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- World premiere ‘Human Interest Story’ explores homelessness and truth in journalism
- PHOTOS: Actors gather at first rehearsal for world premiere of new play ‘Human Interest Story’
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Tag Archives: new play
“The line between where you are now and sleeping in your car is much thinner than you think.” The Fountain Theatre presents the world premiere of a timely new play, written and directed by Stephen Sachs (Arrival & Departure, Citizen: An American Lyric, Bakersfield Mist), about homelessness, celebrity worship and the assault on American journalism. Human Interest Story opens at the Fountain on Feb. 15, where performances continue through April 5.
Set in the fast-moving world of new media, Human Interest Story chronicles the journey of newspaper columnist Andy Kramer, played by award-winning actor Rob Nagle (recent credits include Apple Season at Moving Arts and The Judas Kiss at Boston Court). Suddenly laid off when a corporate takeover downsizes his paper — a print publication struggling for readers in changing times — Andy fabricates a letter to his column in retaliation. The letter, from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world, goes viral, and Andy is forced to hire a homeless woman (Tanya Alexander — Mono/Poly at the Odyssey and Future Sex Inc. at the Lounge) to stand-in as the fictitious Jane. She becomes an overnight internet sensation and a national women’s movement is ignited.
According to Sachs, the play is about how contrary and opposing impulses can hide in the same human being. “A newspaper columnist, in the course of writing a human interest story on another individual, is forced to confront truths about himself,” he explains.
The cast also includes James Harper, previously seen at the Fountain in The Accomplices, as newspaper publisher Harold Cain. Playing multiple roles are Richard Azurdia (My Mañana Comes at the Fountain), Aleisha Force (Cleopatra in Antony and Cleopatra at Virginia Shakes, Maggie in Dancing at Lughnasa at Barnstormers Theatre), Matt Kirkwood (Our Class at Son of Semele, The Goat or, who is Sylvia? at the LGBT Center) and Tarina Pouncy (Vendetta Chrome at Coeurage Theatre; Les Blancs at Rogue Machine; and The Old Settler at International City Theatre, for which she garnered an NAACP award).
The creative team for Human Interest Story includes scenic and video designer Matthew G. Hill; lighting designer Jennifer Edwards; composer and sound designer Peter Bayne; costume designer Shon LeBlanc; video hair and makeup designer Diahann McCrary; and prop master Michael Allen Angel. The production stage manager is Emily Lehrer, and the assistant stage manager is Nura Ferdowsi. Simon Levy, James Bennett and Deborah Culver produce for the Fountain Theatre. Producing underwriters include David and Mary Jo Volk; Laurel and Robert Silton; Lois Tandy; and Toby and Daniel Bernstein. The executive producer is Karen Kondazian.
The story was initially inspired by the 1941 Frank Capra classic film Meet John Doe.
Stephen Sachs is the co-founder and co-artistic director of the Fountain Theatre and the author of 15 plays. Recent work includes his Deaf/Hearing love story, Arrival & Departure (“Critic’s Choice,” Los Angeles Times); his stage adaptation of William Goldman’s screenplay for All the President’s Men, starring Bradley Whitford and Joshua Malina at L.A. City Hall; and his stage adaptation of Claudia Rankine’s Citizen: An American Lyric, which premiered at the Fountain Theatre and was remounted by Center Theatre Group at the Kirk Douglas Theatre. His play Bakersfield Mist is performed worldwide. Sachs’ screenplay Sweet Nothing in my Ear, based on his play, was made into a CBS TV movie starring Jeff Daniels and Marlee Matlin. As director, he is a two-time Ovation Award winner and was recently honored by the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include all-star readings of Ms. Smith Goes to Washington and All the President’s Men at Los Angeles City Hall. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and was named a Los Angeles Times “Critic’s Choice.” The company’s recent West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list. This season, the Southern California premiere of Daniel’s Husband and the currently extended Los Angeles premiere of Between Riverside and Crazy were each named to multiple “Best of 2019” lists.
