Tag Archives: flamenco music

The night I went from selling flamenco fans to becoming one

FORD Merch table Victoria Sela

Victoria Montecillo and Marisela Hughes

by Victoria Montecillo

This past weekend was the biggest event of the summer for the Fountain: Forever Flamenco at the Ford. Since I’ve been working here at the Fountain, this event was something we were all working towards, and I found myself growing more curious and excited to see what all of the fuss was about. As a newcomer, Forever Flamenco sounded like an amazing opportunity to showcase a beautiful and unique art form to the communities of Los Angeles. In the weeks leading up to the big night, everyone in the office kept telling me about the fervor and passion of the flamenco community, and that I had to just wait to see it for myself. No amount of preparation, however, could have prepared me for the experience. 

FORD seats fansOn the day of the show, I came to the venue early with the rest of the Fountain family in order to put out the VIP gift bags (I had spent the weeks leading up to the show working very hard to make sure the bags were all ready and had what they needed, so I was very proud of them), and set up a merchandise table up front. By the time it got to be about two hours before curtain, I started to notice a sizable crowd gathered outside, ready and waiting with picnic baskets. Once the gates opened, people came streaming in, chatting excitedly and eyeing our merchandise and flamenco fans as they passed our merchandise table. And once the gates had opened, the people just kept streaming in. There were people laughing and eating together, and greeting others in what felt like a true community. 

Many of the people who approached our table were loyal, longtime flamenco fans who loved and appreciated the Fountain’s commitment to producing flamenco. Others were drawn to our beautiful fans, where they shared that this was their first flamenco show. It was amazing to see and be able to meet all of the different people that were in attendance at this big event, and to get to feel the pure excitement in the air.

FORD Merch table

Barbara Goodhill, Victoria Montecillo and Marisela Hughes at the merchandise table.

The show itself was truly something to see. With the extent of my knowledge about flamenco being pretty much the dancing lady emoji and the sounds of fervent stomping and complex guitar riffs coming from the rehearsal room of the Fountain that week, I wasn’t quite sure what to expect. I certainly could not have anticipated the raw passion and artistic skill that I saw in each of those performers. What I found to be most striking about watching these flamenco musicians and dancers was that each one of them seemed so happy to be there. They were all doing what they loved most, with a group of artists that understood that passion. 

FORD 2016 prod photo 1

On top of that, I could feel the excitement and joy in the crowd around me throughout the show. During each number, the audience would interject with enthusiastic applause, clapping, and excited cheers. Families around me grabbed each other’s shoulders and clasped each other’s hands as they shouted encouragements to the musicians and the dancers as they did what they do best, and I truly felt like I was experiencing a new community full of joy, passion, and celebration. It was a truly unique and amazing experience. 

I am so grateful to everyone at the Fountain, as well as the fantastic team of flamenco artists, for introducing me to the beautiful community of flamenco. I certainly hope I’m able to witness something like this again in my life.

Victoria Montecillo is the Fountain Theatre’s 2016 Summer Arts Intern. We thank the Los Angeles County Board of Supervisors and the Los Angeles County Arts Commission for their support. 

‘Forever Flamenco’ at the Fountain Theatre is the best ticket in town

Marina Valiente

Marina Valiente

by Ernest Kearney 

Well once again you have the opportunity of experiencing one of the true treats of L.A.

Sunday, May 22 8pm – Forever Flamenco.

Why do I keep urging you to get down to the Fountain Theatre in Hollywood and partake in this monthly series?

What makes Flamenco so special, you ask?

Well, all right, since you asked –

It is the nature of all life to evolve. From the nascent state we develop until the fullness of our potential is obtained or the natural limitations of our species reached. One can disagree and debate the question of potential-limitation, but not that the ultimate stage bears slight similitude to that of the inception stage.

In a fashion, the babe is lost to the child, the child to the youth, the youth to the adult.

It is true of art forms that they evolve from a primal form, developing intellectual dimensions artistic frameworks. The loss of a certain primal intensity is payment for that progression.

Yeah, that’s a mouthful, I know, so let ‘s put forth some illustrations.

Pliny the Elder reports that Zeuxis, a Greek painter of the 5th century B.C.E., would have guests try to eat the grapes painted on his canvases. And that Parrhasios, a fellow artist of Zeuxis, invited him to view a new work covered over by a lace curtain. When Zeuxis went to lift the lace curtain he found it was part of the painting.

