A remarkable thing — perhaps even historic — happened in a Hollywood casting office last week. The team for the TV show “Criminal Minds” took the extraordinary step of rewriting a character in an episode from a hearing role into a deaf role solely so they could hire a deaf actor. The “Criminal Minds” casting director had seen deaf actor Troy Kotsur on stage in our smash hit production of Cyrano at the Fountain Theatre and was so blown away by his performance that he convinced the TV team to change the role in the upcoming episode from a hearing character to a deaf character just so they could hire Kotsur.
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As Troy tells it:
I walked into the casting director’s office and saw about 10 hearing actors in the waiting room. They were auditioning the same role as I was going for.
After I auditioned, I felt great with the choices I made to present the character and how I went with the flow with the Criminal Minds team in the room.
At first, I assumed they did not know much about Deaf people. During the process, I thought: Did they understand anything I signed? Could they tell if I played the way they wanted the character to be? Did they see the details I brought with my face, eyes and body language for the character? Could they tell the difference between hearing actors and Deaf actors? Is there a difference? Or could only an expert, who knew both cultures, catch the differences? Did the team know what they were looking for? Most teams don’t know until they see what the actors bring in the room.
Deep down inside, I was hoping they wouldn’t hire me because I was Deaf. I wanted to believe they would hire me because of the skills, nuances, and the specifics of what I was able to give for my character, for their story. Good acting.
After I auditioned, I felt that it was possible that they did see the specifics and moments. It was a positive experience.
I learned later that originally the character had lots of action and no speaking lines. They gave the character to a hearing actor, Matthew Jaeger. Matthew has worked with Deaf West Theatre in the past with Deaf and hearing actors. He asked the Criminal Minds team to give Deaf actors a chance to show their work because they can do this character just as well. I’m grateful to Matthew Jaegger who encouraged the Criminal Minds team to give Deaf actors a chance. This all wouldn’t have happened if it wasn’t for Matt.
I also learned that the casting director saw Cyrano at the Fountain Theatre. I had no idea. It’s wonderful to have casting directors and writers see plays at the Fountain and Deaf West for the opportunity it gives for more jobs for Deaf actors. It’s challenging for Deaf actors to get jobs because there aren’t many written roles for Deaf actors to play. Non-speaking roles or Deaf characters are roles I usually audition for.
The Criminal Minds team decided to give it a shot. They did a re-write after they saw my audition. What a journey and a blessing. I am curious to know how the writers will write, to dive into a Deaf person’s mind!”
Troy’s agent, Liz Hanley with Bicoastal Talent, is thrilled.
“I hope this play and more plays like it can continue to inspire writers to create more stories for Deaf actors to get more work.”
Cyrano Final Extension to July 29 (323) 663-1525 More Info