Tag Archives: discussion

Akiva Potok, son of ‘The Chosen’ author, joins cast of acclaimed production for Q&A

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Akiva Potok chats with the company of ‘The Chosen’ and audience in Q&A.

What’s it like to grow up in a house where your father is the author of a beloved internationally best-selling novel dubbed “the Jewish Catcher in the Rye” that is taught in classrooms around the world? Last night, you could have asked Akiva Potok this question yourself, when the Fountain hosted a Q&A discussion following the sold-out performance of the stage adaptation of Chaim Potok’s The Chosen. Akiva is Chaim Potok’s son. 

The lively conversation with Potok drew intriguing questions from the audience. Akiva described his relationship with his world-famous father as one that grew closer when Akiva was in his early twenties and his father gave himself permission to become more open and vulnerable with his son. Audience members commented on the skill and authenticity of the actors and the powerful appeal of the story.  One gentleman pointed out that the play’s central spiritual and philosophical theme, that two opposing realities can be true at the same time, has been proven in modern physics and quantum theory.  

Akiva was joined onstage by actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman, Sam Mandel, and director Simon Levy. The discussion was moderated by Co-Artistic Director Stephen Sachs. 

Our acclaimed production of The Chosen continues our relationship with the work of Chaim Potok, adaptor Aaron Posner, and Potok’s son, Akiva. The Fountain produced the Los Angeles premiere of Potok’s My Name is Asher Lev in 2014, also adapted by Posner. Akiva visited the Fountain and joined the company for a fascinating post-show discussion at that time, as well.  

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Akiva Potok (center) and the company of ‘The Chosen’. 

Akiva Potok is an award-winning screenwriter, film producer and cinematographer. His latest film, Haze (2016, cinematography) was released theatrically and is presently in distribution on Netflix.  It was hailed by Variety as “Accomplished and energetic” and the LA Times called it a “Fresh take on fraternity life.” It has screened at ten film festivals and at over fifty college campuses stimulating much-needed conversation on the topic of hazing. Akiva’s other films have featured at festivals such as Sundance, Cinequest and The Brooklyn Film Festival as well as many others. Akiva Potok received his MFA from USC’s School of Cinematic Arts in 2003 and presently resides in Beverly Hills, CA.

The sold out run of The Chosen has been extended to May 14th. Get Tickets/More Info

Post-show conversations: “I have a passion to inspire change through theatre”

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Q&A discussion with playwright Robert Schenkkan

Nora King is a California girl who doesn’t surf. She danced in school productions of The Nutcracker but admits she was  “an unbalanced and quite chatty ballerina.” She earned a BFA in Acting from California Institute of the Arts (CalArts) then created a non-profit theatre troupe called Acting for Others,  to raise support and awareness for charities through performance.  These days, she now finds herself at the Fountain Theatre as Production Outreach Coordinator for Building the Wall, overseeing the ongoing post-show conversation series Breaking It Down.  

The program Breaking It Down, she says, embodies her dual commitment to theatre and social action. “I have always had a passion to inspire change through theater.”   

Fountain Co-Artistic Director Stephen Sachs agrees. “When the Fountain Theatre made the bold move to reschedule our 2017 season so we could quickly produce the world premiere of this controversial new play Building the Wall, we were sure of one thing. Patrons seeing it will want to talk about it.”

The post-show conversation series Breaking It Down was created to offer an ongoing platform for the dialogue to continue with audiences on a wide variety of topics. The first discussion featured playwright Robert Schenkkan.

As Production Outreach Coordinator, it was Nora’s job to reach out to a varied list of organizations and schedule dynamic leaders willing to participate in conversations with audience members following performances of Building the Wall. Topics range from immigration to prison systems to women’s rights to stand-up comedy.  

To learn more about the discussion series and the young woman who oversees it, we subjected Nora to her own Q&A.

 How did you get this job at the Fountain?

Funny story. I saw an opening for a position in The Fountain’s cafe. I sent in my resume. And a couple days later I got a call from Stephen Sachs about another position that may be a better fit. And it is a much better fit. My cooking skills are nonexistent. 

What is Breaking It Down? How would you describe it? 

Breaking it Down is a conversation series following performances of Building the Wall. These will be discussions with community leaders, non-profit organizers, socially active performers, etc.

 

Nora King

Nora King

What do you hope to achieve with these post-show conversations?

The goal of Breaking it Down is to activate and inspire the audience. A big theme in Building the Wall is the power and responsibility of the individual. At this point in our country’s history, complacency is extremely dangerous. I want to empower the audience, leaving the theatre ready to influence change.

Has it been hard getting experts to agree to participate in the discussions? Or easier that you thought?

A lot easier than I thought. I was surprised with the eagerness in which people wanted to be involved. Which is very exciting! This also reassures me that there are influential people activated and ready to combat the inhumane policies our government keeps churning out.

Which conversations are you most looking forward to?

After researching each individual and their backgrounds, I am honestly very excited for each conversation. I think they will offer so many different perspectives as well as ways to help. So, all of them!

What role can theatre play in triggering social action?

