Camille Spirlin and Maya Lynne Robinson, “Runaway Home”
The Fountain Theatre has earned 7 Stage Raw Theater Award nominations for our world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Jo Finney. The Fountain production of the funny, moving, and powerful new play about community and the power of family, set in New Orleans three years after Hurricane Katrina, received the following Stage Raw Theater Award nominations:
Production of the Year
Ensemble – Leith Burke, Jeris Poindexter, Armando Rey, Maya Lynne Robinson, Camille Spirlin, Brian Tichnell, Karen Malina White
Playwriting – Jeremy J. Kamps
Leading Female Performance – Camille Spirlin
Supporting Female Performance – Maya Lynne Robinson, Karen Malina White
Supporting Male Performance – Jeris Poindexter
The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles.
To many college students, class assignments can seem boring and meaningless. But for teacher Alan Goodson and his students at Fashion Institute of Design & Merchandising, the ongoing visits to the Fountain have become one assignment they eagerly look forward to undertaking. For years, Goodson regularly pulls his students out of the classroom and into the Fountain to benefit from the educational and life-enhancing experience of live theatre.
The student visits are made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program that makes live theatre accessible to young people throughout Southern California.
The FIDM students arrived at the Fountain on November 4th to see our acclaimed world premiere of Runaway Home by Jeremy J. Kamps. The play is set in New Orleans, three years after Hurricane Katrina. 14 year-old runaway Kali embarks on a journey to pick through the wreckage of what used to be her life. Rhyming, stealing, and scamming her way through the still-destroyed neighborhood, she grapples with the real cost of what she lost and is forced to confront the higher risk of moving forward. A funny, moving, and powerful new play about community and the power of family.
Returning back to their classroom, the students wrote essays expressing their thoughts and feelings on seeing the production. Take a look at these excerpts:
“The small black box-style theater that The Fountain offers made for an utterly intimate show, leaving tears swelling in every audience member’s eyes as they watched these characters and their troubles unfold. . . . As someone who had no experience with the post-Katrina trauma, this show was a huge learning experience for me. In a way, it caused awareness for tragedies like Katrina, and how the devastation is anything but short-term. In my mind, three years sounds like a very long time, but seeing how devastated these families and communities still were three years later really put it into perspective. Also, the intimate environment of the venue made me feel even closer with these characters, and I truly felt a connection with each and every one of them throughout the show. Kamps’ writing exposed the ugly truths of a natural disaster, but mainly expressed the importance of acceptance, family, and growing up.”
“This play was directed in a way that really involved the audience emotionally. When watching the play, there were times when I literally felt as if I was in the scene. Aside from that I was sitting in the first row, I felt as if I was immersed in each scene, embracing every dramatic and/or even comedic moment. The actors in the play all performed extremely well. They really embraced the importance of how the aftermath of the hurricane effected so many people.”
“My personal opinion of the play is that it was a very emotional, but strong story. The actors played the parts effortlessly, especially the actress that played Kali. . . . Overall, the play was very inspiring. It was told in a different way, with these monologues that were extremely poetic. The experience was very cool being so close to the actors. It felt like I was in the story. The was definitely worth watching.”
“These close quarters allow for audience members to analyze every detail of the actors on stage, whether that be gestures, dialogue, or facial expressions, we can see it all. With that said, the small proximity of the theatre made the execution of Runaway Home that much more impressive and admirable. For audience members like myself, I could tell that each cast member was fully engaged in the story and connected to the characters they played.”
“Intimacy and raw emotion are concepts that are commonly taken for granted, but when they are used to enhance a piece of art, they suddenly become indispensable. With a smaller-sized venue located at the Fountain Theater in Hollywood, and a close-knit cast of animated actors, they were able to incorporate intimacy as well as capture raw emotion in one jam-packed performance. . . . This play provided not only insight into an event, but shed light on the darker aspects of our government’s behavior. Both the venue and the personnel chose to play each character worked perfectly in articulating the message that Kamps was trying to convey. The audience can expect to get giggly as well as a bit teary eyed during this performance. The range of emotion and intimacy that is put on display makes for an extraordinary production.”
