Montae Russell, Joshua Bitton, Lesley Fera, Marisol Miranda, Matthew Hancock.
The Fountain Theatre’s acclaimed Los Angeles Premiere of the Pulitzer Prize winning play Between Riverside and Crazy by Stephen Adly Guirgis will extend its sold-out run to January 26, 2020. The original cast will remain intact.
The performance schedule continues to be Friday 8pm, Saturday 2pm & 8pm, Sunday 2pm and Monday 8pm (Pay What You Want). More info/Get Tickets
Over a dozen rave reviews:
“THE PULITZER-WINNING PLAY YOU MUST SEE IN L.A.” — Los Angeles Times
“REWARD[S] US WITH THE RAREST OF GIFTS: the pleasure of a raffish grace where you least expect to find it.”— Cultural Weekly
“SUPERBLY ACTED… The Fountain Theatre has done itself proud again.” — Hollywood Progressive
“SPLASH SELECTION… a superbly directed, acted, and produced must-see show.” — LA Splash
“HUMOR AND WORDPLAY AND FANTASTIC MUSIC… POWERFUL PERFORMANCES” — Larchmont Buzz
“A thoughtful exploration of family, forgiveness, and deciding what is important when life has not gone the way you imagined… led by a TOUR DE FORCE from Russell, who brings the enigmatic Pops to life with impressive complexity.” — On Stage and Screen
“NEEDS TO BE SEEN… sometimes hilarious, sometimes agonizing… a seamless, breathtaking ensemble” — People’s World
“OUTSTANDING… laugh lines abound… deals with profound issues of the human condition.” — Beverly Cohn, Santa Monica Mirror
“WOW!…SENSATIONAL… Contemporary play-writing at its most original and Los Angeles theater at its finest.” —Stage Scene LA
“SCINTILLATING… an exciting, engrossing piece of theatre with a cast of seasoned pros.” Theatre Notes
“BRILLIANT DIRECTION… [A] SUPERB CAST“—Theatre Spoken Here
“HILARIOUSLY OUTRAGEOUS and delightfully off-kilter dialogue… one of out city’s best ensemble casts” — Ticket Holders LA
“FEARLESS… a brutally honest understanding of human emotions fully on display by a talented cast of seven.” — Culver City News
Montae Russell in “Between Riverside and Crazy” at the Fountain Theatre.
By Darlene Donloe
Montae Russell is well known throughout Los Angeles theater circles for playing meaty roles. He’s played Charlie “Bird” Parker in Bird Lives!, Memphis in Two Trains Running andElmore in a production of King Hedley II. He also played Mister on Broadway in King Hedley II opposite Viola Davis and Leslie Uggams.
Up next for the veteran thespian is a complicated, determined man named Walter “Pops” Washington who has declared war on almost everything in the Stephen Adly Guirgis 2015 Pulitzer Prize-winning comedy-drama Between Riverside and Crazy, opening October 19 at the Fountain Theatre in Hollywood.
Russell, a Pittsburgh native is ready to take on the role. While talking to him about the show and “Pops”, the 50-something, married (Tonia), father of one, walked around a local park to let the imagery of the play and the character “sink in.” It’s a process, he said allows him to be “closer to where I need to be” when he hits the stage.
Russell’s first acting role came in the seventh grade when he played Ebenezer Scrooge in A Christmas Carol. His first professional play was in the off-Broadway production of Three Ways Home at the Astor Place Theater in New York.
Eventually he brought his talent to Los Angeles where he became a respected film, television and theater actor.
A highly sought after actor, Russell had to decide between doing August Wilson’s Gem of the Ocean and Between Riverside and Crazy. He said it was a hard decision, but he read something in the “Pops” character that spoke to him.
In Between Riverside and Crazy, the 2015 Pulitzer Prize-winning comedy-drama by Stephen Adly Guirgis, ex-cop and recent widower Walter ‘Pops’ Washington has made a home for his newly paroled son in his sprawling, rent-controlled New York City apartment on Riverside Drive. But now the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed, and the church is on his back — leaving Pops somewhere between Riverside… and crazy.