Here we go! A new year. A new season. Company members assembled on Tuesday for the first rehearsal of the upcoming world premiere of Human Interest Story, written and directed by Stephen Sachs. The riveting drama opens Feb 15.
In Human Interest Story, Newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
Enjoy these photos!
The Fountain Theatre is now casting roles available in the world premiere of the new play, Human Interest Story, written and directed by Stephen Sachs. The timely drama examining homelessness and ethics in journalism is scheduled to open February 15, 2020.
Newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited. A funny and riveting tale on the ethics of American journalism, homelessness, the worship of celebrity and the need to tell your own story.
Now Casting the Following Roles:
BETTY FRAZIER/JANE DOE
35 to 45 years old, Black/African American female. Laid-off elementary school teacher Betty Frazier has been homeless two years. She becomes an overnight media sensation as the fictitious Jane Doe. Strong-willed, compassionate, deep feeling, smart, nobody’s fool. She has come from the hell of darkness and is now reaching for light. Fiercely fighting to be seen and be heard, she discovers her own voice. The one she always had.
Caucasian male. Seeking a versatile actor to play many roles including Miller, a cold-blooded, ruthless newspaper editor, and Bauman, a scheming far-right political campaign aide.
40 to 50 years old, Hispanic male. Seeking a versatile actor to play many roles including Hernandez, an ardent by-the-book newspaper Assistant Editor, and Moran, a polite sturdy bodyguard.
35 to 50 years old, Black/African American female. Seeking a versatile actor to play many roles including Nakesha, a hard-working impassioned school principal and TV Host, a razor-sharp intellectual black feminist.
Rehearsal starts Monday, January 6th, 2020. The production runs February 15 – April 5, 2020. Contract: AEA 99-Seat. Auditions: November 11 -22, 2019.
Email headshot & resume: email@example.com
Thayer, a 72-year-old, gay psychotherapist and his ex-wife and great friend, Emma, decide to move back in together to take care of each other through their old age. Emma is still secretly in love with Thayer but does her best to hide it until Thayer and one of his patients – a Mexican-American transman, fall in love throwing sexual orientation, gender identity and true love into question for all concerned. It’s funny, deep, thought provoking and humanizes the struggle between hatred and acceptance in very original and memorable ways.
What is a workshop production? It is the next step in a new play’s developmental process. Although still a work-in-process, the actors will be off-book with the play fully memorized. Using simple props and costumes, the play is performed on the set of our current production of Daniel’s Husband.
Body Beautiful is directed by John Achorn, with Alex Alpharaoh, Leigh Curran, Geoffrey Rivas, Marcelo Tubert.
Audiences pick the winner in Fountain Theatre’s 5th annual Rapid Development Series for young writers
You be the judge: the audience will determine which play gets a professional staged reading at the Fountain Theatre in Round 2 of the company’s 5th annual competition-style reading series, set for Thursday, May 9 at 8 p.m. Admission is free.
The contestants are Eldritch by Michael Herman, a dark fairytale set in pagan Ireland that explores human monstrosity, adolescence and, ultimately, love — vs. — Monsters Are Made by Hannah C. Langley, in which Ricki is faced with a difficult set of questions when Hunter, her rapist and former friend, forces his way back into her life a year after he’s declared not guilty in the court of public opinion.
The Fountain’s Rapid Development Series is designed to showcase the work of previously unproduced, Los Angeles-based playwrights under the age of 30. In Round 1, each of four playwrights presented a section of a new play currently in development, and the audience voted to determine which two would continue to Round 2. In Round 2, audiences will see the entire first half of each of those two plays, followed by another vote. The winning play and playwright will be announced at the end of the evening in the Fountain’s upstairs café, where complimentary refreshments will be served. The prize: two professional staged readings of the entire play on the Fountain stage at the end of May.