Recent Blog Posts
- We’re back! The Children returns for its final 3 weeks of performances
- Rave reviews for L.A. Premiere of THE CHILDREN
- Fountain Theatre finds home for theater photographer Ed Krieger’s lifework at L.A. Central Library
- Being Thankful for an Attitude of Gratitude
- The LA premiere of The Children opens at the Fountain Theatre
Archives by Month
Search Our Blog
Follow Blog via Email
Connect With Us
Follow us on TwitterMy Tweets
Tag Archives: Idris Goodwin
What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.
In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.
Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.
Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”
Originally from outside Boston, Chad Addison has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand.
Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition, he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren. He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson). Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.
Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks. She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.
Last night, the company of actors, director, design and production team for our upcoming West Coast Premiere of Hype Man gathered together for the exciting first rehearsal. After filling out paperwork and planning schedules, the cast read the script and the award-winning “break beat play” by Idris Goodwin came to life.
Social injustice, racial identity, gender inequity, career ambition and friendship converge — and collide — in Hype Man, directed by Deena Selenow.
Hype man Verb, played by Matthew Hancock (The Brothers Size, I and You at the Fountain, Honky at Rogue Machine, LADCC and Stage Raw awards for Hit the Wall), has been backing up front-man rapper Pinnacle (Chad Addison, seen in Connect, The Perfect Crime, My Plastic Girlfriend and more at Theatre 68) since they were kids. Adding beat maker Peep One (Clarissa Thibeaux of Echo Theater Company’s The Found Dog Ribbon Dance) to their group sparked a flame, and now the interracial trio is flexing serious hip-hop muscle. But when an unarmed black teenager is shot by police, it forces the group to navigate issues of friendship and race.
Opening night is set for a Feb. 23, with performances continuing through April 14.
Audition Date(s): 01/11/2019 – 01/12/2019
Rehearsal Date(s): 01/21/2019 – 02/19/2019
Preview Date(s): 02/20/2019 – 02/22/2019
Opening Date(s): 02/23/2019
Closing Date(s): 04/14/2019
The role of VERB has already been cast.
Male, 30-35, Caucasian. The Rapper. A fierce and fiery white dude who grew up among African-Americans but remains an outsider and separates him from Verb. His swaggering confidence hides his confusion and inner conflict. Because has a cop in his family, he mourns the city’s recent police shooting but thinks the group should stay the course.
Female, 25-30, mixed race, a “woman of color” upon initial glance, however her specific ancestry is less obvious. The Beat-Maker. The crew’s dynamic and spirited newcomer who crafts the beats and produces their tracks. She yearns for artistic recognition, struggling to get heard musically in this testosterone-fueled world. Peep finds herself caught between competing loyalties as Pinnacle’s and Verb’s previously unspoken views on race threaten to destroy not just their shot at success but also their friendship.
A diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Rate of Pay / Contract: AEA 99-Seat Agreement
Email headshot/resume to: firstname.lastname@example.org
The Fountain Theatre has announced a 2019-20 season of vibrant, thought-provoking, fresh and funny new work by a diverse group of playwrights, each of whom explores important social and cultural issues from a wholly unique perspective.
Over the course of 16 months, the company will offer up a series of Los Angeles, California, Southern California, West Coast and world premieres that tackle questions of politics, racism, gun control, human rights, cultural identity and more.
“Our 2019-20 season is our most ambitious ever,” says Fountain co-artistic director Stephen Sachs. “It perfectly reflects who and what we are as a theater organization. It’s a season of diversity, a rich mixture of new plays representing a wide variety of communities. Our goal is for Los Angeles to see itself on our stage, and this season certainly offers that.”
Details of the Fountain Theatre’s 2019-20 season are as follows:
Hype Man by Idris Goodwin
West Coast premiere. In Idris Goodwin’s “break beat play,” a diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use artistic expression as an act of social protest. Winner, 2018 Elliot Norton Award. Directed by Deena Selenow. Feb. 23 – April 14, 2019
Daniel’s Husband by Michael McKeever
Southern California premiere. Michael McKeever’s witty, passionate, funny and, ultimately, heartrending play takes an unflinching look at how we choose to tie the knot — or not. Daniel and Mitchell are the perfect couple. What isn’t so perfect is that Daniel desperately longs to be married, but Mitchell doesn’t believe in it. Then, a life-altering event forces both men to realize that, even in an enlightened society, the denial of fundamental rights leads to devastating results. Starring Bill Brochtrup, Tim Cummings and Jenny O’Hara; directed by Simon Levy. May 4 – June 23, 2019
Hannah and the Dread Gazebo by Jiehae Park
California premiere. Hannah is two weeks away from becoming a board-certified neurologist when she receives a strange package from her grandmother, who may—or may not—have just ended her life in a most flamboyant fashion. The mystery leads Hannah and her family on a surreal, funny, heartbreaking adventure back to their roots in South and North Korea and the forbidden Demilitarized Zone that divides them. Wildly theatrical, Jiehae Park’s startling new comedy twists together creation myths and family histories to explore what it means to walk the edge between cultures. July 13 – Sept 1, 2019
Between Riverside and Crazy by Stephen Adly Guirgis
Los Angeles premiere. You can’t beat City Hall, but you can try. In this darkly comic, 2015 Pulitzer Prize-winning drama by Stephen Adly Guirgis, ex-cop and recent widower Walter ‘Pops’ Washington has made a home for his newly paroled son in his sprawling, rent-controlled Riverside Drive apartment. But now the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed, and the church is on his back — leaving Pops somewhere between Riverside… and crazy. Sept. 21 – Nov. 10, 2019
Jane Doe by Stephen Sachs
World premiere. In this contemporary retelling of the 1941 Frank Capra classic film Meet John Doe adapted by Fountain Theatre co-artistic director Stephen Sachs (Cyrano, Arrival & Departure, Citizen: An American Lyric), a newspaper writer fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of greedy corporations, corrupt politicians and how hostile and heartless the world has become. When the writer hires a woman to stand-in as the fictitious “Jane”, a national movement is ignited by citizens aching for a savior. Jan. 18 – March 8, 2020
If I Forget by Steven Levenson
Los Angeles premiere. Simon Levy directs this powerful tale of a Jewish family and a culture at odds with itself by Steven Levenson (book-writer of the hit musical Dear Evan Hansen). Michael is a liberal Jewish studies professor reuniting with his two sisters to celebrate their father’s 75th birthday. A political and deeply personal play about history, responsibility, and what we’re willing to sacrifice for a new beginning, told with vicious humor and unflinching honesty. If I Forget was a New York Times “Critic’s Pick,” while DC Metro calls it “one of the greatest Jewish plays of this century.” March 28 – May 17, 2020
In addition, the Fountain will continue to offer its acclaimed Forever Flamenco dance series every month.
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s Block Party at the Kirk Douglas Theatre and again, last year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President’s Men at Los Angeles City Hall. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and were named Los Angeles Times “Critic’s Choices.” The company’s most recent production, the West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list by theater critic Charles McNulty, who called the Fountain “on par with the Mark Taper Forum and Geffen Playhouse at their best. The Fountain Theatre’s production of Majok’s ‘Cost of Living’ confirmed just how indispensable 99-seat theaters still are to a healthy theater ecology.”