Tag Archives: Kirk Douglas Theatre

Fountain Theatre will host memorial celebration for Shirley Jo Finney at Kirk Douglas Theatre Dec. 12

The Fountain Theatre will host a celebration to honor the memory of Shirley Jo Finney at the Kirk Douglas Theatre on TuesdayDec. 12 beginning at 7 p.m.

A respected and beloved Los Angeles theater director who worked at regional theaters across the country and in South Africa, Finney was also an established television and film director. She was the winner of numerous honors and awards, including for eight productions she directed at the Fountain over the course of a decades-long artistic relationship. Her acclaimed staging of the Fountain’s production of Citizen: An American Lyric by Claudia Rankine was one of three chosen to inaugurate CTG’s Block Party at the Kirk Douglas Theatre in 2017. Finney passed away on October 10 at the age of 74 following an eight-month battle with cancer.

“We invite the Los Angeles theater community to gather with us to honor this extraordinary artist,” says Fountain Theatre artistic director Stephen Sachs. “The celebration is open to anyone who was touched by Shirley Jo’s life. All are welcome.”

The Kirk Douglas Theatre is located at 9820 Washington Blvd, Culver City CA 90232. Parking is free with validation underneath City Hall, located across the street from the theater on the corner of Culver Blvd. and Duquesne Ave. (entrance on Duquesne).

Reservations can be made online at https://tinyurl.com/CelebratingShirleyJo.

Fountain Theatre’s audio play Numbered Days, a moving, true love story, launches today

Being Valentine’s Day, treat yourself to being swept away by the love and healing powers of music and the written word in Numbered Days, the true-life love story of two passionate artists who used the power of their artistry to sustain them through their “numbered days” as a couple. Playwright Corey Madden has transformed her poetic memoir into a four-episode audio play produced by the Fountain theatre that launches today.

How can art, and the process of creating it, help us cope with hardship? Numbered Days turns Madden’s poems about the battle with cancer she shared with her beloved husband, composer Bruno Louchouarn, into an audio art piece meant to bring healing to others.

Two-time Emmy®, Peabody and SAG award-winning actor Anna Gunn (Breaking Bad) stars as playwright Corey Madden in an audio theater production of Madden’s moving memoir. Veteran actor Tony Amendola (Antaeus Theatre Company, Showtime’s Dexter, ABC’s Once Upon a Time) stars alongside Gunn as Bruno. Jeanne Sakataand Jack Stehlin take on multiple roles. Madden directs, and Jeff Gardener is audio producer, sound designer and Foley artist. Prominently featured throughout is Louchouarn’s glorious music.

“This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Following her husband’s diagnosis, Madden began writing short, free-verse poems as a way to give voice to her anguish.

“I started writing on my iPhone as a way to cope with the stress and uncertainty, but what I discovered was that focusing only on Bruno’s illness and treatment was robbing us both of the very thing I wanted most to preserve — his life,” she explains. “The practice of writing about exactly what was happening in the moment helped me see the grace within daily life. It helped me re-focus on the joy of being alive today. Instead of living in fear, we were both able to experience joy through making art. This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Corey Madden at Cafe Figero, where she and Bruno first met

In addition to writing and directing Numbered Days, Madden’s original works include Rain After Ash and Sol Path, commissioned and produced at Pasadena’s AxS Festival; Day for Night, presented by Santa Monica’s GLOW and featured in Poland’s Transatlantyk Film and Music Festival; Surf Orpheus, produced by UC San Diego and at the Getty Villa, and Rock, Paper, Scissors which was co-written with Laural Meade, premiered at Childsplay and was subsequently produced at Speeltheatre in Holland. Madden is also the director of And So We Walked: An Artist Journey Along the Trail of Tears created and performed by Delanna Studi, which has been produced by Triad Stage and Portland Stage and represented the United States at the Carthage International Theatre Festival in Tunisia in 2019, and will be released by Audible in Spring 2022.  Madden has directed plays, opera and music events, and multi-disciplinary works at the Mark Taper Forum, Public Theatre, Getty Museum, Los Angeles Philharmonic, Boston Court Performing Arts, Trinity Repertory and Actors Theatre of Louisville, among many others. Madden trained at the University of North Carolina School of the Arts. She received her undergraduate degree in dramatic arts from UNC Chapel Hill and her graduate degrees in creative and cinematic writing from USC’s Professional Writing Program and USC Film. Madden is currently the executive director of the Monterey Museum of Art and was associate artistic director of Center Theatre Group/Mark Taper Forum, where she developed and produced more than 300 new plays during her 22-year tenure.

