The Fountain Theatre community is a devoted band of folk who love theatre and often, one another. Normally The Fountain enjoys shining a light on members of our theatre family in our show programs. During this 2020 pandemic, however, with no show programs to print, The Fountain continues our tradition of honoring members of our devoted community here on the Fountain Blog.
Happy 90th Birthday Marcella Meharg!
Today we honor Marcella Meharg — on the occasion of her recent 90th birthday, and her life-long love of theatre — with two tributes. The first comes from a group of old friends who made a generous contribution in honor of Marcella’s milestone celebration:
“We are a group of former colleagues who worked for Los Angeles County as child welfare workers in the Metro North office in East Hollywood. We met Marcella in the early 70s. From colleagues to friends, we bonded over the years as we worked, raised our children, went to school and lived our lives. Lunches during the work day were a time to catch up. After retirement, lunches became monthly dinners and/or monthly lunches and have continued for over 15 years. The theater has always been an important part of Marcella’s life. Others in the group also have regular subscriptions to theaters in Los Angeles and the Fountain Theatre is one of our favorites. During this pandemic and difficult times for the arts, it seemed so appropriate that Marcella’s gift on the occasion of her 90th birthday would be a donation to the Fountain Theatre. ”
“Marcella Meharg and I did not choose one another. We were thrown together, like it or not, in a dormitory room at the Pasadena Playhouse when we were 19. And it took.
It took so well that, when she came down with a light case of the chickenpox, she eagerly passed it on to me, improved and with bells on. I was sick as a dog. That nasty little episode only drew us closer together. It’s the kind of thing that happens when you’re young, in “theatre school,” mutually passionate about the “art,” the success you’re certain will follow, the boy-friends and assorted other wonders. You form bonds — good and bad — that become indelible. Our post-Playhouse lives took paths that were at once divergent and not. We didn’t hit fame and fortune, but each of us married and each had two children at roughly the same time. Life went on, separating us as it often does, but not forever.
Marcella became a social worker and went on to run the Beverly Hills Theatre Guild’s Julie Harris Playwriting Contest for a number of years. She also co-produced an Ovation-nominated play and wrote one, which had a reading at Hollywood’s Samuel French Bookstore just before it went dark.
By the time we were both older and ready to take a step back, we rediscovered our friendship on a pleasant leisurely basis. By then I was writing reviews more selectively for culturalweekly.com than when I was writing them for The Los Angeles Times, and Marcella became my go-to theatre companion, chiefly because our tastes in theatre matched and our lengthy relationship made for lively conversations that we both enjoyed. What was invigorating is that we didn’t always admire the same productions and our disagreements were often more interesting than our agreements — until the pandemic hit, interrupting all the fun and the tooling around town, popping in and out of shows.
When some of Marcella’s friends smartly decided to celebrate her 90th birthday by contributing in her name to a theatre of her choice, the decision, she tells me, was easy. The Fountain is where we both spent many fascinating hours and hope to spend many more once the world returns to some kind of normal.
Happy birthday, Marcella. I’ve always known you had good judgment.”
– Sylvie Drake
Creation myths and family histories meld in a wildly theatrical, startling new comedy that explores what it means to walk the edge between cultures. The Fountain Theatre, in association with East West Players and with generous support form the S. Mark Taper Foundation, presents the California premiere of Hannah and the Dread Gazebo by Jiehae Park. Los Angeles Drama Critic’s Circle Award-winner Jennifer Chang (Vietgone) directs for an Aug. 17 opening at the Fountain Theatre in East Hollywood, near Koreatown, where performances continue through Sept. 22.
Set in NYC and Korea in the winter of 2011, just before the death of Kim Jong Il, Hannah and the Dread Gazebo takes Hannah’s Korean American family on a surreal, funny and heartbreaking adventure back to their roots in South and North Korea and the forbidden Demilitarized Zone that divides them.
“The play is a funny-tragic look at what it means to be caught in between,” says Park. “The characters are striving to reconcile the contradictions of their immigrant lives: North/South, past/future, coming/going.”
