Tag Archives: flamenco dancing

The night I went from selling flamenco fans to becoming one

FORD Merch table Victoria Sela

Victoria Montecillo and Marisela Hughes

by Victoria Montecillo

This past weekend was the biggest event of the summer for the Fountain: Forever Flamenco at the Ford. Since I’ve been working here at the Fountain, this event was something we were all working towards, and I found myself growing more curious and excited to see what all of the fuss was about. As a newcomer, Forever Flamenco sounded like an amazing opportunity to showcase a beautiful and unique art form to the communities of Los Angeles. In the weeks leading up to the big night, everyone in the office kept telling me about the fervor and passion of the flamenco community, and that I had to just wait to see it for myself. No amount of preparation, however, could have prepared me for the experience. 

FORD seats fansOn the day of the show, I came to the venue early with the rest of the Fountain family in order to put out the VIP gift bags (I had spent the weeks leading up to the show working very hard to make sure the bags were all ready and had what they needed, so I was very proud of them), and set up a merchandise table up front. By the time it got to be about two hours before curtain, I started to notice a sizable crowd gathered outside, ready and waiting with picnic baskets. Once the gates opened, people came streaming in, chatting excitedly and eyeing our merchandise and flamenco fans as they passed our merchandise table. And once the gates had opened, the people just kept streaming in. There were people laughing and eating together, and greeting others in what felt like a true community. 

Many of the people who approached our table were loyal, longtime flamenco fans who loved and appreciated the Fountain’s commitment to producing flamenco. Others were drawn to our beautiful fans, where they shared that this was their first flamenco show. It was amazing to see and be able to meet all of the different people that were in attendance at this big event, and to get to feel the pure excitement in the air.

FORD Merch table

Barbara Goodhill, Victoria Montecillo and Marisela Hughes at the merchandise table.

The show itself was truly something to see. With the extent of my knowledge about flamenco being pretty much the dancing lady emoji and the sounds of fervent stomping and complex guitar riffs coming from the rehearsal room of the Fountain that week, I wasn’t quite sure what to expect. I certainly could not have anticipated the raw passion and artistic skill that I saw in each of those performers. What I found to be most striking about watching these flamenco musicians and dancers was that each one of them seemed so happy to be there. They were all doing what they loved most, with a group of artists that understood that passion. 

FORD 2016 prod photo 1

On top of that, I could feel the excitement and joy in the crowd around me throughout the show. During each number, the audience would interject with enthusiastic applause, clapping, and excited cheers. Families around me grabbed each other’s shoulders and clasped each other’s hands as they shouted encouragements to the musicians and the dancers as they did what they do best, and I truly felt like I was experiencing a new community full of joy, passion, and celebration. It was a truly unique and amazing experience. 

I am so grateful to everyone at the Fountain, as well as the fantastic team of flamenco artists, for introducing me to the beautiful community of flamenco. I certainly hope I’m able to witness something like this again in my life.

Victoria Montecillo is the Fountain Theatre’s 2016 Summer Arts Intern. We thank the Los Angeles County Board of Supervisors and the Los Angeles County Arts Commission for their support. 

‘Forever Flamenco’ at the Fountain Theatre is the best ticket in town

Marina Valiente

Marina Valiente

by Ernest Kearney 

Well once again you have the opportunity of experiencing one of the true treats of L.A.

Sunday, May 22 8pm – Forever Flamenco.

Why do I keep urging you to get down to the Fountain Theatre in Hollywood and partake in this monthly series?

What makes Flamenco so special, you ask?

Well, all right, since you asked –

It is the nature of all life to evolve. From the nascent state we develop until the fullness of our potential is obtained or the natural limitations of our species reached. One can disagree and debate the question of potential-limitation, but not that the ultimate stage bears slight similitude to that of the inception stage.

In a fashion, the babe is lost to the child, the child to the youth, the youth to the adult.

It is true of art forms that they evolve from a primal form, developing intellectual dimensions artistic frameworks. The loss of a certain primal intensity is payment for that progression.

Yeah, that’s a mouthful, I know, so let ‘s put forth some illustrations.