Bruno Louchouarn (1959-2018) composed more than 600 original works including orchestral and chamber music, opera, dance, film, television and theater scores, as well as sound and media installations. His remarkable body of work reflects his wide-ranging interests in music, media and sound, informed by his academic research in cognitive science, artificial intelligence and ethnomusicology. Louchouarn’s musical catalogue reflects the spirit and rhythms of Paris, Mexico City, Los Angeles and Piedmont North Carolina, the places he called home over his six decades of life. During his lifetime, Louchouarn collaborated extensively with dance, theater and visual artists including Suzanne Lacy, Jacques Heim, Herbert Siguenza, Michael John Garces, Juan Felipe Herrera, and his wife, Corey Madden, to create performances in which his moving and layered scores play a leading role. Louchouarn’s collaborations with Susan Jaffe on Metallurgy and Carmina Terra were among his most rewarding creative experiences. Louchouarn’s compositions have been performed at leading arts institutions such as the Kennedy Center, Royce Hall at UCLA, Cal Arts’ REDCAT, the Getty Museum, Juilliard School of Music, University of Southern California, University of Akron, UNC School of the Arts, Chapman School of Music, Occidental College, San Diego Rep, Boston Court, Pasadena Playhouse, Cornerstone Theatre Company and at festivals including Santa Monica’s GLOW, Pasadena’s AxS Festival and Poland’s Transatlantyk Film and Music Festival.

Audio producer, sound designer and Foley artist Jeff Gardener has designed sound and performed as an actor across the country. His credits include the Geffen Playhouse, Kirk Douglas Theatre, Wallis Annenberg Center, A Noise Within, Antaeus Theatre Company, Boston Court Pasadena, Circle X Theatre Company, Echo Theater Company, Rogue Machine, Matrix Theatre, Skylight Theatre, IAMA Theatre Company, The Shakespeare Theatre (DC), Arena Stage, Kennedy Center, Williamstown Theatre Festival and the Edinburgh Fringe Festival in Scotland. Jeff can be seen at L.A. Theatre Works, where he regularly performs live sound effects.

All four episodes of Numbered Days are now available for $20 at www.FountainTheatre.com. Listen to it now, wherever you get your podcasts, with someone you love.

Next at the Fountain: Powerful world premiere ‘Runaway Home’ is a poetic mother-daughter tale set in New Orleans

RUNAWAY HOME title image

Sometimes what you’re searching for is right where you started. The Fountain Theatre presents a powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps. Multiple award-winning Shirley Jo Finney returns to the Fountain to direct the world premiere of Runaway Home for a Sept. 16 opening.

Three years after Hurricane Katrina, the unhealed wounds of New Orleans’ Lower 9th Ward continue to fester. Camille Spirlin (ABC’s American Koko, Fox TV’s Rosewood, Nickelodeon’s Marvin Marvin) stars as 14-year-old runaway Kali. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, she embarks on a journey to pick through the wreckage of what used to be her life. While the rest of the country’s attention drifts, the neighborhood’s residents are left to repair the damage from the inside out. As their attempts at renewal leave a path of destruction in their wake, Kali bears witness to what the floodwaters left behind. Also in the cast are Leith Burke (Citizen: An American Lyric at the Fountain,Neighbors at the Matrix), Jeris Lee Poindexter (The Darker Face of the Earth, Central Avenue, Gem of the Ocean at the Fountain),Armando Rey (Men on the Verge of a His-panic Breakdown at Macha Theatre), Maya Lynne Robinson (In the Red and Brown Water at the Fountain – LADCC Award, Best Ensemble), Brian Tichnell (Dream Catcher at the Fountain, HBOs Silicon Valley, L.A. Theatre Works’ national tour of The Graduate) and Karen Malina White (Citizen: An American Lyric and The Ballad of Emmett Till – Best Ensemble LADCC and Ovation Awards – at the Fountain, currently in As You Like It at Antaeus).

“This play couldn’t be more timely,” says Fountain co-artistic director Stephen Sachs. “Hurricane Katrina may have ceased in 2005, but the storm of racism, poverty and class inequality rages on in our country to this day. We need look no further than Flint, Michigan, to see systemic government prejudice against citizens of color and the poor. But as Jeremy’s play so beautifully demonstrates, the bonds of family and community will weather any storm.”

