“Eloquent … The play resonates with double-edged truths … striking visual and emotional strokes … it unfolds in achingly personal terms,” writes the Times, while the Hollywood Reporter commends “a peerless realization by a splendid cast.” The Santa Monica Daily Press raves, “Just-about-perfect… [a] stellar presentation bound to resonate with everyone,” and BroadwayWorld calls the Fountain production “extraordinary.”
Directed by Stephen Sachs and starring Jason Karasev, Anna Khaja and Joel Polis, My Name Is Asher Lev is the powerful story of a young Jewish painter and his struggle to become an artist at any cost – even against the will of his parents and the traditions of his ultra-orthodox Hasidic community. Exploring questions of art, family, religion and loyalty, this extraordinary adaptation is a compelling look at the cost of individuality.
My Name Is Asher Lev Extended to May 18 (323) 663-1525MORE
Cormac is a young man who lives with his mother, Elisabeth, in a tiny apartment in New York City’s West Village. He is preparing to enter law school and Elisabeth’s employer has cut back her hours, so money is tight. Iris, a young blogger from Queens, hires Cormac to design her website. What ensues is a boy meets girl love story unlike any other.
Dan Shaked and Virginia Newcomb
Writer Ken LaZebnik’s highly acclaimed drama, “On the Spectrum,” provides a glimpse into the minds and hearts of two people faced with autism spectrum disorders. The production, directed by Jacqueline Schultz and currently on stage at the Fountain Theatre, captures the strengths and quirks of the main characters as they navigate through life. More importantly, the play serves as a testament to the need for increased awareness about autism.
The play “does a great a job of breaking down the myths about autism” says Schultz. “They can feel. They can fall in love. They can get actively involved in their own community.”
Dan Shaked & Jeanie Hackett in “On the Spectrum”
Rave reviews are rolling in for our West Coast Premiere of On the Spectrum by Ken LaZebnik, directed by Jacqueline Schultz. The Hollywood Reporter hails it as “Incandescent!” and Broadway World calls it “life-affirming” and “engrossing theatre that should be experienced by everyone.” The Examiner exclaims “If you have the opportunity to get to one play this spring, On the Spectrum is the one to see!”
Advance LA is proud to welcome LaZebnik to Day One of the Innovate Conference on Friday, April 26th, from 12:50 to 1:50pm, where he will be giving a presentation about his celebrated production. In addition, the play’s three actors — Dan Shaked as Mac, Virginia Newcomb as Iris, and Jeanie Hackett as Elisabeth — are scheduled to perform a scene from the play for Friday’s conference attendees.
Advance LA is an innovative program created and operated by The Help Group to support teens and young adults with autism, Asperger’s and other learning issues in their transition to independence.
This year’s Advance LA conference, INNOVATE, will bring together experts and innovators from diverse fields to join in exploring the newest thinking on how best to support young people preparing for a successful transition to college, the workforce, and beyond. The conference will focus on the need to devise innovative, practical, and sustainable solutions to answer questions that arise during the transitioning period, a crucial time for young people who face challenges that differ from those confronting many of their peers.
Meet the playwright and cast of On the Spectrum at the Advance LA conference on Friday, April 26th, from 12:50 to 1:50, at the American Jewish University, 15600 Mulholland Drive, Los Angeles, CA 90077.
RAVE! CRITIC’S CHOICE! “Beyond the fact that it is sensational, the Fountain Theatre’s production of “In the Red and Brown Water” by Tarell Alvin McCraney is important for two reasons: It introduces Los Angeles audiences to a dramatic poet in the process of discovering his singular voice and it shows how magnificently one of L.A.’s better small theaters can serve bold new talent.” – Los Angeles Times
Peggy Blow, Diarra Kilpatrick and company.
RAVE! “Every player scores a memorable impression, above all the luminous lead Diarra Kilpatrick, who can inhabit a simple soul yet express her intensely complicated inner torment … [Director Shirley Jo Finney] indisputably remains at the top of her game.” – Hollywood Reporter
RAVE! “A production that explodes in sounds, images, and extraordinary performances.” – Backstage
RAVE!“An astonishing accomplishment! Skilfully aided by director Shirley Jo Finney, the superb cast works poetry, myth, dance, chanting and music into the mix.” – Total Theater
RAVE! “Electrifying! … A unique piece full of dancing, singing, haunting story telling and enchanting characters … It is like nothing you have ever seen before and something that is utterly fascinating and highly entertaining.” – ALittleNightMusing
RAVE!GO! “Compelling! A visceral fable that rises up from the underbelly of America.” – LA Weekly
Diarra Kilpatrick and Gilbert Glenn Brown
RAVE! “Perfection! Finney’s excellent directorial work … The casting is flawless.” – LA Beat
RAVE!“Unforgettable! An excellent cast!” – ArtsinLA
RAVE! “A new, important, and original voice in American theatre … a talented cast … Especially moving … heart-wrenching” – BlogCritics
Diarra Kilpatrick and company.
RAVE! “Diarra Kilpatrick is a breath of fresh air in her daring performance … Gilbert Glenn Brown nearly steals this show (at least as far as the women are concerned) with an explosive and arousing performance … terrific … hilarious … a steady cast anchored by theater veterans Iona Morris and Peggy A. Blow.” – Donloe’s Lowdown