Liza Fernandez, Joshua Bitton, Guillermo Cienfuegos, Victor Anthony, Lesley Fera, Montae Russell and Marisol Miranda
What happens when you mix a Pulitzer Prize winning script, a company of phenomenal actors and a skilled director together in one room? You get magic. From the moment the first lines of Stephen Adly Guirgis’ funny and powerful Between Riverside and Crazy were spoken at Wednesday night’s first rehearsal, all knew they were in for a wild and joyous ride.
In Gurigis’ profane and tender tale, ex-cop and recent widower Walter “Pops” Washington and his newly paroled son Junior have spent a lifetime living between Riverside and crazy. But now, the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed—and the church won’t leave him alone. When the struggle to keep one of New York City’s last great rent-stabilized apartments collides with old wounds, sketchy new houseguests, and a final ultimatum, it seems that the old days may be dead and gone.
Directed by award-winning Guillermo Cienfuegos, the cast includes Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, and Montae Russell.
At the first meet-and-greet, the company was joined by Fountain staff, Board members and donors. The group enjoyed a brief welcoming reception and then gathered on the Fountain stage for the reading of the script. Director Cienfuegos commented that he was struck by the support of the Fountain Theatre Family. Never, he said, had he witnessed such a show of community at a first rehearsal, with such a large number of dedicated people so eagerly present. “This is wonderful,” he grinned. “Because the play, in addition to being about racism and class and police work, is really about family.”
What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.
In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.
Matthew Hancock, Clarissa Thibeaux, Chad Addison in rehearsal for “Hype Man”
Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.
Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”
Originally from outside Boston, Chad Addison has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand.
Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition, he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren. He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson). Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.
Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks. She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.
Last night, the company of actors, director, design and production team for our upcoming West Coast Premiere of Hype Mangathered together for the exciting first rehearsal. After filling out paperwork and planning schedules, the cast read the script and the award-winning “break beat play” by Idris Goodwin came to life.
Social injustice, racial identity, gender inequity, career ambition and friendship converge — and collide — in Hype Man, directed by Deena Selenow.
Hype man Verb, played by Matthew Hancock (The Brothers Size, I and You at the Fountain, Honky at Rogue Machine, LADCC and Stage Raw awards for Hit the Wall), has been backing up front-man rapper Pinnacle (Chad Addison, seen in Connect, The Perfect Crime, My Plastic Girlfriend and more at Theatre 68) since they were kids. Adding beat maker Peep One (Clarissa Thibeaux of Echo Theater Company’s The Found Dog Ribbon Dance) to their group sparked a flame, and now the interracial trio is flexing serious hip-hop muscle. But when an unarmed black teenager is shot by police, it forces the group to navigate issues of friendship and race.
Opening night is set for a Feb. 23, with performances continuing through April 14.
Matthew Hancock and Jennifer Finch in “I and You”.
The Fountain Theatre’s acclaimed 2015 productions of Lauren Gunderson’s I and Youand Citizen: An American Lyric by Claudia Rankine have earned four NAACP Theatre Award nominations for productions presented between January – December, 2015.
The NAACP Theatre Awards is presented by the Beverly Hills/Hollywood NAACP Branch in partnership with the City of Los Angeles and Los Angeles City Council President/Councilmember District 10 Herb Wesson, Jr. and co-chaired by Byron K. Reed, Senior Vice President of Wells Fargo-West Region Community Relations, and Jeffrey Rush of Morgan Stanley Wealth Management.
“We’re always pleased to be acknowledged by the NAACP theatre committee,” says Fountain Co-Artistic Director Stephen Sachs. “We have a long and successful history of supporting and presenting the work of a rich variety of artists on our stage. Diversity and inclusion is at the core of our artistic mission.”
‘Citizen: An American Lyric’ at the Fountain Theatre
The mission of the NAACP Theatre Awards is to entertain, educate, and inspire the community and create diversity in the arts and entertainment industry. To honor LA theatre artists and celebrate live theatre in Los Angeles.
This year, the Fountain Theatre has received the following nominations:
Best Lead Male – Matthew Hancock, I and You
Best Choreography – Anastasia Coon, Citizen: An American Lyric
Best Lighting – Jeremy Pivnick, I and You
Best Set Design – Tom Buderwitz, I and You
The awards show will be held on Monday, November 21, 2016, at 6:00 p.m. at the Saban Theatre in Beverly Hills. More info.
