Tag Archives: Outdoor Stage

All our parking lot’s now a stage…

by Terri Roberts

…and we couldn’t be more excited!

Recently, we shared video with you of our cleared-out parking lot getting re-paved. With that job completed, we were ready for the big, exciting deliveries: the trussing and the stage.

Trussing is the aluminum support structure around the perimeter of the stage from which lighting and sound equipment are hung. The outdoor stage – which is larger than its indoor counterpart – is composed of individual modular units like those used in open-air productions that can be easily broken down, stored, and then re-assembled as needed.

Both are now in place, so viola! The outdoor stage is ready to go!

So what’s next? Lights and sound equipment. The set. The actors. Tech. And then…you, dear friends! We cannot wait to see you again. Tickets for our inaugural outdoor stage production, the LA premiere of Branden Jacobs-Jenkins An Octoroon, are on sale now. The New York Times hailed An Octoroon as “this decade’s most eloquent theatrical statement on race in America today.” Don’t miss it! Call the box office at 323/663-1525 or visit our website at http://www.fountaintheatre.com to reserve your seats under the stars.

Check out the video below and watch how it all came together:

Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s volunteer program. She also manages the Fountain Theatre Café and outdoor concessions.

Now Casting: L.A. Premiere of ‘An Octoroon’ opens new Outdoor Stage at Fountain Theatre

The Fountain Theatre is now casting roles for its Los Angeles Premiere of the Obie Award-winning play, An Octoroon, by Branden Jacobs-Jenkins. The production will launch the new Outdoor Stage at the Fountain Theatre. Judith Moreland directs.

Rehearsal Dates: 5/12/2021 – 6/10/2021

Preview Dates: 6/11/2021 – 6/16/2021

Opening Date: 6/18/2021

Closing Date: 9/19/2021

Performance Schedule: Fridays – Mondays 7pm

ROLES:

[BJJ/George/M’Closky]

30 to 45 years old, Black/African American male. A frustrated contemporary playwright.  Probing, idealistic, quick-witted, mocking. Puts on whiteface to make sense of Boucicault’s 19th century melodrama, playing both the cartoonish white villain (M’Closky) and the white hero (George) who falls in love Zoe. Seeking a skilled versatile actor who moves well. Strong sense of comedic timing a must. 

[Assistant/Pete/Paul]

30 to 45 years old, male. Native American, Asian, Middle Eastern or South Asian. Seeking fearless versatile actor to don blackface to play older slave Pete (offensive caricature —think Stepin Fetchit) and Paul (cartoonish pickaninny-type slave child—think Alfalfa from Our Gang). Actor must find the humanity in these disturbing stereotypical characters. 

[ZOE]

25 to 35 years old, female. Caucasian, Biracial, or multi-racial. White in appearance, Zoe is The Octoroon (person 1/8th Black by descent) of the title. Raised as a white-passing free woman but legally a slave. Educated, kind-hearted, dutiful, loyal – yet filled with self-loathing. Treated as though she has no mind of her own and no right to make her own decisions. Seeking classically-trained actress to bring heart to Zoe’s tragic journey.

[DORA]

30 to 40 years old, Caucasian female. A fading Southern Belle. Self-absorbed, privileged, spoiled, a wealthy plantation heiress vying for George’s affection.  Actress must have strong comic timing.

[MINNIE]

35 to 50 years old, Black/African American female. House slave on the plantation, new at the job. Brash, unfiltered, no-nonsense, opinionated. A gossip. A slave, yet her language is modern. Must have strong comic timing.    

[DIDO]

35 to 45 years old, Black/African American female. Long-time house slave on the plantation. Wise, responsible, dry, with a sly sense of humor. Knows her place, as well as where the bodies are buried. A slave, yet her language is modern. Must have strong comic timing. 

[GRACE]

25 to 30 years old, Black/African American female. Pregnant domestic slave. Jaded, cynical. Not afraid to call things out with her own realistic spin, stand up for herself, or use her fists if she needs to.  Yearns to run away, even though she is pregnant. A slave, yet her language is modern. Must have strong comic timing.   

