Tag Archives: Bruno Louchouarn

Fountain Theatre’s audio play Numbered Days, a moving, true love story, launches today

Being Valentine’s Day, treat yourself to being swept away by the love and healing powers of music and the written word in Numbered Days, the true-life love story of two passionate artists who used the power of their artistry to sustain them through their “numbered days” as a couple. Playwright Corey Madden has transformed her poetic memoir into a four-episode audio play produced by the Fountain theatre that launches today.

How can art, and the process of creating it, help us cope with hardship? Numbered Days turns Madden’s poems about the battle with cancer she shared with her beloved husband, composer Bruno Louchouarn, into an audio art piece meant to bring healing to others.

Two-time Emmy®, Peabody and SAG award-winning actor Anna Gunn (Breaking Bad) stars as playwright Corey Madden in an audio theater production of Madden’s moving memoir. Veteran actor Tony Amendola (Antaeus Theatre Company, Showtime’s Dexter, ABC’s Once Upon a Time) stars alongside Gunn as Bruno. Jeanne Sakataand Jack Stehlin take on multiple roles. Madden directs, and Jeff Gardener is audio producer, sound designer and Foley artist. Prominently featured throughout is Louchouarn’s glorious music.

“This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Following her husband’s diagnosis, Madden began writing short, free-verse poems as a way to give voice to her anguish.

“I started writing on my iPhone as a way to cope with the stress and uncertainty, but what I discovered was that focusing only on Bruno’s illness and treatment was robbing us both of the very thing I wanted most to preserve — his life,” she explains. “The practice of writing about exactly what was happening in the moment helped me see the grace within daily life. It helped me re-focus on the joy of being alive today. Instead of living in fear, we were both able to experience joy through making art. This is not just a play about living with cancer — it’s a play about joie de vivre, artistry, and how to get through the unimaginable. Art created healing for us, and that was nothing short of a miracle.”

Corey Madden at Cafe Figero, where she and Bruno first met

In addition to writing and directing Numbered Days, Madden’s original works include Rain After Ash and Sol Path, commissioned and produced at Pasadena’s AxS Festival; Day for Night, presented by Santa Monica’s GLOW and featured in Poland’s Transatlantyk Film and Music Festival; Surf Orpheus, produced by UC San Diego and at the Getty Villa, and Rock, Paper, Scissors which was co-written with Laural Meade, premiered at Childsplay and was subsequently produced at Speeltheatre in Holland. Madden is also the director of And So We Walked: An Artist Journey Along the Trail of Tears created and performed by Delanna Studi, which has been produced by Triad Stage and Portland Stage and represented the United States at the Carthage International Theatre Festival in Tunisia in 2019, and will be released by Audible in Spring 2022.  Madden has directed plays, opera and music events, and multi-disciplinary works at the Mark Taper Forum, Public Theatre, Getty Museum, Los Angeles Philharmonic, Boston Court Performing Arts, Trinity Repertory and Actors Theatre of Louisville, among many others. Madden trained at the University of North Carolina School of the Arts. She received her undergraduate degree in dramatic arts from UNC Chapel Hill and her graduate degrees in creative and cinematic writing from USC’s Professional Writing Program and USC Film. Madden is currently the executive director of the Monterey Museum of Art and was associate artistic director of Center Theatre Group/Mark Taper Forum, where she developed and produced more than 300 new plays during her 22-year tenure.

Bruno Louchouarn (1959-2018) composed more than 600 original works including orchestral and chamber music, opera, dance, film, television and theater scores, as well as sound and media installations. His remarkable body of work reflects his wide-ranging interests in music, media and sound, informed by his academic research in cognitive science, artificial intelligence and ethnomusicology. Louchouarn’s musical catalogue reflects the spirit and rhythms of Paris, Mexico City, Los Angeles and Piedmont North Carolina, the places he called home over his six decades of life. During his lifetime, Louchouarn collaborated extensively with dance, theater and visual artists including Suzanne Lacy, Jacques Heim, Herbert Siguenza, Michael John Garces, Juan Felipe Herrera, and his wife, Corey Madden, to create performances in which his moving and layered scores play a leading role. Louchouarn’s collaborations with Susan Jaffe on Metallurgy and Carmina Terra were among his most rewarding creative experiences. Louchouarn’s compositions have been performed at leading arts institutions such as the Kennedy Center, Royce Hall at UCLA, Cal Arts’ REDCAT, the Getty Museum, Juilliard School of Music, University of Southern California, University of Akron, UNC School of the Arts, Chapman School of Music, Occidental College, San Diego Rep, Boston Court, Pasadena Playhouse, Cornerstone Theatre Company and at festivals including Santa Monica’s GLOW, Pasadena’s AxS Festival and Poland’s Transatlantyk Film and Music Festival.

