Have you ever met and talked with a Pulitzer Prize winning playwright? Now’s your chance. New York-based playwright Martyna Majok, author of the 2018 Pulitzer Prize winning drama Cost of Living now playing at the Fountain Theatre, visits this weekend to host two special events at the Fountain to engage audiences and interact with local theatre artists and professionals.
SAT NOV 10 • 8pm
Post-Show Q&A with Audience – Join Martyna and the cast of Cost of Living in a lively discussion immediately following the performance. Buy Tickets
MON NOV 12 • 5pm
An Insider Meeting – Engage in a open dialogue with the Pulitzer Prize winner. Discuss playwriting and the business of working in the theater. LA theatre artists, professionals and general theater-lovers welcome. FREE. Must RSVP here. Followed by the Pay What You Want performance of Cost of Living at 8pm.
Xochitl Romero and Tobias Forrest in “Cost of Living”
Achingly human and surprisingly funny, Cost of Living is about the forces that bring people together and the realities of facing the world with physical disabilities.
In a Nov 2 feature in the Los Angeles Times, theatre journalist Kathleen Foley states, “Defying easy sentiment and conventional expectations, Majok shatters stereotypes with her characters, who are drawn with such truth and specificity that they evoke a frisson of voyeuristic unease. Showered with awards and accolades over the decades, the Fountain has become the West Coast home to world-class playwrights. Scoring the West Coast premiere of Majok’s extraordinary drama is yet another in a long line of coups for this venerable company, while veteran director John Vreeke’s involvement also bodes well for this production.”
To buy tickets to the Q&A performance SAT Nov 10click here.
To RSVP to the Insider Meeting MON Nov 12 at 5pm click here or call (323) 663-1525
Nora King is a California girl who doesn’t surf. She danced in school productions of The Nutcracker but admits she was “an unbalanced and quite chatty ballerina.” She earned a BFA in Acting from California Institute of the Arts (CalArts) then created a non-profit theatre troupe called Acting for Others, to raise support and awareness for charities through performance. These days, she now finds herself at the Fountain Theatre as Production Outreach Coordinator for Building the Wall, overseeing the ongoing post-show conversation series Breaking It Down.
The program Breaking It Down, she says, embodies her dual commitment to theatre and social action. “I have always had a passion to inspire change through theater.”
Fountain Co-Artistic Director Stephen Sachs agrees. “When the Fountain Theatre made the bold move to reschedule our 2017 season so we could quickly produce the world premiere of this controversial new play Building the Wall, we were sure of one thing. Patrons seeing it will want to talk about it.”
The post-show conversation series Breaking It Down was created to offer an ongoing platform for the dialogue to continue with audiences on a wide variety of topics. The first discussion featured playwright Robert Schenkkan.
As Production Outreach Coordinator, it was Nora’s job to reach out to a varied list of organizations and schedule dynamic leaders willing to participate in conversations with audience members following performances of Building the Wall. Topics range from immigration to prison systems to women’s rights to stand-up comedy.
To learn more about the discussion series and the young woman who oversees it, we subjected Nora to her own Q&A.
How did you get this job at the Fountain?
Funny story. I saw an opening for a position in The Fountain’s cafe. I sent in my resume. And a couple days later I got a call from Stephen Sachs about another position that may be a better ﬁt. And it is a much better ﬁt. My cooking skills are nonexistent.
What is Breaking It Down? How would you describe it?
Breaking it Down is a conversation series following performances of Building the Wall. These will be discussions with community leaders, non-proﬁt organizers, socially active performers, etc.
What do you hope to achieve with these post-show conversations?
The goal of Breaking it Down is to activate and inspire the audience. A big theme in Building the Wall is the power and responsibility of the individual. At this point in our country’s history, complacency is extremely dangerous. I want to empower the audience, leaving the theatre ready to inﬂuence change.
Has it been hard getting experts to agree to participate in the discussions? Or easier that you thought?
A lot easier than I thought. I was surprised with the eagerness in which people wanted to be involved. Which is very exciting! This also reassures me that there are inﬂuential people activated and ready to combat the inhumane policies our government keeps churning out.
Which conversations are you most looking forward to?
