The Fountain Theatre’s West Coast Premiere of On the Spectrum has been named a Highlight of 2013 Theater by writer Don Shirley in LA Stage Times. Written by Ken LaZebnik and directed by Jacqueline Schultz, the funny and poignant play dramatized the relationship between two young people with autism.
The Fountain Theatre has been honored with 8 Ovation Award nominations, including the prestigious categories of Best Season and Best Production of a Play, it was announced last night at an event hosted by LA Stage Alliance. The Ovation season ran from September 2012 to August 2013 and includes the Fountain productions of The Blue Iris, In the Red and Brown Water, On the Spectrum and Heart Song.
Founded in 1989 and considered to be LA’s version of the Tony Awards, the LA STAGE Alliance’s Ovation Awards are the only peer-judged theater awards in Los Angeles. Each year over 400 productions in the region compete for Ovation Award consideration.
This marks the 4th time that The Fountain Theatre has been nominated for Best Season since the category was created 5 years ago, winning the award in 2011. The Fountain Theatre has the distinction of earning more Ovation Award nominations and winning more Ovation awards overall than any other intimate theatre in Los Angeles.
“We are particularly pleased with our Best Season nomination because it reflects the overall excellence and diversity of our work year round,” says Fountain Co-Artistic Director Stephen Sachs. “We’re delighted that In The Red and Brown Water earned such recognition and proud to be the first theatre to introduce the work of playwright Tarell Alvin McCraney to LA audiences.”
The 2013 Ovation Award nominations for the Fountain Theatre are:
Best Season (The Blue Iris, In the Red and Brown Water, On the Spectrum, Heart Song)
Best Production of a Play (In the Red and Brown Water)
Best Director (Shirley Jo Finney, In the Red and Brown Water)
Best Ensemble in a Play (In the Red and Brown Water)
Best Lead Actress in a Play (Diarra Kilpatrick, In the Red and Brown Water)
Best Featured Actress in a Play (Peggy Blow and Iona Morris, In the Red and Brown Water)
Special Ovation Honor to Jeff Teeter for video design (On the Spectrum)
The Ovation Awards ceremony will take place on Sunday, November 3 at 7 pm at San Gabriel Mission Playhouse, 320 S. Mission Drive in San Gabriel. For more information, visit www.OvationAwards.com.
The final bow for ‘On the Spectrum’ at the Fountain Theatre.
The final bow for our acclaimed West Coast Premiere of On the Spectrum finally came last Sunday, April 28th, ending a wonderful run of rave reviews and enchanted audiences. Critics and theatergoers were swept away by the heartfelt vulnerability of the script by Ken LaZebnik, the vision and storytelling of the direction by Jacqueline Schultz, the honest passion of the cast (Jeanie Hackett, Virginia Newcomb, Dan Shaked) and the magic of the design team (set – John Iacovelli, lights – Christopher Stokes, video – Jeff Teeter, sound – Peter Bayne, costumes – Naila Alladin-Sanders, props – Misty Carlisle).
A Fountain shout-out to our fabulous production crew: Production Stage Manager – Corey Womack, Assistant Stage Manager – Terri Roberts, Board Operator Jennifer Seifert, House Manager – Jessica Turner, Tech Director – Scott Tuomey).
Our thanks to The Help Group for their support of this production. On the Spectrum was a deeply rewarding run that opened a window for many of us, allowing us to peer into a world we may not otherwise see.
A post-show closing party was held after the final matinee performance last Sunday. Enjoy some snapshots!
Video Projections Create the Play’s Magical “Other World”
In the Fountain Theatre’s West Coast premiere of Ken LaZebnik’s On the Spectrum, Iris has autism and a deep, vivid inner life that she creates online on her “Other World” blog. That world comes to life on stage through the vision of director Jacqueline Schultz and the wizardry of video designer Jeffrey Teeter.
Enjoy these photos snapped at tech rehearsals. An early glimpse at what’s to come.
On the Spectrum March 16 – April 28 (323) 663-1525MORE
Designers and production team members met with director Jacqueline Schultz and playwright Ken LaZebnik to discuss creating the magical world of our upcoming West Coast Premiere of On the Spectrum. Winner of the Steinberg/American Theatre Critics Association New Play Award and awarded a grant from the Edgerton Foundation New American Plays fund, On the Spectrum is a funny and touching love story between two young people with autism.
The design team includes lighting designer R. Christopher Stokes, set designer John Iacovelli, videographer Jeff Teeter, sound designer Peter Bayne and costume designer Naila Alladin Sanders.
