Category Archives: Deaf

ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy Kotsur and Deanne Bray

ARRIVAL & DEPARTURE postcard front FINAL2

An unforgettable love story inspired by one of the most romantic movies of all time. Stephen Sachs directs Deaf actors Deanne Bray (Sue Thomas: F.B.Eye, Heroes) and Troy Kotsur (title role in Cyrano at the Fountain, Big River on Broadway) in Sachs’ newest play, inspired by the screenplay for Noël Coward’s Brief Encounter. The world premiere of Arrival & Departure will open on July 14 and continue through September 30 at the Fountain Theatre. The cast also features hearing actors Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myersand Stasha Surdyke.

In Sachs’ new spin on the classic 1945 British film, a Deaf man (Kotsur) and a hard-of-hearing woman (Bray), two married strangers, meet accidentally in a New York City subway station. As their casual friendship develops into something deeper, each is forced to confront how their simmering relationship could forever change their lives and the lives of those they love.

“A train station is a place of transition, a place people go when they’re on their way to someplace else,” notes Sachs. “‘Arrival & Departure’ is not only a travel term. It expresses the journey of change that the people in this play are experiencing. What happens when you find your soul mate, but the circumstances of life get in the way?”

Kostsur and Bray are married in real life, and Sachs wrote the play with them in mind.

ARRIVAL & DEPARTURE 2

Deanne Bray and Troy Kotsur

“This is my valentine to the two of them,” he says. “But the characters they portray aren’t the only ones seeking human connection in the play. Other storylines interweave through the piece. Each character has a reason to reach out to someone.”

The 1945 classic film Brief Encounter, directed by David Lean with a screenplay by Noël Coward and starring Celia Johnson and Trevor Howard, was named “the most romantic film ever made” according to 101 industry experts polled by Time Out London. The Film Society of Lincoln Center named it “one of the most achingly romantic films ever made.”

The play is performed simultaneously in spoken English and American Sign Language with additional use of open captioning, so that both Deaf and hearing audiences can enjoy the production.

The creative team for Arrival & Departure includes set designer Matthew G. Hill, lighting designer Donny Jackson, video designer Nick Santiago, composer and sound designer Peter Bayne, costume designer Michael Mullen, prop master Michael Navarro, movement director Gary Franco and ASL masters Lisa Hermatz and Jevon Whetter. The production stage manager is Emily Lehrer. Simon Levy, Deborah Culver and James Bennett produce for the Fountain Theatre. Executive producers are Karen Kondazian; Diana Buckhantz and The Vladimir and Araxia Buckhantz Foundation; and Carrie Chassin and Jochen Haber. Producing underwriters include Dorothy and Stanley Wolpert; Suzanne and Don Zachary; Lois Tandy; Debbi and Ashley Posner; and The Howard and Helen Family Foundation.

Arrival & Departure is supported, in part, by generous grants from the David Lee Foundation, the Los Angeles County Arts Commission and the Los Angeles Department of Cultural Affairs.

Deanne Bray was born deaf and has been bilingual in American Sign Language and English since the age of two. She kicked off her acting career in 1991 at the Fountain Theatre, where Stephen Sachs directed her in One Flew Over the Cuckoo’s Nest. Bray is best known for the title role in Sue Thomas: F.B.Eye, which ran for three seasons on the PAX network. She has appeared in numerous TV shows, including a recurring role on NBC’s Heroes alongside Milo Ventimiglia and Masi Oka. On stage, Deanne has been seen in Deaf West Theatre productions of Big River, Sleeping Beauty Wakes and My Sister in This House. A graduate of Gallaudet University, she has a Masters in Sign Language Education and a California K-12 Teaching Credential from CSUN. She currently teaches ASL at Oak Park High School.