Audio producer, sound designer and Foley artist Jeff Gardener has designed sound and performed as an actor across the country. His credits include the Geffen Playhouse, Kirk Douglas Theatre, Wallis Annenberg Center, A Noise Within, Antaeus Theatre Company, Boston Court Pasadena, Circle X Theatre Company, Echo Theater Company, Rogue Machine, Matrix Theatre, Skylight Theatre, IAMA Theatre Company, The Shakespeare Theatre (DC), Arena Stage, Kennedy Center, Williamstown Theatre Festival and the Edinburgh Fringe Festival in Scotland. Jeff can be seen at L.A. Theatre Works, where he regularly performs live sound effects.

All four episodes of Numbered Days are now available for $20 at www.FountainTheatre.com. Listen to it now, wherever you get your podcasts, with someone you love.

In New Comedy/Drama ‘Heart Song’, Middle-Aged Women Find Faith and Sisterhood in Flamenco Class

Postcard front rough mockupJews doing flamenco? Instead of ‘Ole!’ the crowd shouts Oy vey?’” – Rochelle in “Heart Song”

Three friends embark on a joyous journey of sisterhood, discovering their inner ‘duende’ through a flamenco class for middle-aged women. Heart Song, the newest comedy/drama from Stephen Sachs (Bakersfield Mist, Cyrano), opens at The Fountain Theatre on May 25 with Shirley Jo Finney (In the Red and Brown Water) directing and choreography by internationally renowned flamenco dancer Maria Cha Cha Bermudez.

Pamela Dunlap stars as Rochelle, a middle aged Jewish woman struggling with a crisis of faith. When Tina (Tamlyn Tomita) convinces her to join a flamenco class for “seasoned” out of shape women, Rochelle’s life is changed forever. There, she meets Daloris (Juanita Jennings) and an unforgettable circle of women (Andrea Dantas, Mindy Krasner, Elissa Kyriacou, Sherrie Lewandowski and Norma Maldonado) who propel Rochelle on a hilarious and deeply moving course of unexpected self-discovery.

Heart Song is funny but also allows me to explore serious issues about faith, spirituality and mortality that are deeply personal to me,” says Sachs. “The play dramatizes how art, in the form of flamenco — like religion or spiritual faith — has the power to heal and transform.”

“Flamenco is a life-saver for these women,” explains Finney. “It’s about duende, finding the deeper soul, unearthing that deep inner voice that lives inside us and can heal our inner wounds.”

The Fountain Theatre, recipient of critical acclaim and multiple awards for its theater productions, is also L.A.’s foremost presenter of flamenco. The Fountain’s monthly “Forever Flamenco!” series was created by co-artistic director Deborah Lawlor, who acts as consultant on this production.

“This is the perfect opportunity to marry the Fountain’s two audiences,” says Lawlor. “With Heart Song, we celebrate both our dedication to creating and producing new plays, as well as our longtime passion and commitment to the art of flamenco.”

Tamlyn Tomita, Pamela Dunlap, and Juanita Jennings

Tamlyn Tomita, Pamela Dunlap, and Juanita Jennings

Set design for Heart Song is by Tom Buderwitz; lighting design is by Ken Booth; sound design is by Bruno Louchouarn; costume design is by Dana Woods; prop design is by Misty Carlisle; casting is by Cathy Reinking; production stage manager is Corey Womack; and assistant stage managers are Mitzi Delgado and Terri Roberts. The Fountain Theatre production marks its world premiere. A second production will take place at Florida Rep in 2014.

Stephen Sachs’ other plays include Cyrano (2012 Los Angeles Drama Critics Circle Award), Bakersfield Mist (2012 Elliot Norton Award for Best New Play, optioned for London’s West End and New York), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse, Canadian Stage Company, LADCC and LA Weekly Award nominations), Gilgamesh (Theatre @ Boston Court), Central Avenue (PEN USA Literary Award finalist; Back Stage Garland award for Best Play), Mother’s Day, The Golden Gate (Best Play, Drama-Logue), and The Baron in the Trees. His play Sweet Nothing in my Ear (1997 PEN USA Literary Award finalist and Media Access Award winner for Theater Excellence) has been produced in theaters around the country and was made into a TV movie for CBS starring Academy Award winner Marlee Matlin and Jeff Daniels. Open Window (2005 Media Access Award winner for Theater Excellence) had its world premiere at the Pasadena Playhouse.

Shirley Jo Finney received the LADCC award for her direction of In the Red and Brown Water at the Fountain, where she also directed award-winning productions of From the Mississippi Delta, Central Avenue, Yellowman and The Ballad of Emmett Till. Her work has been seen at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, LA Theater Works, Crossroads Theater Company, Actors Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival, Kennedy Center for the Performing Arts and the State Theater in Pretoria, South Africa, where she helmed the South African opera, Winnie, based on the life of political icon Winnie Mandela. Ms. Finney has been honored with Ovation, Los Angeles Drama Critics Circle, Back Stage Garland, LA Weekly and NAACP awards. For television, she directed several episodes of Moesha, and she garnered the International Black Filmmakers ‘Best Director’ Award for her short film, Remember Me. In 2007 she received the African American Film Marketplace Award of Achievement for Outstanding Performance and Achievement and leader in Entertainment.

