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ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy Kotsur and Deanne Bray

ARRIVAL & DEPARTURE postcard front FINAL2

An unforgettable love story inspired by one of the most romantic movies of all time. Stephen Sachs directs Deaf actors Deanne Bray (Sue Thomas: F.B.Eye, Heroes) and Troy Kotsur (title role in Cyrano at the Fountain, Big River on Broadway) in Sachs’ newest play, inspired by the screenplay for Noël Coward’s Brief Encounter. The world premiere of Arrival & Departure will open on July 14 and continue through September 30 at the Fountain Theatre. The cast also features hearing actors Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myersand Stasha Surdyke.

In Sachs’ new spin on the classic 1945 British film, a Deaf man (Kotsur) and a hard-of-hearing woman (Bray), two married strangers, meet accidentally in a New York City subway station. As their casual friendship develops into something deeper, each is forced to confront how their simmering relationship could forever change their lives and the lives of those they love.

“A train station is a place of transition, a place people go when they’re on their way to someplace else,” notes Sachs. “‘Arrival & Departure’ is not only a travel term. It expresses the journey of change that the people in this play are experiencing. What happens when you find your soul mate, but the circumstances of life get in the way?”

Kostsur and Bray are married in real life, and Sachs wrote the play with them in mind.

ARRIVAL & DEPARTURE 2

Deanne Bray and Troy Kotsur

“This is my valentine to the two of them,” he says. “But the characters they portray aren’t the only ones seeking human connection in the play. Other storylines interweave through the piece. Each character has a reason to reach out to someone.”

The 1945 classic film Brief Encounter, directed by David Lean with a screenplay by Noël Coward and starring Celia Johnson and Trevor Howard, was named “the most romantic film ever made” according to 101 industry experts polled by Time Out London. The Film Society of Lincoln Center named it “one of the most achingly romantic films ever made.”

The play is performed simultaneously in spoken English and American Sign Language with additional use of open captioning, so that both Deaf and hearing audiences can enjoy the production.

The creative team for Arrival & Departure includes set designer Matthew G. Hill, lighting designer Donny Jackson, video designer Nick Santiago, composer and sound designer Peter Bayne, costume designer Michael Mullen, prop master Michael Navarro, movement director Gary Franco and ASL masters Lisa Hermatz and Jevon Whetter. The production stage manager is Emily Lehrer. Simon Levy, Deborah Culver and James Bennett produce for the Fountain Theatre. Executive producers are Karen Kondazian; Diana Buckhantz and The Vladimir and Araxia Buckhantz Foundation; and Carrie Chassin and Jochen Haber. Producing underwriters include Dorothy and Stanley Wolpert; Suzanne and Don Zachary; Lois Tandy; Debbi and Ashley Posner; and The Howard and Helen Family Foundation.

Arrival & Departure is supported, in part, by generous grants from the David Lee Foundation, the Los Angeles County Arts Commission and the Los Angeles Department of Cultural Affairs.

Deanne Bray was born deaf and has been bilingual in American Sign Language and English since the age of two. She kicked off her acting career in 1991 at the Fountain Theatre, where Stephen Sachs directed her in One Flew Over the Cuckoo’s Nest. Bray is best known for the title role in Sue Thomas: F.B.Eye, which ran for three seasons on the PAX network. She has appeared in numerous TV shows, including a recurring role on NBC’s Heroes alongside Milo Ventimiglia and Masi Oka. On stage, Deanne has been seen in Deaf West Theatre productions of Big River, Sleeping Beauty Wakes and My Sister in This House. A graduate of Gallaudet University, she has a Masters in Sign Language Education and a California K-12 Teaching Credential from CSUN. She currently teaches ASL at Oak Park High School.

Troy Kotsur has been acting and directing for over 24 years, earning multiple awards for his work on stage. Deaf since birth, he attended Gallaudet University, where he played basketball for three years before leaving to become a professional actor with the National Theatre of the Deaf. In 1994, Troy moved to Los Angeles and joined the company of Deaf West Theatre, where he has performed in countless productions. His television guest-starring roles include Criminal Minds, Scrubs, CSI: NY and Sue Thomas F.B.Eye in a recurring role (starring alongside Deanne Bray) that became a fan-favorite. In film, he stars in Wild Prairie Rose and in the upcoming Inside Track, and he has had notable supporting roles in The Number 23 with Jim Carrey, Universal Signs and Father’s Day Breakfast. He directed the award-winning independent film No Ordinary Hero: The Superdeafy Movie, the first film in the history of SAG commercial feature films to be directed by a Deaf director and to be executive-produced exclusively by Deaf executive producers. Troy’s stage credits include the Tony Award-winning run of Big River on Broadway, as well as starring roles in Deaf West Theatre productions of American Buffalo (Los Angeles Drama Critics Circle Award nominee), Our Town at The Pasadena Playhouse, Cyrano at the Fountain (L.A. Drama Critic’s Circle Award for best actor, Ovation Award nominee), A Streetcar Named Desire (L.A. Drama Critics Circle and LA Weekly awards) and Of Mice and Men (LA Weekly Award for best actor).