Pliny the Elder reports that Zeuxis, a Greek painter of the 5th century B.C.E., would have guests try to eat the grapes painted on his canvases. And that Parrhasios, a fellow artist of Zeuxis, invited him to view a new work covered over by a lace curtain. When Zeuxis went to lift the lace curtain he found it was part of the painting.

The 13th century Italian artist Giotto liked to paint little flies on his works then watch patrons try to shoo them.

In 1849 twenty to thirty thousand rioting New Yorkers confronted the National Guard troops called up to re-establish order resulting in more than thirty deaths. The cause of their uprising? A production of Shakespeare.

When J. M. Synge’s Playboy of the Western World premiered it too caused a riot, though not nearly as bloody.

Timo

Timo Nunez

My passion for theatre knows no bounds, but sadly, I’m reduced to imagining what the state of catharsis must have been like to reduce an ancient Greek audience to a sobbing mass incapable of speech, or what passion could be played upon to plunge me into a frenzy of rioting.

When the raw throbbing notes of jazz was first heard it threw some into wild paroxysms. Decent women fainted.

The same can be said of rock and roll and even rap.

Once, not very long ago, the experience of rap was felt by some as less “music” than throbbing hammer blows of anger, rage and revolt.

Now, Ice-T does pamper commercials and you can hear “Fuck the Police” as muzak while waiting in line to make a deposit at Bank of America.

Edwin S. Porter’s 1903 The Great Train Robbery, one of the first film “works” to employ editing in the telling of its story, concludes with one of the robbers on the screen pointing his gun at the audience and firing.

When first shown, members of the audience dived under their seats.

Film, the youngest of arts, has all but lost that quality that permitted those engaging in it to be engulfed by its artifact, transported by its manufactured illusion.

The exception that tests the rule here being Mel Gibson’s The Passion of the Christ, a 2 hour, 6 minute Christian stuff film with only 16 torture free minutes of which 2 minutes were taken up by the resurrection and none to the tenets of Jesus’ teaching. 

Whatever forms the creative imperative embodies, the accretion of artistry infuses accessibilty but defuses the ascendancy of the incipient urging behind the creative act.

Forever Flamenco_Gabriel-Osuna

Gabriel Osuna

Art, like the Titan Antaeus is robbed of its strength when removed from the soil that is its mother.

Flamenco, I find, still has a fast grip to the dark and tragic history, the pain and passion that was the life breath of the cante jondo, the traditional “deep song.”

In the sound of Flamenco, the fury of its dance, we have echoes from the dark corners of the human soul as profound today as they were three centuries ago.

Nowhere will the sorrow and joy of the human condition find expression with more sublime defiance than in the music and dance of flamenco.

Deborah Lawlor, for one Sunday every month, has lured world class talent to a small corner of Hollywood with the Forever Flamenco series at The Fountain Theatre.

Scheduled to appear at the next performance on Sunday May 22nd at 8:30: Gabriel Osuna will be the evening’s guitarist. Osuna plays with garra, meaning “guts” or “vitality.” Evidence of this is found if you examine his fingers which he coats in Super Glue to give the tips added protection.

Mateo Amper will be at the piano and Gerardo Morales is the featured percussionist as well as the evening’s director.

If these three musicians were matched in a battle of the bands with any philharmonic orchestra in the country, when it was over, it wouldn’t be the ones in tuxes wearing the laurels.

Dancer Timo Nuñez is a melding of grace and raw power who is stunning to watch.

Singer Jesus Montoya is another familiar face in the series, who fills every note he sings with such emotional power it could make bricks weep.

Marina Valiente will be making her debut at the Fountain. I am confident it will be a debut very worth seeing.

I know, I said it before. Well guess what? I’m saying it again: Forever Flamenco – The best tickets in LA. Click 

Ernest Kearney is an award winning L.A. playwright and freelance writer. This post originally appeared in The Tvolution.

2014: Another Unforgettable Year for the Fountain Theatre

Actors Jenny O'Hara and Tim Cummings after a performance of 'Broomstick' at the Fountain.

Actors Jenny O’Hara and Tim Cummings after a performance of ‘Broomstick’ at the Fountain.

