Tag Archives: Manuel Gutierrez

Passionate Star Power Lights Up ‘Forever Flamenco at the Ford’ on Aug 9

Mizuho Sato (photo by Bruce Bisenz)

Mizuho Sato (photo by Bruce Bisenz)

by Ernest Kearney

Those who frequent my site will be well aquainted with my boundless enthusiasm for the “Forever Flamenco!” series presented monthly at the Fountain Theatre. If you’d care to see from where this passion first arose, then your chance is coming. “Forever Flamenco!”, the once a year“Juerga”, returns to the Ford Amphitheatre on Saturday, August 9th.

For those never exposed to flamenco this is an opportunity of the rarest sort. Imagine attending a single night at the theatre and being treated to the talents of Olivier, Gielgud, Vanessa Redgrave, Ian McKellen and Judi Dench. Or imagine going to a concert and seeing on the same stage Judy Garland, Elvis Presley, The Stones, Kurt Cobain, Lady GaGa and Chuck Berry.

This is what “Forever Flamenco! at the Ford” offers: a gathering of the greatest artists across the generations.

Manuel_Gutierrez

Manuel Gutierrez (photo by Bruce Bisenz)

Among those featured this year will be Manuel Gutiérrez, who began dancing flamenco at the age of four and was winning flamenco dance competitions by eight. Gutiérrez is the soul of “coraje” or spontaneity and to watch him perform is to realize that nothing expresses the masculine vigor in dance as flamenco does. You come to believe that when he dances the world must tremble under his feet.

Yaelisa is a dancer who can stake out a small portion of the stage and through her “cierre” (dance steps) bring forth a “desgarro”, “wildness” that is a tempest of tempo.

Mizuho Sato is a Japanese-born dancer and a testament to the global appeal of flamenco. When she comes on stage be prepared for magic.

Jason McGuire, “El Rubio”, does not “play” the guitar – he dominates it, and performs with the dynamism you’d expect of “The Big Bang”.

Yaelisa_Jason_Two

Yaelisa and Jason McGuire

Cantaor Antonio de Jerez is a talent one feels grateful for having seen. When singing, one hears the history of Spain in his voice.

Nowhere can you find grace more infused with power, nor the sorrow of the human condition expressed with greater perfection than in the music and dance of flamenco. All art forms evolved outward from ancient origins, and, sadly, in that process which serves to define their artistry that primal potency, the intensity of their source, is lost.

Not so with flamenco. It has held onto its dark and tragic history, and that pain which breathes life into the cante jondo, the grand song, is as profound today as it was three centuries ago.

Roberto Amaral

Roberto Amaral (photo by Sari Makki Phillips)

This year’s audience is also gathering to pay homage to one of flamenco’s most esteemed figures Roberto Amaral. In a career spanning half a century, Amaral has excelled in every facet of flamenco – dancer, singer, choreographer, composer and teacher.

He has performed with the greats of flamenco such as José Greco and José Antonio as well as Santana, Jethro Tull and David Bowie.

The Ford’s open air stage, with the stars on display above, makes it the perfect venue for an evening profuse with this city’s rich history, for The flamenco baile (dance) and cante (song) were part of California dating back to the 1700’s and the ranchos of the Spanish crown. The John Anson Ford Amphitheatre was originally built in 1920, by author and playwright Christine Wetherill Stevenson who saw the rugged beauty of the Cahuenga Pass as the ideal setting for her “The Pilgrimage Play”, a work on the life of Jesus “transcribed from the Scriptures”.

The play was performed there yearly until the original wooden structure was destroyed by fire in 1929. In 1931 the structure was rebuilt, designed in the style of “ancient Judaic architecture”. Though “The Pilgrimage Play” performances were ended in 1964, the Ford Amphitheatre continues to resemble the gates of ancient Jerusalem.

Antonio Triana

Antonio Triana

The LA Weekly has hailed this event as “the rarest of treats…for both connoisseur and novice”, and I couldn’t agree more. But where they call the Fountain Theatre’s Forever Flamenco! series “L.A.’s most significant venue for flamenco”, I say rather, it is flamenco’s most significant venue in all of North America. With the Ford show, the most diverse and cosmopolitan audience in the world is given the opportunity of experiencing not just the star of flamenco, but its legends.

