A beautiful and heartfelt performance was followed by a lively party as cast and audience members celebrated the opening of The Chosen at the Fountain Theatre on Saturday night, January 20th. The sold-out house leapt to their feet in a standing ovation, then gathered upstairs in our indoor/outdoor cafe for food, drink and festivities with the company.
Actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman and Sam Mandel were feted by Fountain VIP donors, invited guests and members of our Board of Directors.
Looks like the Fountain has another hit on its hands. performances for The Chosen are already selling out in advance. Get Tickets/More Info
Due to popular demand and sold-out houses, our critically acclaimed hit west coast premiere of Tennessee Williams’ Baby Doll, adapted by Pierre Laville and Emily Mann, will extend to October 30th.
Sizzling with sexual tension and darkly comic, this enthralling tale of prejudice, sexual politics and passion is the first-ever Williams Estate-approved stage adaptation of the Tennessee Williams screenplay. Nineteen-year-old married virgin “Baby Doll” Meighan must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee, upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro, arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.
Directed by Simon Levy, the production features Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky, and George Roland. Steve Hofvendahl will assume the role of Archie Lee (currently played by John Prosky) for all performances in October.
The production has earned rave reviews and audience response has been passionately enthusiastic. Adapted from the Williams screenplay of the controversial 1956 movie, our west coast premiere of Baby Doll offers the rare opportunity to experience a “new” play by Tennessee Williams. Clearly, audiences and critics are relishing the ride.
“EROTIC… Lindsay LaVanchy draws out all the sensuality and sadness, the petulance and helplessness of Baby Doll … allows us to once again hope that maybe this time romance will live up to its promise” — Charles McNulty, Los Angeles Times
“BURSTS WITH SCORCHING SENSUALITY… pays exquisite homage to Williams’s screenplay” — Travis Holder, Arts In LA
“SIZZLING… Don’t miss Baby Doll!… the ensemble is divine… directed with stunning clarity” — Don Grigware, Broadwayworld
“FOCUSES THE HEAT like a magnifying glass in the sunlight… This Baby’s pedigree shows” — Bill Garry, Discover Hollywood
“SPECTACULAR… a phenomenal show that will leave your every sensation aching for more.” — Michelle Sandoval, EdgeMediaNetwork
“STEAMY… a must see for those who love the heat. — Michael Sheehan, On Stage Los Angeles
“OUTSTANDING… Don’t’ miss your opportunity to see this Tennessee Williams premiere.” — Carol Kaufman Segal, Review Plays
“WOW!… A just-right darkly comedic tone and pitch-perfect performances… ‘Baby Doll-icous’ ” —Steven Stanley, Stage Scene LA
“VIOLENCE, SEX AND MADNESS, what more could you want?” — Ernest Kearney, The Tvolution
“EXCITING TO WATCH… waves between dark humor, heat, and menace.” — Evan Henerson, Theater Mania
“If you love Tennessee Williams, DON’T MISS THIS PRODUCTION.” —Paul Myrvold,Theatre Notes
“FOUR STARS… The Fountain’s lavish, excellent production does Williams proud.” — Will Manus, Total Theater
Michigan State students with cast on ‘Baby Doll’ set.
by James Bennett
Monday night, we were granted the opportunity to host teacher Mark Colson and his fabulous group of intrepid theatre students from Michigan State University, who after a breathtaking performance of our critically acclaimed production of Tennessee Williams’ Baby Dollengaged in an inquisitive, inspiring, and heartfelt talkback with our amazing cast and director Simon Levy.
Director Simon Levy fielded a very good question: What’s the audition process like? Did you know we had over 600 submissions for the titular role of Baby Doll?
Actor John Prosky spoke about his artistic journey in manifesting the unchained, violent, and maddened Archie Lee, a character so far from his natural state he didn’t think he’d ever get the part. But when he came into the room to audition with Lindsay LaVanchy, something magic happened which brought the character to life.