Stephen Sachs is an award-winning playwright, director, producer and the co-artistic director of the Fountain Theatre, which he co-founded with Deborah Culver in 1990. He recently adapted and directed a celebrity reading of the screenplay for All the President’s Men at Los Angeles City Hall starring Bradley Whitford, Joshua Malina and Jeff Perry. His stage adaptation of Claudia Rankine’s Citizen: An American Lyric (Stage Raw Award at Fountain Theatre) inaugurated Center Theatre Group’s Block Party at the Kirk Douglas Theatre and was chosen to represent Los Angeles theater for Grand Park’s new Our L.A. Voices Arts Festival. His play Bakersfield Mist enjoyed a three-month run on London’s West End starring Kathleen Turner and is now being produced in regional theaters across the country, translated into other languages and performed worldwide. Other plays include Cyrano (L.A. Drama Critics Circle Award, Best Adaptation), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse, Canadian Stage Company, L.A. Drama Critics Circle Award), Central Avenue (PEN USA Literary Award finalist), Sweet Nothing in My Ear (PEN USA Literary Award finalist) and several others. He wrote the teleplay for Sweet Nothing in My Ear for Hallmark Hall of Fame which aired on CBS starring Marlee Matlin and Jeff Daniels. Sachs’ directing credits My Name is Asher Lev (L.A. premiere); Athol Fugard’s The Blue Iris (U.S. premiere); Bakersfield Mist (world premiere); Completeness by Itamar Moses, starring Jason Ritter; Side Man starring Christine Lahti; The Train Driver by Athol Fugard (U.S. premiere); Conor McPherson’s Shining City (L.A. premiere); the world premiere of Fugard’s Exits and Entrances at the Fountain (Ovation Award, L.A. Drama Critics Circle Award) and off-Broadway at Primary Stages; Fugard’s The Road to Mecca (L.A. premiere); Arthur Miller’s After the Fall (Ovation Award); Sweet Nothing in My Ear (world premiere); Hippolytos, inaugurating the outdoor classical theater at the Getty Villa in Malibu; and many others. Sachs was recently honored with a Certificate of Commendation from the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s Block Party at the Kirk Douglas Theatre and again, this year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President’s Men at Los Angeles City Hall. The Fountain’s most recent production, The Chosen, enjoyed rave reviews and ran for five sold-out months.

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Gifts of Language Continue in ‘Cyrano’

Troy Kotsur as Cyrano.

The forces behind a well-received stage production have worked together for a long time, forever bonding the Fountain and Deaf West theater companies.

by Karen Wada

Nearly a decade ago, an improbable dream came true for Deaf West Theatre and its founder, Ed Waterstreet. The small, L.A.-based company went to Broadway with its signed and spoken version of the musical “Big River: The Adventures of Huckleberry Finn.”

Even as he savored their success, Waterstreet had another dream — creating an original musical inspired by Edmond Rostand‘s “Cyrano de Bergerac.” What better tale for his theater to tell than one that explores the universal desire to express oneself?

This spring, “Cyrano” is making its debut, albeit as a straight play. Stephen Sachs’ modern-day adaptation, which is directed by Simon Levy, opened to acclaim in April at the Fountain Theatre in Hollywood and runs until early July. The co-production represents a reunion of old friends — the Fountain gave Deaf West its first home and Sachs, the Fountain’s co-artistic director, is one of its longtime collaborators.

Sachs says the show also has turned out to be “a special farewell to Ed” since the 69-year-old Waterstreet, whom he calls “a delicious mixture of bulldog and teddy bear,” has retired after two decades as his company’s pioneering artistic director.

“Cyrano” marks a beginning as well, as it is Deaf West’s first production under new artistic director D.J. Kurs.

“I want to build on the tradition and passion Ed brought while keeping us moving forward,” says Kurs, 34.

Rostand’s 19th century drama about a 17th century soldier-poet has been reset in a world with Facebook and Starbucks. In the original, Cyrano fears rejection because of his huge nose, so he secretly uses his way with words to help his comrade Christian woo beautiful Roxanne.

In Sachs’ story, a poet believes his deafness will ruin his chances with a hearing woman named Roxy, especially after he learns she’s fallen for his hearing brother, aging rocker Chris. This Cyrano pinch-hits for his less-than-eloquent sibling via text and email.

“Technology has opened up the world” for the deaf community, the playwright says, although it can be a blessing and a curse for someone like Cyrano, “who connects back to a more romantic age.” Sachs’ hero — brash, brilliant and yet plagued by self-doubt — often feels he’s out of place, not fitting in with the hearing and choosing not to fit in with the deaf.

