Camille Spirlin and Maya Lynne Robinson, “Runaway Home”
The Fountain Theatre has earned 7 Stage Raw Theater Award nominations for our world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Jo Finney. The Fountain production of the funny, moving, and powerful new play about community and the power of family, set in New Orleans three years after Hurricane Katrina, received the following Stage Raw Theater Award nominations:
Production of the Year
Ensemble – Leith Burke, Jeris Poindexter, Armando Rey, Maya Lynne Robinson, Camille Spirlin, Brian Tichnell, Karen Malina White
Playwriting – Jeremy J. Kamps
Leading Female Performance – Camille Spirlin
Supporting Female Performance – Maya Lynne Robinson, Karen Malina White
Supporting Male Performance – Jeris Poindexter
The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles.
The company of Runaway Home celebrates after final performance
There was a moment yesterday during the final curtain call of our acclaimed world premiere of Runaway Home that crystalized our expeirience throughout the entire eight-week run. The audience leaped to their feet in an exuberent standing ovation, stomping and clapping, while the actors lovingly tossed colorful mardi gras beads from the stage. Both sides of the stage shared a joyful moment of festive celebration that captured the spirit of this funny, endearing and poignant new play.
Following Sunday’s final performance, a lively reception was held in our upstairs cafe. The rain forcasted for the afternoon never appeared as the cast joined friends and patrons for a warm-hearted reception that included bowls of hot chili and plates of sweet potato pie.
Enjoy these photos from the post-show party. Another splendid Fountain Theatre production completes its successful run.
Launching the world premiere of a meaningful new play is always a cause for celebration at the Fountain Theatre. Saturday night, September 16th, was a thrilling night of jubilation as we opened the beautiful, funny and powerful new play Runaway Home by Jeremy J. Kamps. This timely new work about the community of New Orleans surviving together after Hurricane Katrina runs to November 5th.
After the soaring opening night performance, the enthralled audience gathered upstairs in our cafe for a catered reception with the cast and creative team. Food from New Orleans was served, with wine and beer flowing. A truly magical evening highlighting an unforgettable theatrical experience.
Sometimes what you’re searching for is right where you started. The Fountain Theatre presents a powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps. Multiple award-winning Shirley Jo Finney returns to the Fountain to direct the world premiere of Runaway Home for a Sept. 16 opening.
Three years after Hurricane Katrina, the unhealed wounds of New Orleans’ Lower 9th Ward continue to fester. Camille Spirlin (ABC’s American Koko, Fox TV’s Rosewood, Nickelodeon’s Marvin Marvin) stars as 14-year-old runaway Kali. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, she embarks on a journey to pick through the wreckage of what used to be her life. While the rest of the country’s attention drifts, the neighborhood’s residents are left to repair the damage from the inside out. As their attempts at renewal leave a path of destruction in their wake, Kali bears witness to what the floodwaters left behind. Also in the cast are Leith Burke (Citizen: An American Lyric at the Fountain,Neighbors at the Matrix), Jeris Lee Poindexter (The Darker Face of the Earth,Central Avenue, Gem of the Ocean at the Fountain),Armando Rey (Men on the Verge of a His-panic Breakdown at Macha Theatre), Maya Lynne Robinson (In the Red and Brown Water at the Fountain – LADCC Award, Best Ensemble), Brian Tichnell (Dream Catcher at the Fountain, HBOs Silicon Valley, L.A. Theatre Works’ national tour of The Graduate) and Karen Malina White (Citizen: An American Lyric and The Ballad of Emmett Till – Best Ensemble LADCC and Ovation Awards – at the Fountain, currently in As You Like It at Antaeus).
“This play couldn’t be more timely,” says Fountain co-artistic director Stephen Sachs. “Hurricane Katrina may have ceased in 2005, but the storm of racism, poverty and class inequality rages on in our country to this day. We need look no further than Flint, Michigan, to see systemic government prejudice against citizens of color and the poor. But as Jeremy’s play so beautifully demonstrates, the bonds of family and community will weather any storm.”
When Kamps traveled to New Orleans two years after Katrina to volunteer “gutting and mucking” (stripping homes to the studs to remove mold), he had been teaching middle school in Connecticut. He already had an idea in his head about a runaway girl who collects other people’s garbage, finding meaning in the meaningless.
“Kali’s world paralleled the displacement, hope for renewal, fracture and resilience I was seeing in the social-political reality of the Lower 9th Ward,” he explains. “Whenever a character’s inner life and experience are so congruent with an important social issue, that’s the story I want to write.”