When Kamps traveled to New Orleans two years after Katrina to volunteer “gutting and mucking” (stripping homes to the studs to remove mold), he had been teaching middle school in Connecticut. He already had an idea in his head about a runaway girl who collects other people’s garbage, finding meaning in the meaningless.

“Kali’s world paralleled the displacement, hope for renewal, fracture and resilience I was seeing in the social-political reality of the Lower 9th Ward,” he explains. “Whenever a character’s inner life and experience are so congruent with an important social issue, that’s the story I want to write.”

While in New Orleans, Kamps met Antoine, a man in his ‘70s who had just returned to what had been his family’s home for generations. Antoine was going from house to house trying to trace relatives, friends, acquaintances and neighbors, to find out what had happened to them in the years since the storm. “His friendship helped me honor the stories of this community in a truthful way — to see the past, present and future of the Lower 9th through their eyes,” says the playwright.

According to Finney, “Because the media painted them as poor and impoverished, most people don’t realize that the residents of the Lower 9th were working class homeowners. Those homes had been in families for generations. Members of the community were expecting government funds so they could rebuild, but because of red tape and bureaucracy, the money never came, or it took so long that people had to end up using it for rent or just to eat.”

“The mother-daughter relationship becomes the pivotal heart space in this story about this community,” she continues. “The play is very funny because Kali is so spirited, but the rage, helplessness and loss that Kali and her mother share are the core of the play. That is the challenge they both struggle with to find their way back to each other and home. What happens to people when they aren’t seen, when they don’t feel safe? How do you begin to rebuild your life when nobody cares?”

Jeremy Kamps’s plays have received awards and recognition including the William Saroyan Human Rights Award Finalist (2016); Page 73 Semi-Finalist (2017); Ruby Lloyd Apsey Award (Gutting); The Goldberg Prize; Woodward International Playwriting (What It Means To Disappear Here); Hudson Valley Writers Center and the NYU Festival of New Works (Water Hyacinth). His play Breitwisch Farm will be produced by Esperance Theater Company in NYC later this year. Recent productions include Gutting, presented by the National Black Theatre of Harlem and What It Means To Disappear Here (Ugly Rhino, NYC). His work has been produced/developed with Esperance Theater Company, Company Cypher at the National Black Theatre of Harlem, Ugly Rhino, Dixon Place, Hudson Valley Shakespeare, The Amoralists and New York Theatre Workshop. His fiction has been published in The Madison Review and The Little Patuxent; has been honored with the H.E. Francis Award, the Howard/John Reid Fiction Prize and was a Lamar York Prize finalist; and has been recognized in Glimmertrain, Inkwell, The Caribbean Writer and New Millenium. He is a member of the Emerging Writers Group at the Public Theater. Also an educator and activist, Jeremy has lived and worked for lengthy periods of time in Latin America, India and East Africa, where he focused on support and empowerment for former child soldiers, displaced peoples and child rights. He recently received the Theatre Communications Group “On the Road” grant to return to Kenya where he conducted drama workshops as part of his research for a new play on flower farms. He has facilitated drama and writing workshops around the world and for all ages. He has an MFA in Dramatic Writing from NYU Tisch School of the Arts.

Shirley Jo Finney has previously directed acclaimed Fountain productions of Citizen: An American Lyric (selected for CTG’s first annual Block Party at the Kirk Douglas Theatre) The Brothers Size, In the Red and Brown Water (for which she earned her second Ovation award), Heart Song, The Ballad of Emmett TillYellowman, Central Avenue and From the Mississippi Delta.  Her work has been seen at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, L.A. Theatre Works, Crossroads Theater Company, Actors Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival, Kennedy Center for the Performing Arts and at the State Theater in Pretoria, South Africa, where she helmed a critically acclaimed production of the South African opera, Winnie, based on the life of political icon Winnie Mandela. For television, she directed several episodes of Moesha, and she garnered the International Black Filmmakers ‘Best Director’ Award for her short film, Remember Me.She is the recipient of the African American Film Marketplace Award of Achievement for Outstanding Performance and Achievement and leader in Entertainment.