The 13th century Italian artist Giotto liked to paint little flies on his works then watch patrons try to shoo them.

In 1849 twenty to thirty thousand rioting New Yorkers confronted the National Guard troops called up to re-establish order resulting in more than thirty deaths. The cause of their uprising? A production of Shakespeare.

When J. M. Synge’s Playboy of the Western World premiered it too caused a riot, though not nearly as bloody.

Timo

Timo Nunez

My passion for theatre knows no bounds, but sadly, I’m reduced to imagining what the state of catharsis must have been like to reduce an ancient Greek audience to a sobbing mass incapable of speech, or what passion could be played upon to plunge me into a frenzy of rioting.

When the raw throbbing notes of jazz was first heard it threw some into wild paroxysms. Decent women fainted.

The same can be said of rock and roll and even rap.

Once, not very long ago, the experience of rap was felt by some as less “music” than throbbing hammer blows of anger, rage and revolt.

Now, Ice-T does pamper commercials and you can hear “Fuck the Police” as muzak while waiting in line to make a deposit at Bank of America.

Edwin S. Porter’s 1903 The Great Train Robbery, one of the first film “works” to employ editing in the telling of its story, concludes with one of the robbers on the screen pointing his gun at the audience and firing.

When first shown, members of the audience dived under their seats.

Film, the youngest of arts, has all but lost that quality that permitted those engaging in it to be engulfed by its artifact, transported by its manufactured illusion.

The exception that tests the rule here being Mel Gibson’s The Passion of the Christ, a 2 hour, 6 minute Christian stuff film with only 16 torture free minutes of which 2 minutes were taken up by the resurrection and none to the tenets of Jesus’ teaching. 

Whatever forms the creative imperative embodies, the accretion of artistry infuses accessibilty but defuses the ascendancy of the incipient urging behind the creative act.

Forever Flamenco_Gabriel-Osuna

Gabriel Osuna

Art, like the Titan Antaeus is robbed of its strength when removed from the soil that is its mother.

Flamenco, I find, still has a fast grip to the dark and tragic history, the pain and passion that was the life breath of the cante jondo, the traditional “deep song.”

In the sound of Flamenco, the fury of its dance, we have echoes from the dark corners of the human soul as profound today as they were three centuries ago.

Nowhere will the sorrow and joy of the human condition find expression with more sublime defiance than in the music and dance of flamenco.

Deborah Lawlor, for one Sunday every month, has lured world class talent to a small corner of Hollywood with the Forever Flamenco series at The Fountain Theatre.

Scheduled to appear at the next performance on Sunday May 22nd at 8:30: Gabriel Osuna will be the evening’s guitarist. Osuna plays with garra, meaning “guts” or “vitality.” Evidence of this is found if you examine his fingers which he coats in Super Glue to give the tips added protection.

Mateo Amper will be at the piano and Gerardo Morales is the featured percussionist as well as the evening’s director.

If these three musicians were matched in a battle of the bands with any philharmonic orchestra in the country, when it was over, it wouldn’t be the ones in tuxes wearing the laurels.

Dancer Timo Nuñez is a melding of grace and raw power who is stunning to watch.

Singer Jesus Montoya is another familiar face in the series, who fills every note he sings with such emotional power it could make bricks weep.

Marina Valiente will be making her debut at the Fountain. I am confident it will be a debut very worth seeing.

I know, I said it before. Well guess what? I’m saying it again: Forever Flamenco – The best tickets in LA. Click 

Ernest Kearney is an award winning L.A. playwright and freelance writer. This post originally appeared in The Tvolution.

“Thrilling! Sexy and Sensuous” Gala Event ‘Forever Flamenco at the Ford’ Returns August 9th

Yaelisa

Flamenco dancer Yaelisa.

It’s back! The Fountain Theatre returns to the beautiful John Anson Ford Amphitheatre with an all-star line-up of local, national and international flamenco artists to celebrate Forever Flamenco and honor LA flamenco dancer/choreographer/teacher Roberto AmaralForever Flamenco at the Ford  is the premiere flamenco event of the year in Los Angeles. Under the artistic direction of renowned flamenco dancer Yaelisa and guitarist Antonio Triana and produced by Deborah Lawlor, the Gala Event takes place on Saturday, August 9th at 8:30 pm at the Ford Theatres in Hollywood.