While in New Orleans, Kamps met Antoine, a man in his ‘70s who had just returned to what had been his family’s home for generations. Antoine was going from house to house trying to trace relatives, friends, acquaintances and neighbors, to find out what had happened to them in the years since the storm. “His friendship helped me honor the stories of this community in a truthful way — to see the past, present and future of the Lower 9th through their eyes,” says the playwright.
According to Finney, “Because the media painted them as poor and impoverished, most people don’t realize that the residents of the Lower 9th were working class homeowners. Those homes had been in families for generations. Members of the community were expecting government funds so they could rebuild, but because of red tape and bureaucracy, the money never came, or it took so long that people had to end up using it for rent or just to eat.”
“The mother-daughter relationship becomes the pivotal heart space in this story about this community,” she continues. “The play is very funny because Kali is so spirited, but the rage, helplessness and loss that Kali and her mother share are the core of the play. That is the challenge they both struggle with to find their way back to each other and home. What happens to people when they aren’t seen, when they don’t feel safe? How do you begin to rebuild your life when nobody cares?”
Jeremy Kamps’s plays have received awards and recognition including the William Saroyan Human Rights Award Finalist (2016); Page 73 Semi-Finalist (2017); Ruby Lloyd Apsey Award (Gutting); The Goldberg Prize; Woodward International Playwriting (What It Means To Disappear Here); Hudson Valley Writers Center and the NYU Festival of New Works (Water Hyacinth). His play Breitwisch Farm will be produced by Esperance Theater Company in NYC later this year. Recent productions include Gutting, presented by the National Black Theatre of Harlem and What It Means To Disappear Here (Ugly Rhino, NYC). His work has been produced/developed with Esperance Theater Company, Company Cypher at the National Black Theatre of Harlem, Ugly Rhino, Dixon Place, Hudson Valley Shakespeare, The Amoralists and New York Theatre Workshop. His fiction has been published in The Madison Review and The Little Patuxent; has been honored with the H.E. Francis Award, the Howard/John Reid Fiction Prize and was a Lamar York Prize finalist; and has been recognized in Glimmertrain, Inkwell, The Caribbean Writer and New Millenium. He is a member of the Emerging Writers Group at the Public Theater. Also an educator and activist, Jeremy has lived and worked for lengthy periods of time in Latin America, India and East Africa, where he focused on support and empowerment for former child soldiers, displaced peoples and child rights. He recently received the Theatre Communications Group “On the Road” grant to return to Kenya where he conducted drama workshops as part of his research for a new play on flower farms. He has facilitated drama and writing workshops around the world and for all ages. He has an MFA in Dramatic Writing from NYU Tisch School of the Arts.
Shirley Jo Finney has previously directed acclaimed Fountain productions of Citizen: An American Lyric (selected for CTG’s first annual Block Party at the Kirk Douglas Theatre), The Brothers Size, In the Red and Brown Water (for which she earned her second Ovation award), Heart Song, The Ballad of Emmett Till, Yellowman, Central Avenue and From the Mississippi Delta. Her work has been seen at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, L.A. Theatre Works, Crossroads Theater Company, Actors Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival, Kennedy Center for the Performing Arts and at the State Theater in Pretoria, South Africa, where she helmed a critically acclaimed production of the South African opera, Winnie, based on the life of political icon Winnie Mandela. For television, she directed several episodes of Moesha, and she garnered the International Black Filmmakers ‘Best Director’ Award for her short film, Remember Me.She is the recipient of the African American Film Marketplace Award of Achievement for Outstanding Performance and Achievement and leader in Entertainment.
The creative team for Runaway Home includes scenic designer Stephanie Kerley Schwartz, lighting designer Jennifer Edwards, composer/sound designer Peter Bayne, costume designer Naila Aladdin Sanders, props designer DeAnne Millais, choreographer TylerJanet Roston and dialect coach Tyler Seiple. The production stage manager is Jessaica Shields; associate producer is James Bennett; and Stephen Sachs, Simon Levy and Deborah Lawlor produce for the Fountain Theatre.
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s upcoming Block Party at the Kirk Douglas Theatre; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times. The Fountain’s most recent production, the world premiere of Building the Wall by Pulitzer Prize-winning playwright Robert Schenkkan, ran for five months and was named “L.A. hottest ticket” by the Los Angeles Times.
Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco
It was announced today that the Fountain Theatre has been nominated for seven Stage Raw Theatre Awards for two productions in the 2016 season. Our Los Angeles premiere of My Manana Comes by Elizabeth Irwin and the world premiere of Stephen Sachs’ Dream Catcher were acknowledged with the following nominations:
Leading Male Performance – Lawrence Stallings, MY MAÑANA COMES
Supporting Male Performance – Peter Pasco, MY MAÑANA COMES
Playwriting – Elizabeth Irwin, MY MANANA COMES
Two Person Performance – Elizabeth Frances & Brian Tichnell, DREAM CATCHER
Lighting Design – Jennifer Edwards, MY MAÑANA COMES
Set Design – Michael Navarro, MY MAÑANA COMES
Production Design – Dillon Nelson, MY MAÑANA COMES
Philip Solomon, Thomas Silcott “The Painted Rocks at revolver Creek”
The Fountain Theatre has been honored with 23 awards of excellence from StageSceneLA for productions in its 2015-16 season. Fountain productions awarded were the west coast premiere of Athol Fugard’s The Painted Rocks at Revolver Creek, the world premiere of Dream Catcher by Stephen Sachs, the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, and the west coast premiere of Tennessee Williams’ Baby Doll.
Since 2007, Steven Stanley’s StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Awards.
The Fountain has been honored with the following awards this 2015-16 season:
YEAR’S BEST INTIMATE THEATERS The Fountain Theatre
OUTSTANDING PRODUCTION, DRAMA (INTIMATE THEATER) The Painted Rocks At Revolver Creek
OUTSTANDING PRODUCTION, COMEDY-DRAMA (INTIMATE THEATER) My Mañana Comes
Even the most vivid dreams come to an end. The Dream Catcher company awoke Monday night from their 2-month reverie and enjoyed their final performance followed by a lively reception in our upstairs cafe. Another magical evening at the Fountain.
Dream Catcher enjoyed an extended two-month run that earned rave reviews. Actors Elizabeth Frances and Brian Tichnell gave a thrilling performance Monday night. They were joined at a fabulous party in our upstairs cafe by director Cameron Watson, playwright Stephen Sachs, stage manager Emily Lehrer, Co-Artistic Director Deborah Lawlor and producer Simon Levy, associate producer James Bennett and props designer Terri Roberts. Others attending were Jennifer Finch (“I and You”), Sabina Zuniga Varela (“El Nogalar”), Barbara Beckley (Colony Theatre), Michael Seel (Theatre@Boston Court), Dany Margolies, Sandy Baldonado, Kevork & Cecile Keshishian, and videographer Paolo Durazzo.
The important issues of climate change and global warming dramatized in our hit new play Dream Catcher will be igniting a fascinating Q&A Discussion immediately following the performance this Saturday night, March 5th, at 8pm. Special guest panelists are Sabina Virgo from 350.0rg, Mark Morris from Save Porter Ranch, and Ross Berman of Solar City.
In the critically acclaimed new drama, Roy is an engineer on a billion-dollar solar energy plant being built in the Mojave Desert. Construction is threatened to come to a halt when Roy is confronted by Opal, his Mojave Indian lover, who claims the plant is being built on the site of ancient tribal burial grounds. Solar power confronts spirit power as the two issues of climate change versus cultural preservation collide.
Sabina Virgo is an acclaimed speaker, writer and political analyst. Her presentations are dynamic, creative and thought provoking. Along with her facilitation and mediation skills, Sabina’s written work has been published in the The Nation, The Guardian, Crossroads, and Peaceworks. Her essays have been published by South End press under the title of Criminal Injustice.
Ms Virgo holds a degree from UCLA, and has a long history of work in the field of human rights, disability rights and diversity training.
For the last twenty years, Sabina has been a community activist and leader in the labor movement. While employed as a Rehabilitation Counselor for the State of California, Ms. Virgo organized the first union of state social service professionals – and became the founding president of the American Federation of State, County and Municipal Employees (AFSCME), Local 2620, which now represents over 5,000 state employees.
For the last several years, Sabina has focused her work on climate change and environmental justice. Understanding the critical and immediate threat of climate disruption, Sabina is a member of the steering committee of SoCal 350 Climate Action, and is a facilitator of their Labor Outreach group.
Mark Morris is from Porter Ranch and a native Los Angelino. Along with being an active union member he also sits on the board of the Valley Interfaith Council and serves as co chair of their social justice committee. About one year ago he became vice president of the non profit Save Porter Ranch, a community organization addressing fracking in the hills of North San Fernando Valley.
He currently is working on making others aware of the dark history of man made environmental disasters that have plagued the San Fernando Valley from the Saint Francis Dam disaster of 1928 to the most recent disaster in Aliso Canyon releasing tons of methane gas into the atmosphere for almost four months.
Ross Berman is an engineer from Solar City, America’s largest solar power provider. Solar City makes clean energy available to homeowners, businesses, schools, non-profits and government organizations at a lower cost than they pay for energy generated by burning fossil fuels like coal, oil and natural gas.
The panelists will be joined by Dream Catcher actors Elizabeth Frances and Brian Tichnell and playwright Stephen Sachs immediately after the performance this Saturday, March 5th.