Troy Kotsur has been acting and directing for over 24 years, earning multiple awards for his work on stage. Deaf since birth, he attended Gallaudet University, where he played basketball for three years before leaving to become a professional actor with the National Theatre of the Deaf. In 1994, Troy moved to Los Angeles and joined the company of Deaf West Theatre, where he has performed in countless productions. His television guest-starring roles include Criminal Minds, Scrubs, CSI: NY and Sue Thomas F.B.Eye in a recurring role (starring alongside Deanne Bray) that became a fan-favorite. In film, he stars in Wild Prairie Rose and in the upcoming Inside Track, and he has had notable supporting roles in The Number 23 with Jim Carrey, Universal Signs and Father’s Day Breakfast. He directed the award-winning independent film No Ordinary Hero: The Superdeafy Movie, the first film in the history of SAG commercial feature films to be directed by a Deaf director and to be executive-produced exclusively by Deaf executive producers. Troy’s stage credits include the Tony Award-winning run of Big River on Broadway, as well as starring roles in Deaf West Theatre productions of American Buffalo (Los Angeles Drama Critics Circle Award nominee), Our Town at The Pasadena Playhouse, Cyrano at the Fountain (L.A. Drama Critic’s Circle Award for best actor, Ovation Award nominee), A Streetcar Named Desire (L.A. Drama Critics Circle and LA Weekly awards) and Of Mice and Men (LA Weekly Award for best actor).

Stephen Sachs is an award-winning playwright, director, producer and the co-artistic director of the Fountain Theatre, which he co-founded with Deborah Culver in 1990. He recently adapted and directed a celebrity reading of the screenplay for All the President’s Men at Los Angeles City Hall starring Bradley Whitford, Joshua Malina and Jeff Perry. His stage adaptation of Claudia Rankine’s Citizen: An American Lyric (Stage Raw Award at Fountain Theatre) inaugurated Center Theatre Group’s Block Party at the Kirk Douglas Theatre and was chosen to represent Los Angeles theater for Grand Park’s new Our L.A. Voices Arts Festival. His play Bakersfield Mist enjoyed a three-month run on London’s West End starring Kathleen Turner and is now being produced in regional theaters across the country, translated into other languages and performed worldwide. Other plays include Cyrano (L.A. Drama Critics Circle Award, Best Adaptation), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse, Canadian Stage Company, L.A. Drama Critics Circle Award), Central Avenue (PEN USA Literary Award finalist), Sweet Nothing in My Ear (PEN USA Literary Award finalist) and several others. He wrote the teleplay for Sweet Nothing in My Ear for Hallmark Hall of Fame which aired on CBS starring Marlee Matlin and Jeff Daniels. Sachs’ directing credits My Name is Asher Lev (L.A. premiere); Athol Fugard’s The Blue Iris (U.S. premiere); Bakersfield Mist (world premiere); Completeness by Itamar Moses, starring Jason Ritter; Side Man starring Christine Lahti; The Train Driver by Athol Fugard (U.S. premiere); Conor McPherson’s Shining City (L.A. premiere); the world premiere of Fugard’s Exits and Entrances at the Fountain (Ovation Award, L.A. Drama Critics Circle Award) and off-Broadway at Primary Stages; Fugard’s The Road to Mecca (L.A. premiere); Arthur Miller’s After the Fall (Ovation Award); Sweet Nothing in My Ear (world premiere); Hippolytos, inaugurating the outdoor classical theater at the Getty Villa in Malibu; and many others. Sachs was recently honored with a Certificate of Commendation from the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s Block Party at the Kirk Douglas Theatre and again, this year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President’s Men at Los Angeles City Hall. The Fountain’s most recent production, The Chosen, enjoyed rave reviews and ran for five sold-out months.

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VIDEO: Deaf and hearing actors meet at ‘Arrival & Departure’ first rehearsal

Excitement was high and fingers were flying as the company of Deaf and hearing theatre artists gathered at the Fountain Theatre for the first rehearsal of Arrival & Departure, a new play combining spoken English and American Sign Language. The world premiere opens July 14. 

