Tag Archives: Los Angeles City Hall

Fountain Theatre to present celebrity reading of 1972 “The Candidate” in 2020 election year

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Poster for 1972 political film “The Candidate” starring Robert Redford.

The acclaimed Fountain Theatre has obtained permission from Warner Bros to present a one-night celebrity reading of the Jeremy Larner screenplay for the Academy Award winning 1972 movie, The Candidate.  The event will take place in the City Council Chamber at Los Angeles City Hall in 2020, the cast, date and time to be announced.

The celebrity reading continues the Fountain’s ongoing program created in partnership with LA City Councilmember Mitch O’Farrell to bring local government, the arts community and the public together in a unique setting to address timely issues of the day. The Candidate will follow the Fountain’s hugely successful 2018 celebrity readings of All the President’s Men, starring cast members from The West Wing and Scandal, and the 2019 all-star reading of Ms. Smith Goes to Washington, starring Bellamy Young  and Sam Waterston.

In the gritty, documentary-like film The Candidate directed by Michael Ritchie, Robert Redford stars as an idealistic, good-natured attorney whose high standards are soiled by his run for political office.  Jeremy Larner won the Academy Award for his screenplay.  The film is considered one of the top ten political movies ever made.

Fountain Co-Artistic Director Stephen Sachs, who directed the City Hall readings of All The President’s Men and Ms. Smith Goes to Washington, will guide the celebrity reading of The Candidate in 2020, stating “I can think of no better choice for the upcoming election year.”

Celebrity reading of ‘MS. SMITH GOES TO WASHINGTON’ at LA City Hall is “awe-inspiring”

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“Ms. Smith Goes to Washington” at Los Angeles City Hall

by Christine Deitner

On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique experience–The Fountain Theatre’s reading of a gender-switched adaptation of Sidney Buchman’s screenplay, Mr. Smith Goes To Washington.  The Fountain’s Co-Artistic Director Stephen Sachs adapted the work that was hosted by Los Angeles City Councilmember Mitch O’Farrell.  An impressively talented ensemble of tv, film, and theatre veterans gathered in the John Ferraro Council Chamber in Los Angeles City Hall and though the original work is 79 years old the gender switch makes it feel like yesterday’s tweetstorm or this morning’s news.

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Sponsored, in part, by the Feminist Majority Foundation and in association with the League of Women Voters, the event’s cast included Joshua Malina, Jeff PerryBellamy Young, Sam Waterston, Alan Blumenfeld, Gilbert Glenn Brown, Leith Burke, Tim Cummings, Cameron Dye, Spencer Garrett, Chet Grissom, Morlan Higgins, Aurelia Myers, Jenny O’Hara, Felix Solis, Jack Stehlin, Mark Taylor, and Sal Viscuso.

Councilmember O’Farrell introduced Mr. Sachs with a moving speech about the importance of the arts in society. 

“Politics falls short of completely illuminating the complexity of issues,” he stated, “this is where the arts come in.”

In 2017, Mr. O’Farrell hosted the Fountain’s reading of All The Presidents Men and he noted that he hopes this will become an annual event.  Reflecting on the record number of women who now hold public office, O’Farrell also spoke about the role that local artists play as public servants, illuminating issues in unique ways.

In Sachs’ version, an idealistic, newly elected female senator finds herself fighting corruption in male-dominated Washington. Bellamy Young’s take on the movingly patriotic Jennifer Smith [originally Jefferson played by James Stewart] is endearing and as successful as a figure of naive nobility as Mr. Stewart was in the film.  It doesn’t seem like Mr. Sachs had to change very much beyond references to gender [Girl Rangers here instead of Boy Rangers] and one reference to “fake news” that worked very well in context, but boy does Jennifer Smith’s predicament feel familiar.

It’s Governor Hopper’s daughter [it was a son in the film] who encourages her father to choose Jennifer with the line “It’s 1939, not the dark ages, pop.” and a list of women who have held office before.  It shouldn’t have been surprising to hear it but we can thank Mr. Sachs for educating us about these women that included Senators Rebecca Latimer Felton [1922] and Hattie Caraway [1932].  Sam Waterston has the role of one of two villains, Senator Joseph Paine; a man who knew Jennifer’s father yet openly wonders whether they can “control a woman” in Congress.  The other is Jim Taylor, a nefarious businessman/mob figure played by Jeff Perry.

Fans of the film will know that Smith speaks fondly of his father a number of times, recalling that he often said, “Lost causes are the only ones worth fighting for.” As Jennifer learns that a swath of land in her state is going to be turned into a useless dam that is only an avenue for graft, she becomes determined to fight for that land where she was hoping to create a girls camp for young women across the nation.  Joshua Malina is her charmingly cynical assistant Chester Saunders [Jean Arthur in the film] who begrudgingly assists her in writing a bill for that girl’s camp.  As they work together, Jennifer’s enthusiasm for the bill starts to wear down Saunders’ certainty it will fail and when she becomes aware of the relief bill that includes the dam, she decides to filibuster with his help.

Paine and his pro-dam cohorts do all they can to attack Jennifer’s character as they angrily state any blocking of the relief bill will lead to starving the people.  Paine likens her attempt to hold the floor to holding the people hostage.  There was an audible gasp in the audience followed by a few laughs for this reading took place near the end of Trump’s wall-inspired government shutdown.  All of the pain that shutdown was inflicting on government workers was present in the room at that moment.

Jennifer stands firm in her convictions, even when Paine reads telegrams purportedly from her home state asking her to stop. She reads the Constitution and the Declaration of Independence and goes on till her voice is hoarse and even Paine can’t take her suffering anymore.  He breaks down and admits everything – and when Waterston embodied that moment, he tore the roof off the place, it was awe-inspiring.  Jennifer and Saunders have one last moment of celebration before the ends that felt a little rushed but that might have been due to the fact that the TVs behind the cast popped on. 

In lieu of credits, images of every woman who has held a seat in Congress appeared in succession on the screens. Members of the audience stood to applaud them, with more standing when California’s own Nancy Pelosi and Diane Feinstein appeared.  But it wasn’t till the video closed on a split screen image featuring Kamala Harris and Elizabeth Warren that the whole house got to their feet shouting.  It was a memorable, moving moment that reminded this reviewer of all the things that can be good and honorable and right in this country.  It also seemed like a hell of an idea for a presidential ticket in 2020 but that just shows how easy it was to get swept up in Jennifer Smith’s patriotic fervor.  Ms. Smith may seem naive and inexperienced, but that character’s faith in what is good in the country is honorable and constant – and those are traits we could all stand to develop in our own lives today.

This post originally appeared in The Theatre Times.