Forever Flamenco at the Ford SAT AUG 9th (323) 461-3673

“Thrilling! Sexy and Sensuous” Gala Event ‘Forever Flamenco at the Ford’ Returns August 9th

Yaelisa

Flamenco dancer Yaelisa.

It’s back! The Fountain Theatre returns to the beautiful John Anson Ford Amphitheatre with an all-star line-up of local, national and international flamenco artists to celebrate Forever Flamenco and honor LA flamenco dancer/choreographer/teacher Roberto AmaralForever Flamenco at the Ford  is the premiere flamenco event of the year in Los Angeles. Under the artistic direction of renowned flamenco dancer Yaelisa and guitarist Antonio Triana and produced by Deborah Lawlor, the Gala Event takes place on Saturday, August 9th at 8:30 pm at the Ford Theatres in Hollywood.

Last year’s Forever Flamenco at the Ford was a thrilling success and sold-out the 1200-seat venue. Tony Frankel of Stage and Cinema declared it “Breathtaking! Explosive! Thrilling! Sexy and Sensuous!”

Manuel_Gutierrez

Manuel Gutierrez

We are holding 100 of the BEST SEATS – center section, down front, up close and personal  — and offering them only to our private Fountain VIP patrons.  These prime seats are not available to the public. With these Fountain VIP tickets you get:

  • The best seats  in the house: down front, up close, center section
  • Exclusive VIP pass to the private pre-show catered party with the artists
  • Festive hand-crafted gift bag with free flamenco swag

These prime VIP TICKETS are limited and will sell out.   Click here to order online. Or call the Fountain box office (323) 663-1525. Note: These VIP tickets sold by the Fountain Theatre are tax deductible. 

Since 1990, the dancers, musicians and singers of Forever Flamenco have been delighting Fountain Theatre audiences with the intensity, precision and exhilaration for which flamenco is known. Now Forever Flamenco returns to the outdoor stage at the Ford Theatres with this passionate expression of Spanish culture in a tribute to LA Flamenco pioneer Amaral.
FOREVER FLAMENCO at FORD title image

Forever Flamenco at the Ford will be a once-in-a-lifetime gala event gathering some of flamenco’s finest artists together on stage, including dancers Fanny AraManuel Gutierrrez, Pamela LourantTimo Nuñez, Mizuho Sato, Yaelisa and Ryan Zermeno; singers Antonio de Jerez and Jesus Montoya; guitarists Adam del MonteJason McGuire “El Rubio”, Jose Tanaka and Antonio Triana; and percussionist Joey Heredia. Watch for more surprise artists, as well as a few guests and dignitaries honoring the accomplishments and contributions made by Amaral to the cultural landscape of Los Angeles.

Roberto Amaral

Roberto Amaral (photo by Sari Makki-Phillips)

Sari Makki-Phillips

Roberto Amaral began his professional career at the age of 17, and has since achieved worldwide acclaim as a dancer, choreographer, singer, composer, artist and master teacher.

From 1968 through 1976, he enjoyed success as principal dancer and guest artist with many of the world’s foremost Spanish dance companies. With the companies of Jose Greco, Jose Antonio, Ciro, Alberto Lorca, Rafael de Cordoba and Antonio Ruiz, Roberto toured extensively throughout Europe and the Americas.  Also during this early period of his career, he laid groundbreaking musical history as co-founder, co-lead vocalist, writer, arranger and choreographer of the legendary band CARMEN. It was the first musical group to ever combine flamenco with rock/pop music both audibly and visually, performing alongside such musical luminaries as David Bowie, Jethro Tull, ELO and Santana.   As a television performer, Roberto has been a featured dancer and choreographer on numerous programs, most noteworthy being The Academy Awards (twice), The Tonight Show, The Barry Manilow Special and the Madrid based Antologia de la Zarzuela. In 1981, he  collaborated with choreographer Walter Painter on the television special Lynda Carter’s Celebration. For this collaboration Roberto received the prestigious EMMY AWARD honoring his contributions as flamenco consultant and lead dancer.  Most recently in 2012, he and renowned choreographer Liz Imperio collaborated on an exciting flamenco number which was featured on both the tv shows Q Viva and The Ellen Show. In 1977, Roberto formed his first of several dance companies, each of which have greatly influenced the pulse of flamenco and classical Spanish dance in Southern California for the past 37 years. The critically acclaimed companies Danzas de Espana, Ballet Espanol de Los Angeles, Espana Clasica and Fuego Flamenco are all companies Roberto has conceived, artistically directed and starred in.  As a result, he has produced, staged, designed costumes, sets and lights for, and choreographed over 500 dance solos, ensemble pieces, flamenco ballets, conceptual suites and production numbers.  In his nearly 50 year career, Roberto has been privileged to perform in many of the world’s great concert halls, theatres, arenas and nightclubs.  In the United States they include California’s  Hollywood Bowl, Greek Theatre, Forum, Dorothy Chandler Pavillion, Ahmanson Theatre, San Francisco Palace of Fine Arts ;  New York’s Lincoln Center, Carnegie Hall, Madison Square Garden ;  Las Vegas’ Caesar’s Palace, Sahara and Hilton International.  In Europe he has performed at London’s Victoria Theatre, Paris’ Olympia Theatre, Copenhagen’s Tivoli Gardens, Madrid’s Teatro de La Zarzuela and Milan’s La Scala Opera House.  In 1990 Roberto began a critically acclaimed 7 year run of performances at the Fountain Theatre in Hollywood. It was during this time that many California Flamenco stars graced the Fountain Theatre stage alongside Roberto in his landmark company Fuego Flamenco.  Also during this period, Roberto choreographed and worked alongside Deborah Lawlor on her prestigious theatrical accomplishment “The Women of Guernica” as well as the Fountain Theatre filmed documentary L.A. Ole!.