The incredible Lindsay LaVanchy talked about her process of finding Baby Doll inside her. She spoke about how she had to open herself to being childlike, a quest she had undertaken many years ago but was unable to complete until preparing for this role. A typically reserved and precise woman, it took the innocence of Baby Doll to “crack her open”.
It is one of our greatest pleasures to share with and mentor the next generation of great theatre artists. What an incredible night!
This event was made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program making theatre accessible to students and young people.
Lindsay LaVanchy and Daniel Bess in ‘Baby Doll’ (photo by Ed Krieger)
We knew the summer was going to get hot but we never imagined it would sizzle so quickly.
Our West Coast Premiere of Tennessee Williams’ Baby Doll opened this weekend to sold out houses, wild audience response and rave reviews. The Los Angeles Times highlighted Baby Doll as its Weekend Pick, On Stage Los Angeles hailed the sensual production as “A must see”, StageSceneLA exclaimed “Wow! Pitch-perfect major summer entertainment”and Theatre Notes declared “Don’t miss this production!”
Friday’s sold out opening night was attended by the press, Fountain friends and supporters, members of the Board of Directors and invited Fountain VIP Donors who enjoyed the catered reception with the actors upstairs in our cafe following the performance.
Everyone had a marvelous time and cheered the stunning performances and beautiful production.
In this sexy dark comedy, Archie Lee has been married to a seductive young woman/child, called only by the endearment of Baby Doll, for some time, but by agreement with the girl’s now-dead father, the marriage can only be consummated on her 20th birthday, now just days away. The manager of a successful plantation nearby, handsome Silva Vacarro, swaggers in, suspecting that Archie Lee is the arsonist who destroyed his cotton gin the night before. Once Silva sets his eyes on Baby Doll, things get steamy and complicated.
Adapted for the stage by Pierre Laville and Emily Mann from the screenplay by Tennessee Williams of the controversial 1956 movie, our Fountain west coast premiere is directed by Simon Levy and stars Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland.
With lead actress Lindsay LaVanchy currently in New Orleans shooting an episode of Scream: The TV Seriesfor MTV, the Fountain Theatre has announced a revised running schedule for the West Coast premiere of Baby Doll, adapted by Pierre Laville and Emily Mann from the 1956 Academy Award-nominated film by Tennessee Williams. The new opening date will be July 29, and performances will continue through Sept. 25.
Darkly comic and crackling with sexual tension, this enthralling tale of prejudice, sexual politics and passion is the first-ever Williams Estate-approved stage adaptation of the Williams screenplay. Nineteen-year-old married virgin “Baby Doll” Meighan (LaVanchy) must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee, upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro, arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.
In addition to LaVanchy, Baby Doll stars Daniel Bess, Karen Kondazian, John Prosky and George Roland. It is directed by Simon Levy.
This summer, L.A. audiences get to see a brand new play by Tennessee Williams. Simon Levy directs the West Coast premiere of Baby Doll, adapted by Pierre Laville and Emily Mann from the 1956 Academy Award-nominated film of the same name – the first-ever Williams Estate-approved adaptation of this Williams screenplay. Baby Doll opens at the Fountain Theatre on July 16, starring Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland.
Darkly comic and crackling with sexual tension, Baby Doll is the story of 19-year-old married virgin “Baby Doll” Meighan (LaVanchy), who must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee (Prosky), upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro (Bess), arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.
“The miracle of Tennessee Williams is that he can write these wonderful, wacky, wildly rich and complex characters and situations, yet underneath it all are timeless social and political themes,” says Levy. “It’s almost as if this play is a look at today’s America. It’s astonishing.”
The Fountain Theatre, Levy and Kondazian, who plays the role of dotty Aunt Rose Comfort, have a long combined history with Williams. Levy has previously directed five of his plays for the Fountain, including Orpheus Descending (1996); Summer and Smoke (1999); The Night of the Iguana (2001); The Milk Train Doesn’t Stop Here Any More (2007); and A House Not Meant to Stand (2011), and the Fountain additionally produced Four X Tenn in 1996. By the time she appeared in Orpheus, Iguana and Milk Train for the Fountain, Kondazian had already starred in numerous Williams productions, including a 1979 production of The Rose Tattoo for which she received the Los Angeles Drama Critics Circle Award – and which led to a steadfast friendship with Williams until his death in 1983.