Sachs and Levy have integrated e-language into Deaf West’s trademark blending of signed and spoken language presented by deaf and hearing performers for deaf and hearing audiences. Flat-screen monitors glow with online messages while actors such as Troy Kotsur, who plays Cyrano, express with their hands and faces what Sachs calls the “intimate, visceral, kinetic” beauty of American Sign Language. (The ASL translation was created by two ASL masters working with the actors, director and playwright.)

Sachs discovered the richness of sign language in the late ’80s when he observed the interpreter at a play he was directing. He began holding workshops with deaf actors and writers; when he and Deborah Lawlor founded the 78-seat Fountain in 1990, he hoped to start a deaf theater company as well. Then he heard about Waterstreet, a National Theatre of the Deaf veteran who wanted to establish a company for deaf artists like himself.

The Fountain offered Waterstreet office space, from which he launched Deaf West in 1991. In its first show, “The Gin Game,” actors signed while hearing audience members listened to the dialogue on infrared headphones.

Deaf West ventured out on its own in 1993, eventually settling in North Hollywood. The company has gained a national reputation for expanding opportunities for deaf artists and defying expectations — especially by pursuing what Waterstreet calls “that crazy idea, the deaf musical.”

Just as “wonderfully crazy,” he adds, was the notion that such a musical could reach Broadway. “Big River,” which was directed by Broadway veteran Jeff Calhoun, opened in North Hollywood in 2001, moved to the Mark Taper Forum in 2002 and, in 2003, landed in New York, where it earned two Tony nominations and a Tony honor for excellence in theater.

Deaf West achieved its goal of presenting an original musical in 2007 with “Sleeping Beauty Wakes,” which opened at the Kirk Douglas Theatre with a book by Tony-winner Rachel Sheinkin and a score by Brendan Milburn and Valerie Vigoda of indie pop-rock’s GrooveLily. That Center Theatre Group co-production was followed by another, “Pippin,” in 2009.

Over the years, Sachs has continued to create work related to deaf culture. His “Sweet Nothing in My Ear,” inspired by the debate over cochlear implants, debuted at the Fountain in 1997 and was made into a TV movie. For Deaf West, he has directed two plays and written two others. His drama “Open Window,” in which a deaf young man is accused of killing the father who kept him chained in the basement, premiered in 2005 at the Pasadena Playhouse in a co-production between Deaf West and the playhouse.

When Waterstreet suggested collaborating again, Sachs asked about “Cyrano.” “Ed told me they had kicked it around, but it never got off the ground,” he says. So he proposed his modern-day version.

Kurs hopes the strong response to the show, which has been extended through July 8, will attract donors who can help ease the financial challenges Deaf West has faced after the loss of crucial federal funding, starting with a major cut in 2004. He is seeking additional funding sources for the company, which receives foundation, individual and local and state government support. Meanwhile, Deaf West has reduced its staff and rented out its theater during 2012.

Looking beyond “Cyrano,” Kurs is considering possibilities for the next production, which is scheduled for early 2013.

Waterstreet says he decided to leave at the end of last year but didn’t officially retire until Kurs, a former Deaf West artistic associate, was appointed in January. “The theater is still my baby,” he adds, noting that he plans to help with fundraising.

Returning to the Fountain for “Cyrano” proved to be what he calls “a very nice homecoming. … I had tears in my eyes as I saw the play for the first time in the space where we had so many memories.”

On opening night, Sachs sat behind Waterstreet as they watched the world premiere, deaf and hearing actors and an array of high-tech screens filling the stage where Deaf West got its start two decades earlier.

“At intermission, Ed leaned over to me,” Sachs recalls. “He said, ‘Wow! Look at all this. Look at how far we’ve come.'”

Cyrano Extended to July 8th (323) 663-1525  More Info  Buy Tickets

LA Stage Times: “Cyrano” in 2012 Los Angeles — Not His Nose, But His Hands

by Julio Martinez

Fountain Theatre’s Stephen Sachs (co-artistic director) and Simon Levy (producing director) are zeroing in on the premiere Saturday of the Fountain’s latest collaboration with Deaf West Theatre — a re-imagined, signed/spoken word adaptation of Cyrano de Bergerac, scripted by Sachs, helmed by Levy.

The Fountain has a long history with Deaf West, so Sachs and Levy are not exploring totally new territory. But they are quick to make clear that this production is not just a straightforward ASL translation of Edmond Rostand’s 1897 rhymed-verse chronicle of the 17th century duelist and poet with an oversized proboscis.

Simon Levy

“First of all, Stephen has set this in modern times in LA, where people communicate through all sorts of electronic gadgets, on Facebook and Twitter,” explains Levy. “This production uses spoken word, ASL and e-language. This provides for myriad possibilities but also a whole lot of complications.”

“In the original, Cyrano’s barrier is his enormous nose and his perceived ugliness,” Sachs elaborates. “In this new version, it’s Cyrano’s deafness. He is a brilliant deaf poet, who signs magnificently. But he is not fully able to express his love for a hearing woman because she does not know sign language. So, while Rostand’s Cyrano was a man of his nose, this is a man of his hands.

