Tag Archives: Filipino-American

Still feeling the power of ‘My Mañana Comes’ at Fountain Theatre

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco

by Victoria Montecillo

Last weekend, I got to watch our production of My Mañana Comes on its closing weekend. It’s three days later, and I’m still thinking about it. After hearing about the show and the kind of work that the Fountain produces from Stephen Sachs and Barbara Goodhill, I was eager to see the work in action. I knew that the show was about four busboys in a high-end restaurant, and that the show would touch on issues surrounding immigration and fair pay, but I was otherwise walking in with no expectations of what I was about to see. 

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Playwright Elizabeth Irwin

One of the first things that captured me within the first couple of scenes was the reality of it all. I knew the playwright was a woman, and I was stunned at her ability to capture the conversations between these young men so well. I could feel each unique voice and personality from the four characters, which only made the story even more riveting. 

I felt like this play really sneaks up on you, in the best way possible. For a while, it’s just four guys working in a kitchen trying to make ends meet, teasing each other, and sharing their lives with one another. And in the next moment, you’re suddenly aware of how much you care about each of these men. They’re each dealing with their own set of challenges, and you can feel yourself rooting for them. And suddenly you’re watching these characters you care about struggling to fight for equal pay, providing for their families, and maintaining their friendships with each other. 

As a theatre geek, I have to say that I have a soft spot for powerful pieces of theatre that don’t have a happy ending. They end, instead, by giving the audience something to think about, and with the gut-wrenching realization that theatre is, in fact, an avenue for real stories about real people. Perhaps after the show that I saw, the actors all came out smiling and ready to answer all of our questions and discuss the piece in an illuminating and inspiring talkback, but stories like that don’t always end that way. This piece, and the incredible actors in the cast, were telling a much bigger story of real struggle. 

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On top of all of that, the audience gets to witness all of this unfold in the Fountain’s cozy, 78-seat theatre. Their space made us feel like we were all apart of this story, and part of the action. Seeing this particular piece in such a small space helped me realize how effective it can be to tell stories in a smaller space, where there seems to be no separation or distance between the performers and the audience. Everything is shared, and that makes the experience all the more powerful. 

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Pablo Castelblanco and Peter Pasco

Another thing I really appreciated about this production was how well it brought to light very specific perspectives within cultural identity. In the talkback with the cast after the show, which was moderated by Stephen Sachs, an audience member praised actor Peter Pasco for his portrayal of Whalid, a young Mexican-American man with no claim to his own heritage. Pasco responded to the audience member, expressing the difficulty that many first-generation and second-generation Americans have with the culture of their families, especially when visiting their “home countries”. As I clearly remember him explaining his own experiences in relation to Whalid’s in the talkback, “When I’m here in the United States, everyone sees me as Peruvian, even though I feel that I’m American. But when I’m in Peru visiting my family, I don’t feel like a Peruvian at all.” His words deeply resonated with me, as a first-generation Filipino-American. Getting to see a character like that onstage, as well as hearing the actor speak about it so eloquently afterwards, was a very special feeling. 

Victoria Montecillo at desk June 2016 cropped

Victoria Montecillo

It was sad to see such a beautiful piece as My Mañana Comes in its closing weekend, but I felt lucky to be apart of one of the many audiences that got to see such a powerful piece at the Fountain, with an unbelievable cast bringing such an important story to life. One of the most inspiring things to see after the show was all of the people in the audience who were clearly so moved by the performance; there was one woman behind me who clearly wanted to express her gratitude to the actors for sharing such an important story, but she was far too overcome with emotion. There were countless people around me who made a point of thanking the actors and the Fountain Theatre for bringing such an important and relevant piece to audiences in this community, and I was again reminded of the magic and power of live theatre, and all it can do to bring communities together through art and storytelling.

Creating a theatre family and community: Meet intern Victoria Montecillo

Victoria Montecillo at desk June 2016by Victoria Montecillo

Hey there Fountain family! My name is Victoria Montecillo and I am the Development Intern at The Fountain this summer. I am a recent graduate of Scripps College, where I got a double degree in Theatre and Media Studies. Aside from theatre, I love music (making it and listening to it!), reading (now that I’m done with college, I actually have time to read again), and spending time with the people I love. I was born in New York, but my family moved to Hong Kong before I turned two, so I grew up in Hong Kong before coming back to the United States for college.

In my experiences in theatre, I’ve done a little bit of everything – I found my passion as a performer, and I explored working in sound, lights, and directing. I found that although my heart initially was only with performing, I loved being involved in theatre in any way I could. I loved being a part of the work, and helping create that final product. In college, I became so much more aware of the power of theatre; the power of giving voices to untold stories, and of reaching out to audiences through stories of the human experience. 

At the same time, I was beginning to better understand my own identity as a first-generation Filipino-American who grew up abroad. This year, I went to see a play written by a professor of mine about Filipina immigrant women in the United States. The script was a mix of English and Tagalog, with supertitles projected onto the set. It was the first time I had seen a piece of original theatre with people onstage who looked like me, and talking like my family. Each of their stories were powerful, real, and resonated with me in a way I didn’t expect. That’s when I realized the true power of theatre, and I understood my compulsion to work in theatre. I wanted to have a hand in the stories that are told onstage, and I wanted to be able to help create theatre that reached out to all kinds of audiences, to make them feel heard and understood. 

I am so incredibly thrilled to be here at the Fountain this summer – not only do I admire the work that they produce, I am just so honored to be welcomed to the family and community here. Community is such an essential aspect of theatre and creating art, and I am so excited to do my part to contribute and further the work done here. 

Our thanks to the Los Angeles County Board of Supervisors and the Los Angeles County Arts Internship Program for making this summer internship possible.