“I am so honored and excited to be a part of the Fountain Theatre family.”
The Fountain Theatre is delighted to welcome Brenda L. Marsh, C.P.A., C.F.E., as a new member to our Board of Directors. Brenda is an accountant and partner with the Los Angeles accounting firm Goren, Marcus, Masino & Marsh. She joined the firm in 1993, and became a partner January 2003. Brenda has a Bachelor of Commerce degree with an emphasis in accounting from the University of Alberta, Edmonton, Canada, 1979. She has been in public accounting since 1979, including international C.P.A. firm experience. Her areas of expertise include: litigation support services, auditing, review and compilation of financial statements in a variety of industries; and corporate tax preparation.
Brenda brings years of dedicated experience in philanthropic service to the Fountain. She is committed to enriching communities and improving the lives of others and has served on the boards of charitable organizations. Brenda is married with two children and lives in Los Angeles.
“I am so honored and excited to be a part of the Fountain Theatre family,” says Brenda.
We look forward to Brenda enhancing our Board with her professional guidance and expertise, her intelligence, good humor and positive energy. Welcome, Brenda!
Oya can run faster than anyone—but not fast enough to escape her destiny. Shirley Jo Finney directs the long-awaited Los Angeles premiere of In the Red and Brown Water. Lyrically weaving together elements of urban contemporary realism with West African mysticism, Tarell Alvin McCraney’s lusciously theatrical and boldly original new play opens at The Fountain Theatre on October 20.
How far will fast, beautiful Oya go to make a mark in the world? The first of McCraney’s acclaimed “The Brother/Sister Plays,” In the Red and Brown Water is an intoxicating story that charts a young girl’s thrust into womanhood, her family struggle, the two men vying for her heart, and her subsequent fall into the murky waters of life. McCraney mixes the mundane with the mythic, drawing on Yoruban influences while setting the play in a modern urban context—a housing project in the fictional Bayou city of San Pere, Louisiana.
“This production was three years in the making,” says Fountain Theatre artistic director Stephen Sachs. “When ‘The Brother/Sister Plays’ exploded onto the theatrical scene in 2009, it was clear that Tarell was an important and rising new voice. We immediately began our fight for the rights to do this play and refused to give up. The Fountain Theatre is a theater of the heart—and this is where we want the play to live in Los Angeles.”
“I began to investigate how to use ancient myths, stories, to tell urban ones,” McCraney wrote. “I began taking old stories from the canon of the Yoruba and splicing them, placing them down in a mythological housing project in the south. This made the stories feel both old and new, as if they stood on an ancient history but were exploring the here and now.”
Tarrell Alvin McCraney
Lauded by The New York Times as “something rare in the theater, a new, authentically original voice,” and by the Chicago Tribune as “without question, the hottest young playwright in America,” 32-year-old Tarell Alvin McCraney has won numerous awards, including the Paula Vogel Playwriting Award, the Whiting Writing Award, London’s Evening Standard Award for Most Promising Playwright and the National Endowment for the Arts Outstanding New American Play Selection. His plays include Wig Out! (developed at Sundance Theatre Lab, produced in New York by the Vineyard Theatre and in London by the Royal Court) and the trilogy entitled The Brother/Sister Plays, including: The Brothers Size (simultaneously premiered in New York at the Public Theater, in association with the Foundry Theatre, and in London at the Young Vic, where it was nominated for an Olivier Award); In the Red and Brown Water; and Marcus, or the Secret of Sweet. His other plays include Without/Sin and Run, Mourner, Run (adapted from Randall Kenan’s short story), both of which premiered at Yale Cabaret. He holds a B.F.A. in acting from DePaul University, and he graduated from the playwriting program at the Yale School of Drama. He is the Royal Shakespeare Company’s international writer in residence and is currently under commission at Manhattan Theatre Club and Berkeley Rep. His new play, Head of Passes, will have its world premiere in April at Steppenwolf Theatre Company, directed by Tina Landau.
In the Red and Brown Water stars Dorian Christian Baucum, Peggy A. Blow, Gilbert Glenn Brown, Justin Chu Cary, Diarra Kilpatrick, Stephen Marshall, Simone Missick, Iona Morris, Theodore Perkins and Maya Lynne Robinson. Set design is by Frederica Nascimento; lighting design is byJosé Lopez; sound design is by Peter Bayne; costume design is by Naila Aladdin Sanders; prop design is by Misty Carlisle; choreography is by Ameenah Kaplan; vocal coach is Brenda Lee Eager; dialect coach is JB Blanc; assistant director is Erinn Anova; production stage manager is Shawna Voragen; assistant stage manager is Terri Roberts; and Stephen Sachs and Deborah Lawlor produce.
Shirley Jo Finney with NAACP Theater Award
Shirley Jo Finney previously directed award-winning productions of From the Mississippi Delta, Central Avenue, Yellowman and The Ballad of Emmett Till at the Fountain Theatre. Her work has been seen at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, LA Theater Works, Crossroads Theater Company, Actors Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival, Kennedy Center for the Performing Arts and, most recently, the State Theater in Pretoria, South Africa, where she helmed a critically acclaimed production of the South African opera, Winnie, based on the life of political icon Winnie Mandela. Ms. Finney has been honored with Ovation, Los Angeles Drama Critics Circle, Back Stage Garland, LA Weekly and NAACP awards. For television, she directed several episodes of Moesha,and she garnered the International Black Filmmakers ‘Best Director’ Award for her short film, Remember Me. In 2007 she received the African American Film Marketplace Award of Achievement for Outstanding Performance and Achievement and leader in Entertainment.
Don’t miss this extraordinary new play at the Fountain. From the director of our unforgettable smash hit The Ballad of Emmett Till.
In the Red and Brown Water Oct 20 – Dec 16 (323) 663-1525 More