The company of Runaway Home celebrates after final performance
There was a moment yesterday during the final curtain call of our acclaimed world premiere of Runaway Home that crystalized our expeirience throughout the entire eight-week run. The audience leaped to their feet in an exuberent standing ovation, stomping and clapping, while the actors lovingly tossed colorful mardi gras beads from the stage. Both sides of the stage shared a joyful moment of festive celebration that captured the spirit of this funny, endearing and poignant new play.
Following Sunday’s final performance, a lively reception was held in our upstairs cafe. The rain forcasted for the afternoon never appeared as the cast joined friends and patrons for a warm-hearted reception that included bowls of hot chili and plates of sweet potato pie.
Enjoy these photos from the post-show party. Another splendid Fountain Theatre production completes its successful run.
The Denham Fellowship was established by Mary Orr Denham in 2006 with a bequest to SDCF in honor of her late husband, Reginald H. F. Denham. It is an annual cash award given to women directors to further develop their directing skills, and supports a particular proposed project. Past recipients include May Adrales, Tea Alagic, Rachel Alderman, Kathleen Amshoff, Jessi D. Hill, Joanie Schultz, Bridget Leak, Hannah Ryan, and Diane Rodriguez.
“I love this place because it does important work, ” Finney stated about the Fountain Theatre and Runaway Home. “I love when a piece of work is being presented and the audience can’t get out of their seats. Because they have not experienced a play. They have experienced a life.”
Denham Fellow Shirley Jo Finney is an award-winning international director and actress. She has worn her director’s hat in some of the most respected regional theater houses across the country including: The McCarter Theater, The Pasadena Playhouse, The Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, Fountain Theater, LA Theater Works, Crossroads Theater Company, Actors Theatre of Louisville’s Humana Festival, Sundance Theater Workshop, Mark Taper Forum, Kennedy Center for the Performing Arts, and the State Theater in Pretoria, South Africa. Ms. Finney has received many prestigious awards over the years for her special talent and eye for storytelling and for creating exciting ensembles. Her awards include the L.A. Stage Alliance Ovation Award, The Los Angeles Drama Critics Award, LA Weekly Award, The NAACP Award, and the Santa Barbara Independent Award for her directing work. Finney helmed the acclaimed international all South African Opera entitled Winnie, based on the life of political icon Winnie Mandela. Most recently, Ms. Finney directed and developed the critically acclaimed world premiere of Citizen: AnAmerican Lyric by the award-winning PENN poet, Claudia Rankin. Other recent works include Facing Our Truth, The Trayvon Martin Project at the Kirk Douglas Theatre in Los Angeles, the Lark Play Development Center’s rolling world premiere of the road weeps, the well runs dry by Marcus Gardley at the Los Angeles Theater Center, and Tarell Alvin McCraney’s Brother/Sister Plays.
“Shirley Jo has been a cherished member of our Fountain Family for many years,” says Stephen Sachs, Co-Artistic Director. “We are thrilled and proud that the SDC Foundation has honored her excellence.”
Launching the world premiere of a meaningful new play is always a cause for celebration at the Fountain Theatre. Saturday night, September 16th, was a thrilling night of jubilation as we opened the beautiful, funny and powerful new play Runaway Home by Jeremy J. Kamps. This timely new work about the community of New Orleans surviving together after Hurricane Katrina runs to November 5th.
After the soaring opening night performance, the enthralled audience gathered upstairs in our cafe for a catered reception with the cast and creative team. Food from New Orleans was served, with wine and beer flowing. A truly magical evening highlighting an unforgettable theatrical experience.
As the catastrophic toll of Hurricane Harvey continues to rise with the flooding water, memories of Katrina in 2005 surge into mind like a torrent bursting through a shattered levee. And once again, like with our recent world premiere of Robert Schenkkan’s politcal drama Building the Wall, the Fountain Theatre finds itself launching a new play dramatizing an urgent national issue torn from today’s headlines.