The creative team for Runaway Home includes scenic designer Stephanie Kerley Schwartz, lighting designer Jennifer Edwards, composer/sound designer Peter Bayne, costume designer Naila Aladdin Sanders, props designer DeAnne Millais, choreographer TylerJanet Roston and dialect coach Tyler Seiple. The production stage manager is Jessaica Shields; associate producer is James Bennett; and Stephen SachsSimon Levy and Deborah Lawlor produce for the Fountain Theatre.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s upcoming Block Party at the Kirk Douglas Theatre; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times. The Fountain’s most recent production, the world premiere of Building the Wall by Pulitzer Prize-winning playwright Robert Schenkkan, ran for five months and was named “L.A. hottest ticket” by the Los Angeles Times.

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Video: Triumphant toast for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

Company backstage SSThe Fountain Theatre’s stunning encore production of Citizen: An American Lyric concluded its run as the centerpiece to Center Theatre Group’s Block Party Sunday night. After the final performance, the company gathered backstage with CTG and Fountain staff to toast their triumphant accomplishment. Take a look.  

Fountain stands for social and political theatre in LA with ‘Building the Wall’ and ‘Citizen’

CITIZEN WALL layout

That Was The Week That Was was a satirical television show in the early 1960’s that brought focus to social and political issues of the day. The Fountain Theatre may look back on this current week, May 1 – May 7 in 2017, and brand it the same name. This week, in an unplanned juncture of synchronicity, the Fountain Theatre has two acclaimed productions running simultaneously in Los Angeles — one at its 78-seat Hollywood home on Fountain Avenue, the other at the 300-seat Kirk Douglas Theatre in Culver City —  each dramatizing in mesmerizing fashion the urgent issues of race, injustice, and politics.

The Fountain’s National New Play Network Rolling World Premiere of Building the Wall by Robert Schenkkan was a smash hit the moment it opened in March at the intimate Fountain Theatre, selling out weeks in advance.  Set in the near future, the powerful new drama unfolds as a man awaits sentencing in a federal prison for carrying out the orders of Trump’s national policy to round-up and detain immigrants by the millions.    

 

Meanwhile, across town at the mid-sized Kirk Douglas Theatre, the Fountain’s acclaimed and award-winning encore production of Citizen: An American Lyric by Claudia Rankine, adapted for the stage by Stephen Sachs, is galvanizing audiences. The centerpiece of Center Theatre Group‘s inaugural Block Party celebrating intimate theatre in Los Angles, Citizen is a searing, poetic riff on race in America based on the best-selling book.   

 

“To have these two important, meaningful productions running concurrently, one in an intimate theatre and the other in a mid-sized venue, is extraordinary,” says Fountain Co-Artistic Director Stephen Sachs. “It exemplifies who we are, what we do, and why we do it.”

Tony Award and Pulitzer Prize winning playwright Robert Schenkkan agrees. “Both Citizen and Building the Wall deal with the issue of race and the fundamental question of who is it we mean when we say, ‘We, the people,'” explains Schenkkan. “For more than twenty five years, the Fountain Theatre has been presenting exhilarating, necessary theater, wrestling with the most pressing social and political issues of the day.” 

LA Stage Alliance Executive Director Steven Leigh Morris points out that this week is no anomaly. Morris notes, “That the Fountain Theatre has two productions running simultaneously — one at its home space in East Hollywood and the other at the Kirk Douglas Theatre as part of Center Theatre Group’s Block Party program — is a testament to the rigor and meticulous artistry that has been part of The Fountain tradition for twenty-seven years.”

By all accounts, this is an unforgettable week for the Fountain. We vow to continue our commitment to create, develop and produce meaningful new plays that bring to life urgent issues, week after week, for many years to come. 

Tickets/Info BUILDING THE WALL

Tickets/Info CITIZEN: AN AMERICAN LYRIC

Director Shirley Jo Finney: The healing power of ‘Citizen: An American Lyric’

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Lisa Pescia, Leith Burke, Bernard K. Addison, Monnae Michaell, Tony Maggio  in The Fountain Theatre production of “Citizen: An American Lyric” at the Kirk Douglas Theatre. Photo by Craig Schwartz.

The journey of veteran director Shirley Jo Finney to the Kirk Douglas Theatre’s Block Party with The Fountain Theatre’s Citizen: An American Lyric began two and a half years ago, when Fountain co-Artistic Director Stephen Sachs called to ask her if she had read Claudia Rankine’s New York Times bestseller Citizen. Or maybe it began in 1997, when Finney directed her first of eight works at the Fountain. Or perhaps decades earlier when, as a recent MFA graduate of UCLA, Finney participated in Center Theatre Group’s New Work Festival at the Mark Taper Forum. Or really long before that, when Finney grew up in a segregated neighborhood and attended all-white schools where she was the only person of color.