Last year’s Forever Flamenco at the Ford was a thrilling success and sold-out the 1200-seat venue. Tony Frankel of Stage and Cinema declared it “Breathtaking! Explosive! Thrilling! Sexy and Sensuous!”

Manuel_Gutierrez

Manuel Gutierrez

We are holding 100 of the BEST SEATS – center section, down front, up close and personal  — and offering them only to our private Fountain VIP patrons.  These prime seats are not available to the public. With these Fountain VIP tickets you get:

  • The best seats  in the house: down front, up close, center section
  • Exclusive VIP pass to the private pre-show catered party with the artists
  • Festive hand-crafted gift bag with free flamenco swag

These prime VIP TICKETS are limited and will sell out.   Click here to order online. Or call the Fountain box office (323) 663-1525. Note: These VIP tickets sold by the Fountain Theatre are tax deductible. 

Since 1990, the dancers, musicians and singers of Forever Flamenco have been delighting Fountain Theatre audiences with the intensity, precision and exhilaration for which flamenco is known. Now Forever Flamenco returns to the outdoor stage at the Ford Theatres with this passionate expression of Spanish culture in a tribute to LA Flamenco pioneer Amaral.
FOREVER FLAMENCO at FORD title image

Forever Flamenco at the Ford will be a once-in-a-lifetime gala event gathering some of flamenco’s finest artists together on stage, including dancers Fanny AraManuel Gutierrrez, Pamela LourantTimo Nuñez, Mizuho Sato, Yaelisa and Ryan Zermeno; singers Antonio de Jerez and Jesus Montoya; guitarists Adam del MonteJason McGuire “El Rubio”, Jose Tanaka and Antonio Triana; and percussionist Joey Heredia. Watch for more surprise artists, as well as a few guests and dignitaries honoring the accomplishments and contributions made by Amaral to the cultural landscape of Los Angeles.

Roberto Amaral

Roberto Amaral (photo by Sari Makki-Phillips)

Sari Makki-Phillips

Roberto Amaral began his professional career at the age of 17, and has since achieved worldwide acclaim as a dancer, choreographer, singer, composer, artist and master teacher.

From 1968 through 1976, he enjoyed success as principal dancer and guest artist with many of the world’s foremost Spanish dance companies. With the companies of Jose Greco, Jose Antonio, Ciro, Alberto Lorca, Rafael de Cordoba and Antonio Ruiz, Roberto toured extensively throughout Europe and the Americas.  Also during this early period of his career, he laid groundbreaking musical history as co-founder, co-lead vocalist, writer, arranger and choreographer of the legendary band CARMEN. It was the first musical group to ever combine flamenco with rock/pop music both audibly and visually, performing alongside such musical luminaries as David Bowie, Jethro Tull, ELO and Santana.   As a television performer, Roberto has been a featured dancer and choreographer on numerous programs, most noteworthy being The Academy Awards (twice), The Tonight Show, The Barry Manilow Special and the Madrid based Antologia de la Zarzuela. In 1981, he  collaborated with choreographer Walter Painter on the television special Lynda Carter’s Celebration. For this collaboration Roberto received the prestigious EMMY AWARD honoring his contributions as flamenco consultant and lead dancer.  Most recently in 2012, he and renowned choreographer Liz Imperio collaborated on an exciting flamenco number which was featured on both the tv shows Q Viva and The Ellen Show. In 1977, Roberto formed his first of several dance companies, each of which have greatly influenced the pulse of flamenco and classical Spanish dance in Southern California for the past 37 years. The critically acclaimed companies Danzas de Espana, Ballet Espanol de Los Angeles, Espana Clasica and Fuego Flamenco are all companies Roberto has conceived, artistically directed and starred in.  As a result, he has produced, staged, designed costumes, sets and lights for, and choreographed over 500 dance solos, ensemble pieces, flamenco ballets, conceptual suites and production numbers.  In his nearly 50 year career, Roberto has been privileged to perform in many of the world’s great concert halls, theatres, arenas and nightclubs.  In the United States they include California’s  Hollywood Bowl, Greek Theatre, Forum, Dorothy Chandler Pavillion, Ahmanson Theatre, San Francisco Palace of Fine Arts ;  New York’s Lincoln Center, Carnegie Hall, Madison Square Garden ;  Las Vegas’ Caesar’s Palace, Sahara and Hilton International.  In Europe he has performed at London’s Victoria Theatre, Paris’ Olympia Theatre, Copenhagen’s Tivoli Gardens, Madrid’s Teatro de La Zarzuela and Milan’s La Scala Opera House.  In 1990 Roberto began a critically acclaimed 7 year run of performances at the Fountain Theatre in Hollywood. It was during this time that many California Flamenco stars graced the Fountain Theatre stage alongside Roberto in his landmark company Fuego Flamenco.  Also during this period, Roberto choreographed and worked alongside Deborah Lawlor on her prestigious theatrical accomplishment “The Women of Guernica” as well as the Fountain Theatre filmed documentary L.A. Ole!.