Montae Russell and Victory Anthony in “Between Riverside and Crazy”
I recently caught up with Russell to discuss his role in Between Riverside and Crazy.
DD: In your own words, describe Between Riverside and Crazy.
MR: I really can’t describe it because I’m in the midst of it. Well, from my character’s perspective, he was a cop who was shot by a white cop eight years ago. The cop overreacted when he saw black people in a bar. My character is in a battle with NYPD. He’s living in a rent-controlled apartment on Riverside Drive. The landlord wants him out so he can charge more rent.
But my character is dug in. He’s not backing down. His son is an ex-con. He is fighting for his son. Every father wants his son to become a man. He is also fighting a war with himself. He has war with a lot of people. He has a battle with the bottle and his body. He has stress and strife. There are external forces and an internal battle within himself. Sometimes it’s not about annihilating your opponent. Sometimes you just have to sign a truce.
DD: In what way are you like Pop and in what way are you the furthest from Pop?
MR: I’m a fighter, but I don’t have as many wars. I have a stubborn streak. I don’t have multiple wars, though. I don’t have people coming at me as he does. But, I can understand what it would be like. I respect the character. I just fight differently.
DD: Why did you want to play this part?
MR: When I read it, I cracked up. A lot of things about the character made me laugh. He is raging a war with God, or with his beliefs because of all the things that have happened. You can’t win that war. It’s a very hilarious play. Pops is pulling no punches. He doesn’t care. He is the master of his domain. He’s a very funny cat. He’s not a rabble-rouser. He’s not an activist. He’s a conservative – but not in a social way – more of an interpersonal way. He’s a traditional man, an old school man. He comes from a time when you controlled your emotions.
DD: How did you go about developing Pop?
MR: It’s a day-by-day thing. We’ll be developing until the end of the play in December. Different stuff is revealed each time you crack open the script. There is constant tweaking.
He’s not funny, Ha, Ha. He’s funny concerning his perspectives. Living like that can cause problems. You have to give a fuck at some point. You have to give a fuck about something.
DD: Have you ever been between Riverside and crazy?
MR: You would have to ask the people around me.
Montae Russell, Joshua Bitton, Lesley Fera, Marisol Miranda, Matthew Hancock.
DD: By what criteria do you decide to do a show?
MR: It has to be a challenge. I have to think I can bring something to it. It’s about what speaks to me. I was supposed to do Gem of the Ocean. I was going to play Caesar. Both shows were going up at the same time. I opted to do this instead. It’s difficult to turn down a role like Caesar. It would have also been difficult to turn down this role.
DD: You’ve played a lot of characters. What role did you nail?
MR: I try to do that all the time. I enjoyed playing Memphis in Two Trains Running. August Wilson front-loads his characters with a lot of stuff they are dealing with. The character challenged me. It felt good that I concurred it. The stuff he has to live through. His backstory – all of that comes into the show. You’re responsible for the backstory even if it doesn’t come up in the play.
DD: How do you prepare to go on stage? Any rituals?
MR: I gotta be at the theater at least 45 minutes before I’m supposed to be there. I have to have food in my stomach to power through the show. It’s just like a sporting event. You can’t keep running back to the locker room. I like to warm up my voice. I warm up my diction and I stretch. I need to be by myself and get in my space. I like to get in my zone.
DD: Why did you want to be an actor?
MR: A lot of people today don’t know what they want to do. I was blessed at 13 – that’s when I knew. From there, I got green lights all the way. One job led to another. August Wilson wrote my letter of recommendation to get into Rutgers. He reached back.
DD: What happens to you when you’re on stage?
MR: It allows you to go to another world. Your imagination has to buy it. It’s the same concept when doing a show. We are on stage being looked at by an audience. That to me is fun. It’s nice to get away from the real world and step into someone else’s shoes for a while.
Liza Fernandez, Joshua Bitton, Guillermo Cienfuegos, Victor Anthony, Lesley Fera, Montae Russell and Marisol Miranda
What happens when you mix a Pulitzer Prize winning script, a company of phenomenal actors and a skilled director together in one room? You get magic. From the moment the first lines of Stephen Adly Guirgis’ funny and powerful Between Riverside and Crazy were spoken at Wednesday night’s first rehearsal, all knew they were in for a wild and joyous ride.
