The Fountain Theatre is now casting roles available in the world premiere of the new play, Human Interest Story, written and directed by Stephen Sachs. The timely drama examining homelessness and ethics in journalism is scheduled to open February 15, 2020.
Newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited. A funny and riveting tale on the ethics of American journalism, homelessness, the worship of celebrity and the need to tell your own story.
Now Casting the Following Roles:
BETTY FRAZIER/JANE DOE
35 to 45 years old, Black/African American female. Laid-off elementary school teacher Betty Frazier has been homeless two years. She becomes an overnight media sensation as the fictitious Jane Doe. Strong-willed, compassionate, deep feeling, smart, nobody’s fool. She has come from the hell of darkness and is now reaching for light. Fiercely fighting to be seen and be heard, she discovers her own voice. The one she always had.
Caucasian male. Seeking a versatile actor to play many roles including Miller, a cold-blooded, ruthless newspaper editor, and Bauman, a scheming far-right political campaign aide.
40 to 50 years old, Hispanic male. Seeking a versatile actor to play many roles including Hernandez, an ardent by-the-book newspaper Assistant Editor, and Moran, a polite sturdy bodyguard.
35 to 50 years old, Black/African American female. Seeking a versatile actor to play many roles including Nakesha, a hard-working impassioned school principal and TV Host, a razor-sharp intellectual black feminist.
Rehearsal starts Monday, January 6th, 2020. The production runs February 15 – April 5, 2020. Contract: AEA 99-Seat. Auditions: November 11 -22, 2019.
STORYLINE: Hannah is two weeks away from becoming a board-certified neurologist when she receives a strange package from her grandmother, who may—or may not—have just ended her life in a most flamboyant fashion. The mystery leads Hannah and her family on a surreal, funny, heartbreaking adventure back to their roots in South and North Korea and the forbidden Demilitarized Zone that divides them. This startling new comedy twists together creation myths and family histories to explore what it means to walk the edge between.
Producers: The Fountain Theatre in association with East West Players Playwright: Jiehae Park Director: Jennifer Chang
HANNAH – 28 to 36 years old, East Asian female. about to become a board-certified pediatric neurologist. Control freak.
FATHER – 45 to 55 years old, East Asian male. professor. Keeps It Together for the Family. Emotionally clueless. Must speak Korean.
MOTHER – 48 to 56 years old, East Asian female. In a deep depression that she is hiding from her family, Gardening fanatic and HGTV addict that her family isn’t necessarily aware of. Comedic and playful sensibility a must.
TRICKSTER – 30 to 60 years old, East Asian female. Plays the following characters: Voice/Grandma/Mrs. Lee/Old Man In Coat/Official/Nurse/Mr. Kwon/Kim Jong II/Grandmother Tiger trickster-lost-soul-friend-voice-of-god. May or may not have been here since the beginning of the world. Possible memory loss. Must speak Korean.
DANG – 20 to 26 years old, East Asian male. Recent graduate and professional slacker. Has-a-band-sort-of. Good kid. Guitar playing a plus.
GIRL – 19 to 26 years old, female. Activist in search of a cause. Used-to-have-a-band-sort-of. Blunt. Comedic sensibility a must. Musical Instrument a plus.
Actors Bill Brochtrup and Tim Cummings, co-stars of the Fountain Theatre’s acclaimed 2013 production of The Normal Heart, will reunite for this season’s Southern California Premiere of Daniel’s Husband by Michael McKeever. Simon Levy, who helmed The Normal Heart, will direct. Daniel’s Husband opens May 4th.
Brochtrup and Cummings are joined by LA favorites Jenny O’Hara and Ed Martin. Jose Fernando makes his Fountain debut.
Daniel and Mitchell are the perfect couple. Perfect house, perfect friends — even a mother who wants them married. They’d have the perfect wedding too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future in which even his love may not be enough. Daniel’s Husband is a bold reflection on love, commitment, and family in our perilous new world.
The recent Off-Broadway production earned rave reviews. The New York Times hailed it as “Compelling”, the Huffington Post declared it was “Emotionally charged,” and the Daily Beast described it as “Beautiful and powerful.”