Thirty-something Hannah, played by Monica Hong (Ivanov at the Mint Theater in NYC, Please Stand By at Actor’s Playpen in LA), is two weeks away from becoming a board-certified neurologist when she receives a FedEx box from her grandmother with two things inside: a 100% bona-fide-heart’s-desire-level wish — and a suicide note. Hannah’s father (Hahn Cho, recently seen on TV in For the People, Magnum P.I., Swedish Dicks) and mother (Elaine Kao — upcoming feature film Paper Tigers, recurring on Netflix’s No Good Nick) have already moved back to South Korea to be near Grandma at the Sunrise Dewdrop Apartment City for Senior Living, which sits right on the edge of the DMZ. Meanwhile, Hannah’s slacker brother, Dang (Gavin Lee, whose credits include Blood, written and directed by Robert Allan Ackerman, and a recurring role on Fox’s The Orville) bonds over music with a student activist played by Wonjung Kim (Korea Musical Award for Best Actress, Ovation nominee for The Last Empress in L.A). In this strange and wonderful play that is a mix of unexpected whimsy, delightful comedy, profound despair and more than a little bit of magic, actress Jully Lee (Ladies at Boston Court, tokyo fish story at South Coast Rep) appears in many forms.
Helping make that magic happen is the Magic Castle’s Dominik Krzanowski, who will create original illusions for the production.
Hannah and the Dread Gazebo premiered at the 2017 Oregon Shakespeare Festival in Ashland, where the Mail Tribune called it “blisteringly original, acerbically funny, powerfully dramatic and deeply thought provoking… If you’re keen to have your mind expanded by an evening of theater that is not going to be comparable to anything you’ll see anytime soon, Hannah and the Dread Gazebo is a good place to start.”
Last week, the American Theatre Critics Association announced that Hannah has been selected as one of three finalists for its prestigious Francesca Primus Prize, sponsored by ATCA and the Francesca Ronnie Primus Foundation.
“I saw the world premiere in Ashland and was completely charmed by the play,” says Fountain Theatre co-artistic director Stephen Sachs. “I was enchanted by its whimsical, dreamlike surprises, and truly moved by its poignant revelation of a grandmother, mother and daughter relationship. Once the lights came up and the performance was over, I knew I wanted to present it at the Fountain.”
Sachs continues, “The Fountain is committed to diversity and inclusion, which makes this first-time partnership with East West Players very meaningful. It’s an invigorating sharing of resources, artists and audiences benefiting both companies and the communities we serve.”
“We are honored to partner with the Fountain on this production,” agrees East West Players artistic director Snehal Desai. “EWP first did a reading of the play in 2013, also directed by Jennifer Chang. The Fountain is a theater whose work and mission I have always admired; this seemed like the perfect project for our two companies to collaborate on, with its mix of humor, theatricality and timeliness.”
The creative team for Hannah and the Dread Gazebo also includes scenic and video designer Yee Eun Nam, lighting designer Rebecca Bonebrake, sound designer/composer Howard Ho, costume designer Ruoxuan Li and props designer Michael Allen Angel. The production stage manager is Bryan P. Clements.
Playwright Jiehae Park
Jiehae Park’s plays include peerless (Yale Rep premiere, upcoming in NY at Primary Stages), Hannah and the Dread Gazebo (Oregon Shakespeare Festival), Here We Are Here (Sundance Theater-Makers residency, Berkeley Rep’s Ground Floor, Princess Grace Works-in-Progress @ Baryshnikov Arts Center), The Aves (McCarter Spotlight Series) and contributions to Wondrous Strange (Humana/Actor’s Theatre of Louisville). Her work has been developed through the Soho Rep Writer-Director Lab, The Public’s Emerging Writers Group, p73, Playwrights Horizons, NYTW, Atlantic, Old Globe, Dramatists Guild Fellowship, Ojai, BAPF, CTG Writers Workshop, Banff Playwrights Lab, ACT New Strands, and Ma-Yi Writers Lab. Awards: Leah Ryan, Princess Grace, Weissberger, ANPF Women’s Invitational; two years on the Kilroys List. Commissions: Playwrights Horizons, Yale Rep, Geffen, OSF, Williamstown, MTC/Sloan. Residencies: MacDowell, Yaddo, Hedgebrook, McCarter/Sallie B. Goodman. She is a NYTW Usual Suspect, Lincoln Center New Writer in Residence, former Hodder Fellow, and current New Dramatists. As a performer recently: Ripe Time/Naomi Iizuka’s adaptation of Haruki Murakami’s Sleep (BAM Next Wave, Yale Rep); Celine Song’s Endlings (A.R.T.). She was a staff writer on season one of Marvel’s Runaways and currently teaches Playwriting at Princeton University. BA, Amherst; MFA, UCSD.