Our world premiere of Runaway Home by Jeremy J. Kamps reveals the powerful struggle and courage of the New Orleans community three years after Hurricane Katrina. Opening September 16th, the new play couldn’t be more timely.
“Unfortunately, the tragedy of Hurricane Harvey makes the issues raised in Runaway Home even more relelvant,” says Fountain Co-Artistic Director Stephen Sachs. “The Fountain always aims to create new work that illuminates the social and political concerns of our current times. With Runaway Home, we now have the opportunity for a new play to shed light and offer the need for civic humanity in the aftermath of Hurricane Harvey.”
As the New York Times outlined, Hurricane Harvey evokes comparisons to Hurricane Katrina in 2005. Here’s a quick rundown of what we know about similarities and differences between the two.
Katrina: Before the storm, New Orleans — with its distinctive Creole-Acadian-French-Haitian-Vietnamese cultural mélange — was a small city of about 455,000 people that lay in large part below sea level, ostensibly protected by a system of levee walls. Its population never fully recovered from the evacuation and destruction and remains below 400,000.
Harvey: Houston is a sprawling, car-dependent, diverse city, low-lying but not below sea level. It has a population of more than two million people, with a system of bayous and waterways to manage flooding.
Katrina: It made landfall near the Louisiana/Mississippi border on Aug. 29, 2005, as a Category 3 storm and measured 350 miles across. However, the relatively low classification, based on wind speed, was deceptive because Katrina produced the highest storm surge ever recorded in the United States.
Harvey: It made landfall in Rockport, Tex., on Friday as a Category 4 storm, measuring 200 miles across, but was quickly downgraded. As of Monday, it was expected to linger for days, causing the National Weather Service to warn, “This event is unprecedented and all impacts are unknown.”
Deaths and Damage
Katrina: One of the deadliest hurricanes ever to strike the United States, Katrina was responsible for 1,833 deaths, and some bodies were untouched for days. The storm inflicted more than $100 billion in damage, with most of it caused by wind, storm surge and the failure of the levees. Katrina also left three million people across the region without power.
Harvey: Local officials have reported at least 10 deaths in Texas since the storm began, and the number could rise. Heavy rains and flooding are expected to continue at least through Friday, and most of the damage could be caused by flooding.
As for the economy, the Gulf region’s capacity as an oil and gas hub — Houston accounted for 2.9 percent of the nation’s gross domestic product in 2015 — does not appear to have been seriously compromised, and economists were predicting that the storm’s cost would be less than half that of Katrina’s. So far in Texas, there are 300,000 people without power.
Katrina: Rain was not the main problem with Katrina, which yielded 5 to 10 inches of rainfall in a 48-hour period.
Harvey: By contrast, Harvey brought a deluge, with up to 50 inches of rain predicted over the next several days — more than Houston receives in a year.
Katrina: The mandatory evacuation of New Orleans was announced a day before the storm hit. An estimated 100,000 people remained stuck in the city. A few weeks later, in another chaotic evacuation, more than 100 people died leaving the Houston area to escape Hurricane Rita.
Harvey: Houston did not call on residents to evacuate and is now urging those who can to shelter in place. However, as the rain continued on Monday, a growing number of other jurisdictions — like Bay City, which expected 10 feet of water downtown — urged residents to leave.
Katrina: The storm displaced over a million people and damaged or destroyed 275,000 homes. Almost a million households received individual assistance from the Federal Emergency Management Agency.
Harvey: We don’t know yet how many people will be forced out of their homes. But the vast majority of homes in Harvey’s path are not insured against flooding, according to figures from the National Flood Insurance Program. FEMA officials estimated that 450,000 people were likely to seek federal aid.
The Takeaways So Far
Katrina: Evacuation chaos and mostly unfounded panic over riots and violence made issues of race, poverty and government failures impossible to ignore. The breaches of the levees compounded those problems and represented an engineering failure of grave proportions.
Harvey: Harvey will likely sharpen an ongoing debate over whether Houston, a city driven by real estate, has overbuilt at the expense of flood control. While Katrina showed a failure to build well, Harvey — depending on how it plays out — might come to represent a warning about climate change.