Recent Blog Posts
West Coast premiere of ‘The Lifespan of a Fact’
explores truth in journalism at the Fountain
- 2022: What a year at the Fountain. See for yourself.
- How one woman shows us that our lives do not end
- Coming out of our caves to be together again
- Fountain Theatre gives women a voice with free readings of ‘My Body, No Choice’ Nov 2 & 3
- West Coast premiere of ‘The Lifespan of a Fact’
Archives by Month
Search Our Blog
Email SubscriptionJoin 107 other subscribers
Follow Blog via EmailJoin 107 other subscribers
Connect With Us
Follow us on TwitterMy Tweets
Tag Archives: Hollywood
Settle in with your favorite beverage on Saturday, Dec. 19 at 5 p.m. PT / 8 p.m. ET when the Fountain Theatre winds up 2020 and its monthly Saturday Matinee series with an Old Hollywood-themed holiday party filled with joy, games, and — of course — an online playreading. Admission is free at fountaintheatre.com.
Venerable actress Karen Kondazian, a lifetime member of the Actors Studio and Los Angeles Drama Critics Circle Award-winner best known for her work in the plays of Tennessee Williams (with whom she was a personal friend), takes on the role of Hollywood legend Bette Davis in Interviewing Miss Davis by award-winning playwright Laura Maria Censabella.
After the reading, stick around for party games and a celebration of friends, fellow artists and the Fountain’s all-important audience. Bring something glamorous! (optional)
Inspired by a true event in Ms. Censabella’s own life, the one-act is set in 1985 as Davis interviews a new personal assistant (Wonjung Kim) upon learning that her current, beloved assistant (and nurse) Jacqueline (Aleisha Force) is leaving.
“I was just out of college and very, very broke — no furniture, a folding chair, folding table, mattress on the floor, and I was working for someone who said I’d make a great assistant for Bette Davis,” Censabella explained in an interview. “I went to the interview but was very conflicted because I wanted to be a writer and at the same time I wanted instant validation, and I felt like if I became Bette Davis’s assistant, I would have that.”
by France-Luce Benson
Robert and Jenna have been faithful members of The Fountain Family since the 1990s. What’s kept them coming back? Robert says, “…the quality of the acting, the diversity of plays, you always get the best”.
A native of Detroit, Robert moved to Los Angeles in 1975, and never looked back. Coming from Detroit, the weather was an obvious draw. But what he really loved was the cultural diversity, and the ever-evolving music and theatre scene. In the last four decades, he’s watched the Los Angeles theatre scene evolve into an exciting place to see innovative new voices, with Fountain at the center of it all. “Back when I first moved here, many of the intimate theatres mostly produced vanity productions. But in the late 80s/90s, more and more theatres were producing plays that were challenging…cutting edge.”
Some of his favorite Fountain productions over the years are Tarrel McCraney’s In the Red and Brown Water; Dael Orlandersmith’s Yellowman, and Exits and Entrances by Athol Fugard. The latter is one of his all-time favorites. “Morlan Higgins was amazing, and the play spoke to people who love the theatre. And I love the theatre.” A fan of Fugard, one of Robert and Jenna’s fondest memories is of a fundraiser for The Fountain in which Fugard talked about how he created the play, The Train Driver. That remains a special memory for the both of them.
Married 37 years, Robert and Jenna don’t always see eye to eye on every show – but The Fountain productions always give them plenty to talk about. “After the Fall was especially juicy…lots of loose ends to discuss”
This time in quarantine has allowed Robert and Jenna to indulge in some much-needed binge watching. Some of the stand outs include Ramy (Hulu), Love on the Spectrum (Netflix), and My Brilliant Friend (HBO) For their theatre fix, they enjoyed Richard Nelson’s “Apple Family Play – What Do We Need to Talk About?”
Robert has also remained busy as a Board member of Boston Court Theatre, and with his work as a Superior Court Commissioner, hearing Juvenile Court cases. His occupation may have prepared him to endure the challenging times we are in. He continues to find hope and joy in the world. When I asked what’s been giving him hope in these last few months, he replied “All of you; all you theatre folks out there continuing to create, keeping the art form alive”.
We are so lucky to have these two lovers of theatre as a part of our family. Thank you, Robert and Jenna, for all your support over the years.
France-Luce Benson is a playwright and the Community Engagement Coordinator for the Fountain Theatre.
A personal message to you from Artistic Director Stephen Sachs.
Donate Here or text “FOUNTAIN” to 243725.
by Stephen Sachs
Last Saturday, I was taking a walk with my wife and son around the Hollywood Reservoir. Daily walks have become our morning routine to break out of our home isolation. We normally stroll through our neighborhood or stride the perimeter of a nearby park. Saturday, to break the monotony, we chose to walk the 3.3 miles around the Hollywood Reservoir. There, we encountered an unforgettable woman.
I spotted her as we circled Lake Hollywood. Her zeal caught my eye. She strode ahead of us, a spring in her step. Despite the surrounding catastrophe, the loneliness of physical distancing, she walked with a kind of energized elan. Spirit in her step.
Suddenly – she burst into dance. A spontaneous, improvised ballet. Right there. On the public path. She leaped into the air, arms twirling, legs flicking, an impulsive pirouette. She sashayed down the street, spinning, bounding silently to graceful music only she could hear.
I grabbed my iPhone and taped her. You can see my video above.
This stranger, this Lake Hollywood dancer, inspires me. She is the power of art. Like a flower pushing its way through cement, she is the Fountain Theatre, the Los Angeles theatre community, finding a way, against the odds, to urge itself upward toward the sun, to bloom once again.
In the midst of emergency, we keep dancing. Not to be trivial or irresponsible. Not to fiddle like Nero as Rome burned. To dance in the face of catastrophe as an act of defiance, of rebellion. Driving forward the Life force. A refusal to be defeated. Despair will not win. Art finds a way.
When Artistic Director Stephen Sachs shared his thoughts on the Fountain Theatre blog last Friday, he never dreamed his post would go viral. It did, big time. His observations on the free performance of Broadway’s “To Kill A Mockingbird” at Madison Square Garden for 18,000 high school students drew 65,975 views to the Fountain blog and was shared by more than 39,000 people on Facebook, sweeping the globe in 111 countries.
Central to the Fountain is the impact the post had on one person: Sachs himself.
“I am blown away by the post’s popularity,” he says.
For Sachs, reading the avalanche of online comments the post triggered as it was shared around the world was overwhelming and eye-opening. “For me, the post became more than a feel-good story about young people experiencing live theatre. For me, it is a call to action.”
What action is the Fountain taking?
Starting this weekend with the current production of Human Interest Story, the Fountain Theatre launches a new program called Free Student Fridays. Any high school or college student may see a play at the Fountain on Friday for free. To reserve online, students use the promo code FreeStudent. A valid school ID card must be shown at the box office window on the night of the performance. Seats are subject to availability.
“This program is a modest start, but it’s a start,” admits Sachs. “We may not have 18,000 seats like Madison Square Garden, but if we can inspire the young minds and open the young hearts of 80 students on Fountain Avenue every Friday night, we’ll have humbly done our part to help make the world a better place.”
Who knows? A free performance for 20,000 students at L.A.’s Staples Center may one day be on the horizon. Until then? There’s a seat for any student at the Fountain.