Adapted for the screen by Williams from his one-act play 27 Wagons Full of Cotton,Baby Doll was directed by Elia Kazan and starred Karl Malden, Carroll Baker and newcomer Eli Wallach. It immediately caused a sensation, due in large part to the poster image depicting Baker in a crib sucking her thumb. It was labeled variously “notorious,” “salacious,” “revolting,” “steamy,” “lewd,” “suggestive,” “provocative” and “morally repellent,” and Cardinal Francis Spellman, the Archbishop of New York, personally denounced the film before it was even released, declaring that Catholics would be committing a sin if they saw it. Baby Doll premiered as a stage play at the McCarter Theatre in Princeton, NJ in 2015; the Fountain production is only its second. “Adapting the screenplay of Baby Doll to the stage has been an exciting process,” Mann said. “Every word is Tennessee’s; my co-adaptor, Pierre Laville, and I simply freed the play within the screenplay to allow the four main characters to live on stage.”
Set design for Baby Doll is by Jeffrey McLaughlin; lighting design is by Ken Booth; sound design is by Peter Bayne; costume design is by Terri A. Lewis; props and set dressing are by Terri Roberts; fight director is Mike Mahaffey; dialect coach isTyler Seiple; production stage manager is Emily Lehrer; assistant stage manager isMiranda Stewart; associate producer is James Bennett; and Stephen Sachs andDeborah Lawlor produce for the Fountain Theatre.
Tennessee Williams, 1956.
Tennessee Williams (1911-1983), born Thomas Lanier Williams III, explored passion with daring honesty and forged a poetic theater of raw psychological insight that shattered conventional proprieties and transformed the American stage. The autobiographical The Glass Menagerie (1945) brought what Mr. Williams called “the catastrophe of success.” He went on to win two Pulitzer Prizes, for A Streetcar Named Desire in 1948 and Cat on a Hot Tin Roof in 1955. Among his many other masterpieces are Vieux Carre, Sweet Bird of Youth, The Rose Tattoo, Orpheus Descending, The Night of the Iguana and Camino Real.
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the recent production of the Fountain’s Citizen: An American Lyric in Charleston, S.C. to commemorate the tragic shooting at Mother Emanuel Church; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times.
Sometimes you have a first reading of a play with a new cast and it doesn’t go so well. The script may be solid and the cast experienced and professional. But the magic may not happen immediately.
This was not the case yesterday at our first read-through of Tennessee Williams’ Baby Dollwith this fabulous cast. The magic happened. Immediately.
It was one of those wondrous occasions when actors, director, production team and play all came together in a thrilling first read-through of a colorful and dynamic script. As the actors read the script together for the first time, the play soared off the page.
The gathering began in extraordinary fashion. Actress Karen Kondazian, playing Aunt Rose Comfort, has starred in many Williams plays and knew the playwright personally. Before rehearsal began yesterday, Karen displayed a small black box and slowly opened it. She carefully unwrapped the contents and held it up in the palm of her hand like a scared relic: a pair of Tennessee Williams’ glasses. It was passed around the table. Each company member examined the glasses, some put them on and had the unique experience of “seeing through the eyes” of one of America’s great playwrights.
Fountain Co-Artistic director Stephen Sachs welcomed the company and guided them through the paperwork at hand. Director Simon Levy spoke briefly about the play. Then the cast — Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland — read the script. And the play immediately leapt to life.
Joined at the table were Co-Artistic Director Deborah Lawlor, associate producer James Bennett, production stage manager Emily Lehrer, assistant stage manager Miranda Stewart, props designer Terri Roberts and publicist Lucy Pollak.