Recently, actress Aleisha Force (Human Interest Story) stopped by the Fountain Theatre simply to pick up her belongings which had been locked in a dressing room since March 2020 when the pandemic closed our doors.
But when she arrived, she ran into artistic director Stephen Sachs and a film crew from Spectrum News. They were on-site to do a story about the installation of the Fountain’s outdoor stage, and Aleisha’s jump-for-joy excitement at seeing the progress, and at being reunited with her Human Interest Story director – and her shoes! – immediately made her part of the story.
“This is literally going to be the first theatre that I see!” she happily promised Sachs as she watched the stage being constructed. And it’s highly likely that that will be true for many other live theatre lovers in Los Angeles. Now that Actors’ Equity Association, the union governing live stage performers and stage managers, has approved the Fountain’s COVID safety plan for its actors, audience, staff and crew, the Fountain has become the first intimate theatre in all of L.A. to be granted union approval for re-opening.
But even before getting AEA on board, the City had to sign off on the idea of an outdoor stage in the Fountain’s parking lot. “The hoops we had to jump through, the hurdles we had to cross…it was a long arduous journey,” Sachs told the Spectrum’s reporter Tara Lynn Wagner. “But the City is behind it 100%. And so is the theatre community.”
Inaugurating the outdoor stage will be the L.A. premiere of Branden Jacobs-Jenkins‘ Obie Award-winning Best American Play, An Octoroon. An Octoroon is a radical, incendiary and subversively funny riff on Dion Boucicault‘s once-popular 1859 mustache-twirling melodrama set on a Louisiana plantation. A spectacular collision of the antebellum South and 21st-century cultural politics, An Octoroon twists a funhouse world of larger-than-life stereotypes into blistering social commentary to create a gasp-inducing satire. Previews begin June 11; opening night is June 18. Performances are Fridays-Mondays at 7 pm through Sept. 19. Tickets are on sale now via the Fountain box office at (323) 663-1525 or on our website at www.fountaintheatre.com.
Catch all the excitement, and watch the entire Spectrum News interview, here:
Terri Roberts is a freelance writer and the Coordinator of Fountain Friends, the Fountain Theatre’s volunteer program. She also manages the Fountain Theatre Café and outdoor concessions.
Settle in with your favorite beverage on Saturday, Dec. 19 at 5 p.m. PT / 8 p.m. ET when the Fountain Theatre winds up 2020 and its monthly Saturday Matinee series with an Old Hollywood-themed holiday party filled with joy, games, and — of course — an online playreading. Admission is free at fountaintheatre.com.
Venerable actress Karen Kondazian, a lifetime member of the Actors Studio and Los Angeles Drama Critics Circle Award-winner best known for her work in the plays of Tennessee Williams (with whom she was a personal friend), takes on the role of Hollywood legend Bette Davis in Interviewing Miss Davis by award-winning playwright Laura Maria Censabella.
After the reading, stick around for party games and a celebration of friends, fellow artists and the Fountain’s all-important audience. Bring something glamorous! (optional)
Inspired by a true event in Ms. Censabella’s own life, the one-act is set in 1985 as Davis interviews a new personal assistant (Wonjung Kim) upon learning that her current, beloved assistant (and nurse) Jacqueline (Aleisha Force) is leaving.
“I was just out of college and very, very broke — no furniture, a folding chair, folding table, mattress on the floor, and I was working for someone who said I’d make a great assistant for Bette Davis,” Censabella explained in an interview. “I went to the interview but was very conflicted because I wanted to be a writer and at the same time I wanted instant validation, and I felt like if I became Bette Davis’s assistant, I would have that.”
Acclaimed actress Kathleen Chalfant will lead the cast for the Fountain Theatre’s live-stream reading of France-Luce Benson‘s docudrama on immigration, Detained, on Wednesday, May 20th. The Tony nominated and Obie winning actress’ distinguished stage career, both on Broadway and Off-Broadway, includes Tony Kushner’s Angels in America: Millennium Approaches and Margaret Edson’s Pulitzer Prize-winning play, Wit.
Actors joining Chalfant are Victor Anthony, France-Luce Benson, Rolando Chusan, Liza Fernandez, Aleisha Force, Dion Graham, Matt Kirkwood, Sofia Riba, Ariel Sandino, Felix A. Solis, Aldo Uribe, Karl O’Brien Williams.
Based on interviews with individuals who are facing deportation, as well as the judges, lawyers, and activists who are involved in these cases, Detained is a new documentary theater piece about immigration, deportation, and detention in the United States.
“France-Luce has incorporated the voices of all the stakeholders from immigrants to ICE officers and everyone in between, ” says Chalfant, who has been involved in the new play’s development. “The play provides a very important human perspective so that we see that the current system is neither necessary nor inevitable and is certainly not the way it has always been done.”
“The coronavirus crisis makes this already appalling system even crueler and now even murderous,’ she adds.
The live-stream reading of Detained on Wednesday, May 20, will air live at 5pm PST/8pm EST on the Fountain Theatre’s Facebook page, YouTube Channel and on Zoom.
The company of Human Interest Story celebrate Opening Night.
The opening night of the world premiere of a new play at the Fountain Theatre is always an event to celebrate. Such was the case on Saturday, February 15, with the official launch of Human Interest Story, written and directed by Stephen Sachs. A sold-out house gave the powerful and timely new play a standing ovation, and then gathered upstairs in our charming cafe for a catered reception with the company.