3 Critic’s Choice Selections, Sold-Out Flamenco, London Opening, and Best Season Award Highlight Year

2014 was truly another unforgettable year for the Fountain Theatre.  It was a year of extraordinary growth and achievement.  

All three 2014 productions were honored as Critic’s Choice in the Los Angeles Times, our Forever Flamenco at the Ford gala was a sold-out success, and The Fountain was once again awarded the preeminent Ovation Award for Best Season in 2014. And the London production of Bakersfield Mist on the West End starring Kathleen Turner brought us international attention.

The year also brought the shadow of sadness with the loss of our longtime Subscriptions Director Diana Gibson. Her legacy lives on in the vivid memories she leaves behind, and in the Diana Gibson Subscriber Fund we created. 

Here are some of the highlights:

My Name is Asher Lev – Los Angeles Premiere. ‘Critic’s Choice’  Los Angeles Times. Extended sold out run. 

Forever Flamenco @ The Ford – Sold-out gala concert at the 1200-seat Ford Theatre.

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The Brothers Size – Los Angeles Premiere. ‘Critic’s Choice’ Los Angeles Times. Extended run. 

Playwright Tarell McCraney –  Discusses his play, The Brothers Size, at the Fountain Theatre.

Tarell McCraney and the company of The Brothers Size.

Tarell McCraney and the company of The Brothers Size.

Bakersfield Mist opens on the West End in London starring Kathleen Turner and Ian McDiarmid.

BAKERSFIELD MIST London

Stephen Sachs and Deborah Lawlor outside The Duchess Theatre, London.

Gabby Lamm and Alice Kors – our two fabulous summer interns were terrific and helpful and launched our first Student Night at the Fountain.

Gabby Lamm and Alice Kors

Gabby Lamm and Alice Kors

Diana Gibson – The Fountain grieved the loss of our longtime Subscriptions Director, who passed away after a long illness.

Diana Gibson

Diana Gibson

Fountain Theatre wins BEST Award from the Sheri and Les Biller Family Foundation.

BEST Award

Fountain Theatre wins the preeminent Ovation Award for BEST SEASON for overall excellence in 2014. 

Next year in 2015, we launch our 25th Anniversary Season. Join us as we continue on this remarkable journey together. 

Happy New Year

‘Forever Flamenco at the Ford’ Dancers Take Center Stage in New Episode of TV’s ‘Eye on LA’

On location at The Ford for the TV shoot.

On location at The Ford for the TV shoot.

TV Episode to air Sat July 26 at 6:30pm on KABC-TV

Lights! Camera! Action! Two dancers from our upcoming Forever Flamenco at the Ford  will be featured on an upcoming TV episode of Eye On LA. Flamenco dancers Alexandra Zermeno and Ryan Zermeno taped the episode on the outdoor stage at the Ford Amphitheater on Friday, July 11, with Eye on LA host and senior producer Tina Malave.  The Forever Flamenco at the Ford episode of Eye on LA airs Saturday, July 26th, at 6:30pm on ABC channel 7 in Los Angeles. 

The popular TV program highlights new and exciting things to see and do in Los Angeles.  This new recently-shot TV segment highlights our thrilling Forever Flamenco at the Ford on Saturday, Aug 9th, celebrating flamenco in Los Angeles and honoring LA flamenco pioneer Roberto Amaral.   

Alexandra and Ryan Zermeno had a great time shooting the TV episode on stage at the Ford. Emmy-winning TV host Tina Malave was charming with a playful zest for fun, dressed in flamenco dance attire. Alexandra showed Tina some basic dance steps and hand/arm movements. Tina did her best with her own enthusiastic flair and good-natured spirit.  Fun was had by all. Alexandra and Ryan were able to share with Tina their excitement about appearing on stage with the all-star flamenco line-up at the Ford on Aug 9th.  

Forever Flamenco at the Ford is the most prestigious flamenco event of the year in Los Angeles. International, national and local artists come to the Ford to perform in this magical one-night event. And audiences flock in from all over the region to savor the passion of the art form and the beauty of the gorgeous outdoor venue on a warm summer night.

