Tag Archives: Lucy Kirkwood

L.A. Premiere of Lucy Kirkwood’s ‘The Children’ opens Nov. 6 on the Fountain’s indoor stage

What is our responsibility to the future? What legacy do we want to leave? The Los Angeles premiere of The Children, written by Lucy Kirkwood and directed by Simon Levy, asks those questions and more in its Los Angeles premiere at the Fountain Theatre. Performances begin on the Fountain’s indoor stage (with all health and safety guidelines strictly adhered to) on Saturday, Nov. 6. The run continues through Jan. 23.

Kirkwood’s funny and astonishing Tony-nominated play is a taut and disquieting thriller about responsibility, reparation and what one generation owes the next. With the outside world in chaos following a devastating environmental disaster, two retired nuclear engineers live a quiet life in a remote cottage on the lonely British coast — until a surprise visit from a former colleague upends the couple’s equilibrium and trust.

The cast includes Ron Bottitta (Hir, Faith Healer, Arsenic and Old Lace, The Arsonists at the Odyssey Theatre; Superior Donuts, Yes, Prime Minister at the Geffen; Oppenheimer, Honky, Razorback at Rogue Machine Theatre, where he also hosts the company’s Rant and Rave spoken word series); Elizabeth Elias Huffman (artistic director of Chain Reaction Theatre in Pittsburgh, most recently seen on stage in The Oldest Profession by Paula Vogel at Portland’s Profile Theatre); and Lily Knight (Ovation, LADCC and Stage Raw award nominee for A Small Fire at the Echo Theater Company; A Delicate Balance at the Odyssey; Three Days in the Country, The Crucible, Peace in Our Time, The Autumn Garden at Antaeus, where she is a member).

“What I love about the play,” says Levy, “is that it tackles these enormously important contemporary issues about our responsibility to the planet, to each other, to future generations, and grounds them in funny, complex, identifiable characters grappling with a moral dilemma that, quite frankly, all of us are confronting, right now, in real time.”

“The nuclear disaster the town is struggling to survive could be anything — it could be COVID, or climate change,” says Fountain artistic director Stephen Sachs. “The moral dilemma is: what world are we leaving to our children?”

The Children premiered at the Royal Court Theatre in London in 2016, then transferred to the Manhattan Theatre Club on Broadway the following year. In 2019, The Guardian placed The Children on its list of “greatest theatrical works since 2000.” London’s The Independent called millennial playwright Kirkwood “the most rewarding dramatist of her generation.”

The Fountain creative team includes scenic designer Andrew G. Hammer; lighting designer Christian V. Mejia; sound designer Marc Antonio Pritchett; costume designer Naila Aladdin Sanders; choreographer Annie Yee; and dialect coach Nike Doukas. The production stage manager is Gina DeLuca. Stephen Sachs and James Bennett produce for the Fountain Theatre. Producing underwriters include Sheila and Alan Lamson, and Carrie Chassin and Jochen Haber. The executive producer is Karen Kondazian.

Proof of vaccination and mask-wearing will be required of all patrons. Admittance limited to ages 12+. All current CDC and local guidelines regarding seating and masks will be followed at each performance.

For reservations and information.

NOW CASTING: LA Premiere of Lucy Kirkwood’s timely and riveting “The Children”

The Fountain Theatre returns to indoor performances in October with the Los Angeles Premiere of the acclaimed Tony Award-nominated drama The Children by Lucy Kirkwood. With case numbers of the Delta variant trending downward in Los Angeles, the Fountain plans to reopen its indoor stage in October with all health and safety guidelines in place after nineteen months of closure due to the pandemic.

The Children is set in a small cottage on the east coast of England, where Hazel and Robin, two retired nuclear scientists in their mid-sixties, are living. A recent disaster at the local nuclear power station where they used to work has devastated the area, and they live under the threat of radiation pollution. Electricity and water are rationed, and they keep a Geiger counter to check for signs of radiation. However, Hazel is determined to preserve some semblance of normality and live the healthiest life she possibly can. So, Robin now farms, while Hazel practices yoga and devours salad. But when Rose, a former colleague whom they haven’t seen for 38 years, suddenly turns up, she disrupts their precariously ordered existence. Rose is determined to fix the problems they have caused for the next generation, even if it means certain death. Without ever mentioning climate change, Lucy Kirkwood’s brave, funny, humane, and chilling play asks us to confront the responsibility each generation must face for how it leaves the world. What is our responsibility to the future? Especially as we get older. What legacy, future, do we leave our children?

NOW CASTING

[ROSE] 64 to 68 years old, all ethnicities female. LEAD. Nuclear scientist/engineer. Sharp wit. No-nonsense. Strong-willed. Independent. A survivor. But these are shields to hide regrets and deep pain. Never married. Never had children. Lived in America for many years. A city person. She’s on a mission to save the world, to be accountable. She has many secrets, including being the former lover of ROBIN. She’s come to visit HAZEL and ROBIN after 38 years, out of the blue, with a request, with one of those secrets that is the turning point of the play.

[HAZEL] 64 to 68 years old, all ethnicities female. LEAD. Nuclear scientist/engineer. Retired. Has lived in the countryside most of her life. British droll sense of humor. She’s the homemaker, the caretaker. She believes in routine. She believes routine and salad and yoga will keep her and ROBIN and the world safe. She just wants everything to be nice, to be okay, to be controllable. But when that’s challenged by ROSE, she can be a fierce, formidable foe. Married to ROBIN for 40 years. Mother of 4. Grandmother. She will do anything to keep everyone safe. And she will not let ROSE steal ROBIN from her… and she will not let ROSE’s secret mission destroy her world.

[ROBIN] 64 to 68 years old, all ethnicities male. LEAD. Nuclear scientist/engineer. Retired. Down-to-earth. British droll sense of humor. Has that lived-in look. Husband of HAZEL. Married for 40 years. Father and grandfather. Former lover of ROSE. He’s the jokester. The little boy. He needs to turn pain and discomfort into humor and playfulness whenever possible. He’s also a workaholic. Always got to be doing something. Working the former farm. Taking care of the animals. Fixing the cottage. Can’t sit still. Like ROSE, he, too, has secrets… but ROSE’s secret request forces him to confront a moral dilemma that will change everything.

Producer/Theatre Company: Fountain Theatre
Artistic Director: Stephen Sachs
Director: Simon Levy
Writer: Lucy Kirkwood
Casting Director: Stephen Sachs
Audition Date(s): Sept. 2, 2021
Callback Date(s): Sept 7. 2021
Rehearsal Date(s): Sept 13, 2021
Preview Date(s): Oct. 20, 2021
Opening Date(s): Oct. 23, 2021
Closing Date(s): Dec. 19, 2021
Rate of Pay: AEA 99-Seat Contract
Location: Los Angeles, CA, USA

Submit to: Actors Access or email casting@fountaintheatre.com