The world premiere of a re-imagined modern-day stage adaptation of the classic 1945 film, Brief Encounter. A Deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a New York City subway station. Their casual friendship soon develops into deeper feelings they never expected, forcing both to confront how their simmering relationship will change their lives and damage the lives of those they love forever. An unforgettable love story inspired by one of the most beloved romantic movies of all time.

Written and directed by Stephen Sachs, Arrival & Departure stars Deaf actors Deanne Bray and Troy Kotsur, with Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myers, and Stasha Surdyke.

The play is performed simultaneously in American Sign Language, Spoken English, and open captioning so that all audiences can enjoy the production.

 

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Cast announced for world premiere of romantic ‘Arrival & Departure’ at Fountain Theatre

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Deanne Bray and Troy Kotsur

Love is in the air this summer with the world premiere of Stephen Sachs’ new play, Arrival & Departure, inspired by the screenplay for Noel Coward’s Brief Encounter. Sachs directs his new romantic comedy/drama, opening July 14.

In this re-imagined modern-day stage adaptation of Coward’s classic 1945 film, a Deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a New York City subway station. Their casual friendship soon develops into deeper feelings they never expected, forcing both to confront how their simmering relationship will change their lives the lives of those they love forever. An unforgettable love story inspired by one of the most beloved romantic movies of all time.

The play is performed simultaneously in American Sign Language, Spoken English, and open captioning so that all audiences can enjoy the production.

Joining the previously announced Deanne Bray (“Sue Thomas: F.B.Eye”, “Heroes”) and Troy Kotsur (“Cyrano”) are Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myers, and Stasha Surdyke.

This innovative production is supported, in part, by the David Lee Foundation and the Los Angeles County Arts Commission.   

Arrival & Departure runs July 14 – September 30 at the Fountain Theatre. More Info/Get Tickets

Fountain Theatre awarded $32,000 grant for deaf/hearing new play ‘Arrival & Departure’

ARRIVAL & DEPARTURE 2

Deanne Bray and Troy Kotsur

The Fountain Theatre is very pleased to announce that it has been awarded a grant from the David Lee Foundation in the amount of $32,000 to support and enhance the budget of the world premiere of its new deaf/hearing production, Arrival & Departure, which will combine American Sign Language and Spoken English. Written and directed by Stephen Sachs and starring Deaf actors Deanne Bray and Troy Kotsur, the new play opens July 14. 

The David Lee Foundation aims to support, enhance and promote Los Angeles area professional theater. It offers monetary grants to encourage the production of plays and musicals that might otherwise be overlooked because of financial considerations. Grants are given to supplement cast sizes, set and costume budgets, orchestras and rehearsal time.

“This magnificent award will allow The Fountain to bring Arrival & Departure to our stage with the full vision intact,” affirms Fountain Theatre Director of Development Barbara Goodhill. “It is also a beautiful affirmation of the merit of this beautiful play and the importance of the community it serves and illuminates.”

With ever increasing costs accompanied by decreasing aid to the arts, theater companies large and small are being forced to work with fewer and fewer resources. As a result the live theater appears to be shrinking before our eyes. Few theaters can consider a play with over four actors and anything more than the most rudimentary of sets and costumes. More often than not we are greeted upon entering the theater with a bare stage, a chair and a program that lists one or two actors. While this may well be artistically satisfying in some cases, it has resulted in the neglect of many great works simply because of their size. The David Lee Foundation seeks to change that.

David Lee regularly directs and writes for major regional theaters, including the L.A. Opera, Pasadena Playhouse, Two River Theater CompanyPapermill Playhouse, Williamstown Theater Festival, Encores, Reprise and the Hollywood Bowl. A nine-time Emmy Award winning director, writer and producer for television, David was co-creator/director of “Wings”and “Frasier”, a writer and producer for “Cheers” and a director for “Everybody Loves Raymond.”  19 Emmy nominations, Directors Guild Award, Golden Globe, Producers Guild Award, Ovation Award, British Comedy Award, Television Critics Association Award (three times), the Humanitas Prize (twice) and the Peabody.