Roberto is and will always be known as a visionary, with a trademark style of dance, music and art that he wants to be regarded and remembered as unique, innovative and impressionable.  As he continually strives to find new and refreshing approaches to his artistic creativity, he has also found an enormous sense of gratification and pride in his dedication to teach and mentor others. Many of his former students and proteges have gone on to become stars in their own right. This commitment  to dance garnered Roberto the first ever Lifetime Achievement Award from the Santa Barbara Flamenco Society in 2004. Roberto still looks forward to many more years of creating new projects and to the continued training and nurturing of his current and future students.

Ford Amphitheatre

John Anson Ford Amphitheatre

Forever Flamenco at the Ford takes place on Saturday, August 9th. Doors open for picnicking at 6:30 pm and the show starts at 8:30 pm. Reserved seating is $50 and $75. Purchase tickets on or before August 2 and save $5. Tickets are available at www.FordTheatres.org or 323 461-3673 (323 GO 1-FORD). For Fountain VIP Tickets call (323) 663-1525 or visit www.FountainTheatre.com.

Gabriel Osuna and Company Jazz Up ‘Forever Flamenco’ on Feb 16 at the Fountain Theatre

Dancer Fanny Ara

Dancer Fanny Ara

The inclusion of piano makes Osuna’s show unique

The hottest flamenco is at the Fountain! With only 80 seats in four rows, the Fountain Theatre is the perfect venue. Each performance features a roster of world-class Flamenco dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain. This month’s line-up, under the artistic direction of guitarist Gabriel Osuna, includes Fanny Ara from San Francisco and Elena Osuna from Albuquerque, as well as Matthew Amper on piano, a unique addition under Osuna’s direction.

Gabriel Osuna

Gabriel Osuna

The Company of Artists:
Artistic Director/Guitarist: Gabriel Osuna
Dancers: Fanny AraManuel GutierrezElena Osuna 
Singer: José Cortes
Pianist: Matthew Amper
Percussionist: Gerardo Morales

Founded and produced by Deborah Lawlor, Forever Flamenco is now enjoying its 13th sold-out year at our intimate Fountain Theatre. Stage and Cinema recently hailed it as “an assemblage of the greatest flamenco artists anywhere.”  

Forever Flamenco Sunday, Feb 16 8pm (323) 663-1525  MORE

All-Star Flamenco Weekend Launches 2014 at the Fountain Theatre Jan 17-19

Manuel Guiterrez

Manuel Guiterrez

Fanny Ara

Fanny Ara

Forever Flamenco! presents an All-Star Flamenco Weekend: Antonio Triana and Company on Jan. 17 and 18, featuring magnificent singer José Cortés (from Spain) and mesmerizing dancer Fanny Ara (born in France, trained in Spain); and Lakshmi Basile and Company on Jan. 19, featuring two guest artists – guitarist Pedro Cortés and percussionist and festero Luis de la Tota, who brings joy and fun to every show he’s in.

With only 80 seats in four rows, The Fountain Theatre is the perfect place to view Flamenco. Each show features a roster of world-class Flamenco dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain.

