Camille Spirlin and Maya Lynne Robinson, “Runaway Home”
The Fountain Theatre has earned 7 Stage Raw Theater Award nominations for our world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Jo Finney. The Fountain production of the funny, moving, and powerful new play about community and the power of family, set in New Orleans three years after Hurricane Katrina, received the following Stage Raw Theater Award nominations:
Production of the Year
Ensemble – Leith Burke, Jeris Poindexter, Armando Rey, Maya Lynne Robinson, Camille Spirlin, Brian Tichnell, Karen Malina White
Playwriting – Jeremy J. Kamps
Leading Female Performance – Camille Spirlin
Supporting Female Performance – Maya Lynne Robinson, Karen Malina White
Supporting Male Performance – Jeris Poindexter
The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles.
The Fountain Theatre’s critically acclaimed, award-winning stage adaptation of Claudia Rankine’s Citizen: An American Lyric has been chosen as the centerpiece ofOur L.A. Voices, a new festival celebrating the diversity and excellence of the arts in Los Angeles that will launch April 27-29 at Grand Park in downtown Los Angeles. A compelling play about racism in America, Citizen will represent excellence in Los Angeles theater at the multi-arts festival, with performances set for Friday, April 27 and Saturday, April 28. All performances are free to the public.
Citizen: An American Lyric was adapted for the stage by acclaimed playwright and Fountain co-artistic director Stephen Sachs from Rankine’s National Book Critics Circle award-winning book of poetry. In this intensely provocative and unapologetic rumination on racial aggression directed by Shirley Jo Finney, seemingly everyday acts of racism are scrutinized as part of an uncompromising testimony of “living while Black” in America — from the shooting of Trayvon Martin, to the tennis career of Serena Williams to the aftermath of Hurricane Katrina.
Actress Monnae Michael invites you to join her and fellow cast members — Bernard K. Addison, Leith Burke, Tony Maggio, Adenrele Ojo and Lisa Pescia — to enjoy what Stage Raw critic Myron Meisel called “a transcendent theatrical experience.”
‘Citizen: An American Lyric’ at the Kirk Douglas Theatre, 2017.
The Fountain Theatre’s critically acclaimed and award-winning stage adaptation of Claudia Rankine’s Citizen: An American Lyric has been chosen as the centerpiece of a new festival celebrating the diversity and excellence of the arts in Los Angeles. The festival, called Our L.A. Voices, will be launched April 27 – 29, 2018, in downtown Los Angeles at Grand Park.
Envisioned as an annual “best of L.A. arts festival,” this free, three-day performing and visual arts showcase will bring dance, music and theatre performances as well as visual artwork by L.A. artists to Grand Park every spring. Grand Park’s Our L.A. Voices will serve as a home for L.A. artists, underlining Grand Park’s commitment to L.A.’s creative communities.
The Fountain Theatre’s production of Citizen: An American Lyric has been chosen to represent excellence in Los Angeles theatre. The compelling play about racism in America will be the culmination of both evenings on Friday April 27th and Saturday April 28th, both performances at 8pm, serving as the centerpiece for the multi-arts festival.
Stephen Sachs’ stage adaptation of Citizen: An American Lyric by Claudia Rankine won the 2016 Stage Raw Theatre Award for Best Adaptation, declaring it “a transcendent theatrical experience.” TheLos Angeles Times hailed it as “powerful”, highlighting it as Critic’s Choice. The production was chosen by Center Theatre Group for its first Block Party celebration of intimate theatre in Los Angeles at the Kirk Douglas Theatre in 2017.
Director Shirley Jo Finney returns to direct the Grand Park outdoor production. Original cast members Bernard K. Addision, Leith Burke, Tony Maggio, Monnae Michaell, Lisa Pescia will be joined by Adenrele Ojo. The original design team — Yee Eun Nam (set and video), Pablo Santiago (lighting), Peter Bayne (sound), Naila Aladdin-Sanders (costumes) — also return with production stage manager Shawna Voragen.
“In the sprawling Los Angeles metropolis, Grand Park provides both a place and a reason for Angelenos to come together to experience the arts and each other in ways they never have before,” said Rachel Moore, president and CEO of The Music Center.
