The Fountain Theatre has received nine nominations for the 31st Annual Ovation Awards, including the prestigious category of Best Production of a Play for overall excellence. Last season, the Fountain was honored with top Ovation Awards for Best Season and Best Production of a Play (Cost of Living).
Overseen by LA Stage Alliance, The Ovation Awards are the only peer-judged theatre awards in Los Angeles, created to recognize excellence in theatrical performance, production and design in the Greater Los Angeles area.
During the 2019–2020 voting season, 137 productions were registered for awards consideration by 36 producing organizations. Due to the pandemic, the eligibility period was September 1, 2019 through March 31, 2020.
The Fountain Theatre earned the following Ovation Award nominations:
Best Production of a Play – Between Riverside and Crazy
Acting Ensemble in a Play – Between Riverside and Crazy
Direction of a Play – Guillermo Cienfuegos, Between Riverside and Crazy
Featured Actor in a Play – Joshua Bitton, Between Riverside and Crazy
Featured Actor in a Play – Matthew Hancock, Between Riverside and Crazy
Featured Actress in a Play – Liza Fernandez, Between Riverside and Crazy
Costume Design – Christine Cover Ferro, Between Riverside and Crazy
Featured Actress in a Play – Jully Lee, Hannah and the Dread Gazebo
Video/Projection Design – Matthew Hill, Human Interest Story
For the first time in its history, the Ovation Awards will be a live streamed event. The date is to be determined.
Director Guillermo Cienfuegos in the Fountain Cafe.
by Guillermo Cienfuegos
How the Los Angeles premiere of Between Riverside and Crazy, this great, Pulitzer Prize winning play by Stephen Adly Guirgis managed to fall into my hands, I’ll never know. But I’m grateful for it. I feel so fortunate to be given the opportunity. And to direct it with this cast, at this theatre, is an embarrassment of blessings.
First of all I’m drawn to how funny and true the play is. There’s no better way to impart to an audience some essential truths about what it is to be human than while you’re making them laugh. I find Guirgis’ gift of being able to show us these flawed and damaged people in such a funny and loving way very inspiring.
Also as a Cuban, the play puts me in mind of a lot of Catholic imagery from my youth, including Santeria traditions. It makes me think of the Beatitudes from Jesus’ Sermon on the Mount. “Blessed are the poor in spirit for theirs is the Kingdom of God”. Those are the characters in this play. The world may see them as junkies and drunks and ex cons and other outsiders of society – but they’re just children of God.
Matthew Hancock and Marisol Miranda.
I’m also drawn to the play because of my father, who I called Papi. My father was a lot like Pops, the main character of the play – he’s fighting wars on many fronts, the largest of which could be with his own ego. And he’s trying to hold on to whatever control over his life he still has. But it’s in the surrender that one wins and finds grace.
The play deals with a lot of big issues – grief, alcoholism, policing, gentrification. But I think it’s about family, forgiveness and redemption.
Liza Fernandez, Joshua Bitton, Guillermo Cienfuegos, Victor Anthony, Lesley Fera, Montae Russell and Marisol Miranda
What happens when you mix a Pulitzer Prize winning script, a company of phenomenal actors and a skilled director together in one room? You get magic. From the moment the first lines of Stephen Adly Guirgis’ funny and powerful Between Riverside and Crazy were spoken at Wednesday night’s first rehearsal, all knew they were in for a wild and joyous ride.
In Gurigis’ profane and tender tale, ex-cop and recent widower Walter “Pops” Washington and his newly paroled son Junior have spent a lifetime living between Riverside and crazy. But now, the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed—and the church won’t leave him alone. When the struggle to keep one of New York City’s last great rent-stabilized apartments collides with old wounds, sketchy new houseguests, and a final ultimatum, it seems that the old days may be dead and gone.
Directed by award-winning Guillermo Cienfuegos, the cast includes Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, and Montae Russell.
At the first meet-and-greet, the company was joined by Fountain staff, Board members and donors. The group enjoyed a brief welcoming reception and then gathered on the Fountain stage for the reading of the script. Director Cienfuegos commented that he was struck by the support of the Fountain Theatre Family. Never, he said, had he witnessed such a show of community at a first rehearsal, with such a large number of dedicated people so eagerly present. “This is wonderful,” he grinned. “Because the play, in addition to being about racism and class and police work, is really about family.”