PROGRAM:

Friday, Jan. 17 at 8 pm and Saturday, Jan. 18 at 8 pm

  • Antonio Triana and Company
    • Guitarristas (Guitarists) – Gabriel Osuna, Antonio Triana
    • Cantaores (Singers) – José Cortés, Antonio de Jerez
    • Bailaores (Dancers) – Vanessa Albalos, Fanny Ara, Manuel Gutierrez

Sunday, Jan. 19 at 8 pm

  • Lakshmi Basile and Company
    • Guitarrista (Guitarist) – Pedro Cortés
    • Cantaor (Singer) – Jesus Montoya
    • Palmero/Cajonero (Percussionist) – Luis de la Tota
    • Up-right Bass – Jeff Basile
    • Bailaora (Dancer) – Lakshmi Basile

Forever Flamenco Jan 17-19  (323) 663-1525  GET TICKETS

Just Added! Explosive Dancer Manuel Gutierrez Joins ‘Forever Flamenco’ this Sun Nov 10 at the Fountain Theatre

Manuel Gutierrez at 'Forever Flamenco at the Ford'

Manuel Gutierrez at ‘Forever Flamenco at the Ford’

If you were fortunate to be at our summer gala concert Forever Flamenco at the Ford at the 1200-seat John Anson Ford Amphitheatre, then you remember the explosive dancer Manuel Gutierrez. His show-stopping passionate dance style was unforgettable.  Well, good news. He’s back! Manuel Gutierrez will now be joining the already stellar lineup of Forever Flamenco this Sunday, November 10 at 8pm , at the intimate Fountain Theatre.

The show this Sunday night, led by the artistic direction of percussionist Joey Heredia, was already promising to be exciting and innovative with the inclusion of jazz musicians Pablo Medina (piano) and Oskar Cartaya (bass).  Joining them will be dancer Mizuho Sato, guitarist Kai Narezo, singer Antonio de Jerez and singer/guitarist Jose Garcia. Tickets are going fast. You don’t want to miss this one! 

Now in its 11th smash year, Forever Flamenco is a Los Angeles phenomenon.

“Once a month at the Fountain Theatre, Deborah Lawlor presents Forever Flamenco, an assemblage of the greatest flamenco artists anywhere.”   – Stage and Cinema 
Percussionist Joey Heredia.

Percussionist Joey Heredia.

Forever Flamenco Sun Nov 10 8pm (323) 663-1525  MORE

Flamenco Meets Canvas in ‘To Paint a Woman’ This Sunday, Sept 15, at the Fountain Theatre

paint

The Fountain Theatre’s Forever Flamenco series takes a unique swirl of the brush this Sunday night, Sept 15th at 8pm with To Paint a Woman. Artist Roderick Smith will create a painting on canvas live on stage while the flamenco concert is underway. Don’t miss this rare opportunity to enjoy the passionate flurry of flamenco and paint as they whirl simultaneously before your eyes.

Roderick Smith

Roderick Smith

Produced by Deborah Lawlor and under the artistic direction of guitarist Ethan Margolis, To Paint a Woman is an all-male flamenco performance inspired by a Spanish fandango verse “Por Pintar A Una Mujer” about the idealization of women.
Por pintar a una mujer
A un loco le dio la manía
Por pintar a una mujer
Y cuando pintá la tenía
Le puso un letrero a los pies
“Ya me tienes como tú querías”
                *
To paint a woman
A crazy man was given the notion
To paint a woman
And once he had the painting finished,
He placed a sign at her feet…
“Now you have me as you have always wanted”
Luis de la Tota

Luis de la Tota

This one-of-a-kind performance also features a rare Los Angeles appearance by special guest cajonero/palmero/festero Luis de la Tota from Jerez de la Frontera, Spain. The full line-up includes visual artist Roderick Smith dancers Manuel Guiterrez and Oscar Valeroguitarist Ethan Margolis,  singer Antonio de Jerez,  and upright bassist  John Leftwich.