Grand Park is a 12-acre urban oasis nestled between The Music Center and City Hall. Operated by The Music Center, the park features fountains, outdoor dining, recreation, sprawling lawns and an outdoor stage. That stage will be the center platform for the Our L.A. Voices Arts Festival, highlighting the variety and high quality of L.A.-based artists and companies. The weekend-long event will feature music, dance, theatre, spoken word poetry and fine art. Food trucks will offer savory menus of LA cuisine.
Grand Park, Los Angeles.
“It’s an honor for the Fountain Theatre to be representing Los Angeles theatre at this exciting new arts festival,” beams Co-Artistic Director Stephen Sachs. “We’re proud to be partnering with the Music Center and Grand Park to celebrate the diversity and artistic excellence of our city.”
Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco
It was announced today that the Fountain Theatre has been nominated for seven Stage Raw Theatre Awards for two productions in the 2016 season. Our Los Angeles premiere of My Manana Comes by Elizabeth Irwin and the world premiere of Stephen Sachs’ Dream Catcher were acknowledged with the following nominations:
Leading Male Performance – Lawrence Stallings, MY MAÑANA COMES
Supporting Male Performance – Peter Pasco, MY MAÑANA COMES
Playwriting – Elizabeth Irwin, MY MANANA COMES
Two Person Performance – Elizabeth Frances & Brian Tichnell, DREAM CATCHER
Lighting Design – Jennifer Edwards, MY MAÑANA COMES
Set Design – Michael Navarro, MY MAÑANA COMES
Production Design – Dillon Nelson, MY MAÑANA COMES
‘Citizen: An American Lyric’ at the Fountain Theatre
by Josh Gershick
Citizen: An American Lyric, the play, takes its title and text from a book of prose poetry by Claudia Rankine, finalist for 2014 National Book Award in Poetry and winner of the National Book Critics Circle Award in Poetry, among other plaudits. Writing in the New York Times last June, after six black women and three black men were shot to death by a self-avowed white supremacist at a Bible-study meeting at the historic Emanuel African Methodist Episcopal Church in Charleston, SC, Ms. Rankine said, “Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black: no hands in your pockets, no playing music, no sudden movements, no driving your car, no walking at night, no walking in the day, no turning onto this street, no entering this building, no standing your ground, no standing here, no standing there, no talking back, no playing with toy guns, no living while black .”
The play – “a fast-moving collage of colliding events, fragments, vignettes and streams of consciousness”-is deeply compelling. Here, a chat with Stephen Sachs, co-artistic director of the Fountain Theatre and the playwright who brought Citizen to the stage.
JOSH GERSHICK:Citizen is a beautiful piece of theatre, addressing persistent racism head on. Talk about theatre’s (and this play’s) ability to move, transform, agitate and uplift an audience.
STEPHEN SACHS: In 2014, when Claudia’s book was being published, Michael Brown was killed in Ferguson, MO. I had been looking for a theatre protect that would add a unique voice to the national conversation about race in America. Racism is embedded in the fabric of our country and its founding.
We may all be created equal, but we certainly are not perceived that way by each other. I wanted to make a statement that would open the eyes, minds and hearts of audiences in unexpected ways. Quite by accident, I was caught by a review of Citizen in a national newspaper. The title immediately grabbed me. When I actually got the book, it flashed in my mind that this was the voice I was looking for. What makes the book-and the theatre piece – unique is that they expose and illuminate the sometimes unintended and unconscious acts of everyday racism. Subtle, insidious, soul crushing-the little murders we commit daily. Micro-aggressions between friends and co-workers at the market, in the office and on the subway. What we say, how we think, what we do. White privilege and dominance have been so deeply [ingrained] in this country. The play makes you see it, feel it, and think about it. Isn’t that what art is supposed to do?
JOSH GERSHICK: You’ve said you’d like theatre-goers to come away with a new awareness of how they themselves might perpetuate racism. A white theatre-goer cannot, in my view, see this piece without confronting his or her own attitudes: ideas. But what is the takeaway for audiences of color, who are on the receiving end of racism?
STEPHEN SACHS: A dramatization of white dominance. A truth-telling. We had a full mix of white and black audience members throughout the run at the Fountain Theatre. Black patrons had a wide range of reactions to the play: the laughter of recognition, gasps, silence, tears. The unease of, “I can’t believe you’re really saying that,” and the delight of “I’m so glad you are.” And because it’s all about exposing and revealing hidden (and not so hidden) racism, the piece carries the call of giving voice and speaking out.