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Set in New York City, Arrival & Departure is a re-imagined modern-day deaf/hearing stage adaptation of the classic 1945 British film, Brief Encounter. A deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a NY city subway station. A friendship develops over time, escalating into a passionate love affair that both deny themselves to consummate. An unforgettable love story inspired by one of the most beloved romantic movies of all time. A fast-moving innovative new production blending sign language, spoken English, open captioning and cinematic video imagery. 

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Now Casting: World premiere ASL/Spoken English love story “Arrival & Departure” at Fountain Theatre

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Deanne Bray and Troy Kotsur

The Fountain Theatre is now accepting submissions from hearing actors for the world premiere of Arrival & Departure, a funny and poignant new play written and directed by Stephen Sachs that will blend American Sign Language and spoken English. 

Two lead roles have been cast. Deaf actress Deanne Bray (TV’s “Sue Thomas”) will play Emily, and acclaimed Deaf actor Troy Kotsur (Cyrano, Big River) is Sam. Bray and Kotsur are real-life husband and wife, and will co-star on stage for the first time.

Set in New York City, Arrival & Departure is a re-imagined modern-day Deaf/hearing stage adaptation of the classic 1945 British film, Brief Encounter. In Sachs’ new spin, a Deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a NY city subway station. A friendship develops over time, escalating into a passionate love affair that both deny themselves to consummate. An unforgettable love story inspired by one of the most beloved romantic movies of all time. A fast-moving innovative new production blending sign language, spoken English, open captioning and cinematic video imagery. 

Now casting the following roles for hearing actors:

RUSSELL – 25 – 35, African American, a uniformed MTA security officer working the NY subway system. Big-hearted, open spirited, warm and friendly, a guy you instantly like. Hopelessly romantic and in love with Myra, the counter girl at the Dunkin’ Donuts shop in the train station.    

MYRA – 20 – 30, Puerto Rican, works at the Dunkin’ Donuts shop in the subway station. Sassy, tough, funny, a straight-talker. A hard-edged survivor.  She protects her oft-broken heart by not trusting Russell’s romantic advances, finally allowing herself to be loved.     

JULE – 13, daughter of Emily (hard of hearing) and Doug. Caught n the explosive transition between girl and woman, Jule is fiery, emotionally high-strung, sarcastic and fiercely insecure. Sensing her parents’ marriage may be failing, she fights wildly with her mother, pushing her buttons, yet aching only to be loved, feel safe and belong.    

DOUG – 45 – 55. A hardworking, well-meaning Christian man who still can’t figure out the track his own life has taken.  A handsome husband and father, Doug loves his wife and daughter, pushing to keep things as they are, yet trying to understand why his home life is changing. Married quickly and unexpectedly to a hard of hearing woman, Doug struggles to overcome his own hidden prejudices as he fights to save his family.   

COMMUTER 1 – 35 – 45, versatile ensemble member to play various roles. Voice actor to character of deaf film teacher Sam (lead), College Clerk, university teacher Jeff, ensemble.  Familiarity with sign language a plus but not necessary.

COMMUTER 2 – 35 – 45, versatile ensemble member to play various roles. Voice actress to character of hard of hearing Emily (lead), church friend Marjorie, ensemble. Familiarity with sign language a plus but not necessary.

Auditions: May 14 – 24
First rehearsal: Mon, June 4, 2018
Opens: July 14, 2018
Ends: September 30, 2018

Contract: AEA Los Angeles 99-Seat Agreement

Pay: $10.50/$12.00 per hour for rehearsals/performances.