“This is also the journey of a man who is at once proud of his deafness and of his hands, which is how he speaks; but he is also at war with himself, as any great tragic hero is, in terms of his pride. In this case, one of the major parts of his journey is to find a kind of peace with that, within and outside his deaf community. Like the original Cyrano, who stands alone, distant from his comrades in arms, our Cyrano stands alone within his deaf community and that gets him into trouble.”

“He also is at odds along the way with insensitive hearing people,” adds Levy.

“But at the end, he is able to make peace and find forgiveness within himself, his community and the outer world,” continues Sachs.

Stephen Sachs

The histories of Fountain Theatre and Deaf West have been entwined for 21 years, when Sachs and co-artistic director Deborah Lawlor provided office space to Ed Waterstreet, an actor with National Theatre of the Deaf, who envisioned founding a theater company for deaf actors in LA, which became Deaf West. The Fountain was the site of Deaf West’s first productions The Gin Game (1991), One Flew Over the Cuckoo’s Nest (1991) and Shirley Valentine (1992).

In 1993, Deaf West moved to the first of its own facilities, on Heliotrope Drive (in what is now Sacred Fools Theater). But Sachs, who already had a history of conducting workshops with deaf actors for a number of years, continued his commitment by writing Sweet Nothing in My Ear (1997) for a Fountain production and Open Window (2005) for a Deaf West/Pasadena Playhouse collaboration at the playhouse. Both of these incorporated deaf culture and illuminated the deaf world.

Cyrano is a project that has been percolating in the years since Deaf West settled in its later NoHo home (which recently has been used primarily by Antaeus Company and is currently rented for the production of The Bridge Club).

Sachs recalls, “About nine years ago, Deaf West had the idea of doing a musical version of Cyrano. It was just after they had a huge success adapting the musical, Big River (2001-02). I remember reading about it at the time and thought it was a great idea.

Troy Kotsur and Paul Raci

“Then, just a couple of years ago, Ed called me, wanting me to write a new play for Deaf West. We kicked around some ideas and then I asked about his plans for Cyrano. Ed said it was an idea that never came to fruition. Well, I told him I would love to do that, but I wanted to turn it into a play and have it be about Cyrano’s hands, not his nose, making it about his deafness and language. And that’s how this project came about.”

Levy adds, “Part of the journey in mounting this production has been the marriage of these three languages. This is a new world we live in with e-language and how important that language is to both the hearing and the deaf communities. That has created some interesting dilemmas in the staging. There are a lot of things we haven’t anticipated that we discovered in process of doing it. For instance, how do you relate text messages among the characters to an audience? We had a lot of wonderful ideas that we had to figure out how to actualize, none of which we could anticipate until we got into them.”

At the center of the action is actor Troy Kotsur, whose performance history with Deaf West includes Big River, Pippin, A Streetcar Named Desire and Of Mice and Men. “Troy is a wonderfully gifted and inventive actor who is a joy to watch as he has been creating this role,” affirms Levy. “So much of the creation of the ASL translation is intense, hard work. Part of it is done in advance with script work and an ASL translator. But a majority of it is done in rehearsal with the actor improvising different ways to sign a certain line or phrase. When you have someone as skilled as Troy doing it, it is an amazing experience to watch. And a wonderful actor, Victor Warren, provides Cyrano’s voice when needed.”

Complementing Kotsur in principal roles are Erinn Anova as the much-adored Roxy and Paul Raci as Chris, the handsome signing/speaking brother of Cyrano, with whom Roxy is smitten. Levy admits to being very aware that communicating with this cast has been a whole new learning curve for him.

“This is my first time staging a spoken word/ASL signed production. I’ve produced several speaking/ASL shows here at the Fountain, but this is a new experience.  I could not do this at all without the immense contribution of the ASL interpreters [Elizabeth Greene and Jennifer Snipstad Vega]. A director has to be able to communicate with his actors and make sure everything is communicated correctly to the audience. I just can’t get up there and start talking about ‘feeling it’ and the actors’ ‘motivation.’ This has been a whole new adventure in using all the elements of communication possible to make sure everyone and everything involved in this is moving in the same direction.”

Sachs just smiles benignly at his cohort. “You’re doing just fine.”

Troy Kotsur and Erinn Anova

Cyrano April 28 – June 10  (323) 663-1525  More Info   Buy Tickets

BroadwayWorld: Fountain and Deaf West Theaters present Premiere of Signed “Cyrano”

Paul Raci (Chris), Erinn Anova (Roxy), and Troy Kotsur (Cyrano).

The Fountain Theatre and Deaf West Theatre present the world premiere of a modern day classic romance, a re-imagined signed/spoken version of “Cyrano de Bergerac.” CYRANO, written by Fountain Theatre co-artistic director Stephen Sachs (Bakersfield Mist) and directed by Simon Levy, opens at The Fountain Theatre on April 28, with previews beginning April 20.

