I have two children, two sons. Ask any parent what they wish for their child, the most common answer is happiness. “As long as they’re happy.” “I just want them to be happy.” I want my sons to be happy, have happy lives. More important to me is that they have lives that are meaningful. Happiness can be fleeting. Meaning is eternal. It’s why I chose a life in the theatre. I am in the meaning-making business.
A meaningful play tells the story of people overcoming adversity. “Theatre is conflict” is the number one rule of a well-written play. That’s because it is true in life. Buddha’s first teaching was that in life we experience struggle and change. It’s not the adversity itself that leads to meaning and growth. It’s how we respond to it.
In a play, conflict is the engine of storytelling and change is the destination. It’s why we see plays in the first place. We experience, from a safe distance, how people face a life-threatening challenge. We feel what they feel, we watch what they do, what decisions they make, and how they are changed by it. A play can show us how to grow through adversity. That makes each of you who come to the Fountain meaning-seekers.
What does this pandemic mean? I don’t know. For today, we must find the courage to live with uncertainty. And then do the same tomorrow. Soon, the Fountain will reopen, and we’ll explore and express what it means, together. On our stage.
Stephen Sachs is the Co-Founding Artistic Director of the Fountain Theatre
Lauren Gunderson’s “I and You”, Fountain Theatre, 2015.
By Lauren Gunderson
Think of this pitch to a room of venture capitalists: “What we’re proposing is a scalable, repeatable product that makes vital intellectual and emotional wisdom portable, communicable, and adaptable and memorable. Everyone will use it and keep using it for millennia. We call it: storytelling.”