STORYLINE:

An Octoroon is a play about a play. A modern-day Black playwright is struggling to find his voice among a chorus of people telling him what he should and should not be writing. He adapts his favorite play, The Octoroon by Dion Boucicault, a 19th-century melodrama about illicit interracial love written seven years after Uncle Tom’s Cabin. The Black Playwright quickly realizes that getting white, male actors of today to play evil slave owners will not be easy. So, he decides to play the white male roles himself – in whiteface. What ensues is an upside down, topsy-turvy world where race and morality are challenged, mocked and savagely intensified. A highly stylized, theatrical, melodramatic reality is created to tell the story of an octoroon woman (a person who is ⅛ black) named Zoe and her quest for identity and love. Racial stereotypes are brutally satirized. Funny and profoundly tragic, Branden Jacobs-Jenkins’ An Octoroon is a whirlwind of images and dialogue that forces audiences to look at, laugh at, and be shattered by America’s racist history. Winner of the OBIE Award for Best New American Play.

To submit: Via Breakdown Services and Actors Access.

Questions? Email us at casting@fountaintheatre.com

Video: Fountain Theatre prepares parking lot for new Outdoor Stage

One year ago today …

On March 12, 2020, we were forced to shut down our hit production of the world premiere of HUMAN INTEREST STORY due to the COVID pandemic. One year later, after an unimaginable period of closing our doors, we are poised to launch our game-changing Outdoor Stage this summer.

L.A. premiere of ‘An Octoroon’ by Branden Jacobs-Jenkins will launch outdoor stage at Fountain Theatre

Playwright Branden Jacobs-Jenkins

The Los Angeles premiere of An Octoroon by Branden Jacobs-Jenkins will inaugurate the new outdoor stage at the Fountain Theatre later this spring. Judith Moreland will direct.

Winner of the Obie Award for Best American Play, Jacobs-Jenkins’ landmark play has earned ecstatic reviews nationwide. The New York Times hailed it as “this decade’s most eloquent theatrical statement on race in America today.” The Guardian declared it “brilliant” and “extraordinary.”

An Octoroon is a radical, incendiary and subversively funny riff on Dion Boucicault’s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire.

“I’m proud the Fountain will introduce this bold play to Los Angeles audiences on our new outdoor stage,” states Fountain artistic director Stephen Sachs. “It could not be timelier. The moment has come for our nation to confront its own racist history. Branden uses satire to get to the dark core of American slavery and the racial stereotypes that continue to plague this country today.” 

Earlier this year, the Fountain received approval from the City of Los Angeles to install the outdoor stage for the purpose of safely presenting live performances and other events during the pandemic. Construction is set to begin this month, with the opening of An Octoroon slated for June.

Before that can happen, a number of tasks remain on the Fountain’s to-do list to inaugurate the outdoor venue. The first step is to repave the parking lot, where the stage will be installed. Lighting, sound, and video equipment will be loaded in. New chairs will be positioned according to COVID guidelines to accommodate 84 viewers. The entire site will meet all safety requirements for artists and audience members.

“Everything now depends on the COVID numbers,” says Sachs. “Once they drop to a level where the County Department of Public Health allows a gathering outdoors of one hundred people, with safety guidelines in place, we’re good to go.”

The new outdoor performance area is made possible, in part, by the generous support of Karen Kondazian, the Vladimir and Araxia Buckhantz FoundationRabbi Anne BrenerCarrie Chassin and Jochen HaberMiles and Joni Benickes, and the Phillips-Gerla Family.

For more information about the Fountain Theatre, go to www.fountaintheatre.com

KTLA TV profiles Fountain Theatre and its plan for Outdoor Stage this summer

Host Dayna Devon (“L.A. Unscripted“) profiles the Fountain Theatre and its exciting plans for an Outdoor Stage this summer as a game-changing response to COVID-19.

Stephen Sachs believes Fountain’s Outdoor Stage will be game-changer

Curious about the future of Los Angeles theatre and our game-changing Outdoor Stage? Artistic Director Stephen Sachs chats with theatre journalist Steven Leigh Morris.

Fountain Theatre approved by City of Los Angeles to install outdoor stage during pandemic

Artist rendering by Matthew Hill

The Fountain Theatre has received approval from the City of Los Angeles to install a temporary outdoor stage for the purpose of presenting live performances and other events during the pandemic.

“Pandemic permitting, we hope to open our first outdoor production by late spring or early summer,” says Fountain artistic director Stephen Sachs. “We’re planning an exciting Los Angeles premiere that dramatizes urgent social issues using the Fountain’s signature bold and theatrical approach.”