Roberto is and will always be known as a visionary, with a trademark style of dance, music and art that he wants to be regarded and remembered as unique, innovative and impressionable.  As he continually strives to find new and refreshing approaches to his artistic creativity, he has also found an enormous sense of gratification and pride in his dedication to teach and mentor others. Many of his former students and proteges have gone on to become stars in their own right. This commitment  to dance garnered Roberto the first ever Lifetime Achievement Award from the Santa Barbara Flamenco Society in 2004. Roberto still looks forward to many more years of creating new projects and to the continued training and nurturing of his current and future students.

Ford Amphitheatre

John Anson Ford Amphitheatre

Forever Flamenco at the Ford takes place on Saturday, August 9th. Doors open for picnicking at 6:30 pm and the show starts at 8:30 pm. Reserved seating is $50 and $75. Purchase tickets on or before August 2 and save $5. Tickets are available at www.FordTheatres.org or 323 461-3673 (323 GO 1-FORD). For Fountain VIP Tickets call (323) 663-1525 or visit www.FountainTheatre.com.

Gabriel Osuna and Company Jazz Up ‘Forever Flamenco’ on Feb 16 at the Fountain Theatre

Dancer Fanny Ara

Dancer Fanny Ara

The inclusion of piano makes Osuna’s show unique

The hottest flamenco is at the Fountain! With only 80 seats in four rows, the Fountain Theatre is the perfect venue. Each performance features a roster of world-class Flamenco dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain. This month’s line-up, under the artistic direction of guitarist Gabriel Osuna, includes Fanny Ara from San Francisco and Elena Osuna from Albuquerque, as well as Matthew Amper on piano, a unique addition under Osuna’s direction.

Gabriel Osuna

Gabriel Osuna

The Company of Artists:
Artistic Director/Guitarist: Gabriel Osuna
Dancers: Fanny AraManuel GutierrezElena Osuna 
Singer: José Cortes
Pianist: Matthew Amper
Percussionist: Gerardo Morales

Founded and produced by Deborah Lawlor, Forever Flamenco is now enjoying its 13th sold-out year at our intimate Fountain Theatre. Stage and Cinema recently hailed it as “an assemblage of the greatest flamenco artists anywhere.”  

Forever Flamenco Sunday, Feb 16 8pm (323) 663-1525  MORE

PHOTO SLIDESHOW: ‘Forever Flamenco’ at the Fountain Theatre

company bowEnjoy these glorious photos by Bruce Bisenz capturing the passion and excitement of our Forever Flamenco concert on January 19 starring Lakshmi Basile and company. Featuring artists Lakshmi Basile, Pedro Cortes, Luis de la Tota, Jesus Montoya, and Jeff Pekarek. Produced by Deborah Lawlor and now in its 13th smash year, our Forever Flamenco series has established the Fountain the hottest flamenco venue in Los Angeles. Check out Bruce’s photos and see why! 

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Just Added! Explosive Dancer Manuel Gutierrez Joins ‘Forever Flamenco’ this Sun Nov 10 at the Fountain Theatre

Manuel Gutierrez at 'Forever Flamenco at the Ford'

Manuel Gutierrez at ‘Forever Flamenco at the Ford’

If you were fortunate to be at our summer gala concert Forever Flamenco at the Ford at the 1200-seat John Anson Ford Amphitheatre, then you remember the explosive dancer Manuel Gutierrez. His show-stopping passionate dance style was unforgettable.  Well, good news. He’s back! Manuel Gutierrez will now be joining the already stellar lineup of Forever Flamenco this Sunday, November 10 at 8pm , at the intimate Fountain Theatre.