The upstairs rehearsal room at the Fountain last night was transported back to 1964 and Andy Warhol’s Factory with the first reading of the new play, Freddie, written by Fountain Co-Artistic Director Deborah Lawlor. Freddie tells the unforgettable true story of Frederick Herko, the young avant garde dancer who galvanized audiences and those who knew him in New York’s East Village during the turbulent 1960’s.
Frederick Herko 1964
Continuing its commitment to developing new plays, the reading last night offered Lawlor and the Fountain team the opportunity to hear the script read aloud by actors for the very first time. Reading the new play last night were actors Kristin Carey, Faith D’Amato, John Dyer, Harry Farmer, Dennis Gersten, Matthew Hancock, Rob Nagle, Natalie Ochoa, Erin Reed, and Donna Simone Johnson. The reading was directed by Frances Loy.
A dazzling storm of charisma, beauty and artistic passion, Herko was a brilliant 28 year-old dancer of extraordinary talent haunted by dark self-destructive demons. A fiery denizen of Andy Warhol’s Factory and the experimental scene in Greenwich Village, Herko became more eccentric, unpredictable and self-destructive. In 1964, while dancing in his apartment to Mozart’s Coronation Mass, Herko leapt out the window and fell to his death five stories down. Created by Deborah Lawlor, who was a close friend of Herko in the final year of his life, the project chronicles the blazing comet of the Icarus-like Freddie and the explosive creative energy of the 1960’s. By fusing theatre, music, and dance the project will capture the explosive spirit of a passionate artist and a turbulent era.
The development of Freddie is supported, in part, by a grant from the national Endowment for the Arts. A workshop presentation of the new work will be presented this fall.
Gilbert Glenn Brown, Matthew Hancock, Theodore Perkins in ‘The Brothers Size’.
The Fountain Theatre’s acclaimed 2014 production of Tarell McCraney’s The Brothers Size has been nominated for 4 NAACP Theatre Awards. The Awards are presented annually by the Beverly Hills-Hollywood branch of the NAACP and are part of a four-day festival to honor outstanding people of color in theatre.
“We are always pleased and proud to be recognised by the Beverly Hills/Hollywood NAACP theatre committee,” stated Fountain Co-Artistic Director Stephen Sachs. “It’s a continuing affirmation to our decades-long commitment to diversity on our stage.”
For this current Award cycle, the Theatre Viewing Committee considered productions from January to December of 2014. The Fountain’s 2014 Los Angeles Premiere of The Brothers Size earned the following four nominations:
Best Playwright – Tarell Alvin McCraney
Best Director – Shirley Jo Finney
Best Choreography – Ameenah Kaplan
Best Ensemble Cast – Gilbert Glenn Brown, Matthew Hancock, Theodore Perkins
“I am excited about combining the awards show and the festival because this platform will bring thespians and theatre lovers from across the country to the city of Los Angeles to enjoy the art that is theatre,” said Ron Hasson, president of the Beverly Hills/Hollywood NAACP. “The NAACP Theatre Awards Show represents an ever-growing theatre community in Los Angeles and we want to elevate this already highly recognized event in Los Angeles and heighten its visibility nationwide.”
Matthew Hancock and Jennifer Finch in ‘I And You’.
Editor Steven Stanley today announced his recipients of the 2014-15 StageSceneLA Theatre Awards. The Fountain Theatre was awarded 16 citations for its 2014-15 productions of I And You, Reborning and Broomstick. Steven Stanley’s StageSceneLA.com has spotlighted the best in Southern California theater since 2007.
The Year’s Top 8 Intimate Theatres – Fountain Theatre
The Year’s Top 8 Productions, PLAY – I And You
Outstanding Drama (Intimate Theater) Reborning
Outstanding Production, Solo Performance Broomstick
Ensemble Cast, Drama (Intimate Theatre) Reborning
Performance in a Play Jennifer Finch, Matthew Hancock, I and You
Lead Performance, Duo Ensemble, (Intimate Theatre) Jennifer Finch and Matthew Hancock, I and You
Performance by a Lead Actress (Intimate Theatre) Joanna Strapp, Reborning
Best Solo Performance Jenny O’Hara, Broomstick
Direction of a Drama (Intimate Theatre) Simon Levy, Reborning
Direction of a Comedy/Drama, (Intimate Theatre) Robin Larsen, I and You
Direction of a Solo Performance Stephen Sachs, Broomstick
Production Design (Intimate Theatre) Broomstick
Composer of the Year Peter Bayne, Reborning
Scenic & Properties Design of the Year Andrew Hammer (set) and Misty Carlisle (properties) for Broomstick