Theatre has always been a reflection of society. Shakespeare’s histories are basically the People magazine of the time. To say theatre is merely for entertainment, is an ignorant concept. And to say the arts is unnecessary for a nation, is stupid. Sorry to be so blunt. However, the reason I dedicate my life to this art form is because of its influence on society. Theater supplies ethos. We are humans. We need to connect. We need to feel. I believe theatre can supply an up close look at stories you wouldn’t experience otherwise even though, in reality, they might be happening right next to you.

What has your experience been like at the Fountain?

Amazing! Something that drew me to the Fountain Theatre is its commitment to socially provocative work. There is certainly a sense of working towards a shared goal. Everyone is passionate and excited to be there, which is necessary for a theatre to succeed. I feel very honored to be joining The Fountain Family. Thank you Robert and Stephen for bringing this play to life so quickly. I think it is essential for people to see this immediately.   

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PHOTOS: Opening young eyes and minds at heartfelt matinee of ‘My Mañana Comes’

SS pix 001How does theatre dramatize important social, political and cultural issues in a way that is compelling and meaningful? Can a play bring to life the challenges of immigration and the struggle of undocumented workers in a story that reveals the human being behind the stereotype? Isn’t it remarkable how the magic of theatre pulls us into the personal lives of these colorful characters in this play and then delivers a heart-stopping blow at the end that forces you to examine your own belief systems about yourself?

These compelling questions — and more — were some of the topics raised in a heartfelt Q&A discussion with the cast following yesterday’s matinee performance of My Mañana Comes. The audience included young people and adults from The Unusual Suspects Theatre Company, a non-profit organization that makes theatre accessible to low income youth and adults. The program also uses theatre as a vehicle to create community and empower, educate and give artistic voice to young people.

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My Mañana Comes is a funny and powerful new play about four busboys — three Mexican, one African American — in a upscale restaurant who battle issues of immigration, fair pay for labor, and chasing the American Dream. The play utilizes fast-paced dialogue and slang in both English and Spanish. That same diversity was reflected in the cultural mix at yesterday’s Q&A when the discussion was conducted and translated in both Spanish and English.

The interchange between artists and young people in the community was made possible through the Fountain Theatre’s educational outreach program, Theatre as a Learning Tool, which provides the life-enhancing experience of live theatre to underserved young people throughout Southern California.

“Our goal at the Fountain is to use the power of theatre to put a human face on the social, political and cultural issues of our day,” says Co-Artistic Director Stephen. “And to open the eyes and minds and hearts of young people. There is nothing more rewarding than making theatre available to those in our community who otherwise have little or no access to what theatre can do.”

PHOTO SLIDESHOW: College Students Meet Cast and Director of ‘The Brothers Size’ at the Fountain

1College students from UC Santa Barbara enjoyed our Sunday matinee preview of The Brothers Size and engaged in a fascinating Q&A Talkback with the cast and director after the performance. The students were particularly eager to see our production because they had been reading and studying the play in class. 

The Brothers Size by Tarell Alvin McCraney is a hot-blooded, music-filled drama from one of the country’s most exciting new voices. After a homecoming in the bayous of Louisiana, the Size brothers, Ogun and Oshoosi, try to start fresh. This haunting, funny, and heartbreaking tour de force probes sexuality, coming of age, and the bonds of family as the brothers struggle to discover identity and to unearth a new sense of freedom.
 
Directed by Shirley Jo Finney, the Los Angeles Premiere at the Fountain Theatre stars Gilbert Glenn Brown, Matthew Hancock  and Theo Perkins. It opens Saturday, June 7th. For more info and tickets click here

Enjoy These Snapshots from the Q&A Discussion

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Q&A Talkback this Thursday with ‘On the Spectrum’ Cast, Film Makers and Autism Specialists

Virginia Newcomb & Dan Shaked

Virginia Newcomb & Dan Shaked in ‘On the Spectrum’ at the Fountain Theatre

‘On the Spectrum’ Cast & Director Join ‘Autism in Love’ Film Makers and Autism Specialists for Post-Show Q&A 

A special Q&A Talkback will immediately follow the performance of On the Spectrum this Thursday, April 18th. Scheduled to speak and answer questions from the audience are Dr. Jason Bolton, Chief Psychologist, and Pamela Clark, Director of Autism Schools, from The Help GroupCarolina Groppa, Producer, and Matt Fuller, Director, of the independent film, Autism in Love, and Nancy Alspaugh-Jackson of Autism Care and Treatment (ACT Today). The On the Spectrum cast — Jeanie Hackett, Virginia Newcomb and Dan Shaked —  and director Jacqueline Schultz will also join the discussion and answer questions from the audience.  

The Help Group is the largest, most innovative and comprehensive nonprofit of its kind in the United States serving children with special needs related to autism spectrum disorder, learning disabilities, ADHD, developmental delays, abuse and emotional problems. It is proud to be a sponsor of the Fountain Theatre’s West Coast premiere of On the Spectrum

Autism in Love is a feature length documentary film currently in production exploring how adults with autism fall in love and manage romantic relationships. Due for release in 2014.

ACT Today! is a national nonprofit 501(c)(3) organization whose mission is to raise awareness and provide treatment services and support to families to help their children with autism achieve their full potential.

Join us for the Q&A immediately following the performance on Thursday, April 18th at 8pm. It’s going to be fun and interesting. 

On the Spectrum Now to April 28 (323) 663-1525  MORE