In the play, newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
early reviews have been laudatory. Theatre Notes has hailed the Fountain production as “Astonishing” and On Stage Los Angeles declares it “A Must See.”
Rob Nagle and Tanya Alexander in “Human Interest Story.”
“The line between where you are now and sleeping in your car is much thinner than you think.” The Fountain Theatre presents the world premiere of a timely new play, written and directed by Stephen Sachs(Arrival & Departure, Citizen: An American Lyric, Bakersfield Mist), about homelessness, celebrity worship and the assault on American journalism. Human Interest Story opens at the Fountain on Feb. 15, where performances continue through April 5.
Set in the fast-moving world of new media, Human Interest Story chronicles the journey of newspaper columnist Andy Kramer, played by award-winning actor Rob Nagle (recent credits include Apple Season at Moving Arts andThe Judas Kiss at Boston Court). Suddenly laid off when a corporate takeover downsizes his paper — a print publication struggling for readers in changing times — Andy fabricates a letter to his column in retaliation. The letter, from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world, goes viral, and Andy is forced to hire a homeless woman (Tanya Alexander — Mono/Poly at the Odyssey and Future Sex Inc. at the Lounge) to stand-in as the fictitious Jane. She becomes an overnight internet sensation and a national women’s movement is ignited.
According to Sachs, the play is about how contrary and opposing impulses can hide in the same human being. “A newspaper columnist, in the course of writing a human interest story on another individual, is forced to confront truths about himself,” he explains.
The cast also includes James Harper, previously seen at the Fountain in The Accomplices, as newspaper publisher Harold Cain. Playing multiple roles are Richard Azurdia(My Mañana Comes at the Fountain), Aleisha Force(Cleopatra in Antony and Cleopatra at Virginia Shakes, Maggie in Dancing at Lughnasa at Barnstormers Theatre), Matt Kirkwood (Our Class at Son of Semele, The Goat or, who is Sylvia? at the LGBT Center) and Tarina Pouncy (Vendetta Chrome at Coeurage Theatre; Les Blancs at Rogue Machine; and The Old Settler at International City Theatre, for which she garnered an NAACP award).
The creative team for Human Interest Story includes scenic and video designer Matthew G. Hill; lighting designer Jennifer Edwards; composer and sound designer Peter Bayne; costume designer Shon LeBlanc; video hair and makeup designer Diahann McCrary; and prop master Michael Allen Angel. The production stage manager is Emily Lehrer,and the assistant stage manager is Nura Ferdowsi. Simon Levy, James Bennett and Deborah Culver produce for the Fountain Theatre. Producing underwriters include David and Mary Jo Volk; Laurel and Robert Silton; Lois Tandy; and Toby and Daniel Bernstein. The executive producer is Karen Kondazian.
The story was initially inspired by the 1941 Frank Capra classic filmMeet John Doe.
Stephen Sachs is the co-founder and co-artistic director of the Fountain Theatre and the author of 15 plays. Recent work includes his Deaf/Hearing love story, Arrival & Departure (“Critic’s Choice,” Los Angeles Times); his stage adaptation of William Goldman’s screenplay for All the President’s Men, starring Bradley Whitford and Joshua Malina at L.A. City Hall; and his stage adaptation of Claudia Rankine’s Citizen: An American Lyric, which premiered at the Fountain Theatre and was remounted by Center Theatre Group at the Kirk Douglas Theatre. His play Bakersfield Mist is performed worldwide. Sachs’ screenplay Sweet Nothing in my Ear, based on his play, was made into a CBS TV movie starring Jeff Daniels and Marlee Matlin. As director, he is a two-time Ovation Award winner and was recently honored by the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include all-star readings of Ms. Smith Goes to Washington and All the President’s Men at Los Angeles City Hall. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and was named a Los Angeles Times “Critic’s Choice.” The company’s recent West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list. This season, the Southern California premiere of Daniel’sHusband and the currently extended Los Angeles premiere of Between Riverside and Crazy were each named to multiple “Best of 2019” lists.
Playwright/Director Stephen Sachs shares his thoughts on the new play.
Here we go! A new year. A new season. Company members assembled on Tuesday for the first rehearsal of the upcoming world premiere of Human Interest Story, written and directed by Stephen Sachs. The riveting drama opens Feb 15.
In Human Interest Story, Newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
Rob Nagle is a film/TV/stage actor and longtime Los Angeles favorite admired by local theatre audiences. His acclaimed portrayal of Oscar Wilde in David Hare’s The Judas Kiss at Boston Court Pasadena was hailed by the Los Angeles Times as “A performance not to be missed.” Tanya Alexander has been seen in a variety of film and TV roles and recently co-starred in the world premiere of Brian Reynolds’ Mono/Poly at the Odyssey Theatre.
In Human Interest Story, newspaper columnist Andy Kramer is laid off when a corporate takeover downsizes the City Chronicle. In retaliation, Andy fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of the heartless state of the world. When the letter goes viral, Andy is forced to hire a homeless woman to stand-in as the fictitious Jane Doe. She becomes an overnight internet sensation and a national women’s movement is ignited.
Human Interest Story runs February 15 to April 5 at the Fountain Theatre.