Tag Archives: Fountain Family

Fountain Family Spotlight: Jenna Blaustein and Robert Leventer

by France-Luce Benson

Robert and Jenna have been faithful members of The Fountain Family since the 1990s. What’s kept them coming back? Robert says, “…the quality of the acting, the diversity of plays, you always get the best”.

A native of Detroit, Robert moved to Los Angeles in 1975, and never looked back. Coming from Detroit, the weather was an obvious draw. But what he really loved was the cultural diversity, and the ever-evolving music and theatre scene. In the last four decades, he’s watched the Los Angeles theatre scene evolve into an exciting place to see innovative new voices, with Fountain at the center of it all. “Back when I first moved here, many of the intimate theatres mostly produced vanity productions. But in the late 80s/90s, more and more theatres were producing plays that were challenging…cutting edge.”  

Some of his favorite Fountain productions over the years are Tarrel McCraney’s In the Red and Brown Water; Dael Orlandersmith’s Yellowman, and Exits and Entrances by Athol Fugard. The latter is one of his all-time favorites. “Morlan Higgins was amazing, and the play spoke to people who love the theatre. And I love the theatre.” A fan of Fugard, one of Robert and Jenna’s fondest memories is of a fundraiser for The Fountain in which Fugard talked about how he created the play, The Train Driver. That remains a special memory for the both of them.

Married 37 years, Robert and Jenna don’t always see eye to eye on every show – but The Fountain productions always give them plenty to talk about. “After the Fall was especially juicy…lots of loose ends to discuss”

This time in quarantine has allowed Robert and Jenna to indulge in some much-needed binge watching. Some of the stand outs include Ramy (Hulu), Love on the Spectrum (Netflix), and My Brilliant Friend (HBO) For their theatre fix, they enjoyed Richard Nelson’s “Apple Family Play – What Do We Need to Talk About?

Robert has also remained busy as a Board member of Boston Court Theatre, and with his work as a Superior Court Commissioner, hearing Juvenile Court cases. His occupation may have prepared him to endure the challenging times we are in.  He continues to find hope and joy in the world. When I asked what’s been giving him hope in these last few months, he replied “All of you; all you theatre folks out there continuing to create, keeping the art form alive”.

We are so lucky to have these two lovers of theatre as a part of our family. Thank you, Robert and Jenna, for all your support over the years. 

France-Luce Benson is a playwright and the Community Engagement Coordinator for the Fountain Theatre.

VIDEO: House Manager Richard Horton loves his job, and the people he greets at the Fountain

House Manager Richard Horton loves his job at the Fountain Theatre. You’ll love Richard after watching him work behind the scenes, greeting patrons, and serving as the Fountain goodwill ambassador.

VIDEO: ‘Cost of Living’ actor Felix Solis wants you to join the ‘caravan of magic’ at Fountain Theatre

 

Photos: Fountain Family cheers the home team at annual Dodgers Game Night

Ft Dodger Game 2018 l

Who says theatre nerds don’t like sports? Our annual Fountain Theatre Dodgers Game Night is a highly-anticipated event every year. Tuesday, a rowdy group of thirty Fountain Folk sat together at Dodger Stadium to cheer on The Boys in Blue. The cool summer night was perfect. While the Dodgers battled on the field for first place in the National League West, the rooting section of Fountain fans enjoyed cold beer and hot dogs and the joy of being together.

Most satisfying of all to the Fountain crew, the cross-country rivalry of New York versus Los Angeles as theatre towns was settled on the baseball field Tuesday night. The Dodgers beat the NY Mets 11-4. 

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Photos: Fountain Family brunch gives thanks to VIP donors for supporting ‘Arrival & Departure’

A&D Donor Brunch 1B

The backyard of Carrie Chassin & Jochen Haber

On a beautiful Sunday morning at the lovely Encino home of Fountain board member Carrie Chassin and husband Jochen Haber, members of the Fountain Family and supporters of Arrival & Departure gathered for a delicious brunch to salute our upcoming world premiere opening July 14. 

Arrival & Departure is the most innovative and ambitious production in our 28-year history, ” said Co-Artistic Director Stephen Sachs, in his remarks to the group. “We are deeply grateful to our extraordinary donors who make it possible for the Fountain to keep raising its bar of excellence.” 