Last year’s Flamenco Gala sold out. This year’s event is already selling fast. Get tickets at FordTheatres.org or call 323-GO-1-FORD (323-461-3673.  For VIP Tickets (the best seats in the best section, includes private catered reception) call the Fountain Theatre at (323) 663-1525 or go to FountainTheatre.com  

Photos from the ‘Eye on LA’ TV Shoot

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“Thrilling! Sexy and Sensuous” Gala Event ‘Forever Flamenco at the Ford’ Returns August 9th

Yaelisa

Flamenco dancer Yaelisa.

It’s back! The Fountain Theatre returns to the beautiful John Anson Ford Amphitheatre with an all-star line-up of local, national and international flamenco artists to celebrate Forever Flamenco and honor LA flamenco dancer/choreographer/teacher Roberto AmaralForever Flamenco at the Ford  is the premiere flamenco event of the year in Los Angeles. Under the artistic direction of renowned flamenco dancer Yaelisa and guitarist Antonio Triana and produced by Deborah Lawlor, the Gala Event takes place on Saturday, August 9th at 8:30 pm at the Ford Theatres in Hollywood.

Last year’s Forever Flamenco at the Ford was a thrilling success and sold-out the 1200-seat venue. Tony Frankel of Stage and Cinema declared it “Breathtaking! Explosive! Thrilling! Sexy and Sensuous!”

Manuel_Gutierrez

Manuel Gutierrez

We are holding 100 of the BEST SEATS – center section, down front, up close and personal  — and offering them only to our private Fountain VIP patrons.  These prime seats are not available to the public. With these Fountain VIP tickets you get:

  • The best seats  in the house: down front, up close, center section
  • Exclusive VIP pass to the private pre-show catered party with the artists
  • Festive hand-crafted gift bag with free flamenco swag

These prime VIP TICKETS are limited and will sell out.   Click here to order online. Or call the Fountain box office (323) 663-1525. Note: These VIP tickets sold by the Fountain Theatre are tax deductible. 

Since 1990, the dancers, musicians and singers of Forever Flamenco have been delighting Fountain Theatre audiences with the intensity, precision and exhilaration for which flamenco is known. Now Forever Flamenco returns to the outdoor stage at the Ford Theatres with this passionate expression of Spanish culture in a tribute to LA Flamenco pioneer Amaral.
FOREVER FLAMENCO at FORD title image

Forever Flamenco at the Ford will be a once-in-a-lifetime gala event gathering some of flamenco’s finest artists together on stage, including dancers Fanny AraManuel Gutierrrez, Pamela LourantTimo Nuñez, Mizuho Sato, Yaelisa and Ryan Zermeno; singers Antonio de Jerez and Jesus Montoya; guitarists Adam del MonteJason McGuire “El Rubio”, Jose Tanaka and Antonio Triana; and percussionist Joey Heredia. Watch for more surprise artists, as well as a few guests and dignitaries honoring the accomplishments and contributions made by Amaral to the cultural landscape of Los Angeles.

Roberto Amaral

Roberto Amaral (photo by Sari Makki-Phillips)

Sari Makki-Phillips

Roberto Amaral began his professional career at the age of 17, and has since achieved worldwide acclaim as a dancer, choreographer, singer, composer, artist and master teacher.

