan Jaffe on Metallurgy and Carmina Terra were among his most rewarding creative experiences. Louchouarn’s compositions have been performed at leading arts institutions such as the Kennedy Center, Royce Hall at UCLA, Cal Arts’ REDCAT, the Getty Museum, Juilliard School of Music, University of Southern California, University of Akron, UNC School of the Arts, Chapman School of Music, Occidental College, San Diego Rep, Boston Court, Pasadena Playhouse, Cornerstone Theatre Company and at festivals including Santa Monica’s GLOW, Pasadena’s AxS Festival and Poland’s Transatlantyk Film and Music Festival.

Audio producer, sound designer and Foley artist Jeff Gardener has designed sound and performed as an actor across the country. His credits include the Geffen Playhouse, Kirk Douglas Theatre, Wallis Annenberg Center, A Noise Within, Antaeus Theatre Company, Boston Court Pasadena, Circle X Theatre Company, Echo Theater Company, Rogue Machine, Matrix Theatre, Skylight Theatre, IAMA Theatre Company, The Shakespeare Theatre (DC), Arena Stage, Kennedy Center, Williamstown Theatre Festival and the Edinburgh Fringe Festival in Scotland. Jeff can be seen at L.A. Theatre Works, where he regularly performs live sound effects.

All four episodes of Numbered Days are now available for $20 at www.FountainTheatre.com. Listen to it now, wherever you get your podcasts, with someone you love.

Longtime Fountain Theatre Subscriptions Director Diana Gibson Passes Away at 69

Diana Gibson

Diana Gibson in the Fountain Theatre lobby, February 2014

Producer, writer, director, actress and longtime subscriptions director at the Fountain Theatre in Los Angeles, Diana Moore Gibson passed away on Thursday, July 17 at Cedars-Sinai Medical Center from multiple complications following pneumonia. She was 69. Born Nov. 11, 1944 in Des Moines, Iowa, Diana moved to Los Angeles to attend USC, where she earned MFAs in both Painting and Drama and was the recipient of the prestigious Cole Porter Award.

She was a member of and performed with the USC-USA Festival Theatre Company, for which she wrote and directed two folk-rock musicals that went on to tour internationally: The Word, based on the Old Testament, was performed at the Jeanetta Cochran Theatre in London and at the Edinburgh Fringe Festival; and Words and Pictures, about the history of art, toured to nine American Houses in Germany, the Cambridge Arts Theatre in England and the Edinburgh Fringe. She also wrote the musical Cinderelle, an adaptation of the Cinderella story, which was directed by Jack Bender at USC and at the Los Angeles Performing Arts Festival at Barnsdall Park, and Baby Steps, a collection of one-acts that was directed by Kevin Tighe at Hollywood’s MET Theatre in 1983.

Ms. Gibson joined Ted Schmitt at the Cast Theatre in Hollywood in 1986, where she served as associate artistic director until 1989, then as artistic director from 1989-1999. Highlights of her decade-long tenure include Los Angeles Drama Critics Circle Award winning world premieres of David Steen’s Avenue A and Melody Jones by Dan Gerrity and Jeremy Lawrence, and ten acclaimed world premieres by playwright Justin Tanner.

In 1999, Diana joined the Fountain Theatre as subscriptions director, a position she claimed to enjoy “more than any of those [previous positions].” She frequently referred to Fountain staff and subscribers as “a magical group of people.” A continual presence in the Fountain lobby, she knew the majority of the Fountain’s 1500 subscribers, “her members,” by name, and remembered the names of their spouses and children as well. Known for her gruff, straight-talking manner and acerbic sense of humor, she often said how much she enjoyed chatting with subscribers, both on the phone and in the Fountain lobby.

She is survived by her sister Julie Gibson Josephson, brother-in-law Steve Josephson and niece Kira Moore Josephson.

The Fountain Theatre has established the Diana Gibson Subscriber Fund, to provide Fountain subscriptions to low-income students and seniors.

A memorial to honor Diana’s life and accomplishments will be held on Saturday, Aug. 2 at 1 p.m. at the Fountain Theatre. For more information and to RSVP, email info@fountaintheatre.com  or call (323) 663-1525.