Actors Deanne Bray and Troy Kotsur joined Fountain staff members Sachs and his wife Jacqueline Schultz, Deborah Lawlor, Barbara Goodhill and James Bennett at the festive backyard get-together. Hosts Chassin and Haber welcomed board member and donor Karen Kondazian, donors Debbi and Ashley Posner, board president and donors Dorothy Wolpert and husband Stanley Wolpert, and board member and donor Don Zachary. Andrew Leyva provided ASL interpretation. 

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The savory spread included salmon, salad, fruit, roasted vegetables and bagels. It was a glorious afternoon enjoyed in a beautiful outdoor setting, celebrating some of the remarkable donors who have nurtured the creation, development and soon-to-be opening of this highly anticipated new play at the Fountain. 

Enjoy the photos! And get your tickets soon for Arrival & Departure.    

Longtime Fountain Family member, Marcia Mirkin, passes away at 83

by Stephen Sachs

Marcia Mirkin and Mirk

Marcia and Mirk Mirkin

Everyone has them. The favorite relatives who visit at a family gathering.  A cherished pair of grandparents, a blessed aunt and uncle. Family members so fun, so kind-hearted, supportive and filled with good cheer that you actually look forward to seeing them. For all of us at the Fountain Theatre for decades, Marcia and Mirk Mirkin were that treasured duo. We lost Mirk (Irwin) in 2015 at the age of eighty-eight. We now say good-bye to Marcia Mirkin, who passed away last Friday at eighty-three. 

Marcia and Mirk were so connected as a couple, so deeply married, that Mirk passed away on June 20th,  the day of their 60th wedding anniversary. That kind of devoted bond at life’s end was no stranger to me. My mother died on the 52nd anniversary of her wedding to my father.

Mirk and Marcia Mirkin were jolly parents to all of us at the Fountain.  Mirk with his sly grin and playful glint in his eyes. Marcia, arms open wide, the big mamma you wish you had, proudly bestowing you with accolades when you hit a home run and scolding you lovingly when you sometimes struck out.

Marcia Mirkin

Marcia Mirkin

Marcia kept coming to the Fountain after Mirk passed. Nothing would keep her away from the theatre she loved. As her own health declined, she’d still get herself here for every production, even when she now required extra help getting to her seat.

Marcia spoke forcefully from the stage at our memorial service for our beloved staff member, Ben Bradley. And she mourned with us when we lost our subscription sales diva, Diana Gibson. Diana and Marcia were close pals.    

My strongest feeling of Marcia Mirkin is her huge embrace. Marcia wrapping her large arms around me, smiling broadly, bathing me in praise like a son.  I bet each and every one of us at the Fountain felt they were her favorite. She made you feel that way.

Marcia passed away on Friday, December 8th, 2017, by her own choice.  She was in hospice care at home in terminal condition and had been approved for the End of Life program at Kaiser. It breaks my heart to learn of her passing but I admire her decision to conclude her life on her own terms.  

The Fountain Theatre was on her mind days before her final Friday. As one of her last mortal duties, she had her daughter Karen send me a manuscript written by a patient she knew in a prison hospice unit suffering from AIDS and MS, encouraged by his therapist to tell his life story in his own words.  Marcia believed it was a story of “trauma, healing  and redemption.” Telling his life story “could help at-risk youth and prevent them from going into the penal system.” She thought it could make a good play. 

This was on her mind, in her heart, days before she had scheduled her own exit from this world.   

Our hearts ache with the loss of our dear friend, Marcia Mirkin. We salute a remarkable woman who enjoyed a meaningful life. Even gone, she and Mirk will remain with us always.    

Stephen Sachs is the Co-Artistic Director of the Fountain Theatre. 

Artist Moved to Paint Portait of Beloved Fountain Theatre Producer/Director Ben Bradley

Ben Bradley painting

This portrait of Ben Bradley has just been painted by artist and Fountain Family member Diane Levin

“I had the pleasure of meeting Ben twice and of discovering  his beautiful soul,” says Diane. 

Ben Bradley was our longtime and beloved Fountain Theatre producer and director. He was murdered in 2010. 

Says Diane: “The painting is meant to be representational. It has been an enjoyable process to create the portrait of a man so loved by his community.” 

Diane Levin

Diane Levin

Diane Levin is a painter living in Santa Cruz. She is a an artist, a theater lover, a member of our Fountain Family and the mother of Fountain stage manager Jeremy Levin.

Diane’s painting will be on permanent display at the Fountain Theatre.