Forever Flamenco  Sunday, Sept 15 8pm   (323) 663-1525    MORE

Yaelisa and Caminos Flamencos Heat Up ‘Forever Flamenco’ on Aug 18th at the Fountain Theatre

FlamenkeandoThe Fountain Theatre presents Forever Flamenco! with Yaelisa y Caminos Flamencos in “Flamenkeando— With only 78 seats in four rows, the Fountain is the perfect place to experience the fire andpassion of flamenco. This month’s lineup includes dancers Manuel GutierrezYaelisa and Devon LaRussa, who offers a hybrid of contemporary/flamenco style; singer/dancer Oscar Valero and singer El Grillo, both from Spain; guitarist Jason McGuire (“El Rubio”); and percussionist Joey Heredia.

Caminos Flamencos was founded in the San Francisco Bay Area by Emmy Award-winning dancer and choreographer Yaelisa. The mission of Caminos Flamencos is to create and present contemporary, traditional and theatrical dance programs showcasing artists from Spain and the U.S., which reflect the changing face of flamenco in the 21st century. Their programs seek to preserve the legacy of Spain’s rich artistic heritage, and bring them to people of all backgrounds, enriching the lives of people with Spanish and Hispanic ancestry, and of the community at large.

If you were lucky to be at our fabulous jaw-dropping Forever Flamenco at the Ford in June, you experienced the artistry of Yaelisa and guitar master Jason McGuire in action. The stars not only shone bright overhead on that hot summer night. Stars twinkled backstage as well, as Yaelisa was visited by TV/Film actress and flamenco fan Eva Longoria.

Yaelisa with Eva Longoria backstage at 'Forever Flamenco at the Ford' (June 15, 2013).

Yaelisa with Eva Longoria backstage at ‘Forever Flamenco at the Ford’  June 15.

Don’t miss this month’s Forever Flamenco at the intimate Fountain Theatre on Sunday, August 18th at 8pm. (323) 663-1525  MORE

Fountain Theatre’s Fantastic Flamenco Fiesta at the Ford

Fin Fiestaby Tony Frankel

While classic and modern dance seem to be continually reinventing themselves, Flamenco remains a bedrock of the moving arts. As Forever Flamenco! at the Ford proved last Saturday, age and body type have nothing to do with the soulful expressiveness inherent in this traditional dance form.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Maria Bermudez

There are many forms of dance and song that emerged as a celebration of life amidst human suffering, but surely Flamenco thrillingly stands out as an example of such an art form. There are moments in the music that clearly reflect Indian, Islamic and Moorish influence. Some Flamenco music styles (palos) have been attributed to Jewish influences, as the Jews were firmly ensconced in Iberia since Roman times. And Andalusia, home to Flamenco, is in the south of the Iberian Peninsula.

“But who wants a history lesson?” asked Artistic Director Maria Bermúdez to the sold out crowd at the Ford Amphitheater. This evening was about celebrating Flamenco and to honor Deborah Lawlor, founder of the Fountain Theatre, where Forever Flamenco! plays once a month. Bermúdez, who has an uncanny ability to gather unparalleled artists, presented a line-up of local, national and international artists for a sexy and captivating evening.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Manuel Guiterrez

The explosive energy created by dancer Timo Nuñez at the start was, as they say, a hard act to follow. In his shiny red shoes, this tall and elegant artist began casually, but soon offered dynamic footwork that sounded like firecrackers. Then he would do a studly stroll, allowing the dance to breathe, often lifting his shirt to show a bit of skin. Sometimes, this graceful storyteller of dance stared at us as an egret looks for a fish in a lake. Although I don’t remember ever seeing such a hunky egret.

Equally thrilling was Manuel Gutierrez, who opened the second act and emulated a bullfighter. He wasn’t showing off, yet he displayed a crackling tap and pedal pyrotechnics the likes of which confirmed why Flamenco is so compelling. So fiery and passionate was Gutierrez that my companion said afterwards, “That’s it. I’m booking us on the next flight to Seville.”

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Alejandro Granados

The ridiculously sexy and sensuous Fanny Ara (think Salma Hayek) offered us a dance which was defiant, seductive, searching and scorching hot – and WAY too short. Mizuho Sato was another classic beauty who I wish had more stage time. All of the guitarists, whether jazzy or classical, were some of the best I have ever heard. Jason McGuire accompanied Ms. Ara with smoldering fast fingerwork that was a brilliant combination of new age work, á la William Ackerman, and traditional Flamenco. I can’t believe all of that music came out of one guitar. Likewise Jose Tanaka, who overlayed his work with a soulful yearning and accessible dissonance. The other guitarists – Antonio Triana, Ben Woods and Adam del Monte – were ably accompanied by the extraordinary percussionist Joey Heredia.

