Playwright/Director Stephen Sachs shares his thoughts on the new play.
Here we go! A new year. A new season. Company members assembled on Tuesday for the first rehearsal of the upcoming world premiere of Human Interest Story, written and directed by Stephen Sachs. The riveting drama opens Feb 15.
In Human Interest Story, Newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
Rob Nagle is a film/TV/stage actor and longtime Los Angeles favorite admired by local theatre audiences. His acclaimed portrayal of Oscar Wilde in David Hare’s The Judas Kiss at Boston Court Pasadena was hailed by the Los Angeles Times as “A performance not to be missed.” Tanya Alexander has been seen in a variety of film and TV roles and recently co-starred in the world premiere of Brian Reynolds’ Mono/Poly at the Odyssey Theatre.
In Human Interest Story, newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
Human Interest Story runs February 15 to April 5 at the Fountain Theatre.
Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco
The Fountain Theatre has been honored with three Ovation Award nominations for its Los Angeles Premiere of My Mañana Comes by Elizabeth Irwin. Directed by Armando Molina, the fast-paced comedy/drama about four busboys in the kitchen of an upscale restaurant drew rave reviews. The talented cast featured Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings.
The Ovation Awards are the only peer-judged theatre awards in Los Angeles, created to recognize excellence in theatrical performance, production and design in the Greater Los Angeles area.
The Fountain Theatre production of My Mañana Comes has received the following nominations:
Best Production of a Play
Best Acting Ensemble of a Play – Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings
Best Scenic Design – Michael Navarro
For the 2015/16 Ovation Awards voting season, there were 280 productions registered from 116 different organizations, resulting in nominations for 70 productions from 45 organizations. These productions were voted on by 233 Ovation Awards voters — vetted individuals from the Greater Los Angeles area who are working theatre professionals.
The 27th Annual LA STAGE Alliance Ovation Awards will occur on Tuesday, January 17, 2017 at The Ahmanson Theatre in Downtown Los Angeles. More info
Philip Solomon, Thomas Silcott “The Painted Rocks at revolver Creek”
The Fountain Theatre has been honored with 23 awards of excellence from StageSceneLA for productions in its 2015-16 season. Fountain productions awarded were the west coast premiere of Athol Fugard’s The Painted Rocks at Revolver Creek, the world premiere of Dream Catcher by Stephen Sachs, the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, and the west coast premiere of Tennessee Williams’ Baby Doll.
Since 2007, Steven Stanley’s StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Awards.
The Fountain has been honored with the following awards this 2015-16 season:
YEAR’S BEST INTIMATE THEATERS The Fountain Theatre
OUTSTANDING PRODUCTION, DRAMA (INTIMATE THEATER) The Painted Rocks At Revolver Creek
OUTSTANDING PRODUCTION, COMEDY-DRAMA (INTIMATE THEATER) My Mañana Comes
Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco
by Victoria Montecillo
Last weekend, I got to watch our production of My Mañana Comes on its closing weekend. It’s three days later, and I’m still thinking about it. After hearing about the show and the kind of work that the Fountain produces from Stephen Sachs and Barbara Goodhill, I was eager to see the work in action. I knew that the show was about four busboys in a high-end restaurant, and that the show would touch on issues surrounding immigration and fair pay, but I was otherwise walking in with no expectations of what I was about to see.
Playwright Elizabeth Irwin
One of the first things that captured me within the first couple of scenes was the reality of it all. I knew the playwright was a woman, and I was stunned at her ability to capture the conversations between these young men so well. I could feel each unique voice and personality from the four characters, which only made the story even more riveting.
I felt like this play really sneaks up on you, in the best way possible. For a while, it’s just four guys working in a kitchen trying to make ends meet, teasing each other, and sharing their lives with one another. And in the next moment, you’re suddenly aware of how much you care about each of these men. They’re each dealing with their own set of challenges, and you can feel yourself rooting for them. And suddenly you’re watching these characters you care about struggling to fight for equal pay, providing for their families, and maintaining their friendships with each other.
As a theatre geek, I have to say that I have a soft spot for powerful pieces of theatre that don’t have a happy ending. They end, instead, by giving the audience something to think about, and with the gut-wrenching realization that theatre is, in fact, an avenue for real stories about real people. Perhaps after the show that I saw, the actors all came out smiling and ready to answer all of our questions and discuss the piece in an illuminating and inspiring talkback, but stories like that don’t always end that way. This piece, and the incredible actors in the cast, were telling a much bigger story of real struggle.
On top of all of that, the audience gets to witness all of this unfold in the Fountain’s cozy, 78-seat theatre. Their space made us feel like we were all apart of this story, and part of the action. Seeing this particular piece in such a small space helped me realize how effective it can be to tell stories in a smaller space, where there seems to be no separation or distance between the performers and the audience. Everything is shared, and that makes the experience all the more powerful.