From 1968 through 1976, he enjoyed success as principal dancer and guest artist with many of the world’s foremost Spanish dance companies. With the companies of Jose Greco, Jose Antonio, Ciro, Alberto Lorca, Rafael de Cordoba and Antonio Ruiz, Roberto toured extensively throughout Europe and the Americas.  Also during this early period of his career, he laid groundbreaking musical history as co-founder, co-lead vocalist, writer, arranger and choreographer of the legendary band CARMEN. It was the first musical group to ever combine flamenco with rock/pop music both audibly and visually, performing alongside such musical luminaries as David Bowie, Jethro Tull, ELO and Santana.   As a television performer, Roberto has been a featured dancer and choreographer on numerous programs, most noteworthy being The Academy Awards (twice), The Tonight Show, The Barry Manilow Special and the Madrid based Antologia de la Zarzuela. In 1981, he  collaborated with choreographer Walter Painter on the television special Lynda Carter’s Celebration. For this collaboration Roberto received the prestigious EMMY AWARD honoring his contributions as flamenco consultant and lead dancer.  Most recently in 2012, he and renowned choreographer Liz Imperio collaborated on an exciting flamenco number which was featured on both the tv shows Q Viva and The Ellen Show. In 1977, Roberto formed his first of several dance companies, each of which have greatly influenced the pulse of flamenco and classical Spanish dance in Southern California for the past 37 years. The critically acclaimed companies Danzas de Espana, Ballet Espanol de Los Angeles, Espana Clasica and Fuego Flamenco are all companies Roberto has conceived, artistically directed and starred in.  As a result, he has produced, staged, designed costumes, sets and lights for, and choreographed over 500 dance solos, ensemble pieces, flamenco ballets, conceptual suites and production numbers.  In his nearly 50 year career, Roberto has been privileged to perform in many of the world’s great concert halls, theatres, arenas and nightclubs.  In the United States they include California’s  Hollywood Bowl, Greek Theatre, Forum, Dorothy Chandler Pavillion, Ahmanson Theatre, San Francisco Palace of Fine Arts ;  New York’s Lincoln Center, Carnegie Hall, Madison Square Garden ;  Las Vegas’ Caesar’s Palace, Sahara and Hilton International.  In Europe he has performed at London’s Victoria Theatre, Paris’ Olympia Theatre, Copenhagen’s Tivoli Gardens, Madrid’s Teatro de La Zarzuela and Milan’s La Scala Opera House.  In 1990 Roberto began a critically acclaimed 7 year run of performances at the Fountain Theatre in Hollywood. It was during this time that many California Flamenco stars graced the Fountain Theatre stage alongside Roberto in his landmark company Fuego Flamenco.  Also during this period, Roberto choreographed and worked alongside Deborah Lawlor on her prestigious theatrical accomplishment “The Women of Guernica” as well as the Fountain Theatre filmed documentary L.A. Ole!.

Roberto is and will always be known as a visionary, with a trademark style of dance, music and art that he wants to be regarded and remembered as unique, innovative and impressionable.  As he continually strives to find new and refreshing approaches to his artistic creativity, he has also found an enormous sense of gratification and pride in his dedication to teach and mentor others. Many of his former students and proteges have gone on to become stars in their own right. This commitment  to dance garnered Roberto the first ever Lifetime Achievement Award from the Santa Barbara Flamenco Society in 2004. Roberto still looks forward to many more years of creating new projects and to the continued training and nurturing of his current and future students.

Ford Amphitheatre

John Anson Ford Amphitheatre

Forever Flamenco at the Ford takes place on Saturday, August 9th. Doors open for picnicking at 6:30 pm and the show starts at 8:30 pm. Reserved seating is $50 and $75. Purchase tickets on or before August 2 and save $5. Tickets are available at www.FordTheatres.org or 323 461-3673 (323 GO 1-FORD). For Fountain VIP Tickets call (323) 663-1525 or visit www.FountainTheatre.com.

Antonio Rodriguez Jimenez “El Chupete” from Spain Ignites ‘Forever Flamenco’ June 15th

Mizuho Sato

Mizuho Sato

Antonio Rodriguez Jimenez

Antonio Rodriguez Jimenez

Called “hot, gritty and intoxicating” by the Village Voice and “a wild man… [who] makes me scream out ‘Ole!’” by Dance Insider, dancer Antonio Rodriguez Jiminez (“ El Chupete”) comes from Sevilla, Spain to headline the June 15 edition of L.A.’s premier flamenco series, Forever Flamenco! at the Fountain Theatre. This month’s line-up also includes guitarist/artistic director Gabriel Osuna; guitarist Jose Tanaka; singer Antonio de Jerez; percussionist Gerardo Morales; and dancers Mizuho Sato and Pamela Lourant. With only 80 seats in four rows, the Fountain Theatre is the perfect venue to experience the art of flamenco. Produced by Deborah Lawlor.

