Sold out for four months and extended for the second time, Building the Wall and the Fountain Theatre have even more to celebrate: the return of Victoria Platt to our Fountain stage. Last seen at the Fountain as Roxy in Cyrano, you may recognize her from such popular TV shows as All My Children and The Chicago Code. Taking over the role of Gloria in our smash hit world premiere of Building the Wall, Platt begins performances this Saturday, June 24th. This second and final extension runs to August 27th.
In between her crazy rehearsal schedule, Victoria took time to talk about her roots, her love for the Fountain Theatre, and the importance of theatre in the age of Trump’s America.
Where are you from? What’s your background?
I was born and raised in Queens, NY to a Polish father and West Indian mother. I have 8 siblings and there was 1 bathroom. That says it all! I started performing as a kid and then attended the High School of Performing Arts in Manhattan (the Fame school). I enrolled at Hunter College but work kept rolling in and I chose work.
What initially drew you to this project/script?
I heard about the production and how amazing it was but I was in a play at the same time so didn’t get a chance to see it. Then Simon Levy (Fountain Theatre’s Producing Director) emailed me about auditioning for the extension. I know Robert Schenkkan’s work and this play in particular is beyond relevant for our time so I was really excited about the possibility.
After the election, many theatre artists declared that their work was more important than ever. Do you agree with this and how does Building the Wall relate?
I do agree. There was a time when the common goal of artists was to challenge, to awaken, to question the status quo and hopefully incite change. At some point it became about foreign sales and social media followers and witty sound bites. This election seemed to remind the artistic community of our responsibility in the world. Why most of us got into this business to begin with. Building The Wall is looking directly at the issues and asking some really important questions.
It’s like trying to jump onto a moving train! A bit challenging. I’ve done this before however, with The Fountain’s production of Cyrano. My goal is to find that delicate balance between giving the other actors a familiar anchor while also honoring the truth of my own interpretation and performance. Bo and [director] Michael Michetti have been really wonderful in allowing me the space to find things on my own as well as offer the tried and true shortcuts. I’m not too proud to take a short cut!
How does it feel coming back to the Fountain Theatre?
I love The Fountain; seeing productions here and working here. They’re really dedicated to bringing thought provoking and challenging work to the community. They’re actively involved and take responsibility for making the world a better place in a tangible way, all the way down to providing a stamped and addressed postcard that patrons can send to the president! It makes working with them even more inspiring and I feel compelled to match their dedication, passion and commitment.