Alejandro Granados was a man drunk with life and passion. Somewhat nattily dressed in red pants, Granados looked like he could be a seaside merchant or a pawn shop owner. But looks and age have nothing to do with the spirit of Flamenco. Audience members actually began to shout as this older gentleman executed a timeless combination of dance artistry and comedic storytelling, giving us more character than an O’Neill drama.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."It may be politically incorrect to mention a woman’s age or body type, but whether we are supposed to say Rubenesque, full-figured or otherwise, there were some women on stage whose magnificence proved that anyone can master Flamenco. Lourdes Rodriguez, with spangles around her waist, brought whimsy, silliness and celebration to her dance (she was the one I most wanted to run up on stage to dance with). Linda Vega’s work was so admirable that I was shocked to discover that this was Ms. Vega after knee surgery. Well done! Most impressive was Yaelisa, a middle-aged woman who proved that time cannot quell the fiery gipsy spirit. This seasoned performer with amazing rhythm was humorous, expressive, joyful and reflective, vacillating from a spunky spirit to a trance-like seduction.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Fanny Ara

The vocalists were no ordinary singers; to the untrained ear, it may seem like they are struggling to hold a note, but that wailing and fluttering is the evolved style of the suffering gipsy, and, at times, sounded eerily like the plaintive yowling of nomadic Native American tribes or the spiritual yearnings of Jewish Sephardic music. Our powerful singers were Jose Cortes, Ana de los Reyes, Pelé de los Reyes and Ismael de la Rosa.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Timo Nunez

In some of the group numbers, it was difficult to ascertain what was choreographed and what was spontaneous, but all of these impeccable artists worked together seamlessly, occasionally eyeing each other’s body parts (feet, hands, hips, eyes) as they performed with rhythmic intention – no differently than the most passionate lover looks upon a paramour during sex.¿Hace calor aqui? I would have preferred a stronger finish in some of the sets, as dancers just casually strolled away. But come to think of it, I’ve had some lovers do that, too.

The free-for-all in the finale included one of the most captivating moments captured on stage when four young girls executed some flawless dancing in colorful Flamenco flocked skirts. These artists who promise to bring Flamenco into the future were more than adorable – they were breathtaking and inspiring. Then again, so was the entire evening.

photos © Optimage Photography

Tony Frankel writes for Stage and Cinema

Flamenco’s furor to blaze in Deborah Lawlor tribute at Ford Theatre

Deborah Lawlor and her friend, Rupert.

Deborah Lawlor and her friend, Rupert.

By Debra Levine

One of L.A.’s most accomplished arts impresarios will float in flamenco heaven this Saturday night when her helming of her 20-year-running series “Forever Flamenco!” will be honored in an all-star performance at the Ford Theatre.

Deborah Lawlor, southern California’s key importer of the gypsy art form, will take a rare turn as spectator, and not producer, when her favorite flamenco artists — dancers and musicians — hot up the outdoor amphitheater’s nippy night air.

Concurrent to this tribute, a moving and well-crafted flamenco-themed play, “Heart Song,” is enjoying one-month run at The Fountain Theatre, the wonderfully funky East Hollywood house where Lawlor launched “Forever Flamenco!”

josegrecoThe recognition must be gratifying for Lawlor, whose dance journey began during her Riverside childhood. The self-described “flamenco nut” was raised in a dance-friendly family (her aunt Olga Hammond was an early modern dancer). Her arts-loving mom organized frequent performance forays into L.A.

One memorable outing was to see Jose Greco at the Wilshire Ebell Theater.

“I was a little bit bored by him,” Lawlor admits. “He stood in one place and did footwork. The intimate atmosphere was lost in the big theater with shows like his.”

Years later, Lawlor, sophisticated after pursuit of a flamenco education, explains, “There’s the virtuosity and there’s the meaning. You can get bored by pure virtuosity. I learned that flamenco is the play of rhythm and contre-tiempos, the palmas [hand claps]. There is a whole world of rhythmic stuff going on. If you are just watching a dancer stomp his feet, you can be bored. The more musical background you have the more you can enjoy it.”

A multilingual world traveler who has lived and studied abroad, journeying between India, Australia, Egypt and France, Lawlor notes: “Flamenco is a kind of inward expression; to project it out is a different feel. ‘Cause the songs themselves can be very intimate, some very dark, about death, but you have to kind of go with the lighter aspects of flamenco, the joyous songs as well as the tragic ones.