Paul Raci (Chris), Erinn Anova (Roxy), and Troy Kotsur (Cyrano).
The Fountain Theatre and Deaf West Theatre present the world premiere of a modern day classic romance, a re-imagined signed/spoken version of “Cyrano de Bergerac.” CYRANO, written by Fountain Theatre co-artistic director Stephen Sachs (Bakersfield Mist) and directed by Simon Levy, opens at The Fountain Theatre on April 28, with previews beginning April 20.
In Sachs’ new adaptation, Cyrano is a deaf poet hopelessly in love with Roxy, a beautiful hearing woman. But she doesn’t understand sign language and instead loves Chris, his hearing brother. Can Cyrano express his love to Roxy with his hands? Or must he teach Chris to woo her, to “speak his words” for him? ASL (American Sign Language) becomes the language of love in this new spin on a classic love story.
Troy Kotsur (Cyrano).
“In the original classic, Cyrano feels self-conscious and over-glorifies his enormous nose, but in this modern deaf version, it’s his hands that are the focus,” explains Sachs. “Cyrano’s deafness is channeled through his hands, which swirl and soar to express the most complex human concepts, his inner-most thoughts and feelings, through the beauty of sign language.”
“It’s a mythic story about our hunger for love, the pangs for it,” says Levy. “But the deeper theme is how we communicate with one another. Stephen has written a beautiful adaptation that’s contemporary and fresh, set in a modern city where people communicate via text, Facebook and Twitter. It’s a world of iPhones, Blackberries and tablets. The production marries three forms of communication: ASL, English, and e-language.”
American Sign Language is not English, but a unique language unto itself with its own syntax, sentence structure, slang, humor, subtlety and complexity. It’s the job of ASL masters Tyrone Giordano and Shoshannah Stern to work with the deaf actors to translate the script into ASL, and director Simon Levy works with ASL interpreters in rehearsals. Fight choreographers Brian Danner and Abby Walla must not only create a fight scene between actors Troy Kotsur (Cyrano) and James Royce Edwards, but incorporate the simultaneous sign language with the help of Giordano, Stern and Levy.
A new project such as this has attracted deaf actors from all over the world. Six of the 13-member ensemble are deaf, and many of them have traveled great distances to make their Los Angeles debuts in Cyrano. Auditions were completed using Skype and video submissions.
“Deaf West is the only established theater company in the U.S. that regularly stages new works featuring deaf actors,” notes newly appointed Deaf West Theatre artistic director David Kurs. “Deaf actors from all over the country and the world were anxious to participate.”
Troy Kotsur is Cyrano.
Troy Kotsur (Cyrano), a veteran of Deaf West Theatre (Big River, Pippin, A Streetcar Named Desire, Of Mice and Men), traveled to Los Angeles from his current home in Arizona; Daniel Durant majored in theater at Gallaudet University and comes to L.A. from Maryland; Eddie Buck, who has acted in productions ranging from A Christmas Carol to Romeo and Juliet to Hamlet, joins the cast from Pennsylvania; Maleni Chaitoo (Switched at Birth) recently arrived from New York; and stage, film and TV actress Ipek D. Mehlum comes all the way from Oslo, Norway. Completing the deaf cast is Los Angeles-based actor Bob Hiltermann, who appeared in the Academy Award winning film version of Children of a Lesser God and recurred on All My Children. The cast also includes hearing actors Erinn Anova (Blues For An Alabama Sky, For Colored Girls…, Doubt) as Roxy and Paul Raci (Joseph Jefferson “Best Actor” nomination for Children of a Lesser God in Chicago) as Cyrano’s brother Chris. Hearing ensemble members Al Bernstein, James Babbin, James Royce Edwards, Victor Warren, and Martica De Cardenas also “voice” for the deaf actors.
The set designer for Cyrano is Jeff McLaughlin; lighting designer is Jeremy Pivnick; sound designer is Peter Bayne; video designer is Jeff Teeter; multimedia tech is by Media Fabricators, Inc.; costume designer is Naila Aladdin Sanders; prop designer is Misty Carlisle; fight choreographers are Brian Danner and Abby Walla; production stage manager is Sue Karutz; assistant stage manager is Terri Roberts; Laura Hill and Deborah Lawlor produce for The Fountain Theatre, and David Kurs produces for Deaf West Theatre. Cyrano is funded in part by a grant from the National Endowment for the Arts.
Paul Raci (Chris) and Troy Kotsur (Cyrano).