Jennifer Chang won the 2019 LADCC award for excellence in direction for her work on the Los Angeles premiere of Qui Nguyen’s Vietgone. She was a 2018 Drama League New York directing fellow and was the assistant director for the Broadway world premiere of Bernhardt/Hamlet by Theresa Rebeck starring Janet McTeer. Ms Chang’s multi-disciplinary work has been honored with Ovation, LA Weekly and the Stage Scene LA awards, among others. She is a founding member of Chalk Repertory Theatre where she served as artistic producing director and produced, directed and acted in numerous plays over the course of eight seasons. Upcoming directing credits include Where the Mountain Meets the Moon at South Coast Repertory and The Time of Your Life at Antaeus Theatre Company. Select directing credits include Death & Cockroaches by Eric Reyes Loo (Chalk Rep at Circle X/ Atwater Village Theatre); 53% Of by Stephanie Del Rosso and Birds of North America by Anna Moench for the Wagner New Play Festival; Animals Out of Paper at East West Players (Los Angeles Times “Critics Pick”); Edith Can Shoot Things and Hit Them for Artists at Play (GLAAD Media Award and Ovation-nominated); and Residence Elsewhere, commemorating the 75th anniversary of Executive Order 9066 at the Japanese American National Museum. She is very active in the development of new plays with the Geffen Playhouse, Chance Theater, Circle X Theatre Company, EST/LA, Playwrights Arena and East West Players.
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include all-star readings of Ms. Smith Goes to Washington and All the President’s Men at Los Angeles City Hall and the inclusion of the Fountain’s Citizen: An American Lyric in the Music Center’s Our L.A. Voices festival at Grand Park. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and was named a Los Angeles Times “Critic’s Choice.” The company’s West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list. Its current production, Daniel’s Husband, was named a Los Angeles Times “Critic’s Choice” and is enjoying an extended, sold-out run.
As the nation’s premier Asian American theater organization, East West Players produces artistic work and educational programs that foster dialogue exploring Asian Pacific Islander (API) experiences. Founded in 1965, at a time when APIs faced limited or no opportunities to see their experiences reflected outside of stereotypical and demeaning caricatures in the American landscape, EWP not only ensures that API stories are told, but works to increase access, inclusion, and representation in the economy.
Hannah and the Dread Gazebo by Jiehae Park, opening at the Fountain Theatre on August 17th in its Southern California Premiere, has been named a finalist for the Francesca Primus Prize, sponsored by the American Theatre Critics Association and the Francesca Ronnie Primus Foundation. The award, presented annually since 1997, recognizes the best work by an emerging woman playwright who has not yet achieved national prominence.
Hannah and the Dread Gazebo earned glowing reviews in its recent world premiere at Oregon Shakespeare Festival in Ashland.
“Masterful! So powerful and indescribably beautiful.” – Stanford Daily
“This is theater as it should be — blisteringly original, acerbically funny, powerfully dramatic and deeply thought-provoking.” – Mail Tribune
Playwright Jiehae Park
In the funny and poignant play, Hannah is two weeks away from becoming a neurologist when she gets a strange package in the mail from her grandmother in South Korea, who may or may not have just ended her own life. A surreal adventure leads Hannah on a journey back to her homeland and the forbidden Demilitarized Zone that divides South and North Korea. A startling comedy about a daughter, a mother, a grandmother and the mystery that connects them.
The Fountain Theatre partners with East West Players in the Southland premiere directed by Jennifer Chang. As the nation’s premier Asian American theatre organization, East West Players produces artistic works and educational programs that foster dialogue exploring Asian Pacific experiences.
Named in honor of Francesca Primus, a playwright, dramaturg, theater critic, and ATCA member who died of cancer in 1992, the Primus Prize was originally administered through the Denver Center Theatre Company. Since 2002, ATCA has adjudicated the award, which includes a $10,000 grant presented through the generosity of the Primus Foundation as well as a plaque for the winning author. The winner will be announced in July.