JOSH GERSHICK: The run was clearly a success. (Mazel Tov on your Stage Raw Award!) What’s next for the play?
‘Citizen’ at Pure Theatre in Charleston, SC.
STEPHEN SACHS: The play now is beginning its future life around the country. I’m proud that Citizen is beingperformed in Charleston this June, in a theatre just four blocks away from the Emanuel African Methodist Episcopal Church, to mark the one-year anniversary of the shooting there. On June 17, when we reflect on that national tragedy, the play will be there. This is deeply meaningful to me. This is why we do what we do. This is who we are. A New York production is also in the works.
JOSH GERSHICK: I think of LA theatre, 99-seat theatre, as an incubator, a cradle, a hothouse and a glorious lab for bringing forth new, compelling work-Citizen, for example and revisiting work that remains seldom produced, such as the work of Alice Childress. What percentage of new work launched at the Fountain Theatre goes on to regional stages and to NY?
STEPHEN SACHS: The Fountain Theatre is a home for artists and audiences to gather together in an intimate setting to share stories that illuminate what it means to be a human being, with the goal that new plays are then seen in theatres across the country and around the world. We may be small in size, but we’re large in heart and dedication and purpose.
Kathleen Turner in ‘Bakersfield Mist’, West End, London.
Quite a number of new plays created, developed and launched at the Fountain have now been produced across the U.S.and around the world. Sweet Nothing in Ear has been performed around the country and was made into a TV movie starring Jeff Daniels and Marlee Matlin. What I Heard About Iraq has been performed internationally, winning the Fringe First Award at the Edinburgh Fringe Festival. Our world premiere of Athol Fugard’s Exits and Entrances was produced around the country, then opened Off-Broadway at Primary Stages in NYC, then went overseas to the Edinburgh Festival. Bakersfield Mist, performed in theatres across the country, ran for three months on the West End in London, starring Kathleen Turner, and is now being produced in regional theatres throughout the country and translated into other languages and performed worldwide. The list goes on and on.
JOSH GERSHICK: Recently a New Yorker said to me, “Oh, is there theater in Los Angeles?” True, actors, writers & directors typically make their living here in TV, film & digital platforms, but we have amazing theatre-and most abundantly and energetically, intimate theater.
STEPHEN SACHS: Los Angeles still fights for its right to be called a “theatre town,” even though-and this may surprise you-more theatre is produced in LA than any other city in the world. More than New York or London.And according to a recent report, Los Angeles is also home to more working artists than any other city in the United States. The national profile of theatre in Los Angeles has never been higher. More and more new plays created here are being produced nationwide. Still, the myth is that LA theatre is somehow less serious and that LA actors do theatre only to be seen by casting directors in “the industry,” and not for the art of the work. This simply is not true. It’s a lie. And much of the most satisfying work and the most challenging new plays are being done in LA’s intimate theaters. Larger theaters can no longer afford to take artistic risks, so all that adventurous, artistic energy is humming in the intimate theatre community. The spirit behind it, the force to create, has transformed the cultural landscape of Los Angeles.
Josh Gershick is a playwright, filmmaker and author. This post originally appeared in The Dramatist, the national magazine for The Dramatist Guild.
Citizen: An American Lyric at Pure Theatre in Charleston
Stephen Sachs‘ award-winning stage adaptation of Claudia Rankine’s Citizen: An American Lyric, created, developed and produced last year at the Fountain Theatre, opens tonight at the Pure Theatre in Charleston, S.C. The play about racism in America will be performed as the city marks the one-year commemoration of the tragic shooting at Mother Emanuel Church. The Pure Theatre is located just four blocks from the church.
In the aftermath of the shooting last June, Pure Theatre artistic director Sharon Graci was searching how to use theatre to express the grief and rage of the community. Sachs’ adaptation of Citizen was brought to her attention by one of the cast members of the Fountain Theatre production, Bernard K. Addison, a South Carolina native who knew someone who knew Graci. Once Graci read the script, she knew she had found what she was looking for.