In 2015, Sachs told Finney he was considering adapting Citizen for the stage, and that she was the right director for the project. “I read it, and I went, ‘Oh, this is my life,'” said Finney, recognizing her own experiences of “walking through and navigating those torrential waters of mainstream America when you are a person of color or ‘other,’ and what you have to swallow in order to survive.”

Citizen premiered at the Fountain in August 2015; last summer, Finney directed it again at the Spoleto Festival USA in Charleston, South Carolina, just one year after the city was devastated by a deadly assault that took the lives of nine African-Americans at Emanuel African Methodist Episcopal Church. Every performance was followed by a discussion with the audience. “We felt it was necessary while that community was still healing and that wound was oozing,” said Finney.

There will also be Stage & Audience Talks after every performance at the Douglas, where Citizen is onstage April 28 – May 7, 2017. Citizen touched audiences deeply in Los Angeles in 2015, but much has changed since then—for the cast and crew and for the audience.

The Fountain Theatre production of "Citizen: An American Lyric," at Center Theatre Group's Kirk Douglas Theatre, Culver City, America - 30 April 2017

Shirley Jo Finney

“As human beings we’ve been living our lives…we all evolve,” said Finney of herself and the company. “At the same time, in those two years, there has been a transformation in the collective. I’m interested to see, now, how it’s going to land with our audiences. Because what was maybe specific to a tribe has now expanded…something has been awakened, because ‘the other,’ now, is everyone.” The election, said Finney, “fractured what our belief system is about being an American and being a citizen, and what that culpability and responsibility is.” She added, “Not only do you have to say, ‘What does it mean to be a citizen?’ But also, ‘What does it mean to be a human being?'”

The re-staging at the Douglas offers an opportunity for the show to make a bigger impact in other ways as well. “My designer is excited because we have the height now onstage that we didn’t have in the [Fountain]. Our projections are going to have the impact that we wanted to have,” said Finney.

“I think it’s a healing piece with a historical narrative, and we need it at this point in time,” she concluded. “When you look at what we need as human beings, the three things, if you cut everything away, are: we need to be seen, we need to feel nurtured, and we need to feel safe. Citizen, I think, makes us aware and opens that space for that healing to begin.”

Citizen: An American Lyric is now playing at the Kirk Douglas Theatre to May 7th.

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This post originally appeared in CTG News & Blogs

Fountain Celebrates CTG’s Block Party and ‘Citizen’ at Kirk Douglas Theatre

party-logosWe came to the Kirk Douglas Theatre on Monday night to express our gratitude to Center Theatre Group, we came to congratulate three local companies and their productions, we came to celebrate intimate theatre in Los Angeles. And, most of all, we came to PARTY!

Approximately 300 theatre folk from all over the LA area gathered for a night of camaraderie, cocktails, live music and tacos as CTG launched its Kick Off soiree for Block Party, its pilot program remounting three intimate theatre productions selected from 2015. The Fountain production of Citizen: An American Lyric joins Coeurage Theatre Company’s production of Failure: A Love Story and Echo Theater Company’s production of Dry Land in this first-ever festival running April 14 – May 21, at the Kirk Douglas Theatre in Culver City. 

CTG Artistic Director Michael Ritchie welcomed the crowd of party-goers on Monday night in the lobby, stressing the importance and value of intimate theatre in Los Angeles and the need to support the high quality of work it creates. After his brief remarks, Ritchie declared, “Time to party!” The happy crowd then moved into the theatre. 

Inside the Kirk Douglas Theatre, each seat was labeled with the name of an intimate theatre company in Los Angeles. It was a meaningful demonstration of the size and variety of the community.

Live music soared from a local high school jazz band. A DJ then kept the party pounding with dance tunes. Free tacos were served to hungry guests. An open bar offered specialty cocktails named for each Block Party company. Our cocktail was named “Fountain Passion,” a tangy mixture of vodka and fruit juices over ice.  

More than anything else, Monday night’s party was an evening for local theatre folk to get together, network, and simply have a good time. It also marked a turning point in the relationship between the city’s largest and most influential theatre organization and the network of smaller companies that populate Southern California.