Email headshot and resume: casting@fountaintheatre.com

Or mail to: 

Stephen Sachs
Fountain Theatre
5060 Fountain Avenue
Los Angeles, CA 90029

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Take a look as these two delightful actors thank the Fountain Theatre for its diversity

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The year is almost over . One thing 2016 made clear is the diversity of our country. Different cultures, communities, points of view. And a great need to understand, respect and connect with each other.  

We believe theatre serves a critical role in creating empathy and deepening understanding between people. We believe that by telling personal, human stories that dramatize lives from different communities, we stop seeing those cultures as “the other”. There is no “other”. There is only ourselves. Together.   

Troy Kotsur and Deanne Bray are two fabulous actors and members of our Fountain family. You’ve seen them both on TV, in film, and on our stage. You were dazzled by Troy’s lead performance in our Sign Language/English world premiere of Cyrano. And before achieving the ground-breaking lead role in her own TV series, Deanne earned her first professional stage acting job at the Fountain Theatre twenty-five years ago. They now have an eager message to share with you. Take a look and enjoy!

2013: A Season of the Heart at the Fountain Theatre

Flamenco Meets Canvas in ‘To Paint a Woman’ This Sunday, Sept 15, at the Fountain Theatre

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The Fountain Theatre’s Forever Flamenco series takes a unique swirl of the brush this Sunday night, Sept 15th at 8pm with To Paint a Woman. Artist Roderick Smith will create a painting on canvas live on stage while the flamenco concert is underway. Don’t miss this rare opportunity to enjoy the passionate flurry of flamenco and paint as they whirl simultaneously before your eyes.

Roderick Smith

Roderick Smith

Produced by Deborah Lawlor and under the artistic direction of guitarist Ethan Margolis, To Paint a Woman is an all-male flamenco performance inspired by a Spanish fandango verse “Por Pintar A Una Mujer” about the idealization of women.
Por pintar a una mujer
A un loco le dio la manía
Por pintar a una mujer
Y cuando pintá la tenía
Le puso un letrero a los pies
“Ya me tienes como tú querías”
                *
To paint a woman
A crazy man was given the notion
To paint a woman
And once he had the painting finished,
He placed a sign at her feet…
“Now you have me as you have always wanted”
Luis de la Tota

Luis de la Tota

This one-of-a-kind performance also features a rare Los Angeles appearance by special guest cajonero/palmero/festero Luis de la Tota from Jerez de la Frontera, Spain. The full line-up includes visual artist Roderick Smith dancers Manuel Guiterrez and Oscar Valeroguitarist Ethan Margolis,  singer Antonio de Jerez,  and upright bassist  John Leftwich.

Forever Flamenco  Sunday, Sept 15 8pm   (323) 663-1525    MORE

Fountain Theatre’s Fantastic Flamenco Fiesta at the Ford

Fin Fiestaby Tony Frankel

While classic and modern dance seem to be continually reinventing themselves, Flamenco remains a bedrock of the moving arts. As Forever Flamenco! at the Ford proved last Saturday, age and body type have nothing to do with the soulful expressiveness inherent in this traditional dance form.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Maria Bermudez

There are many forms of dance and song that emerged as a celebration of life amidst human suffering, but surely Flamenco thrillingly stands out as an example of such an art form. There are moments in the music that clearly reflect Indian, Islamic and Moorish influence. Some Flamenco music styles (palos) have been attributed to Jewish influences, as the Jews were firmly ensconced in Iberia since Roman times. And Andalusia, home to Flamenco, is in the south of the Iberian Peninsula.

“But who wants a history lesson?” asked Artistic Director Maria Bermúdez to the sold out crowd at the Ford Amphitheater. This evening was about celebrating Flamenco and to honor Deborah Lawlor, founder of the Fountain Theatre, where Forever Flamenco! plays once a month. Bermúdez, who has an uncanny ability to gather unparalleled artists, presented a line-up of local, national and international artists for a sexy and captivating evening.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Manuel Guiterrez

The explosive energy created by dancer Timo Nuñez at the start was, as they say, a hard act to follow. In his shiny red shoes, this tall and elegant artist began casually, but soon offered dynamic footwork that sounded like firecrackers. Then he would do a studly stroll, allowing the dance to breathe, often lifting his shirt to show a bit of skin. Sometimes, this graceful storyteller of dance stared at us as an egret looks for a fish in a lake. Although I don’t remember ever seeing such a hunky egret.