In Sachs’ new adaptation, Cyrano is a deaf poet hopelessly in love with Roxy, a beautiful hearing woman. But she doesn’t understand sign language and instead loves Chris, his hearing brother. Can Cyrano express his love to Roxy with his hands? Or must he teach Chris to woo her, to “speak his words” for him? ASL (American Sign Language) becomes the language of love in this new spin on a classic love story.

Troy Kotsur (Cyrano).

“In the original classic, Cyrano feels self-conscious and over-glorifies his enormous nose, but in this modern deaf version, it’s his hands that are the focus,” explains Sachs. “Cyrano’s deafness is channeled through his hands, which swirl and soar to express the most complex human concepts, his inner-most thoughts and feelings, through the beauty of sign language.”

“It’s a mythic story about our hunger for love, the pangs for it,” says Levy. “But the deeper theme is how we communicate with one another. Stephen has written a beautiful adaptation that’s contemporary and fresh, set in a modern city where people communicate via text, Facebook and Twitter. It’s a world of iPhones, Blackberries and tablets. The production marries three forms of communication: ASL, English, and e-language.”

American Sign Language is not English, but a unique language unto itself with its own syntax, sentence structure, slang, humor, subtlety and complexity. It’s the job of ASL masters Tyrone Giordano and Shoshannah Stern to work with the deaf actors to translate the script into ASL, and director Simon Levy works with ASL interpreters in rehearsals. Fight choreographers Brian Danner and Abby Walla must not only create a fight scene between actors Troy Kotsur (Cyrano) and James Royce Edwards, but incorporate the simultaneous sign language with the help of Giordano, Stern and Levy.

A new project such as this has attracted deaf actors from all over the world. Six of the 13-member ensemble are deaf, and many of them have traveled great distances to make their Los Angeles debuts in Cyrano. Auditions were completed using Skype and video submissions.

“Deaf West is the only established theater company in the U.S. that regularly stages new works featuring deaf actors,” notes newly appointed Deaf West Theatre artistic director David Kurs. “Deaf actors from all over the country and the world were anxious to participate.”

Troy Kotsur is Cyrano.

Troy Kotsur (Cyrano), a veteran of Deaf West Theatre (Big River, Pippin, A Streetcar Named Desire, Of Mice and Men), traveled to Los Angeles from his current home in Arizona; Daniel Durant majored in theater at Gallaudet University and comes to L.A. from Maryland; Eddie Buck, who has acted in productions ranging from A Christmas Carol to Romeo and Juliet to Hamlet, joins the cast from Pennsylvania; Maleni Chaitoo (Switched at Birth) recently arrived from New York; and stage, film and TV actress Ipek D. Mehlum comes all the way from Oslo, Norway. Completing the deaf cast is Los Angeles-based actor Bob Hiltermann, who appeared in the Academy Award winning film version of Children of a Lesser God and recurred on All My Children. The cast also includes hearing actors Erinn Anova (Blues For An Alabama Sky, For Colored Girls…, Doubt) as Roxy and Paul Raci (Joseph Jefferson “Best Actor” nomination for Children of a Lesser God in Chicago) as Cyrano’s brother Chris. Hearing ensemble members Al Bernstein, James Babbin, James Royce Edwards, Victor Warren, and Martica De Cardenas also “voice” for the deaf actors.

The set designer for Cyrano is Jeff McLaughlin; lighting designer is Jeremy Pivnick; sound designer is Peter Bayne; video designer is Jeff Teeter; multimedia tech is by Media Fabricators, Inc.; costume designer is Naila Aladdin Sanders; prop designer is Misty Carlisle; fight choreographers are Brian Danner and Abby Walla; production stage manager is Sue Karutz; assistant stage manager is Terri RobertsLaura Hill and Deborah Lawlor produce for The Fountain Theatre, and David Kurs produces for Deaf West Theatre. Cyrano is funded in part by a grant from the National Endowment for the Arts.

Paul Raci (Chris) and Troy Kotsur (Cyrano).

The relationship between The Fountain Theatre and Deaf West Theatre dates back 21 years to the early beginnings of both companies. Excited by the visual theatricality of ASL, Stephen Sachs had already been conducting workshops with deaf actors for a number of years. He and Fountain co-artistic director Deborah Lawlor offered office space in their newly founded theater facility to Ed Waterstreet, an actor with National Theatre of the Deaf who envisioned starting a theater company for deaf actors in Los Angeles. Deaf West Theatre produced its first two productions, The Gin Game and One Flew Over the Cuckoo’s Nest (the latter directed by Sachs) in the Fountain space. Deaf West Theatre went on to produce 40 plays and four musicals in their own venue and around the country, including the Tony-nominated Big River on Broadway, and to win more than 80 theater awards. The Fountain Theatre is one of the most successful intimate theaters in Los Angeles with over 200 awards for all areas of production, performance, and design. Fountain projects have been seen in New York, Chicago, San Francisco, Seattle, Florida, New Jersey, Minneapolis and Edinburgh.