The show this Sunday night, led by the artistic direction of percussionist Joey Heredia, was already promising to be exciting and innovative with the inclusion of jazz musicians Pablo Medina (piano) and Oskar Cartaya (bass).  Joining them will be dancer Mizuho Sato, guitarist Kai Narezo, singer Antonio de Jerez and singer/guitarist Jose Garcia. Tickets are going fast. You don’t want to miss this one! 

Now in its 11th smash year, Forever Flamenco is a Los Angeles phenomenon.

“Once a month at the Fountain Theatre, Deborah Lawlor presents Forever Flamenco, an assemblage of the greatest flamenco artists anywhere.”   – Stage and Cinema 
Percussionist Joey Heredia.

Percussionist Joey Heredia.

Forever Flamenco Sun Nov 10 8pm (323) 663-1525  MORE

Timo Nunez Ignites ‘Forever Flamenco’ on Sunday, Nov 10 at Fountain Theatre

Timo Nunez

Timo Nunez

“Once a month at the Fountain Theatre, Deborah Lawlor presents Forever Flamenco, an assemblage of the greatest flamenco artists anywhere.”   – Stage and Cinema

With only 80 seats in four rows, the Fountain Theatre, named “the foremost venue of flamenco in Los Angeles” by the LA Weekly, is the perfect place to view flamenco. Each show features a roster of world-class dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain.

Forever Flamenco_Clara Rodriguez_1This month artistic director/dancer Timo Nuñez will be joined by dancers Clara Rodriguez and Briseyda Zarate; singer Jesus Montoya; guitarist Gabriel Osuna; and percussionist Joey Heredia.

Passionate. Exhilarating. World class flamenco in an intimate setting. 

Forever Flamenco Sunday, Nov 10 8pm  (323) 663-1525  MORE

 

Flamenco Meets Canvas in ‘To Paint a Woman’ This Sunday, Sept 15, at the Fountain Theatre

paint

The Fountain Theatre’s Forever Flamenco series takes a unique swirl of the brush this Sunday night, Sept 15th at 8pm with To Paint a Woman. Artist Roderick Smith will create a painting on canvas live on stage while the flamenco concert is underway. Don’t miss this rare opportunity to enjoy the passionate flurry of flamenco and paint as they whirl simultaneously before your eyes.

Roderick Smith

Roderick Smith

Produced by Deborah Lawlor and under the artistic direction of guitarist Ethan Margolis, To Paint a Woman is an all-male flamenco performance inspired by a Spanish fandango verse “Por Pintar A Una Mujer” about the idealization of women.
Por pintar a una mujer
A un loco le dio la manía
Por pintar a una mujer
Y cuando pintá la tenía
Le puso un letrero a los pies
“Ya me tienes como tú querías”
                *
To paint a woman
A crazy man was given the notion
To paint a woman
And once he had the painting finished,
He placed a sign at her feet…
“Now you have me as you have always wanted”
Luis de la Tota

Luis de la Tota

This one-of-a-kind performance also features a rare Los Angeles appearance by special guest cajonero/palmero/festero Luis de la Tota from Jerez de la Frontera, Spain. The full line-up includes visual artist Roderick Smith dancers Manuel Guiterrez and Oscar Valeroguitarist Ethan Margolis,  singer Antonio de Jerez,  and upright bassist  John Leftwich.

Forever Flamenco  Sunday, Sept 15 8pm   (323) 663-1525    MORE

Yaelisa and Caminos Flamencos Heat Up ‘Forever Flamenco’ on Aug 18th at the Fountain Theatre

FlamenkeandoThe Fountain Theatre presents Forever Flamenco! with Yaelisa y Caminos Flamencos in “Flamenkeando— With only 78 seats in four rows, the Fountain is the perfect place to experience the fire andpassion of flamenco. This month’s lineup includes dancers Manuel GutierrezYaelisa and Devon LaRussa, who offers a hybrid of contemporary/flamenco style; singer/dancer Oscar Valero and singer El Grillo, both from Spain; guitarist Jason McGuire (“El Rubio”); and percussionist Joey Heredia.

