Annie Barker
by Annie Barker
Time is a strange thing. It feels like just days ago I made myself at home at my little desk (so conveniently located next to the air conditioning unit). Yet, at the same time I feel like I’ve been a member of the Fountain Theatre family for months. After ten weeks of commuting everyday from Westchester, five podcasts, and too many laughs, my time as the Fountain Theatre’s Production Intern is coming to a close.
There is no typical day at the Fountain. Some days I spent coordinating groups from Create Now! and A Place Called Home to join us for Building the Wall. Other days I had my nose in scripts, reading and evaluating over ten plays this summer. The best part about working with the Fountain was that I could be in every aspect of the theatre. As a result, I developed a stronger understanding of not just one thing, but a million things.
Before working at the Fountain, I understood the importance of outreach but did not know how to utilize all of the resources available. While working with Barbara Goodwill (Director of Development), I quickly figured out how to take advantage of these resources. This summer, I also worked with James Bennet (Associate Producer) on casting our world premiere collaboration with LACC, Freddy.
However, the most important thing I gained from this experience was a family. The people who work at the Fountain are some of the most inspiring and hardworking people I’ve had the opportunity to work with. I never felt as if I was just an intern, rather an integrated part of the work environment. I feel blessed, as many college interns don’t find that in their internships.
Something that really added to my experience was the additional programming with my peer group of interns. Led by Jessica Hanna of the Bootleg Theater, we had two jam-packed days of exploring Los Angeles and its art scene. As an out of state student, I had the opportunity to fully dive into the arts scene. Between tours of various performance spaces, MOCA, the Last Book Store, and the Ace Hotel & Theatre, I found inspiration in the city that I’ve called home for the past three years. While meandering through the rooms at MOCA, I came across a painting by Edward Ruscha entitled “FOUNTAIN, SUNSET, HOLLYWOOD.” While the painting may come across as simple, it made me think about the opportunities I had at this little theatre on Fountain Avenue. While my goal may not be Hollywood, the Fountain is a springboard into a lifetime of creative opportunities.
What comes next? Well, after enjoying two final weeks of my summer, I start my senior year at Loyola Marymount. I dive right back into theatre as the assistant director for our fall musical, Runaways. I will also be working on my senior thesis project by directing (and producing) Ruby Rae Spiegel’s Dry Land, which goes up in December. Needless to say, I’m looking at a very busy semester. My summer at the Fountain has provided me the skills to confidently tackle this semester. Long term, I am applying for directing fellowships across the country and down the road, earning my MFA in Directing. While I might not be the Fountain’s Production Intern, I know that my home and place at the Fountain will remain for years to come. Who knows–maybe I’ll be directing here someday! I want to thank LA County Art’s Commission for making this internship possible and all of the staff of the Fountain who invited me into their family. This summer was truly inspiring.
The Fountain Theatre thanks the Los Angeles Board of Supervisors and the LA County Arts Commission for their support through the Summer Arts Internship program.
Hello Fountain Family! My name is Annie Barker and I will be the Production Intern at the 
Just when I thought the story was leading in a predictable direction, though, it became clear that Silva had ulterior motives for flirting with Baby Doll. We spend the majority of the rest of the show watching him alternate between seducing her and emotionally manipulating her for information. I felt a strange discomfort watching them, because I wasn’t sure whether or not I was rooting for them to be together. They clearly had chemistry, so much so that watching their characters together in such a small theatre felt like I was invading their privacy somehow. At the same time, there were moments where he was clearly prodding her for information by pushing her boundaries, or by making her feel special and tended to in a way that he knew she wasn’t getting with Archie Lee. By this time, I was quite literally on the edge of my seat, watching with bated breath to see what would happen next. There were moments where I was sure Silva would get rid of Archie Lee somehow and he and Baby Doll would run off together into the sunset. But then there were other moments where I really couldn’t tell if he truly cared for Baby Doll at all, or if he was just a master manipulator.
On the day of the show, I came to the venue early with the rest of the Fountain family in order to put out the VIP gift bags (I had spent the weeks leading up to the show working very hard to make sure the bags were all ready and had what they needed, so I was very proud of them), and set up a merchandise table up front. By the time it got to be about two hours before curtain, I started to notice a sizable crowd gathered outside, ready and waiting with picnic baskets. Once the gates opened, people came streaming in, chatting excitedly and eyeing our merchandise and flamenco fans as they passed our merchandise table. And once the gates had opened, the people just kept streaming in. There were people laughing and eating together, and greeting others in what felt like a true community. 
by Victoria Montecillo
After lunch, we split up from our peer groups to attend a workshop of our choosing. I attended a workshop on Public Engagement in the Arts, led by some truly inspirational people from 