Cyrano marks Stephen Sachs’ ninth new play, his third incorporating deaf culture and illuminating the deaf world. His play Sweet Nothing in my Ear (1997, PEN USA Literary Award finalist, Media Access Award winner for Theater Excellence) has been produced in theaters around the country and in 2008 was made into a TV movie for CBS starring Academy Award winner Marlee Matlin and Jeff DanielsOpen Window (2005, Media Access Award winner for Theater Excellence) had its world premiere at the Pasadena Playhouse, directed by Eric Simonson. His other plays include Bakersfield Mist (recently optioned for London’s West End and New York), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse,Canadian Stage Company, LA Drama Critics Circle award and LA Weekly award nominations for Best Adaptation), Gilgamesh (Theatre @ Boston Court), Central Avenue (PEN USA Literary Award finalist, Back Stage Garland award, Best Play), Mother’s Day, The Golden Gate (Best Play, Drama-Logue), and The Baron in the Trees. Sachs co-founded The Fountain Theatre with Deborah Lawlor in 1990.

Simon Levy was honored with the 2011 Milton Katselas Award for Lifetime Achievement in Directing by the Los Angeles Drama Critics Circle. Directing credits at the Fountain include A House Not Meant to Stand; Opus; Photograph 51;The Milk Train Doesn’t Stop Here Anymore; The Gimmick with Dael Orlandersmith (Ovation Award-Solo Performance); Master Class (Ovation Award-Best Production); Daisy in the Dreamtime; Going to St. Ives; The Night of the Iguana; Summer & Smoke (Ovation Award-Best Production); The Last Tycoon, which he wrote and directed, (5 Back Stage West awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction). What I Heard About Iraq, which he wrote and directed, was produced worldwide including the Edinburgh Fringe Festival (Fringe First Award) and the Adelaide Fringe Festival (Fringe Award), was produced by BBC Radio, and received a 30-city UK tour culminating in London.

Troy Kotsur (Cyrano) and Erinn Anova (Roxy).

Cyrano opens on Saturday, April 28, with performances Thursdays, Fridays, and Saturdays @ 8 pm and Sundays @ 2 pm through June 10. Preview performances take place April 20-27 on the same schedule with an additional preview performance on Wednesday, April 25 @ 8 pm. Tickets are $30 on Thursdays and Fridays and $34 on Saturdays and Sundays, except previews which are $15. On Thursdays and Fridays only, students with ID are $20 and seniors are $25. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call 323 663-1525 or go to www.FountainTheatre.com.

Photo Credit: Ed Kreiger 

David Kurs: A New Leader for Deaf West

Fountain Co-Production with Deaf West Inaugurates  New Artistic Director for Celebrated Deaf Company

by Julio Martinez

Director Simon Levy addresses the deaf/hearing cast of "Cyrano", interpreted by Elizabeth Greene.

Since its birth in 1991, Deaf West Theatre (DWT) has known one leader — Ed Waterstreet, the first deaf artistic director of an American theater company.  During his tenure, DWT established itself as a vital, contributing member of the stage community both locally and nationally, producing 40 plays and four musicals, including the 2001 staging of Big River, which went on to the Mark Taper Forum and then to Broadway, receiving a Tony nomination for best musical.

David Kurs

On March 2, DWT board president Mark Freund simultaneously announced the retirement of Waterstreet and the appointment of David J. Kurs as the new artistic director, just in time to oversee the company’s collaboration with Hollywood’s Fountain Theatre in the premiere of Cyrano, written by Stephen Sachs. It’s a modern, re-imagined staging of Cyrano de Bergerac, performed in a synergistic intermingling of spoken word and ASL signing.

“This is a perfect partnership for us, ” Kurs affirms. “Stephen Sachs [as co-artistic director of the Fountain] was a key player in the early days of Deaf West Theatre. The theater gave Ed [Waterstreet] his first office space. Stephen directed a couple of our productions; and Stephen, Fountain producing director Simon Levy, and Fountain co-artistic director Deborah [Lawlor] have been very supportive of the mission of Deaf West over the years. Stephen also wrote Open Window, which was a Deaf West co-production at the Pasadena Playhouse, and he has remained good friends with Ed throughout the years. So it was natural for Ed to reach out to him about adapting Cyrano.”

Troy Kotsur plays the title role in "Cyrano".

Cyrano, helmed by Levy, is scheduled to open at the Fountain on April 28, with Kurs serving as co-producer, along with the Fountain’s Laura Hill.  “This production model seems to work well for us,” says Kurs.  “We maintain good relationships with many theater companies. We’ve done three co-productions with CTG (Center Theatre Group). Of course, we plan to return to our home base eventually.”  Home base is Deaf West Theatre in North Hollywood (NoHo), which is currently being leased by Antaeus Theatre Company.