Center Theatre Group’s goal with Block Party is to acknowledge the high quality of work being created in the intimate theatre community, and to welcome these artists and new audiences in a partnership that celebrates the vibrancy and diversity of Los Angeles.

Let’s get this party started.   

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Fountain Theatre launches 2017-18 season for social action with world premiere of Robert Schenkkan’s new play, ‘Building the Wall’

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The Fountain Theatre will open its 2017-18 season of new plays with an urgent warning against the proposed policies of the Trump administration, followed by statements on social justice, inclusion, acceptance of “the other,” prejudice, the role of government and the need for human connection.

“The Fountain has always been committed to speaking out for social justice and inclusion,” asserts Fountain co-artistic director Stephen Sachs. “These are disturbing and tumultuous times — for our local intimate theater community in Los Angeles and our nation. The Fountain is a place for theater to serve as a vehicle for public discourse: to express outrage, compassion and hope.”

The 2017-18 season will include four world premieres — Building the Wall by Robert Schenkkan; Runaway Home by Jeremy J. Kamps; Freddie by Deborah Lawlor; and Arrival and Departure by Stephen Sachs — as well as the Los Angeles premiere of The Chosen by Aaron Posner. The Fountain’s 2015 production of Citizen: An American Lyric, written by Claudia Rankine and adapted for the stage by Stephen Sachs, will be presented at the Kirk Douglas Theatre as part of Center Theatre Group’s inaugural Block Party. And, in addition to the Fountain’s ongoing, monthly ‘Forever Flamenco’ series, the Fountain will host Flamenco Fiesta, a two-day, outdoor flamenco concert celebration.

Over the past 27 years, The Fountain Theatre has established itself as one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. Fountain projects have been translated into numerous languages, produced across the U.S. and worldwide, and made into a TV movie.

The Fountain Theatre’s 2017-18 season is as follows:

March 18 – May 21 (previews March 15-17)
building-wallWorld premiere of Building the WallThe newest play by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way), directed by award-winning Michael Michetti. It’s the very near future, and the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. Now, a writer interviews the supervisor of a private prison as he awaits sentencing for carrying out the federal policy that has escalated into the unimaginable. This riveting, harrowing and illuminating drama delivers a powerful warning and puts a human face on the inhuman, revealing how when personal accountability is denied, what seems inconceivable becomes inevitable.

April 30 – May 7 (previews April 28-29)

citizenCitizen: An American LyricCenter Theatre Group will remount the Fountain’s award-winning 2015 production at the Kirk Douglas Theatre as part of CTG’s inaugural Block Party: Celebrating Los Angeles Theatre. Written by Claudia Rankine, adapted for the stage by Stephen Sachs and directed by Shirley Jo Finney, Citizen fuses poetry, prose, movement, music and video images in a provocative meditation on everyday acts of racism in America. Actors returning from the original production include Simone Missick, who co-stars as Misty Knight on Netflix’s Luke Cage.

Summer 2017
runaway-homeWorld premiere of Runaway Home Three years after Hurricane Katrina, the unhealed wounds of New Orleans’s Lower 9th Ward continue to fester. In this powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps, 14-year-old runaway Kali embarks on a journey to pick through the wreckage of what used to be her life. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, engaging the vivid, lively denizens who remain, she grapples with the real cost of what she has lost as she is forced to confront the even higher cost of moving forward and the possibility of redemption.

Fall 2017
the-chosenLos Angeles premiere of The Chosen The Fountain Theatre celebrates the 50th anniversary of Chaim Potok’s beloved novel with the L.A. premiere of the award-winning stage adaptation by Aaron Posner. A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless story about recognition and acceptance of “the other.” Directed by Simon Levy.

Fall 2017
freddieWorld premiere of Freddie This hybrid dance/theater work by Fountain Theatre co-artistic director Deborah Lawlor will be presented at Los Angeles City College, inaugurating a new partnership with the LACC Theatre Academy. Set in Greenwich Village in 1964 and based on a true story, Freddie fuses theater, music, dance and video to capture the explosive spirit of a passionate artist and a turbulent era. A naïve young woman falls under the spell of Freddie Herko, a brilliant ballet dancer of extraordinary charisma and talent and a beloved luminary of Andy Warhol’s Factory. Frances Loy directs.