After researching each individual and their backgrounds, I am honestly very excited for each conversation. I think they will offer so many different perspectives as well as ways to help. So, all of them!
What role can theatre play in triggering social action?
Theatre has always been a reﬂection of society. Shakespeare’s histories are basically the People magazine of the time. To say theatre is merely for entertainment, is an ignorant concept. And to say the arts is unnecessary for a nation, is stupid. Sorry to be so blunt. However, the reason I dedicate my life to this art form is because of its inﬂuence on society. Theater supplies ethos. We are humans. We need to connect. We need to feel. I believe theatre can supply an up close look at stories you wouldn’t experience otherwise even though, in reality, they might be happening right next to you.
What has your experience been like at the Fountain?
Amazing! Something that drew me to the Fountain Theatre is its commitment to socially provocative work. There is certainly a sense of working towards a shared goal. Everyone is passionate and excited to be there, which is necessary for a theatre to succeed. I feel very honored to be joining The Fountain Family. Thank you Robert and Stephen for bringing this play to life so quickly. I think it is essential for people to see this immediately.
Michigan State students with cast on ‘Baby Doll’ set.
by James Bennett
Monday night, we were granted the opportunity to host teacher Mark Colson and his fabulous group of intrepid theatre students from Michigan State University, who after a breathtaking performance of our critically acclaimed production of Tennessee Williams’ Baby Dollengaged in an inquisitive, inspiring, and heartfelt talkback with our amazing cast and director Simon Levy.
Director Simon Levy fielded a very good question: What’s the audition process like? Did you know we had over 600 submissions for the titular role of Baby Doll?
Actor John Prosky spoke about his artistic journey in manifesting the unchained, violent, and maddened Archie Lee, a character so far from his natural state he didn’t think he’d ever get the part. But when he came into the room to audition with Lindsay LaVanchy, something magic happened which brought the character to life.
The incredible Lindsay LaVanchy talked about her process of finding Baby Doll inside her. She spoke about how she had to open herself to being childlike, a quest she had undertaken many years ago but was unable to complete until preparing for this role. A typically reserved and precise woman, it took the innocence of Baby Doll to “crack her open”.
It is one of our greatest pleasures to share with and mentor the next generation of great theatre artists. What an incredible night!
This event was made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program making theatre accessible to students and young people.
How does theatre dramatize important social, political and cultural issues in a way that is compelling and meaningful? Can a play bring to life the challenges of immigration and the struggle of undocumented workers in a story that reveals the human being behind the stereotype? Isn’t it remarkable how the magic of theatre pulls us into the personal lives of these colorful characters in this play and then delivers a heart-stopping blow at the end that forces you to examine your own belief systems about yourself?
These compelling questions — and more — were some of the topics raised in a heartfelt Q&A discussion with the cast following yesterday’s matinee performance of My Mañana Comes. The audience included young people and adults from The Unusual Suspects Theatre Company, a non-profit organization that makes theatre accessible to low income youth and adults. The program also uses theatre as a vehicle to create community and empower, educate and give artistic voice to young people.
My Mañana Comesis a funny and powerful new play about four busboys — three Mexican, one African American — in a upscale restaurant who battle issues of immigration, fair pay for labor, and chasing the American Dream. The play utilizes fast-paced dialogue and slang in both English and Spanish. That same diversity was reflected in the cultural mix at yesterday’s Q&A when the discussion was conducted and translated in both Spanish and English.
The interchange between artists and young people in the community was made possible through the Fountain Theatre’s educational outreach program, Theatre as a Learning Tool, which provides the life-enhancing experience of live theatre to underserved young people throughout Southern California.
“Our goal at the Fountain is to use the power of theatre to put a human face on the social, political and cultural issues of our day,” says Co-Artistic Director Stephen. “And to open the eyes and minds and hearts of young people. There is nothing more rewarding than making theatre available to those in our community who otherwise have little or no access to what theatre can do.”
New York based playwright Elizabeth Irwin will be attending our hit LA Premiere of her play My Mañana Comes on Saturday May 14th at 8pm. Immediately following the performance, Irwin will be joined by the cast and director for a Q&A Talkback discussion with the audience.