Pamela Dunlap (Rochelle) has performed at Lincoln Center, New York Theatre Workshop, New York Stage and Film and Circle Repertory Company. On Broadway: Musical Comedy Murders of 1940, Redwood Curtain, Yerma. Off Broadway: Early Girl, Sacrifice to Eros, Green Card. L.A. theatergoers have seen her at the Mark Taper, Ahmanson, South Coast Rep and L.A. Theatre Works. Regional theater includes Theatre Raleigh, Pioneer Theatre, St. Louis Repertory, Hartford Stage, Arena Stage, Pittsburgh Public Theatre and Corpus Christi Symphony. She is the recipient of an OOBR Award, an honoree of the New York Drama League, and a three-time Drama-Logue Award recipient. Mad Men fans will recognize her as Pauline Francis, Betty Draper’s new mother-in-law with the questionable baby sitting skills. TV guest appearances include How I Met Your Mother, N.C.I.S., Law and Order SVU, and recurring as Gilda Rockwell on Commander In Chief. Pamela recently completed filming on Doll and Em for British TV, written, produced and starring Emily Mortimer. Film: The Changeling, directed by Clint Eastwood; I Am Sam; War Of The Roses; The Holiday; Sixteen To Life; and Mind The Gap.

Juanita Jennings (Daloris) is known to Fountain audiences for her portrayal of Aunt Ester in August Wilson’s Gem of the Ocean and for her versatility in From the Mississippi Delta. She recently co-starred in South Coast Repertory’s production of Fences, and has also appeared at SCR in Jar the Floor (NAACP Theatre Award for Best Actress) and Twelfth Night. Other theater credits include productions at New York Shakespeare Festival, the Negro Ensemble Company, Mark Taper Forum, The Old Globe and Westwood Playhouse. Her many TV roles include Edna on the Tyler Perry series Meet the Browns and Dorothy Bascomb on The Bold and the Beautiful. She is a Cable Ace winner for her portrayal in the HBO mini-series Laurel Avenue.

Tamlyn Tomita (Tina) starred in the Fountain’s very first production, Winter Crane (Drama-Logue Award). Other stage work include The Square and Don Juan: A Meditation (Taper, Too), Summer Moon (Seattle’s A Contemporary Theatre and South Coast Repertory), Day Standing on its Head (Manhattan Theatre Club) and Nagasaki Dust (Philadelphia Theatre Company). She is best known for the films The Day After Tomorrow, The Joy Luck Club and Karate Kid 2. Other film credits include Picture Bride, Come See the Paradise, Four Rooms, Living Out Loud and Gaijin 2. Soap opera followers know her as Dr. Ellen Yu on Days of Our Lives and Glee fans have seen her as Julia Chang.

Maria Bermudez (Choreographer) is one of the foremost flamenco dancers in the world today. Born in Los Angeles, she now resides in Jerez de la Frontera, Spain, the “cradle” of flamenco. Her outstanding and critically acclaimed performances include The Hollywood Bowl, The John Anson Ford Theater, The Fountain Theater, The Los Angeles Music Center, and The Bilingual Foundation of the Arts in Los Angeles, Central Park and The Joyce Theater in New York City, the Teatro  Palacio das Artes in Brazil, Pena Cernicalos, Los Gallos, and Teatro Lope de Vega in Spain, guest appearances with the Santa Cecilia California and numerous venues throughout the world. Most recently she formed Chicana Gypsy Project which draws on her Mexican-American heritage and her immersion into Gypsy culture. Her life and career has inspired the award-winning documentary film, Streets of Flamenco .

Housed in a charming two-story complex, the Fountain is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 200 awards, and Fountain projects have been seen across the U.S. and internationally. Highlights include In the Red and Brown Water (“Best in Theater 2012” – Los Angeles Times); Cyrano, an adaptation of the Rostand classic for hearing and deaf actors by Stephen Sachs (LADCC Award, “Outstanding Production”), a six-month run of Bakersfield Mist, also by Sachs, optioned for London and New York; the Off-Broadway run of the Fountain’s world premiere production of Athol Fugard’s Exits and Entrances; and the making of Sachs’ Sweet Nothing in My Ear into a TV movie. The Fountain has been honored with a Certificate of Appreciation from the Los Angeles City Council for “enhancing the cultural life of Los Angeles.” The Fountain was recently honored with seven Los Angeles Drama Critics Circle including the Polly Warfield Award for Best Season 2012.

Heart Song opens on Saturday, May 25, with performances Thursdays, Fridays and Saturdays @ 8 pm and Sundays @ 2 pm through July 14. Preview performances take place May 18-24 on the same schedule. Tickets are $34 (reserved seating), except previews which are $15. On Thursdays and Fridays only, seniors over 65 and students with ID are $25. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call 323-663-1525 or go to www.FountainTheatre.com.