The relationship between The Fountain Theatre and Deaf West Theatre dates back 21 years to the early beginnings of both companies. Excited by the visual theatricality of ASL, Stephen Sachs had already been conducting workshops with deaf actors for a number of years. He and Fountain co-artistic director Deborah Lawlor offered office space in their newly founded theater facility to Ed Waterstreet, an actor with National Theatre of the Deaf who envisioned starting a theater company for deaf actors in Los Angeles. Deaf West Theatre produced its first two productions, The Gin Game and One Flew Over the Cuckoo’s Nest (the latter directed by Sachs) in the Fountain space. Deaf West Theatre went on to produce 40 plays and four musicals in their own venue and around the country, including the Tony-nominated Big River on Broadway, and to win more than 80 theater awards. The Fountain Theatre is one of the most successful intimate theaters in Los Angeles with over 200 awards for all areas of production, performance, and design. Fountain projects have been seen in New York, Chicago, San Francisco, Seattle, Florida, New Jersey, Minneapolis and Edinburgh.
Cyrano marks Stephen Sachs’ ninth new play, his third incorporating deaf culture and illuminating the deaf world. His play Sweet Nothing in my Ear (1997, PEN USA Literary Award finalist, Media Access Award winner for Theater Excellence) has been produced in theaters around the country and in 2008 was made into a TV movie for CBS starring Academy Award winner Marlee Matlin and Jeff Daniels. Open Window (2005, Media Access Award winner for Theater Excellence) had its world premiere at the Pasadena Playhouse, directed by Eric Simonson. His other plays include Bakersfield Mist (recently optioned for London’s West End and New York), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse,Canadian Stage Company, LA Drama Critics Circle award and LA Weekly award nominations for Best Adaptation), Gilgamesh (Theatre @ Boston Court), Central Avenue (PEN USA Literary Award finalist, Back Stage Garland award, Best Play), Mother’s Day, The Golden Gate (Best Play, Drama-Logue), and The Baron in the Trees. Sachs co-founded The Fountain Theatre with Deborah Lawlor in 1990.
Simon Levy was honored with the 2011 Milton Katselas Award for Lifetime Achievement in Directing by the Los Angeles Drama Critics Circle. Directing credits at the Fountain include A House Not Meant to Stand; Opus; Photograph 51;The Milk Train Doesn’t Stop Here Anymore; The Gimmick with Dael Orlandersmith (Ovation Award-Solo Performance); Master Class (Ovation Award-Best Production); Daisy in the Dreamtime; Going to St. Ives; The Night of the Iguana; Summer & Smoke (Ovation Award-Best Production); The Last Tycoon, which he wrote and directed, (5 Back Stage West awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction). What I Heard About Iraq, which he wrote and directed, was produced worldwide including the Edinburgh Fringe Festival (Fringe First Award) and the Adelaide Fringe Festival (Fringe Award), was produced by BBC Radio, and received a 30-city UK tour culminating in London.
Troy Kotsur (Cyrano) and Erinn Anova (Roxy).
Cyrano opens on Saturday, April 28, with performances Thursdays, Fridays, and Saturdays @ 8 pm and Sundays @ 2 pm through June 10. Preview performances take place April 20-27 on the same schedule with an additional preview performance on Wednesday, April 25 @ 8 pm. Tickets are $30 on Thursdays and Fridays and $34 on Saturdays and Sundays, except previews which are $15. On Thursdays and Fridays only, students with ID are $20 and seniors are $25. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call 323 663-1525 or go to www.FountainTheatre.com.
Our upcoming new signed/spoken production of Cyrano not only simultaneously blends ASL with spoken word, the set design will incorporate a network of video monitors throughout the stage that will provide captioning for deaf audiences and serve as a video portal through which the audience experiences the e-language and imagery of the internet.
This world premiere new version of the romantic classic is now set in a modern city. Language and communication (and the struggle to connect and communicate) are major themes in the new play. The internet and iphones, Facebook and texting, play a major role in our modern electronic lives. And they will be important elements in this re-imagined new version of Cyrano.
The “electronic network” of video monitors will come to life on stage via the artistry of video designer Jeff Teeter and the Multi-Media Technicians at Media Fabricators, Inc.
The Cyrano design and production team met yesterday at the Fountain with director Simon Levy to discuss and plan the many creative elements of the new play.
Director Simon Levy and DWT Artistic Director David Kurs look on as the "Cyrano" design team shares ideas.
Video designer Jeff Teeter and Fountain Technical Director Scott Tuomey.
Set designer Jeff McLaughlin contemplates the cyberworld set for "Cyrano" with sound designer Peter Bayne.