Spring 2018
arrival-departWorld premiere of Arrival and Departure Troy Kotsur and his real-life wife Deanne Bray star in a modern-day, re-imagined deaf/hearing stage adaptation by Stephen Sachs (Bakersfield Mist, Cyrano) of the classic 1945 British romantic film, Brief Encounter. A deaf man and a deaf woman, married to different people, meet accidentally in a train station. A friendship develops over time, escalating into a passionate love affair that both struggle to permit themselves to consummate. An unforgettable love story about the challenges of communication, social isolation, diversity and self-empowerment.

Visit the Fountain Theatre (323) 663-1525

Our home is your home. We are in this together.

It’s been a challenging year, hasn’t it? A year of change, division and loss  And a year of hope, unity and bright accomplishments.

The Fountain Theatre ends 2016 soaring on the wind of uplifting achievements. Our world premiere stage adaptation of Citizen: An American Lyric has been chosen to be highlighted in CTG’s Block Party at the Kirk Douglas Theatre in April. Our premieres of Dream Catcher, My Mañana Comes and Baby Doll earned rave reviews and extended runs. Forever Flamenco sizzled this summer at the outdoor Ford Theatre. Bakersfield Mist returned to delight audiences through the holidays and is still running through January. We continued serving communities year round through our educational outreach programs. We broadened our long-term stability by partnering with new foundations and supporters.

For 26 years, The Fountain Theatre has provided a public space where a wide variety of citizens gather together to experience stories that illuminate what it means to be a human being. 

The public discourse across our nation and on our stage in 2016 revealed many things. One being: words matter. What we say to each other, and how we say it, matters. As in the finest plays, language has power. Has impact. In soliloquy and in dialogue. On our intimate stage, and far beyond Fountain Avenue, our dialogue — our conversation — with YOU, our Fountain Family, matters.

Which words would you use to describe the Fountain Theatre? Which words express who we are, what we do? Co-Founding Artistic Directors Deborah Lawlor and Stephen Sachs share with you some words they’d choose. Take a look! 

Fountain Theatre’s ‘Citizen: An American Lyric’ chosen for CTG’s Block Party at Kirk Douglas Theatre

CITIZEN Fountain Theatre in Memory 2

‘Citizen: An American Lyric’ at the Fountain Theatre

The Fountain Theatre’s acclaimed and award-winning world stage premiere of Citizen: An American Lyric  by Claudia Rankine, adapted for the stage by Stephen Sachs, has been chosen by Center Theatre Group for the inaugural Block Party: Celebrating Los Angeles Theatre at the Kirk Douglas Theatre. Directed by Shirley Jo Finney,  Citizen will begin previews on April 28, open April 30 and close May 7.

“We’re thrilled to be partnering with CTG on its first-ever Block Party at the Kirk Douglas Theatre,” said Sachs. “It’s particularly meaningful to us that ‘Citizen’ was chosen because racism and white dominance in America is as timely now, since the election, as it ever was. The project also reflects the diversity of our work at the Fountain Theatre.”

The Fountain Theatre’s world stage premiere of Citizen earned rave reviews and an extended run in 2015. The Los Angeles Times heralded it as “Powerful” and highlighted it Critic’s Choice. Stage Raw declared it “a transcendent theatrical experience,” later honoring Stephen Sachs with the Stage Raw Theatre Award for Best Adaptation.

The original cast featured Bernard K. Addison, Leith Burke, Tina Lifford, Tony Maggio, Simone Missick, Lisa Pescia. The extended run included Monnae Michaell, Karen Malina White, and Nikki Crawford.

A meditation on race that fuses poetry, prose, movement, music and the video image,  Citizen: An American Lyric is a provocative stage adaptation of Claudia Rankine’s internationally acclaimed book of poetry about everyday acts of racism in America. Of Rankine’s Citizen, The New Yorker wrote that it was “brilliant… explores the kinds of injustice that thrive when the illusion of justice is perfected.” The New York Times wrote that “Rankine brilliantly pushes poetry’s forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves.”

Center Theatre Group received seventy-six submissions for its new Block Party program and selected three local intimate theatre productions. It will also remount Coeurage Theatre Company’s production of Failure: A Love Story by Philip Dawkins, and Echo Theater Company’s production of Dry Land by Ruby Rae Spiegel.  Each production will have a two-week run presented April 14 through May 21, 2017.

The selected shows will receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production. Full casting will be announced at a later date. Tickets will go on sale to the general public in February.