Caminos Flamencos was founded in the San Francisco Bay Area by Emmy Award-winning dancer and choreographer Yaelisa. The mission of Caminos Flamencos is to create and present contemporary, traditional and theatrical dance programs showcasing artists from Spain and the U.S., which reflect the changing face of flamenco in the 21st century. Their programs seek to preserve the legacy of Spain’s rich artistic heritage, and bring them to people of all backgrounds, enriching the lives of people with Spanish and Hispanic ancestry, and of the community at large.

If you were lucky to be at our fabulous jaw-dropping Forever Flamenco at the Ford in June, you experienced the artistry of Yaelisa and guitar master Jason McGuire in action. The stars not only shone bright overhead on that hot summer night. Stars twinkled backstage as well, as Yaelisa was visited by TV/Film actress and flamenco fan Eva Longoria.

Yaelisa with Eva Longoria backstage at 'Forever Flamenco at the Ford' (June 15, 2013).

Yaelisa with Eva Longoria backstage at ‘Forever Flamenco at the Ford’  June 15.

Don’t miss this month’s Forever Flamenco at the intimate Fountain Theatre on Sunday, August 18th at 8pm. (323) 663-1525  MORE

Keeping the Fire of Flamenco Burning in Los Angeles: Katina Dunn and Jose Tanaka

Katina Dunn and Jose Tanaka

Katina Dunn and Jose Tanaka

By Mikey Hirano Culross

A new documentary, exploring the reach of flamenco music and dance into Los Angeles, screens Friday at the Fountain Theatre.

Conventional wisdom would have us assume that anyone directing a documentary has at least scant knowledge of the subject being explored.

Asked how much she knew about flamenco music before beginning her film project, Katina Dunn was pretty forthcomng about it.

“Nothing. Not a thing,” she said.

A journalist by trade, the Chicago native happened into a small club in Hollywood in 2010, and was instantly enchanted by a group of flamenco musicians and dancer Mizuho Sato.

“After I saw these guys playing, I went home and searched for them on Google, and there was nothing,” Dunn recalled at the Rafu Shimpo offices last week. “I knew I had to do something on them, because their performance was so moving. I knew what they were creating was incredible.”

Dunn’s directorial debut is the film “Kumpanía: Flamenco Los Angeles,” which will have a screening this Friday, at the Fountain Theatre in Hollywood. Showing as part of the Downtown Film Festival Los Angeles, the film will be followed by a live concert by flamenco guitar virtuoso Jose Tanaka, who is among the artists profiled in “Kumpanía”.

Dunn’s film explores the reach of flamenco into cultures outside of its birthplace in the Andalusia region of southern Spain. The folk music – whose name translates roughly to “the folklore of the flame” – has enjoyed great popularity in Japan, where it is said there are more flamenco schools than in Spain.

Mizuho Sato

Mizuho Sato

Tanaka, 44, said his parents were part of the generation that first embraced flamenco, and his given name is a direct result of their enthusiasm. He endured endless lessons, and when he was 18, his mother suggested he go study guitar in Spain.

Young Jose had other ideas.

“I said, ‘Screw that, I’m going to Hollywood!’ I wanted to be a rock star,” he explained.

Tanaka was working as a guitar instructor at a small music school shortly after arriving in L.A. in 1987. He said he soon became disillusioned with the monotony of his job.

“At the time, hard rock bands like Metallica and Pearl Jam were very popular, and I was teaching these kids that kind of stuff,” he said. “I found that they picked it up so quickly and I felt like I wasn’t much better than those kids. I didn’t feel like I was special, and all this time I was avoiding flamenco.”

All the while, his mother back in his hometown of Kyoto continued to send news of up-and-coming flamenco artists. But it wasn’t until the renowned Spanish guitarist Paco de Lucía came to L.A. for a concert that the flamenco fire was rekindled in Tanaka’s heart.

“All the memories started to come back. There were a lot of mixed feelings, but I realized how much I missed flamenco. I was really brought to tears,” he said.

“Kumpanía” also features Sato, a native of Iwate Prefecture who teaches dance and has been performing with Tanaka’s group since 2004.

Jose Tanaka will perform a live solo concert immediately following the screening of ‘Kumpania’ on Friday night, July 19 at 8pm at the Fountain Theatre. 

Mikey Hirano Culross is Arts & Entertainment Editor for Rafu Shimpo

Kumpania & Jose Tanaka Friday, July 19 (323) 663-1525  MORE