Pablo Castelblanco and Peter Pasco
Another thing I really appreciated about this production was how well it brought to light very specific perspectives within cultural identity. In the talkback with the cast after the show, which was moderated by Stephen Sachs, an audience member praised actor Peter Pasco for his portrayal of Whalid, a young Mexican-American man with no claim to his own heritage. Pasco responded to the audience member, expressing the difficulty that many first-generation and second-generation Americans have with the culture of their families, especially when visiting their “home countries”. As I clearly remember him explaining his own experiences in relation to Whalid’s in the talkback, “When I’m here in the United States, everyone sees me as Peruvian, even though I feel that I’m American. But when I’m in Peru visiting my family, I don’t feel like a Peruvian at all.” His words deeply resonated with me, as a first-generation Filipino-American. Getting to see a character like that onstage, as well as hearing the actor speak about it so eloquently afterwards, was a very special feeling.
It was sad to see such a beautiful piece as My Mañana Comes in its closing weekend, but I felt lucky to be apart of one of the many audiences that got to see such a powerful piece at the Fountain, with an unbelievable cast bringing such an important story to life. One of the most inspiring things to see after the show was all of the people in the audience who were clearly so moved by the performance; there was one woman behind me who clearly wanted to express her gratitude to the actors for sharing such an important story, but she was far too overcome with emotion. There were countless people around me who made a point of thanking the actors and the Fountain Theatre for bringing such an important and relevant piece to audiences in this community, and I was again reminded of the magic and power of live theatre, and all it can do to bring communities together through art and storytelling.
After earning rave reviews, an Ovation Recommendation, recognition from the Fringe Festival and strong audience response, our Los Angeles Premiere of My Mañana Comes completed its glorious 11-week run on Sunday afternoon. The sold-out final performance was followed by a joyous catered reception.
Written by Elizabeth Irwin and directed by Armando Molina, the play brought to life the friendship and conflict between four busboys working in an upscale restaurant. The fabulous cast featured Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings.
The Fountain audience leapt to its feet in a standing ovation for the final performance on Sunday, then joined the company upstairs in our cafe for a post-show party.
“We’re very proud of this production, ” beamed Co-Artistic Director Deborah Lawlor. “A riveting play about important issues performed brilliantly by a powerful cast. Who could ask for more?”
Next up at the Fountain: the West Coast Premiere of Tennessee Williams’ Baby Doll.
Playwright in the house! The Fountain Theatre was pleased to host Elizabeth Irwin at Saturday night’s performance of our acclaimed LA premiere of her play, My Mañana Comes. Irwin enjoyed watching her play and joined director Armando Molina, movement director Sylvia Bluish and the cast in a Q&A Talkback with the audience immediately after the performance.
“Watching the Fountain Theatre’s production of my show was being able to see the most beautiful connection of movement, emotion, design and direction one could hope for as a writer,” says Irwin. “It was an honor to have my work staged at the Fountain and a deep pleasure to be able to connect with their very thoughtful and whip-smart audience.”
Moderated by Fountain producing Director Simon Levy, the post-show discussion included questions to the playwright and actors about the issues of immigration, undocumented workers and fair pay that are dramatized in the play. There was also conversation about the creative process. The chat was lively, insightful, and often lifted with humor.
When the Q&A concluded, Irwin and company gathered in our upstairs cafe for drinks, chat and more laughter. Another wonderful evening at the Fountain.
My Mañana Comesdramatizesfour busboys in a fancy New York restaurant as they juggle plates, immigration and their friendship. The Fountain LA premiere has earned rave reviews and runs to June 26th.
It was a pleasure having New York-based playwright Elizabeth Irwin with us and we look forward to having her back. Perhaps with another new play?
Lawrence Stallings, Richard Azurdia, Jossara Jina, Pablo Castelblanco, Armando Molina, Emily Lehrer
The house was packed Saturday night for the opening night of our Los Angeles Premiere of Elizabeth Irwin’s fast, funny and powerful new play, My Mañana Comes.
The thrilling performance was followed by a lively reception upstairs in our charming cafe. The delicious food was provided by Marouch, a local Lebanese and Armenian restaurant. Fountain Friends and audience members had a wonderful time meeting the cast and company.
Directed by Armando Molina, My Mañana Comes features Richard Azurdia, Pablo Castelblanco, Peter pasco and Lawrence Stallings. The play offers an inside look at four busboys in a fancy NY restaurant as they joke wildly with each other and struggle to better their lives and chase the American Dream.
Our Fountain LA Premiere is already earning rave reviews. “This production of My Mañana Comes is an exemplar of ensemble acting, ” hails Theatre Notes.”The players are extraordinary.”