My Mañana Comes is set in the frenzied kitchen of a fancy New York restaurant toiled by four busboys — three Mexican, one African American. The funny and fast-moving new play dramatizes such timely issues as immigration, undocumented workers, fair pay for labor, and chasing the American Dream.
Pablo Castelblanco, Lawrence Stallings and Peter Pasco
Elizabeth Irwin was born in Worcester, raised by Brooklyn and Mexico City. She was a 2013-14 Playwrights Realm Writing Fellow and is a member of the Public Theater’s 2015 Emerging Writer’s Group. Her play My Mañana Comes received its off-Broadway debut in September 2014 at the Peter Jay Sharp Theater as Playwright Realm’s Page One Production. She continues her work with Playwrights Realm as their 2014-15 Page One Resident Playwright. She was a member of the 2012-13 Soho Rep Writer/Director Lab. Elizabeth is a graduate of Amherst and Harvard and works in the New York City public schools. She is also a pretty great procrasti-baker.
Our Los Angeles Premiere of My Mañana Comes has earned rave reviews everywhere. The Los Angeles Times hails it as “engaging”, Broadway World calls it “wonderful” and Discover Hollywood demands “don’t miss this one!” The production has also been highlighted as Ovation Recommended.
On Saturday May 14th at 8pm, Elizabeth Irwin will be joined by actors Richard Azurdia, Pablo Castelblanco, Peter Posco, Lawrence Stallings and director Armando Molina for a lively post-show discussion. A wonderful evening of great theatre and good conversation with the artists. Join us! MORE INFO/Get Tickets
College students from UC Santa Barbara enjoyed our Sunday matinee preview of The Brothers Size and engaged in a fascinating Q&A Talkback with the cast and director after the performance. The students were particularly eager to see our production because they had been reading and studying the play in class.
The Brothers Size by Tarell Alvin McCraney is a hot-blooded, music-filled drama from one of the country’s most exciting new voices. After a homecoming in the bayous of Louisiana, the Size brothers, Ogun and Oshoosi, try to start fresh. This haunting, funny, and heartbreaking tour de force probes sexuality, coming of age, and the bonds of family as the brothers struggle to discover identity and to unearth a new sense of freedom.
Directed by Shirley Jo Finney, the Los Angeles Premiere at the Fountain Theatre stars Gilbert Glenn Brown, Matthew Hancock and Theo Perkins. It opens Saturday, June 7th. For more info and tickets click here.
Continuing its ongoing series of post-show Q&A Talkback discussions immediately following performances of The Normal Heart, the Fountain Theatre will host a conversation on “Religion, AIDS and the LGBT Community” this Friday night, Nov 1st. Led by Rev. Kathy Cooper-Ledesma of the Hollywood United Methodist Church (aka the Red Ribbon church) and Rev. Joe Shore-Goss of MCC in the Valley, the post-show audience discussion will also include members of the cast and the director.
Rev. Joe Shore-Goss
The Fountain Theatre is committed to reaching out and serving the wide variety of diverse communities that create the vibrant fabric of Los Angeles. At the Fountain, we encourage our audiences to not only watch a play but also engage in the conversation. Please join us for these invigorating, inspiring and thought-provoking discussions. See our acclaimed and powerful production of The Normal Heart this Friday and stay for the conversation.
The Normal Heart has been extended to December 15th! MORE
Post-show cafe chat last Sunday after the matinee of ‘Heart Song’.
By Bette Billett
On behalf of a very grateful UCLA Faculty Women’s Club, I wish to thank all who made Sunday such a rich experience.The after-show conversation and kudos for HEART SONG are still going on at the UCLA campus. A special thank you to Simon Levy and Stephen Sachs who came in on a Sunday, which we noted with gratitude. Stephen stayed for the entire get together and fielded the “insight into women” questions so agilely and , of course, because he wrote such a wonderful play. Many thanks, too, to the stellar cast. Lastly, thanks to Diana and James, who somehow make the ticketing run so smoothly.
Fond regards from Westwood,
Bette Billet, President UCLA Faculty Women’s Club
Bette Billet (left) with Deborah Lawlor, Tamlyn Tomita and Denise Blasor.