MORE INFO and buy tickets (323) 663-1525

Gabriel Osuna and Company Jazz Up ‘Forever Flamenco’ on Feb 16 at the Fountain Theatre

Dancer Fanny Ara

Dancer Fanny Ara

The inclusion of piano makes Osuna’s show unique

The hottest flamenco is at the Fountain! With only 80 seats in four rows, the Fountain Theatre is the perfect venue. Each performance features a roster of world-class Flamenco dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain. This month’s line-up, under the artistic direction of guitarist Gabriel Osuna, includes Fanny Ara from San Francisco and Elena Osuna from Albuquerque, as well as Matthew Amper on piano, a unique addition under Osuna’s direction.

Gabriel Osuna

Gabriel Osuna

The Company of Artists:
Artistic Director/Guitarist: Gabriel Osuna
Dancers: Fanny AraManuel GutierrezElena Osuna 
Singer: José Cortes
Pianist: Matthew Amper
Percussionist: Gerardo Morales

Founded and produced by Deborah Lawlor, Forever Flamenco is now enjoying its 13th sold-out year at our intimate Fountain Theatre. Stage and Cinema recently hailed it as “an assemblage of the greatest flamenco artists anywhere.”  

Forever Flamenco Sunday, Feb 16 8pm (323) 663-1525  MORE

All-Star Flamenco Weekend Launches 2014 at the Fountain Theatre Jan 17-19

Manuel Guiterrez

Manuel Guiterrez

Fanny Ara

Fanny Ara

Forever Flamenco! presents an All-Star Flamenco Weekend: Antonio Triana and Company on Jan. 17 and 18, featuring magnificent singer José Cortés (from Spain) and mesmerizing dancer Fanny Ara (born in France, trained in Spain); and Lakshmi Basile and Company on Jan. 19, featuring two guest artists – guitarist Pedro Cortés and percussionist and festero Luis de la Tota, who brings joy and fun to every show he’s in.

With only 80 seats in four rows, The Fountain Theatre is the perfect place to view Flamenco. Each show features a roster of world-class Flamenco dancers, singers and musicians drawn from the rich pool of Flamenco artists in Southern California, with additional guest artists brought from San Francisco, Albuquerque and Spain.

PROGRAM:

Friday, Jan. 17 at 8 pm and Saturday, Jan. 18 at 8 pm

  • Antonio Triana and Company
    • Guitarristas (Guitarists) – Gabriel Osuna, Antonio Triana
    • Cantaores (Singers) – José Cortés, Antonio de Jerez
    • Bailaores (Dancers) – Vanessa Albalos, Fanny Ara, Manuel Gutierrez

Sunday, Jan. 19 at 8 pm

  • Lakshmi Basile and Company
    • Guitarrista (Guitarist) – Pedro Cortés
    • Cantaor (Singer) – Jesus Montoya
    • Palmero/Cajonero (Percussionist) – Luis de la Tota
    • Up-right Bass – Jeff Basile
    • Bailaora (Dancer) – Lakshmi Basile

Forever Flamenco Jan 17-19  (323) 663-1525  GET TICKETS

Fountain Theatre Opens Its Doors for Play Readings, Guest Workshops and Flamenco with ‘Open Stage’

Ft audienceOpenStageCelebrate the new year with vibrant new works from our friends and family. The Fountain opens her stage to 20 days of readings, workshops, and concerts from our growing community. Join us for fun, casual and engaging guest productions every weekend throughout all of January.

Lady Burning

THE LADY’S NOT FOR BURNING

  • Friday 1/10/ 8:00
  • Saturday 1/11 8:00
  • Sunday 1/12 2:00

THE FOREST FOR THE TREES

  • Thursday 1/16 7:30

FOREVER FLAMENCO BY ANTONIO TRIANA

  • Friday  1/17 8:00
  • Saturday 1/18 8:00
Lakshmi Basile

Lakshmi Basile

FOREVER FLAMENCO BY LAKSHMI BASILE

  • Sunday 1/19 8:00

BACK TO BERLIN

  • Friday 1/24
  • Saturday 1/25

anderson_2

MOTHER OF THE MAID

  • Sunday 1/26

THREE NOVELS SPEAK

  • Thursday 1/30

Open Stage Jan 10 – 31 (323) 663-1525  MORE

2013: A Season of the Heart at the Fountain Theatre