Installed in what is now the theater parking lot, the new performance area will be able to accommodate 50 to 84 audience members. It will feature seven rows of chairs, each six feet apart, as well as 12 high-top tables positioned six feet apart for use by patrons from the same “bubble” households. Every aspect of the outdoor performance area will meet COVID-19 safety guidelines.

According to Sachs, “The most painful aspect of the past ten months has been the separation from our patrons and the disconnection from our art form. Until our indoor theater reopens, the outdoor stage will be a thrilling performance venue and a hub for our educational and community engagement programs. The outdoor stage will be the centerpiece as we re-emerge in 2021. It galvanizes our vision moving forward.”

The Fountain Theatre outdoor stage is made possible, in part, by the generous support of Karen Kondazian, the Vladimir and Araxia Buckhantz FoundationRabbi Anne BrenerCarrie Chassin and Jochen HaberMiles and Joni Benickes, and the Phillips-Gerla Family.

Want to join our family of donors and become an integral partner in making this thrilling new venture possible? Email Barbara Goodhill at Barbara@FountainTheatre.com.

The mission of the Fountain Theatre is to create, develop and publicly produce plays that reflect the diversity of Los Angeles, to serve young people through educational outreach programs, and to enhance the lives of the public with community engagement activities. For three decades, the Fountain has earned acclaim and admiration nationwide, been honored with more than 200 awards for artistic excellence and is a leader in the L.A. theater community. The organization is proud to count L.A. City Councilmember Mitch O’Farrell, and Mayor Eric Garcetti as supporters, reflecting the company’s successful history of partnering with City government. In addition to being a Los Angeles Department of Cultural Affairs grant recipient for decades, the Fountain launched a groundbreaking program that brings celebrity actors to L.A. City Hall to perform one-night free public readings in the City Council chambers.

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The gift in the darkness box

by Stephen Sachs

I’ve been thinking about a poem by Mary Oliver. The entire poem is only two lines. That’s all it needs. It goes like this:

“Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.”

2020 has been a deep box of darkness. Our task is to learn to view sorrows as gifts. That’s a hard one. The poem encourages us to do something when sorrows come, challenges us not to sit back and do nothing about them. That is what I have learned from this year.

It is hard to receive boxes of darkness. At the bottom of my box, I have found the gift of gratitude. For things big and small. As this dreadful year comes to its close, it has brought me this gift born of darkness: To be without the intimacy of the Fountain Theatre for one year makes me grateful for it even more. I hope you feel the same. While our holiday gatherings may be smaller or grid-boxed on Zoom, our hearts will surely be filled with gratitude.

With vaccinations now underway, our boxes of darkness soon will lighten. I honestly believe that the Fountain Theatre will play an essential role in the healing of our community. As we look ahead to 2021, the Fountain has ambitious plans to move forward, both online and onstage. Creating productions that illuminate what it means to be alive at this time in the world and providing impactful arts education programs for students in underserved schools across Los Angeles. All COVID-safe.

Here’s a snapshot: Our new online platform, Fountain Stream will debut a 2021 season of plays and inter-active community programs. Using innovative video technologies, we will go beyond Zoom, to give you intimate high-quality theatre that makes you think and feel. We have expanded Fountain for Youth, our arts education initiatives, with Fountain Voices, an extraordinary in-school playwriting program designed by France-Luce Benson. Our ground-breaking cops/kids residency, Walking the Beat, will return in a glorious new digital format. And, most ambitious of all, we are hopeful that in the spring of 2021, we will launch our biggest adventure next year: a thrilling Outdoor Stage in our parking lot. Live theatre under the stars! Completely COVID-compliant. Stay tuned.

But for now, the Fountain — like every theater throughout Los Angeles and across the nation — remains closed. I don’t have to tell you things are hard. For the Fountain, our earned income has ground to a halt. The Fountain’s budget has dropped by over 50%. Our building remains non-operational, still standing proud on Fountain Avenue thanks to grants, federal loans, contributions, and the private giving by you, our Fountain Family. 

If you have already made a year-end donation to our campaign, I thank you from the bottom of my heart. You are the gift in our darkness box. Your love, friendship and support are the light that shines the way through these uncertain times. If you haven’t yet contributed, please consider doing so. Your generous holiday gift will help make the coming year possible. I am asking you to turn the sorrows of this year into a gift of gratitude. Out of darkness, light! 

Onward,

Stephen Sachs is the Artistic Director of the Fountain Theatre.