Citizen: An American Lyric at the Fountain Theatre
“We are a nation in crisis,” says Graci. “And our communities are infected with both macro and micro aggressions against persons of color, and until we make a conscious decision to acknowledge the reality of this, we will not engage in meaningful dialogue, we will not change the status quo. We will remain a fractured society eating itself alive from the inside.”
Highlighted as Critic’s Choice and hailed “powerful” in the Los Angeles Times, the Fountain’s 2015 world premiere earned national attention and critical acclaim in an extended run. Sachs’ script won the Stage Raw Award for Best Adaptation.
Directed by Shirley Jo Finney — who also helmed the world premiere at the Fountain — Citizen at Pure Theatre is an event of the Piccolo Spoleto Festival, Charleston’s 17-day annual celebration of the arts. Citizen runs June 3 – 10.
Lucy Pollak, Stephen Sachs, Deborah Lawlor, Simon Levy, Karen Kondazian, William Sachs
Stephen Sachs’ stage adaption of Citizen: An American Lyric won the Stage Raw Theatre Award for Best Adaptation at last night’s ceremony at the Los Angeles Theatre Center. Created, developed and produced by the Fountain Theatre, Citizen earned rave reviews in an extended run in 2015.
The Stage Raw Awards at the Los Angeles Theatre Center
Launched in March 2014, by Los Angeles theater critic and playwright Steven Leigh Morris, Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The 2016 Stage Raw Theatre Awards recognize the artistic accomplishments of intimate theatres in Los Angeles for the 2015 calendar year.
Adapted from the internationally acclaimed and award-winning book of poetry by Claudia Rankine, Citizen: An American Lyric is a lyrical and provocative dramatization of everyday racism in this country. Stage Raw declared it “a transcendent theatrical experience” and theLos Angeles Times hailed it as “powerful”, highlighting it as Critic’s Choice.
Stephen Sachs is the Co-Artistic Director of the Fountain Theatre and the author of thirteen plays. His plays are produced in regional theatres across the country, have been made into a CBS TV movie, and are translated into other languages and produced worldwide.
Sachs’ adaptation of Citizen: An American Lyric will open June 3rd at the Pure Theatre in Charleston, SC, just four blocks from Mother Emanuel Church, as the city and the nation marks the one-year commemoration of the tragic shootings there. Future productions of the play are planned nationwide.
Gilbert Glenn Brown and Suanne Spoke in ‘The Painted Rocks at Revolver Creek’.
The Fountain Theatre has been honored with 4 Stage Raw Awards for its 2015 productions of The Painted Rocks at Revolver Creek and Citizen: An American Lyric.
The Painted Rocks at Revolver Creek was the West Coast Premiere of Athol Fugard’s new play about South African artist Nukain Mabuza. The world premiere of Stephen Sachs’ stage adaptation of Claudia Rankine’s Citizen: An American Lyric dramatized racism in America.
The Fountain nominees are:
Supporting Female Performance – Suanne Spoke, The Painted Rocks at Revolver Creek
Leading Male Performance – Thomas Silcott, The Painted Rocks at Revolver Creek
Adaptation – Stephen Sachs, Citizen: An American Lyric
‘Citizen: An American Lyric’ at the Fountain Theatre
Using multimedia and the written word, Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The Stage Raw Theater Awards are dedicated to honoring the swath of innovative works of theater in Los Angeles County, in venues of up-to-99-seats.
The STAGE RAW Celebration is Monday, April 25 at Los Angeles Theatre Center, 514 S. Spring Street (VIP reception 6 p.m.; doors Open at 6:30. Awards Program begins at 7:30pm), General Admission Tickets are $25, VIP Tickets $100, available atstageraw.com.
Actors Joel Polis, Jenny O’Hara, Matthew Hancock, Gilbert Glenn Brown
The first-ever Stage Raw Awards were held last night at the Los Angeles Theatre Center in Downtown LA. Founded by local arts journalist Steven Leigh Morris, Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The Stage Raw Awards specifically honor achievements in LA intimate theaters with 99-seats or fewer.
The Fountain Theatre received 13 Stage Raw Award nominations for three of its 2014 productions. Two Fountain artists were honored: Joel Polis won the Best Supporting Actor Award for his performance in our LA Premiere of My Name is Asher Lev, and lighting designer Pablo Santiago won for his work on our LA Premiere of The Brothers Size.