by Stephen Sachs
Need a cure for what ails you? Next time you see your doctor, the prescription he or she scribbles may surprise you: see a play.
Research is now proving that gathering with other people to see a play, listen to music or watch a dance concert not only heals the soul. It mends the body, as well.
Doctors generally prescribe pills to make people feel better. Yet the medical benefits of engaging with the arts are well-recorded. A first-of-its-kind study last year found that the social engagement of art is an effective way to improve the health and well-being of patients with such long-term conditions as asthma, cardiovascular disease, diabetes, epilepsy, and osteoporosis—which often exacerbate symptoms of depression and/or anxiety.
Going to the theatre and being part of an audience, joining other human beings in a shared live experience, has medical benefits. Countless studies have found that social isolation takes a heavy toll on our well-being over time. One of the advantages of joining other theater-goers to see a play is that it reduces feelings of loneliness. Our daily lives in front of computer screens can be isolating. Attending live theatre boosts a sense of belonging and face-to-face human connectedness.
In January this year, the U.K. appointed Tracey Crouch to serve as its first “minister of loneliness” to explore how to combat the “sad reality of modern life”. According to a report last year from the Jo Cox Commission on Loneliness, more than 9 million people in Britain—around 14% of the population—often or always feel lonely. The numbers are even higher in the United States. Cigna’s recent survey revealed 46% of Americans — nearly half the population.– report sometimes or always feeling alone.
“We should value the arts because they’re essential to our health and wellbeing,” says British Health Secretary Matt Hancock. “Access to the arts improves people’s mental and physical health. It makes us happier and healthier.”
The larger question we must ask ourselves is: What sort of society do we want? One that generates physical and emotional illness and then thrives on pharmaceuticals to put it right? Or a society that embraces a more holistic approach to public health through social responsibility and artistic engagement? Given the toxic state of our politics and the poisonous nature of our society and environment today, it is remarkable that we manage to keep going as we are. But for how long? The dilemma was raised by Samuel Beckett, once again, at the theatre, “You must go on. I can’t go on. I’ll go on.”
Witnessing a powerful play can illuminate what it means to be a human being and connect us to a larger and higher vision of ourselves. In his powerful account of his own holocaust experience, psychiatrist Viktor Frankl concludes that the ‘search for meaning is the primary motivation in life’. He describes lack of meaning as an ‘existential vacuum’, often manifesting as boredom, and invaded by numerous neurotic and addictive problems. He quotes Nietzsche:
‘He who has a why to live can bear almost any how.’
This echoes, of course, the eternal question posed by Hamlet: “To be, or not to be …” This is how theatre triggers self-treatment. A theater-goer witnessing Hamlet’s struggle on stage is himself, from the audience, thrown into questioning the purpose of his or her own life. A great play, seen in the most public of settings, generates intimate self-examination and, at the same time, connects us to our fellow beings. Theatre is a journey inward and outward.
The arts play a critical role in the better health of our nation. Not only spiritually and aesthetically — but physically, medically. The arts, like health care, not only make life better — they make it livable. Congress seems to agree. Despite Trump’s call to eliminate the National Endowment for the Arts, Congress passed a 2019 budget increase of more than $2 million to the NEA and the National Endowment for the Humanities.
Even with this modest 2019 budget increase in arts funding, the United States is writing a doctor’s prescription to itself. Politicians must learn to protect the NEA as fervently as they defend the Second Amendment.
More than guns, Americans have the right to bear arts.
Stephen Sachs in the Co-Artistic Director of the Fountain Theatre.
The Public Theater’s production of Julius Caesar and the Fountain Theatre’s production of Building the Wall coincided this month. Newspapers on both coasts featured stories on both productions, with Oskar Eustis and Robert Schenkkan speaking out boldly for not only the right, but the necessity of freedom of speech and unrestricted artistic expression in this country. The subject of ‘The Politics of Theater’ became a significant 
The upstairs rehearsal room at the Fountain last night was transported back to 1964 and Andy Warhol’s Factory with the first reading of the new play, Freddie, written by Fountain Co-Artistic Director Deborah Lawlor. Freddie tells the unforgettable true story of 