Bill Brochtrup (Daniel) appeared Off-Broadway in Secrets of the Trade at Primary Stages, Lost and Found at FringeNYC, and Snakebit at the Century Center. He’s acted with many LA theatre companies including South Coast Repertory (The Sisters Rosensweig, Shakespeare In Love, Noises Off), Antaeus Theatre Company (Cloud 9, Mrs. Warren’s Profession, Peace In Our Time) Rogue Machine Theatre (Les Blancs), Fountain Theatre (The Normal Heart). His many TV appearances include five seasons as savvy police psychologist “Dr. Joe” on Major Crimes, Shameless, Kendra, Dexter, and In the Life. Bill was a series regular on Public Morals, Total Security, and ten years as cheerful administrative aide “John Irvin” on NYPD Blue. He is the Co-Artistic Director of Antaeus Theatre Company.
Tim Cummings (Mitchell) recently earned his Master of Fine Arts in Creative Writing from Antioch University. He is the winner of Critical Read’s 2018 ‘Origins’ literary contest for his essay “You Have Changed Me Forever.” He is the recipient of three LA Drama Critics Circle Awards, for Dan O’Brien’s The House in Scarsdale: A Memoir for the Stage (2018 PEN American Award for Drama) at Boston Court, Larry Kramer’s The Normal Heart at The Fountain, and Enda Walsh’s The New Electric Ballroom at Rogue Machine. Selected LA: Cal in Camo with Red Dog Squadron at VS Theater; Need To Know at Rogue Machine, The Woodsman at Coeurage (StageSceneLA Award for Performance of the Year); Reunion and Eurydice at South Coast Rep, Hamlet and The Winter’s Tale at Theater 150, WAR and The Walworth Farce at Theater Banshee, Tartuffe at Boston Court, The Pursuit of Happiness at Laguna Playhouse. Bway & Off-Bway: The Guys directed by Jim Simpson, Frankie & Johnny in the Clair de Lune directed by Joe Mantello. Film/TV: Can You Ever Forgive Me, Grimm, Rosewood, Kensho at the Bedfellow, Criminal Minds, My Two Fans, Presence, The Box, etc. He holds a BFA in Acting from NYU.
Jose Fernando (Trip) From the tropics of Costa Rica and the waters of Niagara Falls, Jose appeared in Breckenridge Theatre’s world premiere of The 10th . He was seen on Disney Channel’s Disney 365 and on ABC’s Black-ish and Once Upon A Time . He currently has commercials in the works with Google and other tech companies.
Ed Martin (Barry) has worked in theatres all over the country including Denver Center Theatre, The Arizona Theatre Company, Theatreworks, and the Laguna Playhouse. Favorite LA credits include work at the Boston Court, the Colony, the Davidson/Valentini, the Odyssey, the Hudson and Theatre 40. Ed is the recipient of the Ovation, Stage Raw, LA Weekly, Dramalogue and Robby Awards. TV and film credits include Angels and Demons, directed by Ron Howard, American Crime, Castle, Medium, Buffy the Vampire Slayer and many others.
Jenny O’Hara (Lydia) is best known to Fountain audiences as originating the role of Maude Gutman in the smash hit Bakersfield Mist. She co-starred on Broadway opposite Alec Guiness in Dylan. Other Broadway credits are The Fig Leaves are Falling, Promises, Promises, The Odd Couple (female version), and The Iceman Cometh. On TV, she’s been seen on Transparent, The Mindy Project, The King of Queens, and Big Love, and guest appearances in Mike and Molly, Hot in Cleveland, Rizzoli and Isles, The Closer, NCIS, CSI, House, Nip/Tuck, Six Feet Under and numerous others. Films include BFF, Sassy Pants, The Seven Psychopaths, Devil (M. Night Shyamalan), Mystic River (Clint Eastwood), Matchstick Men (Ridley Scott), Extract, Forty Shades of Blue, Two Weeks, How to Make Love to a Woman and Heartbeat.
Matthew Hancock, Clarissa Thibeaux, Chad Addison in rehearsal for “Hype Man”
Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.
Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”
Originally from outside Boston, Chad Addison has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand.
Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition, he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren. He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson). Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.
Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks. She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.
Male, 30-35, Caucasian. The Rapper. A fierce and fiery white dude who grew up among African-Americans but remains an outsider and separates him from Verb. His swaggering confidence hides his confusion and inner conflict. Because has a cop in his family, he mourns the city’s recent police shooting but thinks the group should stay the course.
Female, 25-30, mixed race, a “woman of color” upon initial glance, however her specific ancestry is less obvious. The Beat-Maker. The crew’s dynamic and spirited newcomer who crafts the beats and produces their tracks. She yearns for artistic recognition, struggling to get heard musically in this testosterone-fueled world. Peep finds herself caught between competing loyalties as Pinnacle’s and Verb’s previously unspoken views on race threaten to destroy not just their shot at success but also their friendship.
A diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?