Previously, Kurs served as Deaf West’s artistic associate.  He was an associate producer and ASL master on Deaf West productions of Pinocchio (2011), My Sister in This House (2010) and Children of a Lesser God (2009), and he wrote and produced the multimedia young audience show, Aesop Who? (2008). A graduate of Gallaudet University, Kurs has worked as a freelance writer, producer and filmmaker. He has also been active in the local and national deaf community, serving as the president of the board of directors at GLAD (the Greater Los Angeles Agency on Deafness).

A strong advocate for arts education, Kurs believes that the deaf children of today don’t enjoy the same cultural opportunities that he enjoyed as a child. “I grew up in Riverside. My parents are deaf. They would take me to social and cultural events in the deaf community all the time, including the theater. When CTG started offering interpreted performances at the Mark Taper Forum, my parents took me to those performances regularly as well. These opportunities are not as prevalent today.

Although Kurs enjoyed a culturally rich childhood, he was not so sure it would offer him a livelihood as an adult. “I had a passion for the arts for many years, but I didn’t think there would be too many job possibilities for a deaf person like myself in the arts. So at Gallaudet I majored in marketing. One year after graduation, I moved to LA and decided to find a job in the creative industry. I ended up as a script reader. This job was a gateway for me, and it was at this time that I became passionate about the power of the arts and the media in changing the public perception of the deaf community.

"Big River" (2001)

“I saw what Deaf West Theatre had achieved with Big River – not only artistic success, but they had also shown audiences that deaf people were part of a colorful, vivid culture and their language was something that they took pride in.”

As Kurs moves into his new position at Deaf West, Kurs understands his administrative duties will equal if not surpass his creative responsibilities.  And high on his list of priorities is underwriting.  “I have two specific agenda items for 2012: to explore and obtain new sources of funding while continuing to retain our existing funding sources, and to plan our development slate so that we may focus on relevant, engaging work. Ultimately, we’d love to be where art and commerce meet — stretching the boundaries of sign language theater while also achieving success that will sustain our future.”

As for the future, Kurs’ wish list could possibly utilize his filmmaking skills. “Deaf West is a local theater for a good reason — LA is a great home base for many of our actors. We have a wonderful community of deaf actors, writers, and artists. But at the same time, I’d love to serve the nationwide deaf community. Many of our theater fans are unable to travel to LA for every production.

"Cyrano" ASL Masters. Ty Giordano and Shoshannah Stern.

“I want to find ways to bring theater into their homes, to expose deaf children to the potential of the stage so that they may begin to explore it on their own. It’s a very accessible art with deep roots in our community, and it saddens me that sign language theater is not nearly as prevalent as it once was. I was so fortunate to be exposed to so much sign language theater while growing up: community and high school productions, international deaf culture festivals, touring productions of the National Theatre of the Deaf, and most of all, Deaf West’s many productions. And video is one possibility of achieving that exposure.

“Deaf West has had a great impact on me in my artistic development, and I can only hope to spread this passion on to others and to create opportunities for them so that we all can achieve a shared goal of artistic growth.”

Julio Martinez writes for LA Stage Times.

Cyrano April 20 – June 10 (323) 663-1525   More Info   Get Tickets

Deaf Actors from Around the World Join Cast for New Deaf/Hearing Version of “Cyrano”

Fountain/Deaf West Co-Production Draws Actors World Wide

Maleni Chaitoo from New York is ready to get to work at the Fountain.

Rehearsals start tomorrow at the Fountain for the world premiere of the thrilling new deaf/hearing version of Cyrano set in a modern city.  In this re-imagined new adaptation of the classic “Cyrano de Bergerac” Cyrano is a brilliant deaf poet hopelessly in love with a beautiful hearing woman, Roxy. But she doesn’t understand sign language and instead loves his hearing brother, Chris. Can Cyrano express his love for Roxy with his hands – the source of such deaf pride and shame? Or must he teach Chris to “speak his words” for him, to woo her? ASL becomes the language of love in this modern sign language spin on a classic love story.

Troy Kotsur

Supported by a grant from the National Endowment for the Arts, Cyrano is written by Stephen Sachs, directed by Simon Levy, in a co-production between the Fountain Theatre and Deaf West Theatre.   It stars Troy Kotsur as Cyrano, Paul Raci as his brother Chris, and Erinn Anova as Roxy. Previews start April 20. It opens April 28 and runs to June 10.

This unique new project has already created a stream of excited buzz — and attracted deaf actors from all over the world. Half of the 12-member Cyrano cast are deaf. Almost all of them are coming to Los Angeles from other cities worldwide — one from as far away as Oslo, Norway. All to be part of this electrifying new production.

Troy Kotsur

Troy Kotsur is arriving from Arizona to tackle the lead role of Cyrano. No stranger to LA audiences, Troy is a veteran Deaf West actor, seen in such award-winning productions as Big River, Pippin, A Streetcar Named Desire and Of Mice and Men.  Troy is also seen on TV and is married to actress Deanne Bray (TV’s “Sue Thomas: F.B.Eye“). Later this year, Troy will direct and act in the independent feature film, Deaf Ghost.