“Of course, I love it a lot. The more you get into it, the more it opens up to you.”

Saturday night Lawlor will be surrounded by the international band of gypsies she has cultivated and promoted, a group of singers and dancers cherry-picked from Europe and from the flamenco communities of San Francisco and Phoenix.

One of her prime protégées, the acclaimed dancer Maria Bermudez, is producing the show in honor of Lawlor’s huge achievement.

Maria Bermudez

Maria Bermudez

“Forever Flamenco! was born of Deborah’s love and total immersion into flamenco,” says Bermudez. “Young dancers, up-and-coming dancers, seasoned professionals and international dancers – all of us have all come through Forever Flamenco! at the Fountain. I took my first baby steps there.”

Bermudez, considered to be one of the foremost international flamenco artists in the world today, resides in Jerez de la Frontera, Spain, the “birthplace” of flamenco. She was the model for one of the lead characters of “Heart Song,” a role she has played for the past few weeks.

“Forever Flamenco!” at the Ford dancers will include Roberto Amaral, Fanny Ara, Maria Bermudez, Alejandro Granados (Spain), Manuel Gutierrrez, Timo Nuñez, Linda Vega and Yaelisa; singers José Cortes, Ana de los Reyes (Spain) and Ismael de la Rosa (from Spain); singer/composer Pele de los Reyes (Spain) of the Grammy®-nominated group Navajita Platea; guitarists Adam del Monte, Jason McGuire, José Tanaka, Antonio Triana; and percussionist Joey Heredia.

Lawlor loves “Heart Song” a drama written by her longtime Fountain Theater co-artistic director Stephen Sachs. She says, “It’s just lovely, it’s wonderful.”

"Heart Song" at the Fountain Theatre

“Heart Song” at the Fountain Theatre

Heart Song is a joy. It’s all woman cast, and the crew is all women. It has the aspect of flamenco but it also a mother-daughter drama about a Jewish woman who didn’t realize her mother had been in the [concentration] camp; she never spoke about her childhood. Anybody can relate to that.”

The sure-to-be-sizzling Ford flamenco program and the well staged and performed “Heart Song” are both recommended. We especially love the Ford’s historic Cahuenga Pass setting, a stellar venue for a pre-performance urban picnics.

Debra Levine writes for Arts Meme.

More Info:  Forever Flamenco at the Ford          Heart Song

‘Forever Flamenco at the Ford’ Makes Live TV Appearance

 

Guitarist Antonio Triana and dancer Maria Bermudez.

Guitarist Antonio Triana and dancer Maria Bermudez.

Flamenco artists Maria Bermudez , Antonio Triana and Pele de los Reyes made an early-morning live TV appearance on  Univision KMEX 34 today to promote our upcoming Forever Flamenco at the Ford Gala Concert at the Ford Amphitheatre this Saturday, June 15th at 8:30pm. 

Univision 34, Los Angeles was the first UHF station in southern California, and the first to broadcast in Spanish in Los Angeles. Univision 34, Los Angeles serves the Hispanic community and offers programs that inform Spanish-speaking viewers about local and global events that educate and entertain.

Hailed as “LA’s most significant venue for flamenco” by LA Weekly, the Fountain Theatre returns to the Ford stage after a two year absence, bringing the finest local, national and international flamenco artists to celebrate this passionate expression of Spanish culture. Forever Flamenco’s dancers, musicians and singers have been delighting audiences for years with the intensity, precision and exhilaration for which flamenco is known. This year’s show pays tribute to the founder of the Fountain’s flamenco program, Deborah Lawlor, a Los Angeles icon and ardent supporter of the art form for more than two decades. 

The Forever Flamenco All-Star line-up includes: Vanessa Abalos * Roberto Amaral * Fanny Ara * Maria Bermudez * José Cortes * Alejandro Granados * Manuel Gutierrez * Joey Heredia * Jason McGuire * Adam del Monte * Timo Nuñez * Rocio Ponce * Ana de los Reyes * Pele de los Reyes * Ismael de la Rosa * Lourdes Rodriguez * Mizuho Sato * Jose Tanaka * Antonio Triana * Linda Vega * Ben Woods * Yaelisa.

Enjoy These Photos from Today’s Live TV Appearance

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Forever Flamenco at the Ford  Saturday June 15  (323) 461-3673  MORE