Fountain Member Spotlight: Ejike and Victoria Ndefo

Victoria and I have been residents of Los Feliz for more than 25 years. We love theatre and we fell in love with The Fountain Theatre the first time we saw a play there about ten years ago. We immediately became subscribers even though we subscribe to other theatres in the greater Los Angeles area. We are continually impressed by the originality and quality of the plays at the Fountain, as well as the intimate environment. As such, The Fountain is a great place to see the plays of great writers like August Wilson and Athol Fugard; and we have seen them all, – Gem of the Ocean, The Train Driver, Coming Home, Exits and Entrances, and the most recent classic, The Blue Iris. We will be remiss if we do not mention the professionalism and friendliness of The Fountain staff. They have always been gracious in accommodating us since our business requires frequent travel out of town. 

– Dr. and Mrs. Ejike Mdefo

 

Intern Journal: A Perfect Fit

by Jessica Broutt

The more time I spend at the Fountain, I’m not entirely convinced being an intern here is an internship experience that most college students are having.

This summer, when I heard about the L. A. County Arts Internships (which any college student interested in the arts should apply to), I was determined to get one. I didn’t care if I was working at a ballet, or a theater, or an art school. I just wanted to be near the arts. I wrote cover letter after cover letter, hoping for the best.  But when I saw The Fountain’s description for an intern, I kept thinking, “This is the one. I’m perfect for this.”

I was interviewed and, much to my surprise and delight, hired. I still didn’t really know what it was going to be like. I pictured myself maybe doing some copying and coffee-making (prerequisite skills all interns are expected to have).  Or I imagined myself writing grants and sitting on the sidelines as an already assembled team worked. I didn’t ever think I would really be a part of this theatre.  A summer is hardly long enough to get a decent tan, let alone feel at home in a new place. Yet, in seven weeks I feel just as much a part of this team as I’ve ever felt as part of anything.

Simon Levy, Deborah Lawlor and Stephen Sachs

I realized I was really a part of the team at our first staff meeting. The Fountain staff consists of just enough people to fit around a kitchen table.  It feels like less of a staff and more like of a family. Stephen would bring up each matter of business, and it seemed like everyone had something to say about it. These people valued my opinion and wanted to know how I felt about things. And just like everyone else at The Fountain,  with many different job titles and responsibilities,  I learned that I was no different as the Development Intern. Yes, I have definitely learned a lot about grant-writing and what being on the development side of things means. But that is just one of the many experiences I’ve had here. I have compiled press packets, organized auditions, worked the box office, read scripts, and even written a few blog posts. For a good portion of my time here I was doing something I had never done before. Maybe that’s what an intern is supposed to do. Experience a little bit of everything.

So far, this internship has been more than internship. I always thought of internship as trying on an outfit. You try something on for a few weeks and see if it fits. If it doesn’t, you move on to the next outfit. But if it fits,  you can stop looking.

As a writing major, I don’t really know what I’m going to do with myself. There’s no clear job I know I’ll have. But this internship has given me some direction. It has shown me what working in a theatre is really like and made me realize it’s something that I want to do.

I know it’s only week seven. I’m only half-way through college. I could change my mind. But I’m fairly certain that it’s a good fit. And while other interns may be spending their summers finding the perfect cream-to-sugar ratio, I’ve been really spoiled working here and being a part of The Fountain.

I may just be their summer intern. But ever since that first staff meeting, I’ve really felt like a part of the family.

Jessica Broutt is a summer intern from UC San Diego. Funded by the LA County Arts Internship Program.

Fountain Family Spotlight: Christa and William Wilk

Christa and William Wilk

We have been married for 41 years and are retired teachers who enjoy live theatre in Los Angeles.  Season subscribers to eight theatres and the Los Angeles Stage Alliance, we are thrilled to be in the L.A. area where there is always great live theatre.  We’re not limited to theatre and attend Early and Chamber Music concerts and view exhibits at local art museums.

The Fountain Theatre stands out for its bold presentations that inform and challenge us with regard to politics, race relations, war, people’s complex lives, and more.  Many of the Fountains plays are first runs and premiers or ones too challenging for larger stages.  It’s hard to pick a favorite play, but some are: Master Class (Terrence McNally), Bakersfield Mist (Stephen Sachs), The Ballad of Emmett Till (Ifa Bayeza), Coming Home (Athol Fugard) and several by Tennessee Williams. With picks like these what is not to like?

We hope the Fountain continues to survive and thrive in these difficult times.  – Christa and William Wilk