Daniel Durant

Actor Daniel Durant comes to LA from Maryland. Daniel has been deaf since birth. Born in Detroit, Michigan, he grew up in Minnesota. He attended Gallaudet University, majoring in theater. While appearing in Cyrano, Daniel and his girlfriend found an apartment in the San Fernando Valley, near Studio City.

Eddie Buck

Eddie Buck joins the cast from Pennsylvania. A talented performer who hails from Skippack, PA, Eddie has acted with such schools and theatre companies as National Technical Institute for the Deaf, Bloomsburg Theatre Ensemble and The Growing Stage in New Jersey, in productions ranging from Jack and the Beanstalk to Romeo and Juliet to Hamlet.

Ipek D. Mehlum

The farthest traveler is actress Ipek D. Mehlum, who lives in Oslo, Norway.  Born in Istanbul, Turkey, Ipek moved to the United States at twenty-two to attend Gallaudet University and study acting. Now living and working in Oslo, she is a stage, film and TV actress who also leads workshops in theatre, TV and yoga and has led a theatre project in Uganda and India.

Maleni Chaitoo

Completing the deaf cast are Bob Hiltermann and Maleni Chaitoo, both local and now living in the LA area. Maleni Chaitoo was a longtime resident of New York where her parents emigrated from Trinidad and Tobago, West Indies. Bob is a popular Los Angeles TV and stage actor, musician, and featured in the film documentary, See What I’m Saying.

Bob Hiltermann

Hearing Ensemble cast members who also “voice” for the deaf actors include James Babbin, John Bingham, James Royce Edwards, Victor Warren, and Martica De Cardenas.
Welcome to all our eager and talented travelers! We’re thrilled to have all of you with us in Los Angeles and at the Fountain Theatre with Deaf West, as we voyage forward on this exciting new journey together.
Cyrano April 20 – June 10 (323) 663-1525

Casting Notice: World Premiere of Modern Day Deaf/Hearing Version of the Classic ”Cyrano de Bergerac” at the Fountain Theatre

The Fountain Theatre is now casting its upcoming production of Cyrano, a co-production with Deaf West Theatre scheduled to open in April. The world premiere of a new play written and directed by Stephen Sachs, Cyrano is a modern day reimagined deaf/hearing version of  “Cyrano de Bergerac”,  adapted from the Edmond Rostand classic. Acclaimed deaf actor Troy Kotsur will star as Cyrano. The project is supported by a grant from the National Endowment for the Arts.

STORYLINE: The setting is present day. Cyrano is a brilliant deaf poet in a modern day city. He is hopelessly in love with a beautiful hearing woman, Roxy. But she doesn’t understand sign language and instead loves his hearing brother, Chris. Can Cyrano express his love for Roxy with his hands – the source of such deaf pride and shame? Or must he teach Chris to “speak his words” for him, to woo her? ASL becomes the language of love in this modern sign language spin on a classic love story.

[ROXY] Female, hearing, mid-20’s to 30’s. Beautiful, classy, alluring, intelligent with a likable sense of humor. A lover of language and literature. Smart with a deeply romantic heart. Seeking an experienced stage actress with a wide emotional range and comic/tragic sense. Classical training an asset. Note: DOES NOT NEED TO KNOW SIGN LANGUAGE.

[BRANDON] Male, deaf, 40’s to 60’s. Cyrano’s close friend, confidant and advisor. Kind, gentle, wise, warm-hearted. Likable and easy-going with a whimsical and wry sense of humor. Has deep affection for Cyrano but not afraid to set him straight when needed. Seeking a strong deaf stage actor with a deep emotional well, good comic timing, and strong ASL skills.

[DEAF ENSEMBLE] Male and Female, 20’s – 50’s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Must have strong ASL skills.

[HEARING ENSEMBLE] Male and Female, 20’s – 50’s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Will play roles and “voice” deaf actors. Prior (or partial) knowledge of sign language a plus, but not required. Note: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

This play will be performed in American Sign Language and Spoken English. Accessible to both deaf and hearing audiences. The deaf characters of the play use ASL and are ”voiced” or ”voice acted” by a member of the Company. NOTE: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

Email Pic & Res to: Stephen@FountainTheatre.com

Or mail to: Fountain Theatre, Attn: “Cyrano”, 5060 Fountain Avenue, Los Angeles, CA 90029 

Award-winning Writer/Director Stephen Sachs is the Co-Artistic Director of the Fountain Theatre in Los Angeles. He is writer/director of the recent smash hit (now London/Broadway bound)  BAKERSFIELD MIST and the ASL play SWEET NOTHING IN MY EAR, made into a CBS TV movie starring Marlee Matlin and Jeff Daniels.

Deaf West Theatre is the foremost deaf theater company in the United States, winning numerous awards in its twenty-year history including a special Tony Award for its acclaimed and groundbreaking ASL/Hearing version of the musical BIG RIVER on Broadway.