Equally thrilling was Manuel Gutierrez, who opened the second act and emulated a bullfighter. He wasn’t showing off, yet he displayed a crackling tap and pedal pyrotechnics the likes of which confirmed why Flamenco is so compelling. So fiery and passionate was Gutierrez that my companion said afterwards, “That’s it. I’m booking us on the next flight to Seville.”

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Alejandro Granados

The ridiculously sexy and sensuous Fanny Ara (think Salma Hayek) offered us a dance which was defiant, seductive, searching and scorching hot – and WAY too short. Mizuho Sato was another classic beauty who I wish had more stage time. All of the guitarists, whether jazzy or classical, were some of the best I have ever heard. Jason McGuire accompanied Ms. Ara with smoldering fast fingerwork that was a brilliant combination of new age work, á la William Ackerman, and traditional Flamenco. I can’t believe all of that music came out of one guitar. Likewise Jose Tanaka, who overlayed his work with a soulful yearning and accessible dissonance. The other guitarists – Antonio Triana, Ben Woods and Adam del Monte – were ably accompanied by the extraordinary percussionist Joey Heredia.

Alejandro Granados was a man drunk with life and passion. Somewhat nattily dressed in red pants, Granados looked like he could be a seaside merchant or a pawn shop owner. But looks and age have nothing to do with the spirit of Flamenco. Audience members actually began to shout as this older gentleman executed a timeless combination of dance artistry and comedic storytelling, giving us more character than an O’Neill drama.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."It may be politically incorrect to mention a woman’s age or body type, but whether we are supposed to say Rubenesque, full-figured or otherwise, there were some women on stage whose magnificence proved that anyone can master Flamenco. Lourdes Rodriguez, with spangles around her waist, brought whimsy, silliness and celebration to her dance (she was the one I most wanted to run up on stage to dance with). Linda Vega’s work was so admirable that I was shocked to discover that this was Ms. Vega after knee surgery. Well done! Most impressive was Yaelisa, a middle-aged woman who proved that time cannot quell the fiery gipsy spirit. This seasoned performer with amazing rhythm was humorous, expressive, joyful and reflective, vacillating from a spunky spirit to a trance-like seduction.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Fanny Ara

The vocalists were no ordinary singers; to the untrained ear, it may seem like they are struggling to hold a note, but that wailing and fluttering is the evolved style of the suffering gipsy, and, at times, sounded eerily like the plaintive yowling of nomadic Native American tribes or the spiritual yearnings of Jewish Sephardic music. Our powerful singers were Jose Cortes, Ana de los Reyes, Pelé de los Reyes and Ismael de la Rosa.

Tony Frankel's Stage and Cinema LA Dance Review of the Fountain Theatre's "Forever Flamenco! at the Ford."

Timo Nunez

In some of the group numbers, it was difficult to ascertain what was choreographed and what was spontaneous, but all of these impeccable artists worked together seamlessly, occasionally eyeing each other’s body parts (feet, hands, hips, eyes) as they performed with rhythmic intention – no differently than the most passionate lover looks upon a paramour during sex.¿Hace calor aqui? I would have preferred a stronger finish in some of the sets, as dancers just casually strolled away. But come to think of it, I’ve had some lovers do that, too.