In Gurigis’ profane and tender tale, ex-cop and recent widower Walter “Pops” Washington and his newly paroled son Junior have spent a lifetime living between Riverside and crazy. But now, the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed—and the church won’t leave him alone. When the struggle to keep one of New York City’s last great rent-stabilized apartments collides with old wounds, sketchy new houseguests, and a final ultimatum, it seems that the old days may be dead and gone.
Directed by award-winning Guillermo Cienfuegos, the cast includes Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, and Montae Russell.
At the first meet-and-greet, the company was joined by Fountain staff, Board members and donors. The group enjoyed a brief welcoming reception and then gathered on the Fountain stage for the reading of the script. Director Cienfuegos commented that he was struck by the support of the Fountain Theatre Family. Never, he said, had he witnessed such a show of community at a first rehearsal, with such a large number of dedicated people so eagerly present. “This is wonderful,” he grinned. “Because the play, in addition to being about racism and class and police work, is really about family.”
What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.
In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.
Matthew Hancock, Clarissa Thibeaux, Chad Addison in rehearsal for “Hype Man”
Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.
Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”
Originally from outside Boston, Chad Addison has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand.
Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition, he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren. He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson). Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.
Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks. She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.
Last night, the company of actors, director, design and production team for our upcoming West Coast Premiere of Hype Mangathered together for the exciting first rehearsal. After filling out paperwork and planning schedules, the cast read the script and the award-winning “break beat play” by Idris Goodwin came to life.
Social injustice, racial identity, gender inequity, career ambition and friendship converge — and collide — in Hype Man, directed by Deena Selenow.
Hype man Verb, played by Matthew Hancock (The Brothers Size, I and You at the Fountain, Honky at Rogue Machine, LADCC and Stage Raw awards for Hit the Wall), has been backing up front-man rapper Pinnacle (Chad Addison, seen in Connect, The Perfect Crime, My Plastic Girlfriend and more at Theatre 68) since they were kids. Adding beat maker Peep One (Clarissa Thibeaux of Echo Theater Company’s The Found Dog Ribbon Dance) to their group sparked a flame, and now the interracial trio is flexing serious hip-hop muscle. But when an unarmed black teenager is shot by police, it forces the group to navigate issues of friendship and race.
Opening night is set for a Feb. 23, with performances continuing through April 14.
Matthew Hancock and Jennifer Finch in “I and You”.
The Fountain Theatre’s acclaimed 2015 productions of Lauren Gunderson’s I and Youand Citizen: An American Lyric by Claudia Rankine have earned four NAACP Theatre Award nominations for productions presented between January – December, 2015.
The NAACP Theatre Awards is presented by the Beverly Hills/Hollywood NAACP Branch in partnership with the City of Los Angeles and Los Angeles City Council President/Councilmember District 10 Herb Wesson, Jr. and co-chaired by Byron K. Reed, Senior Vice President of Wells Fargo-West Region Community Relations, and Jeffrey Rush of Morgan Stanley Wealth Management.
“We’re always pleased to be acknowledged by the NAACP theatre committee,” says Fountain Co-Artistic Director Stephen Sachs. “We have a long and successful history of supporting and presenting the work of a rich variety of artists on our stage. Diversity and inclusion is at the core of our artistic mission.”
‘Citizen: An American Lyric’ at the Fountain Theatre
The mission of the NAACP Theatre Awards is to entertain, educate, and inspire the community and create diversity in the arts and entertainment industry. To honor LA theatre artists and celebrate live theatre in Los Angeles.
This year, the Fountain Theatre has received the following nominations:
Best Lead Male – Matthew Hancock, I and You
Best Choreography – Anastasia Coon, Citizen: An American Lyric
Best Lighting – Jeremy Pivnick, I and You
Best Set Design – Tom Buderwitz, I and You
The awards show will be held on Monday, November 21, 2016, at 6:00 p.m. at the Saban Theatre in Beverly Hills. More info.