The free-for-all in the finale included one of the most captivating moments captured on stage when four young girls executed some flawless dancing in colorful Flamenco flocked skirts. These artists who promise to bring Flamenco into the future were more than adorable – they were breathtaking and inspiring. Then again, so was the entire evening.

photos © Optimage Photography

Tony Frankel writes for Stage and Cinema

Staged Reading of ‘Cyrano’ Soars at New York Theatre Workshop

'Cyrano' at New York Theatre Workshop

‘Cyrano’ at New York Theatre Workshop

The Fountain Theatre and Deaf West Theatre brought their lyrical and romantic  deaf/hearing updated-version of Cyrano to New York last Monday, April 29, for a special staged reading at the acclaimed New York Theatre Workshop. The staged reading was performed for a full house of NY theater producers and invited VIP’s for the purpose of solidifying interest in a possible New York production.

Four original cast members were flown in from Los Angeles: Troy Kotsur, Paul Raci, Victor Warren and Al Bernstein.  The rest of the ensemble was cast with local New York actors Matt Biagini, Robert De MayoSamira Wiley, John McGinty, Puy Navarro, James W. Guido, Alexandria Wailes, Richard Dent, and original cast member Maleni Chaitoo who happens to now live in NY.

The company rehearsed with director Simon Levy for only three days. Our thanks to our friends at Primary Stages for providing their rehearsal studios to the Cyrano company. Also in attendance at rehearsals were playwright Stephen Sachs, Deaf West Artistic Director David Kurs, Fountain Producing Artistic Director Deborah Lawlor, DWT Founder Ed Waterstreet and his wife, actress Linda Bove.

The highly regarded New York Theatre Workshop is the Tony-winning company dedicated to developing new plays and musicals.  Over their 30-year history, they have launched many acclaimed productions and have transferred several to Broadway, including Rent, Dirty Blonde, Homebody/Kabul, Peter and the Starcatcher, Once, and more. The Cyrano staged reading was held Monday in the NYTW upstairs rehearsal hall. An invited list of producers and VIP guests attended, including representatives from New York Theatre Workshop, The Public Theater, Manhattan Theatre Club, Primary Stages, 59E59 Theatres, Broadway director Jeff Calhoun, and more. The actors performed Cyrano entirely memorized and off-book and cleverly incorporated the use of captioning and video design on a large TV flat screen monitor.

Our sincere and heartfelt thanks to our Cyrano donors who contributed to our fundraising campaign and made this very important New York opportunity possible: Phillip Baron, Cal Bartlett, JB Blanc, Eve Brenner, Carlease Burke, Johnny Clark, Kyle Colerider-Krugh, Cathy Colloff, Debra Conklin, James Conley, Kimberly Cyzner Family, Lorraine Danza, Timothy Davis-Reed, Fred Dean, Donna Duarte, Susan Duncan, Michael Edwin, Mark Freund, Amy Frost, Heidi Girardoni, Jane Gordon, Gaby Gross, William Dennis Hurley, Trice Koopman, Ken LaZebnik, Robert Leventer, Dennis Levitt, Ruth Linnick, Betsy Malloy, Caitlin Marcus, Donne McRae, Susan Merson, Mills, Michelle Montooth, Joel Moreno, Russell Nore, Jenny O’Hara, Susan Oka, Z. Oppenheim, Patricia Parker, Cynthia Paskos, Patty Paul, Terry Paule, Sharon Perlmutter, Ralph Pezoldt, Allison Pickering, Lawrence Poindexter, Priscilla Pointer, Bill Pugin and The Sign Language Company, Terri Roberts, Mark Routhier, Rita Schneir, Sandy Schuckett, Susanne Spira Survivors Trust, Suanne Spoke, Marjorie Throne, Eileen T’Kaye, Zoltan & Dorcas Tokes, Andrede Toledo, Tate Tullier, Jessica Turner, Nick Ullett, Heidi Girardoni, Carol Watson, Marianne Weil, William Wilk. We could not have done it without you!

What happens now? We’ll see what the future holds for our unique, thrilling and moving ASL/spoken English version of Cyrano. In the meantime, enjoy these snapshots of the rehearsal process and the staged reading!

‘Cyrano’ in New York 

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